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The Dictionary of Classical Hebrew Revised. IV. Yodh–Lamedh.
Published: Nov 2025
£150.00
The Dictionary of Classical Hebrew Revised (DCHR) (2018–2028) is a complete revision in nine volumes, with over 100,000 improvements, of the original Dictionary of Classical Hebrew (DCH) (1993–2016). When completed, DCHR will be 5 million words in length (equivalent to 50 standard-size books), 25% longer than DCH, and 4 times the length of BDB and HALOT.
The fourth Volume of The Dictionary of Classical Hebrew Revised, Yodh–Lamedh, arrives 27 years after the publication of the corresponding volume in the first edition (DCH) in 1998.
The Dictionary of Classical Hebrew Revised, when completed, will contain more than 6,420 Hebrew words not in BDB, and will refer to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions. New features in DCHR include: a notation of 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) with their own articles (not previously shown in Hebrew lexica), 345 denominative verbs (verbs derived from a noun), and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
Data on synonyms have been greatly expanded, and loanwords from other languages included. Articles on personal names show (for the first time) all short forms, long forms, and alternative forms of each name, the Bibliography has been updated and expanded, and 35,000 emendations of biblical texts noted.
Every occurrence of each word in Classical Hebrew is noted. All the subjects and objects of verbs are listed, and the verbs used with each noun, as well as all nouns used in a construct (genitive) relation with another noun. As with DCH, every Hebrew word in the revised Dictionary (except for the variant forms of a word, the byforms and the sections on synonyms) is followed immediately by an English translation, so that the Dictionary can be easily understood by a person with little or no Hebrew.
Among the resources that have been reviewed for the present volume are:
-philological studies on Hebrew words, such as Aitken on blessing and cursing, Koller on tools, and Peters on cooking;
-handbooks on loanwords from other languages, such as Noonan on non-Semitic words, Mankowski on Akkadian and Muchiki on Egyptian loanwords;
-treatments of realia such as Borowski on agriculture and animals, Musselman on plants and Wiggins on weather;
-collections of inscriptions such as the second volume of Davies on Hebrew inscriptions, Lifschits and Vanderhooft on Yehud stamp impressions and Deutsch on Hebrew bullae and biblical period epigraphy.
There is a special discount price for customers subscribing to the DCHR set, and an easy payment plan (details from phoenix.bibs@sheffield.ac.uk).
The Dictionary of Classical Hebrew Revised. IV. Yodh–Lamedh.
£150.00
The Dictionary of Classical Hebrew Revised (DCHR) (2018–2028) is a complete revision in nine volumes, with over 100,000 improvements, of the original Dictionary of Classical Hebrew (DCH) (1993–2016). When completed, DCHR will be 5 million words in length (equivalent to 50 standard-size books), 25% longer than DCH, and 4 times the length of BDB and HALOT.
The fourth Volume of The Dictionary of Classical Hebrew Revised, Yodh–Lamedh, arrives 27 years after the publication of the corresponding volume in the first edition (DCH) in 1998.
The Dictionary of Classical Hebrew Revised, when completed, will contain more than 6,420 Hebrew words not in BDB, and will refer to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions. New features in DCHR include: a notation of 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) with their own articles (not previously shown in Hebrew lexica), 345 denominative verbs (verbs derived from a noun), and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
Data on synonyms have been greatly expanded, and loanwords from other languages included. Articles on personal names show (for the first time) all short forms, long forms, and alternative forms of each name, the Bibliography has been updated and expanded, and 35,000 emendations of biblical texts noted.
Every occurrence of each word in Classical Hebrew is noted. All the subjects and objects of verbs are listed, and the verbs used with each noun, as well as all nouns used in a construct (genitive) relation with another noun. As with DCH, every Hebrew word in the revised Dictionary (except for the variant forms of a word, the byforms and the sections on synonyms) is followed immediately by an English translation, so that the Dictionary can be easily understood by a person with little or no Hebrew.
Among the resources that have been reviewed for the present volume are:
-philological studies on Hebrew words, such as Aitken on blessing and cursing, Koller on tools, and Peters on cooking;
-handbooks on loanwords from other languages, such as Noonan on non-Semitic words, Mankowski on Akkadian and Muchiki on Egyptian loanwords;
-treatments of realia such as Borowski on agriculture and animals, Musselman on plants and Wiggins on weather;
-collections of inscriptions such as the second volume of Davies on Hebrew inscriptions, Lifschits and Vanderhooft on Yehud stamp impressions and Deutsch on Hebrew bullae and biblical period epigraphy.
There is a special discount price for customers subscribing to the DCHR set, and an easy payment plan (details from phoenix.bibs@sheffield.ac.uk).
The Woman of Courage: A Womanist Reading of Proverbs 31
Published: Oct 2025
£60.00
In The Woman of Courage, Mmapula Diana Kebaneilwe provides a brilliant contextual and inter-textual, womanist analysis of Proverbs 31:10-31. Kebaneilwe critically engages with this well-known pericope’s intertextual context with other biblical texts from the same era. As she renders the Hebrew eshet hayil, she questions conventional patriarchal readings of Prov. 31 and emphasizes the agency, tenacity, and economic might of the ‘woman of courage.’
Kebaneilwe shows that the woman who is celebrated in this biblical text lives in a culture with accentuated gender roles which resonate with the lived experiences of many Batswana women in many ways and at different levels. Like Botswana culture, ancient Israelite culture, as demonstrated throughout the Hebrew Bible, is agrarian, patriarchal, and androcentric. In both worlds, a woman’s worth and dignity are closely associated with her socially prescribed and labour-intensive roles of wife and mother.
This monograph demonstrates that eshet-hayil is impressive to her oppressors, including her husband and the patriarchs in higher authority, who are urged by the overarching voice of the narrator to hold her in high esteem and applaud her for her work and position. The implied praise of the men at the gate shows that the Woman of Courage has transcended one of the fundamental limitations of the patriarchal system, which was that she could never be recognised, praised, or rewarded for her work.
By emphasizing African womanist viewpoints, Kebaneilwe shows that Prov. 31 is not only a critique of patriarchal biblical ideas about women, but also—and perhaps more significantly—a text of empowerment for modern women and everyone else because it provides new perspectives on gender justice issues. The Woman of Courage is a must read for theologians, undergraduate and graduate students and all those interested in the intersection of religion and gender justice.
The Woman of Courage: A Womanist Reading of Proverbs 31
£60.00
In The Woman of Courage, Mmapula Diana Kebaneilwe provides a brilliant contextual and inter-textual, womanist analysis of Proverbs 31:10-31. Kebaneilwe critically engages with this well-known pericope’s intertextual context with other biblical texts from the same era. As she renders the Hebrew eshet hayil, she questions conventional patriarchal readings of Prov. 31 and emphasizes the agency, tenacity, and economic might of the ‘woman of courage.’
Kebaneilwe shows that the woman who is celebrated in this biblical text lives in a culture with accentuated gender roles which resonate with the lived experiences of many Batswana women in many ways and at different levels. Like Botswana culture, ancient Israelite culture, as demonstrated throughout the Hebrew Bible, is agrarian, patriarchal, and androcentric. In both worlds, a woman’s worth and dignity are closely associated with her socially prescribed and labour-intensive roles of wife and mother.
This monograph demonstrates that eshet-hayil is impressive to her oppressors, including her husband and the patriarchs in higher authority, who are urged by the overarching voice of the narrator to hold her in high esteem and applaud her for her work and position. The implied praise of the men at the gate shows that the Woman of Courage has transcended one of the fundamental limitations of the patriarchal system, which was that she could never be recognised, praised, or rewarded for her work.
By emphasizing African womanist viewpoints, Kebaneilwe shows that Prov. 31 is not only a critique of patriarchal biblical ideas about women, but also—and perhaps more significantly—a text of empowerment for modern women and everyone else because it provides new perspectives on gender justice issues. The Woman of Courage is a must read for theologians, undergraduate and graduate students and all those interested in the intersection of religion and gender justice.
The First Japanese Bible, and its Role in the Emergence of Modern Literary Japanese
Published: Sep 2025
£85.00
This ground-breaking book depicts the life, times and works of the Bible translators of nineteenth-century Japan and the prominent role they played in helping to shape modern Japan.
The translation of the Bible into Japanese occurred at a time of great cultural turmoil, when Japan was grappling with industrial and technological modernization in the shift from a feudal agrarian society after 260 years of isolation. In this turmoil, the cultural question of literary style was deemed of great importance. Because of the dichotomy between those who read Chinese (in a Japanese way) and those who did not, the need for reform and simplification was considered an essential aspect of the modernization of Japanese society. The Japanese Bible emerged as a prime example of such a style.
Suzuki’s study traces the development of the primary versions that culminated in the production of the first complete Japanese Bible, the Meiji Version of 1887. The translation of the Psalms, in particular, gained wide acclaim, even being said to be as incomparable as Mt Fuji. The literary quality of the Hebrew Bible was conveyed by the integration of a pure Japanese elegance, Chinese gravitas and freshness of Western and even some Hebrew elements of style.
For the first time, this volume gives due weight to three factors: appreciation of the Chinese Bible by the Japanese Bible translation, its fidelity to the primary Hebrew and Greek source texts, and its adoption of a pure Japanese style as the foundation.
The First Japanese Bible, and its Role in the Emergence of Modern Literary Japanese
£85.00
This ground-breaking book depicts the life, times and works of the Bible translators of nineteenth-century Japan and the prominent role they played in helping to shape modern Japan.
The translation of the Bible into Japanese occurred at a time of great cultural turmoil, when Japan was grappling with industrial and technological modernization in the shift from a feudal agrarian society after 260 years of isolation. In this turmoil, the cultural question of literary style was deemed of great importance. Because of the dichotomy between those who read Chinese (in a Japanese way) and those who did not, the need for reform and simplification was considered an essential aspect of the modernization of Japanese society. The Japanese Bible emerged as a prime example of such a style.
Suzuki’s study traces the development of the primary versions that culminated in the production of the first complete Japanese Bible, the Meiji Version of 1887. The translation of the Psalms, in particular, gained wide acclaim, even being said to be as incomparable as Mt Fuji. The literary quality of the Hebrew Bible was conveyed by the integration of a pure Japanese elegance, Chinese gravitas and freshness of Western and even some Hebrew elements of style.
For the first time, this volume gives due weight to three factors: appreciation of the Chinese Bible by the Japanese Bible translation, its fidelity to the primary Hebrew and Greek source texts, and its adoption of a pure Japanese style as the foundation.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
Published: Sep 2025
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Jonah’s Motive in the Light of Exodus 32–34
Published: Sep 2025
£70.00
Chanreiso Lungleng offers a favourable insight into the motivation and concerns of Jonah. This monograph pivots on the significance of Jonah 4.2 with the contention that the allusion to Exodus 32–34 unveils Jonah’s motive—zeal for God’s glory—which is otherwise assumed in the narrative.
Although the book of Jonah has received much attention in recent years—with many describing Jonah using terms such as ‘bigoted nationalist,’ ‘chauvinist,’ ‘jingoist,’ ‘anti-prophet,’ ‘satirical comic character,’ ‘hypocrite,’ and others—Lungleng argues that Yahweh’s attribution of the virtue of ‘pity’ to Jonah in Jonah 4.10 provides a key insight into Jonah’s character. Lungleng’s fresh exploration of Jonah’s character against the backdrop of Exodus 32–34, leads to several interesting discoveries. Collectively, these insights form a coherent exposition of this prophetic book. This provides the foundation for understanding that Jonah’s interactions with Yahweh and other characters in the narrative are motivated by a concern for the defence of God’s glory. And yet where Jonah’s zealous concern is for maintaining God’s reputation, Lungleng interprets the interchange with Yahweh, as divine guidance to Jonah that God’s glory is most radiantly revealed in showing compassion—even to Nineveh, a Gentile city—rather than in the protectionist approach of the prophet. Jonah’s Motive in the Light of Exodus 32–34
£70.00
Chanreiso Lungleng offers a favourable insight into the motivation and concerns of Jonah. This monograph pivots on the significance of Jonah 4.2 with the contention that the allusion to Exodus 32–34 unveils Jonah’s motive—zeal for God’s glory—which is otherwise assumed in the narrative.
Although the book of Jonah has received much attention in recent years—with many describing Jonah using terms such as ‘bigoted nationalist,’ ‘chauvinist,’ ‘jingoist,’ ‘anti-prophet,’ ‘satirical comic character,’ ‘hypocrite,’ and others—Lungleng argues that Yahweh’s attribution of the virtue of ‘pity’ to Jonah in Jonah 4.10 provides a key insight into Jonah’s character. Lungleng’s fresh exploration of Jonah’s character against the backdrop of Exodus 32–34, leads to several interesting discoveries. Collectively, these insights form a coherent exposition of this prophetic book. This provides the foundation for understanding that Jonah’s interactions with Yahweh and other characters in the narrative are motivated by a concern for the defence of God’s glory. And yet where Jonah’s zealous concern is for maintaining God’s reputation, Lungleng interprets the interchange with Yahweh, as divine guidance to Jonah that God’s glory is most radiantly revealed in showing compassion—even to Nineveh, a Gentile city—rather than in the protectionist approach of the prophet.
Irony in the Divine Response to Job
Published: Sep 2025
£70.00
The interrogation by Scott Xu of the ironic motifs in the divine response to Job offers a new understanding of the Book of Job’s questions surrounding suffering. Xu offers a thorough investigation and analysis of the different levels and aspects of irony in Job, particularly in the closing chapters (Job 38–42). The use of irony, Xu proposes, is designed to respond to the key issue in Job that has plagued readers and scholars over the ages, namely that of innocent suffering.
Prior to this monograph, there has been no in-depth study of irony, beyond at a verbal level; nor had the book’s theological concerns—in relation to irony—been sufficiently addressed. Nearly a century of Joban scholarship on irony demonstrates a growing literary appreciation of the book of Job, but leaves much to be desired such as methodological uniformity. A survey of previous studies on irony in the book of Job is conducted and critical gaps are identified. A sophisticated framework of irony is established and then applied to the divine speeches and the Epilogue.
The result of this analysis is the discovery that the Book of Job can be understood as suggesting that an innocent sufferer can have a positive understanding of their suffering as well as of their relation with the divine. Fundamental to this interpretation is the revelation of a God who responds to the issue of innocent suffering in ingenious ways, whose pride cannot be threatened, but who nevertheless identifies with the human situation and is even capable of self-irony. In conclusion, the completed interpretive lens that is offered enables the reader to see irony itself as the divine response to the issue of innocent suffering.
Irony in the Divine Response to Job
£70.00
The interrogation by Scott Xu of the ironic motifs in the divine response to Job offers a new understanding of the Book of Job’s questions surrounding suffering. Xu offers a thorough investigation and analysis of the different levels and aspects of irony in Job, particularly in the closing chapters (Job 38–42). The use of irony, Xu proposes, is designed to respond to the key issue in Job that has plagued readers and scholars over the ages, namely that of innocent suffering.
Prior to this monograph, there has been no in-depth study of irony, beyond at a verbal level; nor had the book’s theological concerns—in relation to irony—been sufficiently addressed. Nearly a century of Joban scholarship on irony demonstrates a growing literary appreciation of the book of Job, but leaves much to be desired such as methodological uniformity. A survey of previous studies on irony in the book of Job is conducted and critical gaps are identified. A sophisticated framework of irony is established and then applied to the divine speeches and the Epilogue.
The result of this analysis is the discovery that the Book of Job can be understood as suggesting that an innocent sufferer can have a positive understanding of their suffering as well as of their relation with the divine. Fundamental to this interpretation is the revelation of a God who responds to the issue of innocent suffering in ingenious ways, whose pride cannot be threatened, but who nevertheless identifies with the human situation and is even capable of self-irony. In conclusion, the completed interpretive lens that is offered enables the reader to see irony itself as the divine response to the issue of innocent suffering.
Character Development in MT Esther
Published: Sep 2025
£70.00
Through this literary reading of MT Esther, Bernard Tola determines—in this early example of a novel—whether character change and complexity can be discerned in the four main characters: Esther, Mordecai, Ahasuerus and Haman. Characterization in MT Esther has widely been assessed as flat and unchanging, resulting in portrayals that lack depth, with the possible exception of Esther herself. In this view, the characters remain superficial, merely fulfilling archetypal roles or representing static wisdom types.
Tola investigates if the narrative is more concerned with the quality of Jewish life in the diaspora rather than with depicting character. This monograph shows how the author of Esther makes use of a wide range of tools in their work with characterization, creating a variety of characters that interact with each other in interesting and sometimes surprising ways.
By applying the anthropological model of Cultural Theory, Tola provides a typology for linking worldview and behaviour. Tola uses this for analysing the interactions between different worldviews, clarifying the cultural commitments of the four main characters. Other methodologies are used to analyse how the worldviews and psychology of the characters manifest themselves through their speech. They provide a means of investigating the interactions between protagonists and of identifying character changes.
This study establishes that the many clashes between the various characters arise from differences in their worldviews, that the result of these clashes is often a change in worldview, and that the worldviews of the characters fuel the plot of the narrative. In their own way, the four main characters change in the course of the narrative. Their changes are sometimes abrupt, sometimes gradual, sometimes profound and sometimes do not amount to character development. Their changes are, however, always important in the narrative.
Character Development in MT Esther
£70.00
Through this literary reading of MT Esther, Bernard Tola determines—in this early example of a novel—whether character change and complexity can be discerned in the four main characters: Esther, Mordecai, Ahasuerus and Haman. Characterization in MT Esther has widely been assessed as flat and unchanging, resulting in portrayals that lack depth, with the possible exception of Esther herself. In this view, the characters remain superficial, merely fulfilling archetypal roles or representing static wisdom types.
Tola investigates if the narrative is more concerned with the quality of Jewish life in the diaspora rather than with depicting character. This monograph shows how the author of Esther makes use of a wide range of tools in their work with characterization, creating a variety of characters that interact with each other in interesting and sometimes surprising ways.
By applying the anthropological model of Cultural Theory, Tola provides a typology for linking worldview and behaviour. Tola uses this for analysing the interactions between different worldviews, clarifying the cultural commitments of the four main characters. Other methodologies are used to analyse how the worldviews and psychology of the characters manifest themselves through their speech. They provide a means of investigating the interactions between protagonists and of identifying character changes.
This study establishes that the many clashes between the various characters arise from differences in their worldviews, that the result of these clashes is often a change in worldview, and that the worldviews of the characters fuel the plot of the narrative. In their own way, the four main characters change in the course of the narrative. Their changes are sometimes abrupt, sometimes gradual, sometimes profound and sometimes do not amount to character development. Their changes are, however, always important in the narrative.
Jacob: Conflicted Twin, Aggrieved Patriarch
Published: Jun 2025
£70.00
George Savran brings his narrative interpretive approach to look closely at Jacob’s shifting identity. Jacob is indelibly linked to his brother Esau in the Genesis narrative, and their complex relationship as twins foregrounds this problematic connection. Jacob’s lineage is examined—he differs noticeably from his ancestors and his offspring in the complexity of his changing character. At times he is a “simple man” at the mercy of the demands of others; elsewhere he is a devious trickster eager to use his wits to achieve personal success. His search for a coherent identity, as it unfolds in this study, leads to his emergence as the patriarch of his family, compelled to make peace with his brother and his sons in the midst of ongoing conflict.
This study brings out how Jacob’s mature identity is clarified further by his reactions to three unusual and unexpected encounters which shed light on his ability to recalibrate his self-understanding.
- The first is his struggle with the man/angel at the Jabbok, where he receives a blessing with the name Israel, and comes to realize that his relationship to God is more complicated (and less predictable) than he had previously thought.
- An additional insight comes the following day during his reunion with Esau, as he learns to appreciate him in a new way and compares beholding his face to “seeing the face of God”. This is a remarkable admission by a brother who thought only the worst of his twin.
- Jacob’s rethinking his own self-importance emerges later in the Joseph story, when he is compelled to realizes that his insistence on his personal concerns will lead to the dissolution of his family.
Savran’s interpretation of these reactions underscores their significance in Jacob’s development, revealing a character of depth and resilience and giving new meaning to his role as the avatar of Israel.
Jacob: Conflicted Twin, Aggrieved Patriarch
£70.00
George Savran brings his narrative interpretive approach to look closely at Jacob’s shifting identity. Jacob is indelibly linked to his brother Esau in the Genesis narrative, and their complex relationship as twins foregrounds this problematic connection. Jacob’s lineage is examined—he differs noticeably from his ancestors and his offspring in the complexity of his changing character. At times he is a “simple man” at the mercy of the demands of others; elsewhere he is a devious trickster eager to use his wits to achieve personal success. His search for a coherent identity, as it unfolds in this study, leads to his emergence as the patriarch of his family, compelled to make peace with his brother and his sons in the midst of ongoing conflict.
This study brings out how Jacob’s mature identity is clarified further by his reactions to three unusual and unexpected encounters which shed light on his ability to recalibrate his self-understanding.
- The first is his struggle with the man/angel at the Jabbok, where he receives a blessing with the name Israel, and comes to realize that his relationship to God is more complicated (and less predictable) than he had previously thought.
- An additional insight comes the following day during his reunion with Esau, as he learns to appreciate him in a new way and compares beholding his face to “seeing the face of God”. This is a remarkable admission by a brother who thought only the worst of his twin.
- Jacob’s rethinking his own self-importance emerges later in the Joseph story, when he is compelled to realizes that his insistence on his personal concerns will lead to the dissolution of his family.
Savran’s interpretation of these reactions underscores their significance in Jacob’s development, revealing a character of depth and resilience and giving new meaning to his role as the avatar of Israel.
The Shorter Dictionary of Classical Hebrew Revised
Published: Mar 2025
£250.00
The Shorter Dictionary of Classical Hebrew Revised (2025) is a single volume desk dictionary abridgement of The Dictionary of Classical Hebrew Revised (DCHR) (2018–2028). The Shorter Dictionary is over 825,000 words in length, placing into a single volume 1/6th of the material of the complete DCHR (over 5 million words), and is designed to be a replacement for BDB (the standard 1906 English lexicon of Hebrew).
The Shorter Dictionary contains more than 6,420 Hebrew words not in BDB, and refers to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions, making it the most thorough Hebrew dictionary ever produced.
Every Hebrew word in The Shorter Dictionary is followed immediately by an English translation (except for the variant forms of a word and the byforms), so that The Shorter Dictionary can be easily understood by a person with little or no Hebrew.
Further features of the dictionary include:
–Scope—The Shorter Dictionary includes not only Biblical Hebrew but also all Classical Hebrew (pre-200 ce), i .e . Ben Sira, Dead Sea Scrolls, inscriptions.
–Syntagmatic analysis—shows examples of subjects and objects of verbs, those of which a noun is subject or object, etc.
–Occurrence statistics—for each word in the four corpora of Classical Hebrew: Hebrew Bible, Ben Sira, Dead Sea Scrolls, Inscriptions—and for each voice (binyan) of a verb.
–Parallels and oppositions. Shows all words used in parallel or opposition in texts.
–A notation of: 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) -with their own articles (not previously shown in Hebrew lexica); 345 denominative verbs (verbs derived from a noun); and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
–An abbreviated version of DCHR’s extensive bibliographies is provided in The Shorter Dictionary.
Not only is The Shorter Dictionary three times longer than The Concise Dictionary of Classical Hebrew (2009)—also The Concise Dictionary is an abbreviation of the original Dictionary of Classical Hebrew (1993–2016), whereas The Shorter Dictionary of Classical Hebrew Revised contains the improved and expanded approach of DCHR (2018–2028).
The Shorter Dictionary (2025) has always planned to be released during the longer period of publication for the 9 volumes of DCHR. From 2019 to 2022 David J.A. Clines, prior to his final illnesses and death:
–completed every necessary editorial task for the future volumes;
–oversaw the preparation of and collation of most materials;
–and provided the means by which the project Research Associate, David Stec, could collate The Shorter Dictionary as well as bring the remaining DCHR volumes to publication.
List price: £250 / $400 / €300
Scholars' price: £125 / $200 / €150 (use code 'scholar' at checkout)
DCHR 1–9 Subscribers' price: £100 / $160 / €120 (email: phoenix.bibs@sheffield.ac.uk for further information)
The Shorter Dictionary of Classical Hebrew Revised
£250.00
The Shorter Dictionary of Classical Hebrew Revised (2025) is a single volume desk dictionary abridgement of The Dictionary of Classical Hebrew Revised (DCHR) (2018–2028). The Shorter Dictionary is over 825,000 words in length, placing into a single volume 1/6th of the material of the complete DCHR (over 5 million words), and is designed to be a replacement for BDB (the standard 1906 English lexicon of Hebrew).
The Shorter Dictionary contains more than 6,420 Hebrew words not in BDB, and refers to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions, making it the most thorough Hebrew dictionary ever produced.
Every Hebrew word in The Shorter Dictionary is followed immediately by an English translation (except for the variant forms of a word and the byforms), so that The Shorter Dictionary can be easily understood by a person with little or no Hebrew.
Further features of the dictionary include:
–Scope—The Shorter Dictionary includes not only Biblical Hebrew but also all Classical Hebrew (pre-200 ce), i .e . Ben Sira, Dead Sea Scrolls, inscriptions.
–Syntagmatic analysis—shows examples of subjects and objects of verbs, those of which a noun is subject or object, etc.
–Occurrence statistics—for each word in the four corpora of Classical Hebrew: Hebrew Bible, Ben Sira, Dead Sea Scrolls, Inscriptions—and for each voice (binyan) of a verb.
–Parallels and oppositions. Shows all words used in parallel or opposition in texts.
–A notation of: 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) -with their own articles (not previously shown in Hebrew lexica); 345 denominative verbs (verbs derived from a noun); and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
–An abbreviated version of DCHR’s extensive bibliographies is provided in The Shorter Dictionary.
Not only is The Shorter Dictionary three times longer than The Concise Dictionary of Classical Hebrew (2009)—also The Concise Dictionary is an abbreviation of the original Dictionary of Classical Hebrew (1993–2016), whereas The Shorter Dictionary of Classical Hebrew Revised contains the improved and expanded approach of DCHR (2018–2028).
The Shorter Dictionary (2025) has always planned to be released during the longer period of publication for the 9 volumes of DCHR. From 2019 to 2022 David J.A. Clines, prior to his final illnesses and death:
–completed every necessary editorial task for the future volumes;
–oversaw the preparation of and collation of most materials;
–and provided the means by which the project Research Associate, David Stec, could collate The Shorter Dictionary as well as bring the remaining DCHR volumes to publication.
List price: £250 / $400 / €300
Scholars' price: £125 / $200 / €150 (use code 'scholar' at checkout)
DCHR 1–9 Subscribers' price: £100 / $160 / €120 (email: phoenix.bibs@sheffield.ac.uk for further information)
Song of Songs in Sense, Sound and Space
Published: Nov 2024
£70.00
This volume offers 13 cutting-edge essays on the Song of Songs presented in four categories.
1. Exegetical and Contextualised Studies. Fernandes argues Solomon’s sidelining in the Song is unjust and uncovers subtle allusions to him. Scheffler examines the contentious place of Song 7.1 and its depiction. Lombaard challenges whether gender equity exists in the Song, arguing that female voices are more prominent than male ones. Landy employs affect theory to the depiction of the woman as a mare (1.9-11) and the invitation for her to return (7.1). Kim highlights the subjectivity of interpretation by comparing readings of Song 7 by Keel, Black and herself through the lens of Umberto Eco’s semiotic model. Potgieter and Lombaard contemporise Paul Decock’s readings of Origen and Bernard on the Song.
2. Spatial Studies. Fischer applies Lefebvre’s spatial theory to the Song, highlighting the protagonists’ physical space; their conceived (cultural) space; and their lived space (their supra-temporal experience). Dantonel analyses several spatial domains in both the Song and Proverbs: spring; well; and vineyard along with three places of enduring love: mother’s house; door; and window.
3. Comparative Studies. Volkonski compares Early Arabic poetic techniques and the Song to show new possibilities for interpreting the latter. Recalcati investigates parallels between the Song and Hellenistic epigrammatic poetry within the Anthologia Palatina. Biermann explores the metaphor(s) ‘set me as a seal upon your heart, as a seal upon your arm’ in 8.6 through cognitive linguistics and sensory archaeology.
4. Studies in Music. Boyce-Tillman integrates her reading of the Song with her musical compositions to contemporise themes including fertility, the body, ecotheology, and apophatic theology. Lamont and Fernandes survey four shared tropes between Arvo Pärt’s The Deer’s Cry, St. Patrick’s Breastplate and the Song: love and war; incantation and magic; connection with nature; and in medias res.
Song of Songs in Sense, Sound and Space
£70.00
This volume offers 13 cutting-edge essays on the Song of Songs presented in four categories.
1. Exegetical and Contextualised Studies. Fernandes argues Solomon’s sidelining in the Song is unjust and uncovers subtle allusions to him. Scheffler examines the contentious place of Song 7.1 and its depiction. Lombaard challenges whether gender equity exists in the Song, arguing that female voices are more prominent than male ones. Landy employs affect theory to the depiction of the woman as a mare (1.9-11) and the invitation for her to return (7.1). Kim highlights the subjectivity of interpretation by comparing readings of Song 7 by Keel, Black and herself through the lens of Umberto Eco’s semiotic model. Potgieter and Lombaard contemporise Paul Decock’s readings of Origen and Bernard on the Song.
2. Spatial Studies. Fischer applies Lefebvre’s spatial theory to the Song, highlighting the protagonists’ physical space; their conceived (cultural) space; and their lived space (their supra-temporal experience). Dantonel analyses several spatial domains in both the Song and Proverbs: spring; well; and vineyard along with three places of enduring love: mother’s house; door; and window.
3. Comparative Studies. Volkonski compares Early Arabic poetic techniques and the Song to show new possibilities for interpreting the latter. Recalcati investigates parallels between the Song and Hellenistic epigrammatic poetry within the Anthologia Palatina. Biermann explores the metaphor(s) ‘set me as a seal upon your heart, as a seal upon your arm’ in 8.6 through cognitive linguistics and sensory archaeology.
4. Studies in Music. Boyce-Tillman integrates her reading of the Song with her musical compositions to contemporise themes including fertility, the body, ecotheology, and apophatic theology. Lamont and Fernandes survey four shared tropes between Arvo Pärt’s The Deer’s Cry, St. Patrick’s Breastplate and the Song: love and war; incantation and magic; connection with nature; and in medias res.
Ancient Israel, Judah, and Greece: Laying the Foundation of a Comparative Approach
Published: Nov 2024
£70.00
Andrew Tobolowsky offers a new starting point for comparative investigations into the traditions of the Hebrew Bible and of ancient Greece. Noting a number of shared problems and questions in the study of each corpus, he advocates for a method based on comparing not tradition to tradition but scholarly approach to scholarly approach. He argues that such a method not only helps overcome the problem of parallelomania, and a high philological barrier to entry, but transforms scholars in each discipline into fellow travellers, capable of offering each other useful insights.
By applying this method of comparing scholarly approaches, Tobolowsky considers four crucial questions:
- what do contemporary understandings of ethnic identity mean for the study of these traditions;
- what role should extraliterary evidence play in illuminating them;
- how should we understand the data of genealogical traditions;
- and what do new understandings of the porousness of cultural boundaries in the ancient world mean for the study of foundation traditions.
In each case, he surveys the landscape of contemporary debates in both fields to determine what new ideas hold the most promise for solving intractable problems—and for most successfully moving on from outdated assumptions.
In addition, Ancient Israel, Judah, and Greece particularly emphasizes the usefulness of thinking about the historical development of traditions in the Hebrew Bible through the lens of a Mediterranean context where there is so much more evidence for how traditions were inherited and adapted to work with. Overall, Tobolowsky argues that what each of these comparisons most clearly demonstrates is the crucial importance of completing the shift from a “kernels of truth” based approach to the study of traditions to one where their ongoing dynamism as the medium for redescribing identity and the past is emphasized instead.
Ancient Israel, Judah, and Greece: Laying the Foundation of a Comparative Approach
£70.00
Andrew Tobolowsky offers a new starting point for comparative investigations into the traditions of the Hebrew Bible and of ancient Greece. Noting a number of shared problems and questions in the study of each corpus, he advocates for a method based on comparing not tradition to tradition but scholarly approach to scholarly approach. He argues that such a method not only helps overcome the problem of parallelomania, and a high philological barrier to entry, but transforms scholars in each discipline into fellow travellers, capable of offering each other useful insights.
By applying this method of comparing scholarly approaches, Tobolowsky considers four crucial questions:
- what do contemporary understandings of ethnic identity mean for the study of these traditions;
- what role should extraliterary evidence play in illuminating them;
- how should we understand the data of genealogical traditions;
- and what do new understandings of the porousness of cultural boundaries in the ancient world mean for the study of foundation traditions.
In each case, he surveys the landscape of contemporary debates in both fields to determine what new ideas hold the most promise for solving intractable problems—and for most successfully moving on from outdated assumptions.
In addition, Ancient Israel, Judah, and Greece particularly emphasizes the usefulness of thinking about the historical development of traditions in the Hebrew Bible through the lens of a Mediterranean context where there is so much more evidence for how traditions were inherited and adapted to work with. Overall, Tobolowsky argues that what each of these comparisons most clearly demonstrates is the crucial importance of completing the shift from a “kernels of truth” based approach to the study of traditions to one where their ongoing dynamism as the medium for redescribing identity and the past is emphasized instead.
Ecclesiastes
Published: Oct 2024
Price range: £20.00 through £50.00
For readers of Ecclesiastes, the first impressions of the book can be perplexing, paradoxical, elusive and pessimistic. First-time readers may be discouraged to engage in understanding this difficult and strange book. Yet, against our collective lived experience under the sun, there are others who find this book ‘on the meaning of life’ exceptionally intriguing and inviting. The ‘search’ for a fitting reading strategy to unpack the complexity of the book; and a logical structure amidst the fragmented, thinking-out-loud mode of expressions presents a great challenge to all commentators.
To address these challenges, this commentary distinguishes itself on three grounds. First, Barbara Leung Lai intentionally hammers out a five-fold interconnected perspectival reading strategy toward interpretation: as a ‘Grand Narrative’ of all humanity; as a multi-voiced book; as a dialectic composition; as an enriched whole through reading ‘cross the grains’; and as a ‘memoir’. This approach to reading Ecclesiastes opens an expanded window of perception toward interpretation.
Second, she foregrounds the five identifiable voices embedded in this polyphony: i.e. the voice of the narrator, the ‘I’-voice of the Preacher/Qohelet, Qohelet’s ‘inner voice’, the collective voice of wisdom, and the voice of the epilogist. The result of this innovative task provides for us a comprehensive, sensible, and cohesive analytical outline demonstrating the trajectory of the flow of thought within the twelve chapters.
Third, in keeping with the objective of the Readings series (for first-time commentary readers of Ecclesiastes), Leung Lai invites all readers to read and practise hearing this polyphonic text self-engagingly. Be encouraged and empowered to develop our own readerly interpretive voice.
In terms of the originality of its five-fold approach to reading and its structural outline based on multi-voice analysis, this commentary is a groundbreaking endeavour—a fresh and invigorating read for all readers.
Ecclesiastes
Price range: £20.00 through £50.00
For readers of Ecclesiastes, the first impressions of the book can be perplexing, paradoxical, elusive and pessimistic. First-time readers may be discouraged to engage in understanding this difficult and strange book. Yet, against our collective lived experience under the sun, there are others who find this book ‘on the meaning of life’ exceptionally intriguing and inviting. The ‘search’ for a fitting reading strategy to unpack the complexity of the book; and a logical structure amidst the fragmented, thinking-out-loud mode of expressions presents a great challenge to all commentators.
To address these challenges, this commentary distinguishes itself on three grounds. First, Barbara Leung Lai intentionally hammers out a five-fold interconnected perspectival reading strategy toward interpretation: as a ‘Grand Narrative’ of all humanity; as a multi-voiced book; as a dialectic composition; as an enriched whole through reading ‘cross the grains’; and as a ‘memoir’. This approach to reading Ecclesiastes opens an expanded window of perception toward interpretation.
Second, she foregrounds the five identifiable voices embedded in this polyphony: i.e. the voice of the narrator, the ‘I’-voice of the Preacher/Qohelet, Qohelet’s ‘inner voice’, the collective voice of wisdom, and the voice of the epilogist. The result of this innovative task provides for us a comprehensive, sensible, and cohesive analytical outline demonstrating the trajectory of the flow of thought within the twelve chapters.
Third, in keeping with the objective of the Readings series (for first-time commentary readers of Ecclesiastes), Leung Lai invites all readers to read and practise hearing this polyphonic text self-engagingly. Be encouraged and empowered to develop our own readerly interpretive voice.
In terms of the originality of its five-fold approach to reading and its structural outline based on multi-voice analysis, this commentary is a groundbreaking endeavour—a fresh and invigorating read for all readers.
Trauma Theories: Refractions in the Book of Jeremiah
Published: Oct 2024
£75.00
A first of its kind, this monograph examines five common trauma theories used within biblical studies, setting out the assumptions and implications of each and using passages from the book of Jeremiah to demonstrate interpretive possibilities. Trauma Theories highlights the interdisciplinary character of trauma hermeneutics and demonstrates the distinctive contribution each approach offers for biblical interpreters.
In her exploration of trauma theories, Elizabeth Boase treats each school of thought separately, tracing its disciplinary roots and its underlying convictions about language and memory. At the same time, she argues for the importance of understanding the way each theory accounts for the place of texts in a communal setting, suggesting that it is the communal impact of trauma that is key to reading biblical texts.
Boase uses passages from the Book of Jeremiah as case studies, showcasing how different theories offer diverse ways of understanding the impact of suffering experienced during the time of the Babylonian incursion on Judah and Jerusalem in the sixth century BCE.
This volume will be an invaluable resource for newcomers to the field of biblical trauma hermeneutics and for those more familiar with these approaches.
Trauma Theories: Refractions in the Book of Jeremiah
£75.00
A first of its kind, this monograph examines five common trauma theories used within biblical studies, setting out the assumptions and implications of each and using passages from the book of Jeremiah to demonstrate interpretive possibilities. Trauma Theories highlights the interdisciplinary character of trauma hermeneutics and demonstrates the distinctive contribution each approach offers for biblical interpreters.
In her exploration of trauma theories, Elizabeth Boase treats each school of thought separately, tracing its disciplinary roots and its underlying convictions about language and memory. At the same time, she argues for the importance of understanding the way each theory accounts for the place of texts in a communal setting, suggesting that it is the communal impact of trauma that is key to reading biblical texts.
Boase uses passages from the Book of Jeremiah as case studies, showcasing how different theories offer diverse ways of understanding the impact of suffering experienced during the time of the Babylonian incursion on Judah and Jerusalem in the sixth century BCE.
This volume will be an invaluable resource for newcomers to the field of biblical trauma hermeneutics and for those more familiar with these approaches.
A Distraught Prophet and Other Performance Readings in Jeremiah
Published: July 2024
£70.00
Continuing the theme of Valerie M Billingham’s, The Great Drama of Jeremiah: A Performance Reading which addresses eleven scenes in Jer 1-19, Billingham presents a performance reading of nine further scenes from chs. 20-32. In a synchronic reading, she undertakes rhetorical analyses of her own translations of the Masoretic Text, noting repetitions, chiastic structures, parallelism, alliteration and assonance that add impact to the messages. She analyses each scene according to their actors, audience, settings (geographical and socio-political), and improvisation of traditional scripts.
Employing the Earth Bible Team’s six Eco-justice Principles, she attends to the voices of Earth and members of the Earth community as they express their distress at the Babylonian invasion of Judah, and rejoice at the prospect of the exiles’ return. With the exilic community suffering Post Traumatic Stress, she argues that Jeremiah presents a manual that offers healing and restoration. Acknowledging performance as a worthy pursuit, Billingham provides helpful groundwork for engaging with texts in order to produce scripts for acting.
The performances presented include Jeremiah's distress at Yhwh's apparent deception and coercion regarding his prophetic vocation. The kings are the problem in Judah, provoking Yhwh’s judgment, but plans to appoint an ideal leader who will rule according to the covenantal qualities of wisdom, justice and righteousness. Two baskets of figs represent the exilic community and those who remain in Judah. In a twist, the good figs are identified as the suffering exiles, and the bad figs are those who avoided deportation. In a heated clash over the severity and duration of exile, yokes are smashed and Jeremiah is declared to be the true prophet of Yhwh. Jeremiah purchases his uncle’s block of land. An ecological reading presents the field as a silent symbol of hope for the exilic community. It represents all the other fields that will be restored to the rightful families of the returning exiles.
A Distraught Prophet and Other Performance Readings in Jeremiah
£70.00
Continuing the theme of Valerie M Billingham’s, The Great Drama of Jeremiah: A Performance Reading which addresses eleven scenes in Jer 1-19, Billingham presents a performance reading of nine further scenes from chs. 20-32. In a synchronic reading, she undertakes rhetorical analyses of her own translations of the Masoretic Text, noting repetitions, chiastic structures, parallelism, alliteration and assonance that add impact to the messages. She analyses each scene according to their actors, audience, settings (geographical and socio-political), and improvisation of traditional scripts.
Employing the Earth Bible Team’s six Eco-justice Principles, she attends to the voices of Earth and members of the Earth community as they express their distress at the Babylonian invasion of Judah, and rejoice at the prospect of the exiles’ return. With the exilic community suffering Post Traumatic Stress, she argues that Jeremiah presents a manual that offers healing and restoration. Acknowledging performance as a worthy pursuit, Billingham provides helpful groundwork for engaging with texts in order to produce scripts for acting.
The performances presented include Jeremiah's distress at Yhwh's apparent deception and coercion regarding his prophetic vocation. The kings are the problem in Judah, provoking Yhwh’s judgment, but plans to appoint an ideal leader who will rule according to the covenantal qualities of wisdom, justice and righteousness. Two baskets of figs represent the exilic community and those who remain in Judah. In a twist, the good figs are identified as the suffering exiles, and the bad figs are those who avoided deportation. In a heated clash over the severity and duration of exile, yokes are smashed and Jeremiah is declared to be the true prophet of Yhwh. Jeremiah purchases his uncle’s block of land. An ecological reading presents the field as a silent symbol of hope for the exilic community. It represents all the other fields that will be restored to the rightful families of the returning exiles.
Nahum: A Trauma for a Trauma
Published: Jun 2024
Price range: £20.00 through £60.00
In this first volume of our Trauma Bible Commentary series, Bob Becking encourages attention to Nahum as a text that could—or probably should—be read as a reflection to trauma. The text sits within a history of humankind that is full of traumatising events, which may be experienced on an almost daily basis.The small Book of Nahum saw the light of day in times of trouble. Samaria was reduced to an Assyrian province; Judah to a vassal-state—both suffered from the presence of the Assyrian yoke, including loss of independence, deportations and paying of tribute.
This commentary re-considers the author, noting he was a person who had inside knowledge of Assyrian culture and language. This anonymous author was veiled behind the name Nahum, meaning consolation. What kind of consolation is promised in this pamphlet and at what price? In what way is the book of Nahum to be seen as a consoling reaction to this trauma?
Becking provides a contemporary trauma informed critique of the book’s approach—and by reading against the grain explains Nahum’s way out of trauma is not the only route; rather another pathway of mourning, coping and healing could be taken. The God of Nahum has two faces: one compassionate and one full of wrath. Using close textual analysis, Becking argues that the Assyrians will be defeated by divine wrath leading to an end of Israel’s trauma. Reading Nahum conceptually, reveals that the book is based on the idea of retribution: ‘an eye for an eye’. Theologically this raises big questions when appropriating the ‘message’ of Nahum to our times:
- Is it not against humanitarianism to believe in such a revengeful God?
- Or is it perhaps worse: to adopt this idea to justify human acts in the many traumatising conflicts that determine our age?
Nahum: A Trauma for a Trauma
Price range: £20.00 through £60.00
In this first volume of our Trauma Bible Commentary series, Bob Becking encourages attention to Nahum as a text that could—or probably should—be read as a reflection to trauma. The text sits within a history of humankind that is full of traumatising events, which may be experienced on an almost daily basis.The small Book of Nahum saw the light of day in times of trouble. Samaria was reduced to an Assyrian province; Judah to a vassal-state—both suffered from the presence of the Assyrian yoke, including loss of independence, deportations and paying of tribute.
This commentary re-considers the author, noting he was a person who had inside knowledge of Assyrian culture and language. This anonymous author was veiled behind the name Nahum, meaning consolation. What kind of consolation is promised in this pamphlet and at what price? In what way is the book of Nahum to be seen as a consoling reaction to this trauma?
Becking provides a contemporary trauma informed critique of the book’s approach—and by reading against the grain explains Nahum’s way out of trauma is not the only route; rather another pathway of mourning, coping and healing could be taken. The God of Nahum has two faces: one compassionate and one full of wrath. Using close textual analysis, Becking argues that the Assyrians will be defeated by divine wrath leading to an end of Israel’s trauma. Reading Nahum conceptually, reveals that the book is based on the idea of retribution: ‘an eye for an eye’. Theologically this raises big questions when appropriating the ‘message’ of Nahum to our times:
- Is it not against humanitarianism to believe in such a revengeful God?
- Or is it perhaps worse: to adopt this idea to justify human acts in the many traumatising conflicts that determine our age?
‘Good Omens’ and the Bible
Published: Jun 2024
£50.00
Good Omens and the Bible provides a diversely rich collection of considerations of apocalypse and apocalypticism, via responses to the reception of the Bible in the landmark cultural icon that is Neil Gaiman and Terry Pratchett’s Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch (1990). These essays explore the perplexing, captivating, and curious interactions between Good Omens and biblical literature.
Interdisciplinary explorations reveal how both the novel and TV series reflects and explodes contemporary ideas about the end times. Filtering references to biblical apocalypses through the lens of popular culture, Good Omens shines a light on the received interpretations of apocalyptic thinking that resonate in the present, revealing in turn something about ourselves.
Together, these essays open up conversations about how Good Omens makes use of religious ideas about textuality, performance, theodicy, and the role of popular culture in the proliferation of those conversations. This book illustrates the ways in which the novel and series are agents in the continuation of cultural debates about important, wide-ranging theological and biblical issues.
‘Good Omens’ and the Bible
£50.00
Good Omens and the Bible provides a diversely rich collection of considerations of apocalypse and apocalypticism, via responses to the reception of the Bible in the landmark cultural icon that is Neil Gaiman and Terry Pratchett’s Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch (1990). These essays explore the perplexing, captivating, and curious interactions between Good Omens and biblical literature.
Interdisciplinary explorations reveal how both the novel and TV series reflects and explodes contemporary ideas about the end times. Filtering references to biblical apocalypses through the lens of popular culture, Good Omens shines a light on the received interpretations of apocalyptic thinking that resonate in the present, revealing in turn something about ourselves.
Together, these essays open up conversations about how Good Omens makes use of religious ideas about textuality, performance, theodicy, and the role of popular culture in the proliferation of those conversations. This book illustrates the ways in which the novel and series are agents in the continuation of cultural debates about important, wide-ranging theological and biblical issues.
Biblical Daughters and Queens Re-imagined in Music
Published: Jun 2024
£74.00
In Biblical Daughters and Queens, Helen Leneman continues her sustained approach to biblical reception in music traversing several centuries. She offers a immersive reading of two types of biblical women—daughters and queens—in a wide range of musical representations spanning over 300 years (1648-1993). Music, as Leneman highlights, goes beyond words: music expresses how feelings sound. Leneman’s unique analysis shares the ways in which these women’s stories have been altered, their emotions imagined and amplified.
The stories of two daughters are explored: the tragedy of Jephthah’s daughter (Judges 11); and the Apocryphal story of Susannah. The tragedy of Jephthah’s daughter seems to have been of greater interest to early composers, with most works, whether oratorios or operas, dating to pre-20th century. Susanna was a lesser-known story yet was treated both in two early oratorios and, unusually, in an operatic retelling of the story from the mid-20th century.
Queens included are Sheba (1 Kings), Athalia (2 Kings), and Esther (Book of Esther). In general, the Queen of Sheba has not been re-imagined with much nuance in musical works, mostly depicted as a sexy siren (though not always). Esther is the most popular queen for musical retellings, featured in no fewer than nine works in this volume. An interesting discovery was an eighteenth-century oratorio with a Hebrew libretto. Athalia is the least known of the three but Handel thought she was worth an oratorio (he is well represented throughout the book).
In previous volumes Leneman has considered the biblical reception in music of Moses and Miriam in Exodus; David, Saul and Bathsheba in the Book of Kings; Ruth and Naomi in the Book of Ruth; and Judith in the Book of Judith. Leneman also discussed the varied biblical characters in the Book of Genesis.
This volume encourages an experiential approach, to enable the reader, and listener to hear and feel these women’s stories as never before. Links to the musical works are provided throughout. Each setting is filled with both text and music that will inspire the listener to return to the original story with a new and different understanding.
Biblical Daughters and Queens Re-imagined in Music
£74.00
In Biblical Daughters and Queens, Helen Leneman continues her sustained approach to biblical reception in music traversing several centuries. She offers a immersive reading of two types of biblical women—daughters and queens—in a wide range of musical representations spanning over 300 years (1648-1993). Music, as Leneman highlights, goes beyond words: music expresses how feelings sound. Leneman’s unique analysis shares the ways in which these women’s stories have been altered, their emotions imagined and amplified.
The stories of two daughters are explored: the tragedy of Jephthah’s daughter (Judges 11); and the Apocryphal story of Susannah. The tragedy of Jephthah’s daughter seems to have been of greater interest to early composers, with most works, whether oratorios or operas, dating to pre-20th century. Susanna was a lesser-known story yet was treated both in two early oratorios and, unusually, in an operatic retelling of the story from the mid-20th century.
Queens included are Sheba (1 Kings), Athalia (2 Kings), and Esther (Book of Esther). In general, the Queen of Sheba has not been re-imagined with much nuance in musical works, mostly depicted as a sexy siren (though not always). Esther is the most popular queen for musical retellings, featured in no fewer than nine works in this volume. An interesting discovery was an eighteenth-century oratorio with a Hebrew libretto. Athalia is the least known of the three but Handel thought she was worth an oratorio (he is well represented throughout the book).
In previous volumes Leneman has considered the biblical reception in music of Moses and Miriam in Exodus; David, Saul and Bathsheba in the Book of Kings; Ruth and Naomi in the Book of Ruth; and Judith in the Book of Judith. Leneman also discussed the varied biblical characters in the Book of Genesis.
This volume encourages an experiential approach, to enable the reader, and listener to hear and feel these women’s stories as never before. Links to the musical works are provided throughout. Each setting is filled with both text and music that will inspire the listener to return to the original story with a new and different understanding.
Activism, Bible, and Research-Based Teaching: Practical Approaches for the Global Biblical Studies Classroom
Published: May 2024
£75.00
Activism, Bible, and Research-Based Teaching demonstrates how the cross-fertilisation between biblical studies and social justice activism generates creativity that is powerful, empowering, and inspiring. This volume offers diverse and critical insights, as well as hands-on strategies for classroom settings. Shared emphasis on academic rigour and practical application is evident throughout.
Socially engaged biblical scholars—from Aoterora New Zealand, Botswana, Hong Kong, South Africa, Uganda, the UK and the USA—focus on a spectrum of activist causes. Topics include resistance to discrimination on the grounds of HIV/AIDS status, disability, gender identity, sexual orientation, migrant status, and ethnicity, as well as advocacy for environmental protection, equity, and getting out of one's ‘bubble’. Multiple chapters reflect on the impact of the Covid-19 pandemic on tertiary education.
The volume contains an introduction and forewords by Richard Newton (University of Alabama, USA) and Emily Colgan (Trinity Theological College, Aotearoa New Zealand). The 14 chapters include 12 revised contributions previously published in a special issue of the open access Journal of Interdisciplinary Biblical Studies, alongside two new chapters, which were both presented at a Bible and Activism event combining community and academic engagements.
Activism, Bible, and Research-Based Teaching: Practical Approaches for the Global Biblical Studies Classroom
£75.00
Activism, Bible, and Research-Based Teaching demonstrates how the cross-fertilisation between biblical studies and social justice activism generates creativity that is powerful, empowering, and inspiring. This volume offers diverse and critical insights, as well as hands-on strategies for classroom settings. Shared emphasis on academic rigour and practical application is evident throughout.
Socially engaged biblical scholars—from Aoterora New Zealand, Botswana, Hong Kong, South Africa, Uganda, the UK and the USA—focus on a spectrum of activist causes. Topics include resistance to discrimination on the grounds of HIV/AIDS status, disability, gender identity, sexual orientation, migrant status, and ethnicity, as well as advocacy for environmental protection, equity, and getting out of one's ‘bubble’. Multiple chapters reflect on the impact of the Covid-19 pandemic on tertiary education.
The volume contains an introduction and forewords by Richard Newton (University of Alabama, USA) and Emily Colgan (Trinity Theological College, Aotearoa New Zealand). The 14 chapters include 12 revised contributions previously published in a special issue of the open access Journal of Interdisciplinary Biblical Studies, alongside two new chapters, which were both presented at a Bible and Activism event combining community and academic engagements.
Amos and Micah
Published: May 2024
Price range: £20.00 through £60.00
Amos denied being a prophet, for he was a Visionary, one who ‘saw’ and assessed what was happening around him. Micah condemned all prophets as corrupt liars, ensuring that he should not be mistaken for one. He too was a Visionary who ‘saw’ the state of affairs in that same eighth century BCE Israelite society. The fact that neither of these men is identified in the text as a prophet is vitally important, for it indicates how one must read their edited works. The traditional view that these men spoke what Yahweh their God revealed to them is not applicable; both spoke about what they themselves ‘saw’ in the social and religious context within Israel at the time.
Both books, Amos and Micah, are reports of their insights now set within new frames. Amos is structured about discrete blocks of material with shared forms, such as the opening series of numerical x, x+1 forms (1.3—2.16), the calls to ‘Hear this word…’ (3.1—5.17), ‘Woe…’ forms (5.18—6.7) and his five visions (7.1—9.6). It is a planned re-arrangement of Amos’ words (1.1) as recalled. Micah’s editor similarly has selected a number of discrete and generalized speeches attributed to Micah, setting them within a chiastic structure with 4.11-13 as the central unit; it spells out his conviction that Yahweh is ‘master of the whole earth’. Indeed, Micah’s very name asks the question ‘Who is like Yah(weh)?’ and 4.11-13 is his response, closing in 7.18-20 with another rhetorical question ‘Who is a God like you?’ Micah sees his God as incomparable!
The commentary depends on the text’s literary and rhetorical evidence to give expression to Amos’ and Micah’s deep personal concerns within the historical and cultural setting of their time.
Amos and Micah
Price range: £20.00 through £60.00
Amos denied being a prophet, for he was a Visionary, one who ‘saw’ and assessed what was happening around him. Micah condemned all prophets as corrupt liars, ensuring that he should not be mistaken for one. He too was a Visionary who ‘saw’ the state of affairs in that same eighth century BCE Israelite society. The fact that neither of these men is identified in the text as a prophet is vitally important, for it indicates how one must read their edited works. The traditional view that these men spoke what Yahweh their God revealed to them is not applicable; both spoke about what they themselves ‘saw’ in the social and religious context within Israel at the time.
Both books, Amos and Micah, are reports of their insights now set within new frames. Amos is structured about discrete blocks of material with shared forms, such as the opening series of numerical x, x+1 forms (1.3—2.16), the calls to ‘Hear this word…’ (3.1—5.17), ‘Woe…’ forms (5.18—6.7) and his five visions (7.1—9.6). It is a planned re-arrangement of Amos’ words (1.1) as recalled. Micah’s editor similarly has selected a number of discrete and generalized speeches attributed to Micah, setting them within a chiastic structure with 4.11-13 as the central unit; it spells out his conviction that Yahweh is ‘master of the whole earth’. Indeed, Micah’s very name asks the question ‘Who is like Yah(weh)?’ and 4.11-13 is his response, closing in 7.18-20 with another rhetorical question ‘Who is a God like you?’ Micah sees his God as incomparable!
The commentary depends on the text’s literary and rhetorical evidence to give expression to Amos’ and Micah’s deep personal concerns within the historical and cultural setting of their time.
Proverbs 1-9
Proverbs 1-9