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The Great Lady: Restoring Her Story

Published: Apr 2023
£85.00
In this, the eighteenth of Margaret Barker’s sequence of works on Temple Theology, she returns to give further and fuller attention to the figure of the Great Lady. Barker surveys the Hebrew Bible, Dead Sea Scrolls, New Testament and non- canonical texts from both Jewish and Christian traditions—and undertakes a re-telling of the story of the Great Lady’s shadowy but enduring presence in community memory and later writings. This extensive volume has three parts: The Great Lady in the first temple, revered as the heavenly Mother of the Davidic kings until King Josiah’s purge in 623BCE. The Great Lady in the Book of Revelation, present in her ancient symbols and the hopes of her prophets, which Jesus knew. The Great Lady hidden in the teaching of Jesus and stories about him, explaining why she was so important in the world of the early Church. This close study of the Great Lady shows new significance in the words of the Hebrew prophets and the Qumran texts, and offers a new context for early Christian writings and so-called Gnostic texts. Barker shows how the first Christians brought the Great Lady back to their Temple Theology. She proposes that in this community Jesus her Son was the expected MelchiZedek and great high priest, and Mary of Nazareth was honoured as the Mother of God.  
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The Great Lady: Restoring Her Story

£85.00
In this, the eighteenth of Margaret Barker’s sequence of works on Temple Theology, she returns to give further and fuller attention to the figure of the Great Lady. Barker surveys the Hebrew Bible, Dead Sea Scrolls, New Testament and non- canonical texts from both Jewish and Christian traditions—and undertakes a re-telling of the story of the Great Lady’s shadowy but enduring presence in community memory and later writings. This extensive volume has three parts: The Great Lady in the first temple, revered as the heavenly Mother of the Davidic kings until King Josiah’s purge in 623BCE. The Great Lady in the Book of Revelation, present in her ancient symbols and the hopes of her prophets, which Jesus knew. The Great Lady hidden in the teaching of Jesus and stories about him, explaining why she was so important in the world of the early Church. This close study of the Great Lady shows new significance in the words of the Hebrew prophets and the Qumran texts, and offers a new context for early Christian writings and so-called Gnostic texts. Barker shows how the first Christians brought the Great Lady back to their Temple Theology. She proposes that in this community Jesus her Son was the expected MelchiZedek and great high priest, and Mary of Nazareth was honoured as the Mother of God.  
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Dictionary of the Bible and Western Culture

Published: Nov 2017
£19.50£60.00
Consumers of culture in the modern world — high culture or popular culture — discover before long that the Bible, its tales and its characters and its idioms, is woven into the culture. Most of us wish we knew the Bible better, and are often at a loss to know what the biblical source or reference is to phrases or ideas we encounter. The editors of this unique volume have seen the need for an easy-to-use reference guide for those needing to track down information on characters, phrases, places, and concepts originating in the Bible. They assembled 200 scholars to write 1000 encyclopaedia entries on such biblical backgrounds to Western culture. The contributors to the volume have in mind readers without the specialization of formal biblical studies, and even those not familiar with the Bible's basic content. The presentation is twofold: entries begin with discussion of biblical terms in their original settings, and then illustrate occasions when those terms reappear in later cultural artefacts. This volume is then a dictionary of the reception of the Bible in later Western artistic and intellectual expression. There is a great deal here to explore and discover; turning these pages will prove illuminating not only as an introduction to biblical literature but also as a demonstration of the Bible's persistent contributions to our cultural heritage.
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Dictionary of the Bible and Western Culture

£19.50£60.00
Consumers of culture in the modern world — high culture or popular culture — discover before long that the Bible, its tales and its characters and its idioms, is woven into the culture. Most of us wish we knew the Bible better, and are often at a loss to know what the biblical source or reference is to phrases or ideas we encounter. The editors of this unique volume have seen the need for an easy-to-use reference guide for those needing to track down information on characters, phrases, places, and concepts originating in the Bible. They assembled 200 scholars to write 1000 encyclopaedia entries on such biblical backgrounds to Western culture. The contributors to the volume have in mind readers without the specialization of formal biblical studies, and even those not familiar with the Bible's basic content. The presentation is twofold: entries begin with discussion of biblical terms in their original settings, and then illustrate occasions when those terms reappear in later cultural artefacts. This volume is then a dictionary of the reception of the Bible in later Western artistic and intellectual expression. There is a great deal here to explore and discover; turning these pages will prove illuminating not only as an introduction to biblical literature but also as a demonstration of the Bible's persistent contributions to our cultural heritage.
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Ears That Hear: Explorations in Theological Interpretation of the Bible

Published: Nov 2017
£25.00£60.00
The contemporary renaissance of theological interpretation as an approach to reading the Bible has brought with it a host of questions. Most importantly, what is the relationship between theological interpretation and more traditional forms of historical inquiry characteristic of the field in the modern era? Does theological interpretation require that the church's faith determine the meaning of biblical texts? How does a theological hermeneutic navigate the conventional roles of author, text, and reader? What are the natural intellectual companions of theological interpretation? Essays in this volume tackle questions like these primarily by engaging directly with biblical texts, both in theological interpretation for its own sake and to see what the texts themselves might suggest about doing theological interpretation. The result is a much-needed exploration of theological interpretation in the hands of biblical scholars, theologians, and linguists occupied with exegesis. The volume arises from an international colloquium on the theological interpretation of the Bible held at Laidlaw College in Auckland, New Zealand, in August 2011.
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Ears That Hear: Explorations in Theological Interpretation of the Bible

£25.00£60.00
The contemporary renaissance of theological interpretation as an approach to reading the Bible has brought with it a host of questions. Most importantly, what is the relationship between theological interpretation and more traditional forms of historical inquiry characteristic of the field in the modern era? Does theological interpretation require that the church's faith determine the meaning of biblical texts? How does a theological hermeneutic navigate the conventional roles of author, text, and reader? What are the natural intellectual companions of theological interpretation? Essays in this volume tackle questions like these primarily by engaging directly with biblical texts, both in theological interpretation for its own sake and to see what the texts themselves might suggest about doing theological interpretation. The result is a much-needed exploration of theological interpretation in the hands of biblical scholars, theologians, and linguists occupied with exegesis. The volume arises from an international colloquium on the theological interpretation of the Bible held at Laidlaw College in Auckland, New Zealand, in August 2011.
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Learning Biblical Hebrew Interactively, I (Student Edition, Revised)

Published: July 2016
£26.00£40.00
The fruit of several years' research and development, field-tested by teachers without experience of conversation in Hebrew as a spoken language, Paul Overland's new Hebrew textbook is startlingly original and immediately accessible and attractive. Its foundation is the theory and practice of Second Language Acquisition (SLA), which orients grammar so as to empower the student's capacity for reading, hearing and expressing in Biblical Hebrew. Learning Biblical Hebrew Interactively offers a set of activities structured on a serialized narrative inspired by the book of Jonah. Working through it, the student acquires facility in communicating in Hebrew by expressing opinions, accomplishing tasks, or asking others to do something. It is a hands-on, interactive learning experience, hugely various, enhanced by its 230 illustrations and photos, and numerous inserts headed 'Did you know that...?' featuring interesting aspects of Hebrew culture. There are two volumes, which can be bought separately, and a version of the student edition that is designed for the instructor, with hints on how to use the textbook in a class setting. Each lesson in the textbook is enhanced by digital resources, freely downloadable from LearningBiblicalHebrewInteractively.com.
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Learning Biblical Hebrew Interactively, I (Student Edition, Revised)

£26.00£40.00
The fruit of several years' research and development, field-tested by teachers without experience of conversation in Hebrew as a spoken language, Paul Overland's new Hebrew textbook is startlingly original and immediately accessible and attractive. Its foundation is the theory and practice of Second Language Acquisition (SLA), which orients grammar so as to empower the student's capacity for reading, hearing and expressing in Biblical Hebrew. Learning Biblical Hebrew Interactively offers a set of activities structured on a serialized narrative inspired by the book of Jonah. Working through it, the student acquires facility in communicating in Hebrew by expressing opinions, accomplishing tasks, or asking others to do something. It is a hands-on, interactive learning experience, hugely various, enhanced by its 230 illustrations and photos, and numerous inserts headed 'Did you know that...?' featuring interesting aspects of Hebrew culture. There are two volumes, which can be bought separately, and a version of the student edition that is designed for the instructor, with hints on how to use the textbook in a class setting. Each lesson in the textbook is enhanced by digital resources, freely downloadable from LearningBiblicalHebrewInteractively.com.
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Teaching the Bible in the Liberal Arts Classroom, Volume 2

Published: Oct 2015
£22.50£50.00
Eugene V. Gallagher, Rosemary Park Professor of Religious Studies at Connecticut College, writes: 'In a context where the general value of the Humanities has increasingly come under question by those who see a college education as necessarily being directly tied to the first job that students will have after they graduate, an ability to make a vigorous case about the contribution of studying the Bible to any college student's education is crucial for any teacher'. This second collection of essays edited by Jane Webster and Glenn Holland seeks not only to promote the role of biblical studies in an undergraduate liberal arts education, but also to suggest strategies and approaches for teaching the Bible in a range of academic situations. Combining the theoretical and the practical, this volume will be another useful source of guidance and support for teachers of biblical studies at any point in their professional careers.
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Teaching the Bible in the Liberal Arts Classroom, Volume 2

£22.50£50.00
Eugene V. Gallagher, Rosemary Park Professor of Religious Studies at Connecticut College, writes: 'In a context where the general value of the Humanities has increasingly come under question by those who see a college education as necessarily being directly tied to the first job that students will have after they graduate, an ability to make a vigorous case about the contribution of studying the Bible to any college student's education is crucial for any teacher'. This second collection of essays edited by Jane Webster and Glenn Holland seeks not only to promote the role of biblical studies in an undergraduate liberal arts education, but also to suggest strategies and approaches for teaching the Bible in a range of academic situations. Combining the theoretical and the practical, this volume will be another useful source of guidance and support for teachers of biblical studies at any point in their professional careers.
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Guide to Biblical Chronology

Published: Sep 2015
£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being. The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives. After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible. Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures. The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
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Guide to Biblical Chronology

£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being. The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives. After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible. Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures. The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
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On the Historicity of Jesus: Why We Might Have Reason for Doubt

Published: Jun 2014
£25.00£60.00
The assumption that Jesus existed as a historical person has occasionally been questioned in the course of the last hundred years or so, but any doubts that have been raised have usually been put to rest in favor of imagining a blend of the historical, the mythical and the theological in the surviving records of Jesus. Carrier re-examines the whole question and finds compelling reasons to suspect the more daring assumption is correct. He lays out extensive research on the evidence for Jesus and the origins of Christianity and poses the key questions that must now be answered if the historicity of Jesus is to survive as a dominant paradigm. Carrier contrasts the most credible reconstruction of a historical Jesus with the most credible theory of Christian origins if a historical Jesus did not exist. Such a theory would posit that the Jesus figure was originally conceived of as a celestial being known only through private revelations and hidden messages in scripture; then stories placing this being in earth history were crafted to communicate the claims of the gospel allegorically; such stories eventually came to be believed or promoted in the struggle for control of the Christian churches that survived the tribulations of the first century. Carrier finds the latter theory more credible than has been previously imagined. He explains why it offers a better explanation for all the disparate evidence surviving from the first two centuries of the Christian era. He argues that we need a more careful and robust theory of cultural syncretism between Jewish theology and politics of the second-temple period and the most popular features of pagan religion and philosophy of the time. For anyone intent on defending a historical Jesus, this is the book to challenge.
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On the Historicity of Jesus: Why We Might Have Reason for Doubt

£25.00£60.00
The assumption that Jesus existed as a historical person has occasionally been questioned in the course of the last hundred years or so, but any doubts that have been raised have usually been put to rest in favor of imagining a blend of the historical, the mythical and the theological in the surviving records of Jesus. Carrier re-examines the whole question and finds compelling reasons to suspect the more daring assumption is correct. He lays out extensive research on the evidence for Jesus and the origins of Christianity and poses the key questions that must now be answered if the historicity of Jesus is to survive as a dominant paradigm. Carrier contrasts the most credible reconstruction of a historical Jesus with the most credible theory of Christian origins if a historical Jesus did not exist. Such a theory would posit that the Jesus figure was originally conceived of as a celestial being known only through private revelations and hidden messages in scripture; then stories placing this being in earth history were crafted to communicate the claims of the gospel allegorically; such stories eventually came to be believed or promoted in the struggle for control of the Christian churches that survived the tribulations of the first century. Carrier finds the latter theory more credible than has been previously imagined. He explains why it offers a better explanation for all the disparate evidence surviving from the first two centuries of the Christian era. He argues that we need a more careful and robust theory of cultural syncretism between Jewish theology and politics of the second-temple period and the most popular features of pagan religion and philosophy of the time. For anyone intent on defending a historical Jesus, this is the book to challenge.
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Teaching the Bible in the Liberal Arts Classroom

Published: Oct 2012
£22.50£50.00
Teaching biblical studies in the undergraduate liberal arts classroom poses many challenges. Do biblical studies deserve a place at a secular liberal arts college? In church-affiliated colleges, should courses in Bible toe the denominational line? Can we claim that biblical studies advance the goals of liberal education, whatever we might think they are? On a more practical level, how can an instructor engage the attention of students who are taking a course in biblical studies only to fulfill a requirement? How best to begin with students from non-religious backgrounds who begin a course with no real knowledge of the Bible at all? How best to deal with students who already think they know what the Bible is all about, and resist any ideas or approaches that might threaten their ideas? This collection of pedagogical essays reflects the practical experience of instructors who have spent years teaching biblical studies successfully to undergraduates at liberal arts colleges. The essays address both methodological approaches and specific classroom strategies for teaching biblical studies effectively in a way that advances the skills of thinking and expression that are essential to a liberal arts education. The product of several years of conversation among working professors from an array of liberal arts colleges, these essays offer insights and inspiration for biblical studies instructors who work in a very specific and demanding academic environment.
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Teaching the Bible in the Liberal Arts Classroom

£22.50£50.00
Teaching biblical studies in the undergraduate liberal arts classroom poses many challenges. Do biblical studies deserve a place at a secular liberal arts college? In church-affiliated colleges, should courses in Bible toe the denominational line? Can we claim that biblical studies advance the goals of liberal education, whatever we might think they are? On a more practical level, how can an instructor engage the attention of students who are taking a course in biblical studies only to fulfill a requirement? How best to begin with students from non-religious backgrounds who begin a course with no real knowledge of the Bible at all? How best to deal with students who already think they know what the Bible is all about, and resist any ideas or approaches that might threaten their ideas? This collection of pedagogical essays reflects the practical experience of instructors who have spent years teaching biblical studies successfully to undergraduates at liberal arts colleges. The essays address both methodological approaches and specific classroom strategies for teaching biblical studies effectively in a way that advances the skills of thinking and expression that are essential to a liberal arts education. The product of several years of conversation among working professors from an array of liberal arts colleges, these essays offer insights and inspiration for biblical studies instructors who work in a very specific and demanding academic environment.
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Beyond the Quest for the Historical Jesus: Memoir of a Discovery

Published: Sep 2012
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed. The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8. The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
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Beyond the Quest for the Historical Jesus: Memoir of a Discovery

£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed. The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8. The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
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A New Grammar of Biblical Hebrew

Published: July 2010
£22.50£40.00
This is a Hebrew grammar with a difference, being the first truly discourse-based grammar. Its goal is for students to understand Biblical Hebrew as a language, seeing its forms and conjugations as a coherent linguistic system, appreciating why and how the text means what it says —rather than learning Hebrew as a set of random rules and apparently arbitrary meanings. Thirty-one lessons equip learners for reading the biblical text in Hebrew. They include sections on biblical narrative, poetry, and the Masora —as well as of the text of the Hebrew Bible, lexica, and concordances. The examples and exercises are all taken directly from the biblical text, so that students can check their work against any relatively literal version of the Bible. The vocabulary lists include all of the words that occur fifty times or more in the Hebrew Bible. Special also to this Grammar are the 'enrichments': brief sections at the end of each chapter encouraging students to apply their grammatical knowledge to specific questions, issues, or passages in the biblical text. Appendices include a Vocabulary of all Hebrew words and proper names that occur fifty times or more, and a Glossary and index of technical terms —as well as complete nominal, pronominal, and verbal paradigms, and an annotated bibliography. The learner-friendly design of this Grammar has been endorsed by faculty and by students who have used pre-publication versions to teach themselves Biblical Hebrew, both individually and in classes and informal groups.
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A New Grammar of Biblical Hebrew

£22.50£40.00
This is a Hebrew grammar with a difference, being the first truly discourse-based grammar. Its goal is for students to understand Biblical Hebrew as a language, seeing its forms and conjugations as a coherent linguistic system, appreciating why and how the text means what it says —rather than learning Hebrew as a set of random rules and apparently arbitrary meanings. Thirty-one lessons equip learners for reading the biblical text in Hebrew. They include sections on biblical narrative, poetry, and the Masora —as well as of the text of the Hebrew Bible, lexica, and concordances. The examples and exercises are all taken directly from the biblical text, so that students can check their work against any relatively literal version of the Bible. The vocabulary lists include all of the words that occur fifty times or more in the Hebrew Bible. Special also to this Grammar are the 'enrichments': brief sections at the end of each chapter encouraging students to apply their grammatical knowledge to specific questions, issues, or passages in the biblical text. Appendices include a Vocabulary of all Hebrew words and proper names that occur fifty times or more, and a Glossary and index of technical terms —as well as complete nominal, pronominal, and verbal paradigms, and an annotated bibliography. The learner-friendly design of this Grammar has been endorsed by faculty and by students who have used pre-publication versions to teach themselves Biblical Hebrew, both individually and in classes and informal groups.
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Biblical Art from Wales

Published: May 2010
£8.00£10.00
This lavishly illustrated volume showcases the wide variety and range of biblical art found in Wales, much of it little known and hitherto unpublished. It explores the significance and influence of the Bible in the visual culture in Wales in the nineteenth and twentieth centuries – from the simplicity of the Nonconformist chapel and the synagogues to the colourful array of stained glass found in many churches and the icons of the Orthodox tradition. Biblical images from special collections in some of the main repositories of Wales such as the National Library, the National Museum and the Aberystwyth School of Art have also been included. Throughout Wales, the Bible has been interpreted and illustrated in a surprisingly wide range of media: in paint and sculpture, needlework and ceramic, woodcarving and engraving. The illustrations in the book (some 300 of which are in colour) include examples from several media and demonstrate how the process of ‘visual exegesis’ was an important feature of religious and cultural life in Wales in the nineteenth and twentieth centuries. Seventeen scholars, drawn from the worlds of visual culture and biblical studies, including Peter Lord, John Harvey, David Jasper, Christopher Rowland, Philip Esler and Sharman Kadish contextualize and offer original and insightful interpretations of biblical artwork from the period. As well as evaluating the work of particular artists such as David Jones, John Petts and Ivor Williams, specific examples of Pre-Raphaelite work in Wales and in the artisan visual tradition are also discussed. The volume is accompanied by a DVD which adds a further interpretative dimension. It contains over 600 images and allows the reader to explore further subjects introduced in the book, arranged and structured as seven key representative themes such as Word and Image, the Bible in the Welsh Landscape, Domestic Piety, and so on. Both the book and DVD are supported by an online database of images. From the DVD one can click directly into the online database (which contains over 3,000 images), hosted by the National Library of Wales, to find out more information about the context of individual images.
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Biblical Art from Wales

£8.00£10.00
This lavishly illustrated volume showcases the wide variety and range of biblical art found in Wales, much of it little known and hitherto unpublished. It explores the significance and influence of the Bible in the visual culture in Wales in the nineteenth and twentieth centuries – from the simplicity of the Nonconformist chapel and the synagogues to the colourful array of stained glass found in many churches and the icons of the Orthodox tradition. Biblical images from special collections in some of the main repositories of Wales such as the National Library, the National Museum and the Aberystwyth School of Art have also been included. Throughout Wales, the Bible has been interpreted and illustrated in a surprisingly wide range of media: in paint and sculpture, needlework and ceramic, woodcarving and engraving. The illustrations in the book (some 300 of which are in colour) include examples from several media and demonstrate how the process of ‘visual exegesis’ was an important feature of religious and cultural life in Wales in the nineteenth and twentieth centuries. Seventeen scholars, drawn from the worlds of visual culture and biblical studies, including Peter Lord, John Harvey, David Jasper, Christopher Rowland, Philip Esler and Sharman Kadish contextualize and offer original and insightful interpretations of biblical artwork from the period. As well as evaluating the work of particular artists such as David Jones, John Petts and Ivor Williams, specific examples of Pre-Raphaelite work in Wales and in the artisan visual tradition are also discussed. The volume is accompanied by a DVD which adds a further interpretative dimension. It contains over 600 images and allows the reader to explore further subjects introduced in the book, arranged and structured as seven key representative themes such as Word and Image, the Bible in the Welsh Landscape, Domestic Piety, and so on. Both the book and DVD are supported by an online database of images. From the DVD one can click directly into the online database (which contains over 3,000 images), hosted by the National Library of Wales, to find out more information about the context of individual images.
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Five Stones and a Sling: Memoirs of a Biblical Scholar

Published: Oct 2009
£14.95
Michael Goulder is a scholar who has always taken an original approach to the Bible and biblical criticism. He has developed five major theories, which challenged received opinion among the learned; and the book tells the story of how these 'stones' fared when confronting the biblical establishment. He wryly admits that his slinging has been rather less successful than David's against Goliath. Among his five theories a special place must be given to his demonstration of how much of the teaching ascribed to Jesus actually derived from the evangelists —the Lord's Prayer for example being composed by Matthew out of Jesus' prayers in Gethsemane. The parables too are the composition of the evangelists, Matthew characteristically writing of kings and rich merchants, while Luke speaks of women, stewards, a beggar and a Samaritan. A long-rooted error Michael Goulder has valiantly opposed has been the belief that Matthew and Luke were both dependent on a lost source, Q; in fact, he argues, Luke was familiar with Matthew's Gospel and copied or developed its teaching as he thought best. Goulder has worked at the Old Testament as well as the New. He concludes that the Psalms were not the individual prayers of pious Israelites, as Gunkel and others supposed, but the compositions of kings or their poets, deploring national disasters and praying for blessing at the great autumn festival. This account of Goulder's scholarly work is fascinatingly interwoven with that of his life and ministry; and there are many anecdotes and vignettes of other people that are both amusing and interesting. He was ordained a priest in the Anglican Church, and though he resigned his Orders in 1981, he never lost his love of the Bible.
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Five Stones and a Sling: Memoirs of a Biblical Scholar

£14.95
Michael Goulder is a scholar who has always taken an original approach to the Bible and biblical criticism. He has developed five major theories, which challenged received opinion among the learned; and the book tells the story of how these 'stones' fared when confronting the biblical establishment. He wryly admits that his slinging has been rather less successful than David's against Goliath. Among his five theories a special place must be given to his demonstration of how much of the teaching ascribed to Jesus actually derived from the evangelists —the Lord's Prayer for example being composed by Matthew out of Jesus' prayers in Gethsemane. The parables too are the composition of the evangelists, Matthew characteristically writing of kings and rich merchants, while Luke speaks of women, stewards, a beggar and a Samaritan. A long-rooted error Michael Goulder has valiantly opposed has been the belief that Matthew and Luke were both dependent on a lost source, Q; in fact, he argues, Luke was familiar with Matthew's Gospel and copied or developed its teaching as he thought best. Goulder has worked at the Old Testament as well as the New. He concludes that the Psalms were not the individual prayers of pious Israelites, as Gunkel and others supposed, but the compositions of kings or their poets, deploring national disasters and praying for blessing at the great autumn festival. This account of Goulder's scholarly work is fascinatingly interwoven with that of his life and ministry; and there are many anecdotes and vignettes of other people that are both amusing and interesting. He was ordained a priest in the Anglican Church, and though he resigned his Orders in 1981, he never lost his love of the Bible.
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The Concept of Form in the Twentieth Century

Published: Jun 2008
£25.00
This study provides a history of the concept of form in the twentieth century CE, focusing on the rise and character of relational theory. To some extent drawing on older traditions, relational theory accepts some aspects of modern particularism but moves beyond it by holding that relations simultaneously separate and connect. Particularity and generality are seen as aspects of relationality, and forms are viewed as complexes of relations. Prominent features of a relational view include: an avoidance of rigid structures through an orientation toward probability; multiperspectivity; possibility, not just particular actuality; continuity between the human and the nonhuman; and a valuational rather than a neutral view of reality. Socially, relational theory has supported a combination of freedoms. It joins internal freedom, which values both body and mind, with both negative and positive external freedom, including "freedom from" external controls and "freedom for" the fulfillment of possibilities in cooperation with others. Politically, this ideal favors economic solidarity, respectful recognition of different racial or ethnic groups, women's liberation, increased sexual freedom, and ecological consciousness. Relational theory was not the only notable view of form in the twentieth century, however. More-or-less individualistic particularism was radicalized in nihilist and skeptical philosophies, and powerful versions of group particularism arose in fascism, Stalinism, and continuing imperialism. Caucasian male thinkers varied considerably in the degree to which they supported relational conceptions of form, but, not surprisingly in view of the connection between a relational view of form and interactive freedom, most women and non-Caucasian males advocated relational views. Some of the tension described can be viewed positively from the relational side, however, for according to information theory uncertainty provides an opportunity for communication.
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The Concept of Form in the Twentieth Century

£25.00
This study provides a history of the concept of form in the twentieth century CE, focusing on the rise and character of relational theory. To some extent drawing on older traditions, relational theory accepts some aspects of modern particularism but moves beyond it by holding that relations simultaneously separate and connect. Particularity and generality are seen as aspects of relationality, and forms are viewed as complexes of relations. Prominent features of a relational view include: an avoidance of rigid structures through an orientation toward probability; multiperspectivity; possibility, not just particular actuality; continuity between the human and the nonhuman; and a valuational rather than a neutral view of reality. Socially, relational theory has supported a combination of freedoms. It joins internal freedom, which values both body and mind, with both negative and positive external freedom, including "freedom from" external controls and "freedom for" the fulfillment of possibilities in cooperation with others. Politically, this ideal favors economic solidarity, respectful recognition of different racial or ethnic groups, women's liberation, increased sexual freedom, and ecological consciousness. Relational theory was not the only notable view of form in the twentieth century, however. More-or-less individualistic particularism was radicalized in nihilist and skeptical philosophies, and powerful versions of group particularism arose in fascism, Stalinism, and continuing imperialism. Caucasian male thinkers varied considerably in the degree to which they supported relational conceptions of form, but, not surprisingly in view of the connection between a relational view of form and interactive freedom, most women and non-Caucasian males advocated relational views. Some of the tension described can be viewed positively from the relational side, however, for according to information theory uncertainty provides an opportunity for communication.
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