Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
Published: Dec 2023
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
1 and 2 Kings: A Visual Commentary
Published: Dec 2023
£70.00
In this uniquely conceived and brilliantly illustrated book, Martin O’Kane, one of the leading experts internationally on biblical art, turns his attention to the narratives of 1 and 2 Kings. Here we encounter a large and varied cast of characters, men and women whose lives are portrayed imaginatively, ranging from exotic kings and queens and flamboyant prophets to lowly servants and other insignificant functionaries. Readers meet individuals of all ages, from the old and wise to the young and foolish, saints and sinners alike. Many of these characters, and the stories in which they appear, play a prominent part in the religious traditions and cultural worlds of three major faiths—Judaism, Christianity and Islam. Interpreted according to each faith’s distinctive norms, they are popular subjects not only in the literature but also in the rich iconographies of the three religions.
1 and 2 Kings: A Visual Commentary has the form of a commentary that focuses on the interpretation of characters and stories from the books of Kings in the visual cultures of the three monotheistic faiths. In each chapter, the first section sets out the most distinctive interpretations and appropriations of the biblical story. The second section interprets how the story has been received and interpreted in Jewish, Christian and Islamic literature. The final section presents how characters or episodes from Kings appear in the characteristic art of these three worlds. With its over one hundred full-colour images, from Christian mediaeval manuscripts and Persian and Ottoman miniature paintings to contemporary Jewish art, the volume shows why stories from 1–2 Kings feature so prominently in the artistic and cultural worlds the three religions have helped to shape.
Scholars, students and Bible readers in general will find something new and something delightful on every page of this unusually engaging work.
1 and 2 Kings: A Visual Commentary
£70.00
In this uniquely conceived and brilliantly illustrated book, Martin O’Kane, one of the leading experts internationally on biblical art, turns his attention to the narratives of 1 and 2 Kings. Here we encounter a large and varied cast of characters, men and women whose lives are portrayed imaginatively, ranging from exotic kings and queens and flamboyant prophets to lowly servants and other insignificant functionaries. Readers meet individuals of all ages, from the old and wise to the young and foolish, saints and sinners alike. Many of these characters, and the stories in which they appear, play a prominent part in the religious traditions and cultural worlds of three major faiths—Judaism, Christianity and Islam. Interpreted according to each faith’s distinctive norms, they are popular subjects not only in the literature but also in the rich iconographies of the three religions.
1 and 2 Kings: A Visual Commentary has the form of a commentary that focuses on the interpretation of characters and stories from the books of Kings in the visual cultures of the three monotheistic faiths. In each chapter, the first section sets out the most distinctive interpretations and appropriations of the biblical story. The second section interprets how the story has been received and interpreted in Jewish, Christian and Islamic literature. The final section presents how characters or episodes from Kings appear in the characteristic art of these three worlds. With its over one hundred full-colour images, from Christian mediaeval manuscripts and Persian and Ottoman miniature paintings to contemporary Jewish art, the volume shows why stories from 1–2 Kings feature so prominently in the artistic and cultural worlds the three religions have helped to shape.
Scholars, students and Bible readers in general will find something new and something delightful on every page of this unusually engaging work.
Doing Biblical Masculinity Studies as Feminist Biblical Studies? Critical Interrogations
Published: Oct 2023
£60.00
This anthology presents a collaborative interrogation at the intersection of feminist biblical studies and biblical masculinity studies. The included essays make a compelling case for both feminist and masculist readers to recognize the advantage of engaging with each other. As they join forces, they produce research that not only brings female characters, gender issues or queer interpretation histories to the forefront but also interrogates critically male characters as well as androcentric and heteronormative conventions, viewpoints and norms. Connections to geopolitical, ethno-religious and other intersectional issues are part and parcel of the diverse range of approaches.
As a whole, then, the book expands the scholarly discourse from essentializing attention on ‘women’ or ‘men’ to a multifaceted (de)construction of gender that exposes gendered structures of domination in comprehensive ways. The shared goal is to halt reactionary gender discourses and to foster intersectional comprehension of texts and scholarship. Theoretical, historical, contemporary and textual considerations underscore the methodological, hermeneutical and exegetical value of this kind of work.
The volume is organized into three main parts. First, ‘Theoretical Considerations’, presents two essays illuminating meta-level assumptions and developments when biblical scholars embrace the interrelationship of feminist and masculinity studies in their work. Second, ‘Historical and Contemporary Considerations’, contains three essays examining the Bible in past and present cultural contexts. Third, ‘Textual Considerations’, features four essays focusing on specific passages with lenses informed by masculinity and feminist studies. All nine essays, and the three responses addressing them, invite readers to understand, critique and interrupt phallogocentric assumptions in texts, interpretation histories, and research of the Hebrew Bible.
Doing Biblical Masculinity Studies as Feminist Biblical Studies? Critical Interrogations
£60.00
This anthology presents a collaborative interrogation at the intersection of feminist biblical studies and biblical masculinity studies. The included essays make a compelling case for both feminist and masculist readers to recognize the advantage of engaging with each other. As they join forces, they produce research that not only brings female characters, gender issues or queer interpretation histories to the forefront but also interrogates critically male characters as well as androcentric and heteronormative conventions, viewpoints and norms. Connections to geopolitical, ethno-religious and other intersectional issues are part and parcel of the diverse range of approaches.
As a whole, then, the book expands the scholarly discourse from essentializing attention on ‘women’ or ‘men’ to a multifaceted (de)construction of gender that exposes gendered structures of domination in comprehensive ways. The shared goal is to halt reactionary gender discourses and to foster intersectional comprehension of texts and scholarship. Theoretical, historical, contemporary and textual considerations underscore the methodological, hermeneutical and exegetical value of this kind of work.
The volume is organized into three main parts. First, ‘Theoretical Considerations’, presents two essays illuminating meta-level assumptions and developments when biblical scholars embrace the interrelationship of feminist and masculinity studies in their work. Second, ‘Historical and Contemporary Considerations’, contains three essays examining the Bible in past and present cultural contexts. Third, ‘Textual Considerations’, features four essays focusing on specific passages with lenses informed by masculinity and feminist studies. All nine essays, and the three responses addressing them, invite readers to understand, critique and interrupt phallogocentric assumptions in texts, interpretation histories, and research of the Hebrew Bible.
Effective Stories: Genesis Through the Lens of Resilience
Published: July 2023
£70.00
This book is the first monograph-length reading of a biblical book through the lens of resilience. Megan Warner first defines the lens and outlines its boundaries, before training it upon Genesis—to draw new, and often surprising, meaning out of a much-mined text. This innovative reading responds to the need for sustained readings of biblical text, not just in the spheres of resilience and vulnerability, but also in the closely connected interpretative field of trauma.
Warner demonstrates that the authors and editors of Genesis wrote and presented ‘effective stories’—i.e. stories designed to effect change. The devastation of the destruction of Jerusalem, the exile and dispiriting return are nowhere explicitly addressed in Genesis. It relates the history of much earlier events. Nevertheless, this reading exposes intimate engagement with these seminal disasters and the formulation of responses to them. Genesis reaches back into ancient history for the purpose of preparing a new and resilient road into an uncertain future.
Amongst the contributions of this volume are:
a presentation of Genesis’ two creation stories as concerted and complementary responses to the Babylonian crisis;
the identification of an extensive book-wide project, focused on Abraham, to present a history of a united (albeit Judah-centred) Israel designed to challenge the Mosaic Yahwisms of the pre-exilic and exilic periods;
exploration of patterns of use and recruitment of female characters for political means; and
a sustained reading of the resilience of a single character, Joseph.
Warner’s critical approach exposes limitations of the use of resilience as lens, but ultimately demonstrates its potential to go beyond trauma-centred approaches, to recognise innovative, practical and above all, effective, strategies for the construction of viable futures.
Effective Stories: Genesis Through the Lens of Resilience
£70.00
This book is the first monograph-length reading of a biblical book through the lens of resilience. Megan Warner first defines the lens and outlines its boundaries, before training it upon Genesis—to draw new, and often surprising, meaning out of a much-mined text. This innovative reading responds to the need for sustained readings of biblical text, not just in the spheres of resilience and vulnerability, but also in the closely connected interpretative field of trauma.
Warner demonstrates that the authors and editors of Genesis wrote and presented ‘effective stories’—i.e. stories designed to effect change. The devastation of the destruction of Jerusalem, the exile and dispiriting return are nowhere explicitly addressed in Genesis. It relates the history of much earlier events. Nevertheless, this reading exposes intimate engagement with these seminal disasters and the formulation of responses to them. Genesis reaches back into ancient history for the purpose of preparing a new and resilient road into an uncertain future.
Amongst the contributions of this volume are:
a presentation of Genesis’ two creation stories as concerted and complementary responses to the Babylonian crisis;
the identification of an extensive book-wide project, focused on Abraham, to present a history of a united (albeit Judah-centred) Israel designed to challenge the Mosaic Yahwisms of the pre-exilic and exilic periods;
exploration of patterns of use and recruitment of female characters for political means; and
a sustained reading of the resilience of a single character, Joseph.
Warner’s critical approach exposes limitations of the use of resilience as lens, but ultimately demonstrates its potential to go beyond trauma-centred approaches, to recognise innovative, practical and above all, effective, strategies for the construction of viable futures.
The Way to Zion in Isaiah 40-55: Beyond New Exodus or Metaphor
Published: Jun 2023
£70.00
Entering into a longstanding debate in Isaiah research on 'way' language in chapters 40–55 comes The Way to Zion in Isaiah 40–55. This discussion concerns whether the 'way' is best understood as a new exodus of the exiles from Babylon or instead as a metaphor signifying the transformation of Jerusalem from a place of judgement to a place of redemption.
Caleb Gundlach’s study contributes to this debate by arguing that the pilgrimage to Zion becomes a prevalent aspect of the 'way' theme in Isaiah 40–55 and influences how the homecoming is envisioned in these chapters. Firstly, it lays out criteria for recognizing the pilgrimage to Zion as the predominant journey type in Isaiah 49–55. It then explores the relationship of this pilgrimage journey to the major theme of Zion’s restoration within Isaiah 40–55, a theme also emphasized by metaphorical interpretations of the 'way'.
Resituating the homecoming material within the perspective of pilgrimage to Zion sheds light on other interpretive debates on Isaiah 40–55, including:
- the Babylonian or Judahite provenance for the text;
- emphasis on either the text’s compositional stages or its thematic coherence;
- thematic tensions, such as between Zion’s restoration and the Servant’s mission to the nations.
Reconsidering Isaiah’s 'way' imagery under the paradigm of the pilgrimage to Zion provides new avenues for negotiating these issues and takes a further step towards understanding how Isaiah 40–55 coheres as a meaningful and complex unity.
The Way to Zion in Isaiah 40-55: Beyond New Exodus or Metaphor
£70.00
Entering into a longstanding debate in Isaiah research on 'way' language in chapters 40–55 comes The Way to Zion in Isaiah 40–55. This discussion concerns whether the 'way' is best understood as a new exodus of the exiles from Babylon or instead as a metaphor signifying the transformation of Jerusalem from a place of judgement to a place of redemption.
Caleb Gundlach’s study contributes to this debate by arguing that the pilgrimage to Zion becomes a prevalent aspect of the 'way' theme in Isaiah 40–55 and influences how the homecoming is envisioned in these chapters. Firstly, it lays out criteria for recognizing the pilgrimage to Zion as the predominant journey type in Isaiah 49–55. It then explores the relationship of this pilgrimage journey to the major theme of Zion’s restoration within Isaiah 40–55, a theme also emphasized by metaphorical interpretations of the 'way'.
Resituating the homecoming material within the perspective of pilgrimage to Zion sheds light on other interpretive debates on Isaiah 40–55, including:
- the Babylonian or Judahite provenance for the text;
- emphasis on either the text’s compositional stages or its thematic coherence;
- thematic tensions, such as between Zion’s restoration and the Servant’s mission to the nations.
Reconsidering Isaiah’s 'way' imagery under the paradigm of the pilgrimage to Zion provides new avenues for negotiating these issues and takes a further step towards understanding how Isaiah 40–55 coheres as a meaningful and complex unity.
From Qumran to Jude: A History of Social Crisis at Qumran and in Early Jewish Christianity
Published: Jun 2023
£65.00
Many have noted the Qumran-like language of Jude. Chris Armitage provides a detailed comparative consideration of the similarities between Jude and the Dead Sea Scrolls peshers in the Hebrew Bible. The writers, in each of these texts, frequently appeal to examples of eschatological punishment for deviant theology and conduct, from the Hebrew Bible.
This study delves systematically into Jude’s use of pesher technique—appropriating a Hebrew Bible example of deviant teaching and behaviour and its eschatological consequences and applying it to the present—and shows, across the divide of Koine Greek and Classical Hebrew, that this is same technique as found in the Dead Sea Scrolls.
Armitage infers that similar socio-theological crises faced Jude’s and the Qumran community, requiring each to generate literature containing purity and pollution rhetoric, derived from remodelling Hebrew Bible predictions of eschatological punishment to fit its own time, in order to ensure internal solidarity.
From Qumran to Jude: A History of Social Crisis at Qumran and in Early Jewish Christianity
£65.00
Many have noted the Qumran-like language of Jude. Chris Armitage provides a detailed comparative consideration of the similarities between Jude and the Dead Sea Scrolls peshers in the Hebrew Bible. The writers, in each of these texts, frequently appeal to examples of eschatological punishment for deviant theology and conduct, from the Hebrew Bible.
This study delves systematically into Jude’s use of pesher technique—appropriating a Hebrew Bible example of deviant teaching and behaviour and its eschatological consequences and applying it to the present—and shows, across the divide of Koine Greek and Classical Hebrew, that this is same technique as found in the Dead Sea Scrolls.
Armitage infers that similar socio-theological crises faced Jude’s and the Qumran community, requiring each to generate literature containing purity and pollution rhetoric, derived from remodelling Hebrew Bible predictions of eschatological punishment to fit its own time, in order to ensure internal solidarity.
Joban Papers
Published: Apr 2023
£75.00
In this volume, David J.A. Clines—known for his magisterial three-volume commentary on Job in the Word Biblical Commentary series (1989–2011)—brings together a sequence of 27 of his papers on his favourite biblical book from a variety of publications.
In two sections, the wide-ranging Syntheses and the more focused Probes on particular chapters, this collection is a necessary adjunct to his commentary.
Among the titles in the Syntheses are:
- On the Poetic Achievement of the Book of Job
- Why Is There a Book of Job, and What Does It Do to You If You Read It?
- Job’s Fifth Friend: An Ethical Critique of the Book of Job
- Deconstructing the Book of Job
Among the Probes the reader will find:
- False Naivety in the Prologue to Job
- In Search of the Indian Job
- Quarter Days Gone: Job 24 and the Absence of God
- Those Golden Days: Job and the Perils of Nostalgia
- Putting Elihu in his Place: A Proposal for the Relocation of Job 32–37
- One or Two Things You May Not Know about the Universe
- The Worth of Animals in the Book of Job
- Job’s Crafty Conclusion, and Seven Interesting Things about the Epilogue to Job
Joban Papers
£75.00
In this volume, David J.A. Clines—known for his magisterial three-volume commentary on Job in the Word Biblical Commentary series (1989–2011)—brings together a sequence of 27 of his papers on his favourite biblical book from a variety of publications.
In two sections, the wide-ranging Syntheses and the more focused Probes on particular chapters, this collection is a necessary adjunct to his commentary.
Among the titles in the Syntheses are:
- On the Poetic Achievement of the Book of Job
- Why Is There a Book of Job, and What Does It Do to You If You Read It?
- Job’s Fifth Friend: An Ethical Critique of the Book of Job
- Deconstructing the Book of Job
Among the Probes the reader will find:
- False Naivety in the Prologue to Job
- In Search of the Indian Job
- Quarter Days Gone: Job 24 and the Absence of God
- Those Golden Days: Job and the Perils of Nostalgia
- Putting Elihu in his Place: A Proposal for the Relocation of Job 32–37
- One or Two Things You May Not Know about the Universe
- The Worth of Animals in the Book of Job
- Job’s Crafty Conclusion, and Seven Interesting Things about the Epilogue to Job
Play the Man! Biblical Imperatives to Masculinity
Published: Apr 2023
£75.00
David J.A. Clines argues in Play the Man! that masculinity is a script, written for men by their societies, a script that men in their various cultures act out their whole lives long: 'no one is born a man'. He has been quick to deploy the insights of sociologists, historians, educationists, health professionals, psychologists and other scholars investigating masculinity in the contemporary and ancient worlds.
The book's title is a recognition of masculinity as performance, and the Bible's depictions of males in action as far more than information or entertainment; they function as demands on the men who read them or have them read to them. Hence the subtitle, Biblical Imperatives to Masculinity, presumes that every biblical reference to the masculine is some kind of authoritative command.
Clines—in this collection of writings prepared across three decades—has seen biblical texts as an excellent test bed for research into masculinity in one ancient culture as well as being an indubitable influence upon views and practices of masculinity in our own time.
The bulk of the book consists of studies of individual characters and texts of the Bible, analysing and profiling the masculinity that is there attested, assumed and encouraged. In conclusion, Clines reflects on the continuing impact of the biblical imperatives to masculinity, their effect on men, women and religion, in our own time.
Play the Man! Biblical Imperatives to Masculinity
£75.00
David J.A. Clines argues in Play the Man! that masculinity is a script, written for men by their societies, a script that men in their various cultures act out their whole lives long: 'no one is born a man'. He has been quick to deploy the insights of sociologists, historians, educationists, health professionals, psychologists and other scholars investigating masculinity in the contemporary and ancient worlds.
The book's title is a recognition of masculinity as performance, and the Bible's depictions of males in action as far more than information or entertainment; they function as demands on the men who read them or have them read to them. Hence the subtitle, Biblical Imperatives to Masculinity, presumes that every biblical reference to the masculine is some kind of authoritative command.
Clines—in this collection of writings prepared across three decades—has seen biblical texts as an excellent test bed for research into masculinity in one ancient culture as well as being an indubitable influence upon views and practices of masculinity in our own time.
The bulk of the book consists of studies of individual characters and texts of the Bible, analysing and profiling the masculinity that is there attested, assumed and encouraged. In conclusion, Clines reflects on the continuing impact of the biblical imperatives to masculinity, their effect on men, women and religion, in our own time.
Lamentations: From Despair to Prayer
Published: May 2022
£65.00
The destruction of Jerusalem and its temple in the sixth century bce brought its inhabitants pain, a feeling of abandonment by God, and the loss of self-identity—and engendered the six poems of the book of Lamentations. Previous studies of the book have sought for its theological centre, or have read the book solely as an expression of grief, but in this innovative interpretation Elie Assis claims that its main aim is to impart hope to its exiled readers. The intention of Lamentations is to transport the mourners from despair to prayer, and to offer its assurance that the destruction must only be temporary because God has not severed his covenant with the people. The people's wish to feel themselves desired by God can be fulfilled, and the divine commitment is forever binding. Through his sensitive literary analysis Assis lays bare a progression of thought within each poem and as well from poem to poem; it is a movement, theological and emotional, from despair in the first poem to prayer and hope in the last.
Lamentations: From Despair to Prayer
£65.00
The destruction of Jerusalem and its temple in the sixth century bce brought its inhabitants pain, a feeling of abandonment by God, and the loss of self-identity—and engendered the six poems of the book of Lamentations. Previous studies of the book have sought for its theological centre, or have read the book solely as an expression of grief, but in this innovative interpretation Elie Assis claims that its main aim is to impart hope to its exiled readers. The intention of Lamentations is to transport the mourners from despair to prayer, and to offer its assurance that the destruction must only be temporary because God has not severed his covenant with the people. The people's wish to feel themselves desired by God can be fulfilled, and the divine commitment is forever binding. Through his sensitive literary analysis Assis lays bare a progression of thought within each poem and as well from poem to poem; it is a movement, theological and emotional, from despair in the first poem to prayer and hope in the last.
From Words to Meaning: Studies on Old Testament Language and Theology for David J. Reimer
Published: Dec 2021
£60.00
David J. Reimer, to whom this volume is dedicated, has taught over twenty years at New College in Edinburgh. During this time, he has published and supervised many projects in the areas of Hebrew language study and Old Testament theology. These two disciplines often stay each in their own territory. As a token of recognition to David's scholarship, From Words to Meaning is designed to bridge this gap and to demonstrate afresh how speaking theologically about the Old Testament is enriched when it focuses on how these ancient texts communicate their message.
With its analysis of selected literary aspects, words, and theological questions, the volume contributes to current methodological discussions in both disciplines. Each of its twelve essays provides a case study that models the crossover between theology and language study. Alongside up-to-date discussions about Bible translation and biblical theology, the volume sheds new light on old questions, such as resurrection and Christology in the Old Testament. Inasmuch as all of these items are established topics in Old Testament theology, From Words to Meaning highlights time and again how close attention to Hebrew language results in a more nuanced understanding. This holds true especially for the many exercises of lexical semantics and pragmatics that are included in the volume. Readers will benefit from the careful study of the words 'to save' and 'glory', but will also gain fresh insights into the rhetoric of David's tears, Hosea's culinary metaphors, and Jeremiah's speech quotation.
The combination of well-established writers and emerging new voices results in a rounded sample of how we may move 'from words to meaning'. With its expertise and methodological orientation, the volume is an excellent resource for all scholars who are interested in the interplay of theology and language in the field of Old Testament studies.
From Words to Meaning: Studies on Old Testament Language and Theology for David J. Reimer
£60.00
David J. Reimer, to whom this volume is dedicated, has taught over twenty years at New College in Edinburgh. During this time, he has published and supervised many projects in the areas of Hebrew language study and Old Testament theology. These two disciplines often stay each in their own territory. As a token of recognition to David's scholarship, From Words to Meaning is designed to bridge this gap and to demonstrate afresh how speaking theologically about the Old Testament is enriched when it focuses on how these ancient texts communicate their message.
With its analysis of selected literary aspects, words, and theological questions, the volume contributes to current methodological discussions in both disciplines. Each of its twelve essays provides a case study that models the crossover between theology and language study. Alongside up-to-date discussions about Bible translation and biblical theology, the volume sheds new light on old questions, such as resurrection and Christology in the Old Testament. Inasmuch as all of these items are established topics in Old Testament theology, From Words to Meaning highlights time and again how close attention to Hebrew language results in a more nuanced understanding. This holds true especially for the many exercises of lexical semantics and pragmatics that are included in the volume. Readers will benefit from the careful study of the words 'to save' and 'glory', but will also gain fresh insights into the rhetoric of David's tears, Hosea's culinary metaphors, and Jeremiah's speech quotation.
The combination of well-established writers and emerging new voices results in a rounded sample of how we may move 'from words to meaning'. With its expertise and methodological orientation, the volume is an excellent resource for all scholars who are interested in the interplay of theology and language in the field of Old Testament studies.
Epigraphy, Iconography, and the Bible
Published: Dec 2021
£85.00
The study of the Bible has long been illuminated by 'light from the East' (in the famous phrase of Adolf Deissmann in 1908). Almost daily, new artifacts and inscriptions are announced that will have an impact on how the Bible is read and understood.
Following Meir Lubetski's SPP collection New Seals and Inscriptions, Hebrew, Idumean and Cuneiform in 2007 and his Festschrift, Visions of Life in Biblical Times in 2015, the present volume garners papers from a wide and distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.
Among the papers, Alan Millard reviews the issue of the use of the early alphabets, André Lemaire revisits the Mesha stele (the Moabite Stone), and Pieter Gert van der Veen takes a fresh look at the seal of Shema with its famous lion (still adorning the cover of the Journal for the Study of the Old Testament). Bezalel Porten contributes a fascinating study, illustrated by twenty colour diagrams, of documents on papyrus or ostraca requesting provisions from storerooms—an insight into the practicalities of daily administrative life in Egypt, Idumea and Israel.
There are papers also on the arks of the Hebrew Bible (Yigal Levin), on alleged identifications of Hebrew kings in inscriptions (Lawrence Mykytiuk), on literary images in the Tell Fekheriye inscription and the book of Lamentations (Gideon Kotzé) and on Judaean pillar figurines of women that are ubiquitous in archaeological excavations from Iron Age Judah.
Epigraphy, Iconography, and the Bible, in sum, is something of a cornucopia of new and revised data about the Hebrew Bible in its ancient context, intelligible to scholars, students and a more general public alike.
Epigraphy, Iconography, and the Bible
£85.00
The study of the Bible has long been illuminated by 'light from the East' (in the famous phrase of Adolf Deissmann in 1908). Almost daily, new artifacts and inscriptions are announced that will have an impact on how the Bible is read and understood.
Following Meir Lubetski's SPP collection New Seals and Inscriptions, Hebrew, Idumean and Cuneiform in 2007 and his Festschrift, Visions of Life in Biblical Times in 2015, the present volume garners papers from a wide and distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.
Among the papers, Alan Millard reviews the issue of the use of the early alphabets, André Lemaire revisits the Mesha stele (the Moabite Stone), and Pieter Gert van der Veen takes a fresh look at the seal of Shema with its famous lion (still adorning the cover of the Journal for the Study of the Old Testament). Bezalel Porten contributes a fascinating study, illustrated by twenty colour diagrams, of documents on papyrus or ostraca requesting provisions from storerooms—an insight into the practicalities of daily administrative life in Egypt, Idumea and Israel.
There are papers also on the arks of the Hebrew Bible (Yigal Levin), on alleged identifications of Hebrew kings in inscriptions (Lawrence Mykytiuk), on literary images in the Tell Fekheriye inscription and the book of Lamentations (Gideon Kotzé) and on Judaean pillar figurines of women that are ubiquitous in archaeological excavations from Iron Age Judah.
Epigraphy, Iconography, and the Bible, in sum, is something of a cornucopia of new and revised data about the Hebrew Bible in its ancient context, intelligible to scholars, students and a more general public alike.
A Theology of Genocide? : Reading Deuteronomy 20
Published: Oct 2021
£70.00
The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)?
In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically, as a metaphor for the interior struggle against sin.
That may seem to be too easy a solution. Yet, looking at modern historical and literary analyses of the text, Milner shows that the original audiences of this passage would also have taken it symbolically, since they lived many generations after the 'narrated time' of the Conquest when no Canaanites populations remained to be exterminated. Further, the narrative itself demonstrates that the 'military option' was a complete failure, and does not commend it to the audience of the text.
Milner argues that God no more commanded genocide than he wandered about in the evening breeze in Eden (Gen 3:8) or encouraged Satan to persecute and tempt Job (Job 1-2). This is by no means a new insight, he says, tracing it back to early Christian theologians, particularly Origen and Gregory of Nyssa, who argued that passages not 'worthy of God' should not be interpreted literally.
A Theology of Genocide? : Reading Deuteronomy 20
£70.00
The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)?
In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically, as a metaphor for the interior struggle against sin.
That may seem to be too easy a solution. Yet, looking at modern historical and literary analyses of the text, Milner shows that the original audiences of this passage would also have taken it symbolically, since they lived many generations after the 'narrated time' of the Conquest when no Canaanites populations remained to be exterminated. Further, the narrative itself demonstrates that the 'military option' was a complete failure, and does not commend it to the audience of the text.
Milner argues that God no more commanded genocide than he wandered about in the evening breeze in Eden (Gen 3:8) or encouraged Satan to persecute and tempt Job (Job 1-2). This is by no means a new insight, he says, tracing it back to early Christian theologians, particularly Origen and Gregory of Nyssa, who argued that passages not 'worthy of God' should not be interpreted literally.
Herald of Good Tidings: Essays on the Bible, Prophecy, and the Hope of Israel in Honour of Antti Laato
Published: Sep 2021
£90.00
This volume is dedicated to the prominent biblical scholar, Antti Laato, of Åbo Akademi University, Finland, on the occasion of his sixtieth birthday. In his extensive and many-faceted scholarly work spanning more than 35 years, there have been some focal points. One has been the Book of Isaiah, and, more broadly, the prophetic books and the messianic hopes they contain. From the 2010s onwards, another aspect has gained more visibility in Antti Laato's work: the reception history of the Bible —the Hebrew Bible in particular —in both Judaism and Christianity. Herald of Good Tidings is a collection of papers, by nineteen scholars mainly from the Nordic countries, on the heralds of redemption and hope, the prophets —their voice, words and deeds, and on the status and role of these prophets.
The first part of the volume concerns the world of the Hebrew Bible: biblical prophetism, the prophets themselves and their books.
The second part is devoted to the continuing message of the prophets in its post-biblical Jewish and Christian reception. A key aspect is their message of a bright future, whether about hope in general or about the Messiah. Their words are constantly being interpreted, sometimes personalities of the post-biblical era also being seen as prophetic figures.
The brief third part of the book illustrates the ongoing influence of the prophets in times yet more distant than the post-biblical age from the prophets of the Hebrew Bible.
Herald of Good Tidings: Essays on the Bible, Prophecy, and the Hope of Israel in Honour of Antti Laato
£90.00
This volume is dedicated to the prominent biblical scholar, Antti Laato, of Åbo Akademi University, Finland, on the occasion of his sixtieth birthday. In his extensive and many-faceted scholarly work spanning more than 35 years, there have been some focal points. One has been the Book of Isaiah, and, more broadly, the prophetic books and the messianic hopes they contain. From the 2010s onwards, another aspect has gained more visibility in Antti Laato's work: the reception history of the Bible —the Hebrew Bible in particular —in both Judaism and Christianity. Herald of Good Tidings is a collection of papers, by nineteen scholars mainly from the Nordic countries, on the heralds of redemption and hope, the prophets —their voice, words and deeds, and on the status and role of these prophets.
The first part of the volume concerns the world of the Hebrew Bible: biblical prophetism, the prophets themselves and their books.
The second part is devoted to the continuing message of the prophets in its post-biblical Jewish and Christian reception. A key aspect is their message of a bright future, whether about hope in general or about the Messiah. Their words are constantly being interpreted, sometimes personalities of the post-biblical era also being seen as prophetic figures.
The brief third part of the book illustrates the ongoing influence of the prophets in times yet more distant than the post-biblical age from the prophets of the Hebrew Bible.
Sequencing the Hebrew Bible: The Order of the Books
Published: July 2021
£55.00
If the order of the Hebrew Bible's books is significant, as many believe, why did differing arrangements of the Hebrew Bible emerge over time? This is a crucial question for Bible readers generally and especially for scholars of compilational criticism —the study of how the books of the Hebrew Bible were arranged in their various orders. Yet few compilational critics offer a solution to this problem and several fail even to recognize the issue. Sequencing the Hebrew Bible makes the novel proposal that multiple orders are part of the compositional intent of the framers of the Hebrew Bible. That is, those responsible for producing the final form of the Hebrew Bible's text created multiple ways in which its books could be meaningfully arranged. No single arrangement, as found in ancient manuscripts and lists of the books, can fully account for the compositional intent of these framers. The task of the compilational critic is to identify these arrangements, classify them, and evaluate the effect of these varying arrangements. This solution has implications both for the production of modern Bibles and for biblical theology. While some interested in compilational criticism argue that modern Bibles should be reorganized to reflect earlier arrangements of the biblical books, this study would suggest that such attempts would be limited in value. For only one of the several attested arrangements could be presented in any printed Bible. As for the idea of attempting to arrange the Bible chronologically, this study argues that to do so would inhibit the reader's understanding of the design of the biblical authors. Since biblical theology bridges the gap between historical-critical and theological studies, internal tensions between historical and theological analyses are often apparent within biblical theology. Compilational criticism helps to relieve these tensions by showing how theology underlies the formation of the Hebrew Bible.
Sequencing the Hebrew Bible: The Order of the Books
£55.00
If the order of the Hebrew Bible's books is significant, as many believe, why did differing arrangements of the Hebrew Bible emerge over time? This is a crucial question for Bible readers generally and especially for scholars of compilational criticism —the study of how the books of the Hebrew Bible were arranged in their various orders. Yet few compilational critics offer a solution to this problem and several fail even to recognize the issue. Sequencing the Hebrew Bible makes the novel proposal that multiple orders are part of the compositional intent of the framers of the Hebrew Bible. That is, those responsible for producing the final form of the Hebrew Bible's text created multiple ways in which its books could be meaningfully arranged. No single arrangement, as found in ancient manuscripts and lists of the books, can fully account for the compositional intent of these framers. The task of the compilational critic is to identify these arrangements, classify them, and evaluate the effect of these varying arrangements. This solution has implications both for the production of modern Bibles and for biblical theology. While some interested in compilational criticism argue that modern Bibles should be reorganized to reflect earlier arrangements of the biblical books, this study would suggest that such attempts would be limited in value. For only one of the several attested arrangements could be presented in any printed Bible. As for the idea of attempting to arrange the Bible chronologically, this study argues that to do so would inhibit the reader's understanding of the design of the biblical authors. Since biblical theology bridges the gap between historical-critical and theological studies, internal tensions between historical and theological analyses are often apparent within biblical theology. Compilational criticism helps to relieve these tensions by showing how theology underlies the formation of the Hebrew Bible.
Explanations for Exile in Amos
Published: July 2021
£60.00
In four places, Amos announces Israel's coming exile to Assyria: 4.1-3, 5.25-27, 6.1-14 and 7.7-17. It will be Yahweh's punishment for social injustice. But who is to blame?
Most scholars think it is the women (and men) of the mid-eighth-century BCE Israelite upper class. Not so, says Campos. It is the kings who are the culprits. Kings should champion social justice, as we know from ancient Near Eastern texts and biblical books like Jeremiah, and the endurance of the kingship depends on their upholding justice. Kings must also remain loyal Yahwists, and keep clear of alliances with foreign powers. The kingship has failed on these counts.
In this forensic overturning of time-honoured readings of Amos's oracles, and with a fresh eye for his metaphors, Martha Campos outs the successors of Jeroboam (7.9) as the cows of Bashan (4.1), manufacturers of images for non-Yahwistic worship, especially of Ninurta/Sakkuth (5.26), lounging on couches at their banquets (6.4). And Amos himself is a tin wall (7.8), strong enough to fend off the arrows of his opponents.
Explanations for Exile will be a breath of fresh air for scholars and students of the prophet Amos.
Explanations for Exile in Amos
£60.00
In four places, Amos announces Israel's coming exile to Assyria: 4.1-3, 5.25-27, 6.1-14 and 7.7-17. It will be Yahweh's punishment for social injustice. But who is to blame?
Most scholars think it is the women (and men) of the mid-eighth-century BCE Israelite upper class. Not so, says Campos. It is the kings who are the culprits. Kings should champion social justice, as we know from ancient Near Eastern texts and biblical books like Jeremiah, and the endurance of the kingship depends on their upholding justice. Kings must also remain loyal Yahwists, and keep clear of alliances with foreign powers. The kingship has failed on these counts.
In this forensic overturning of time-honoured readings of Amos's oracles, and with a fresh eye for his metaphors, Martha Campos outs the successors of Jeroboam (7.9) as the cows of Bashan (4.1), manufacturers of images for non-Yahwistic worship, especially of Ninurta/Sakkuth (5.26), lounging on couches at their banquets (6.4). And Amos himself is a tin wall (7.8), strong enough to fend off the arrows of his opponents.
Explanations for Exile will be a breath of fresh air for scholars and students of the prophet Amos.
The Great Drama of Jeremiah: A Performance Reading
Published: May 2021
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
The Great Drama of Jeremiah: A Performance Reading
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
Abishag: Administrator of King David’s Household
Published: May 2021
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
Abishag: Administrator of King David’s Household
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
The Ancient Near East in the Nineteenth Century: III. Fantasy and Alternative Histories
Published: Mar 2021
£22.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume III argues that fiction and fantasy play an important role in establishing expectations about the past. Changing sensitivities towards realism in art meant that imaginary visions were charged with an archaeological aesthetic. Orientalist painting offered seemingly realistic glimpses of ancient life. Stage plays and opera used the ancient Near East for performances that explored contemporary issues. Mummy stories evolved from humorous time-travel tales into horror fiction rooted in fears of materialism, and adventure novels ruminated on the obligations and dangers of empire.
Alongside these explicitly fictional modes of thinking about the past, the nineteenth century saw a rise in popularity of esoteric thinking. People offered alternative versions of ancient history, imagining that ancient religious practices continued into the present, through secret societies like the Freemasons and the Rosicrucians or in the new movements of Mormonism and Theosophy. Volume III ends by examining the interpretations of the Near East offered by Sigmund Freud and H.P. Lovecraft, showing how these two figures influenced later popular experiences of the ancient Near East.
The Ancient Near East in the Nineteenth Century: III. Fantasy and Alternative Histories
£22.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume III argues that fiction and fantasy play an important role in establishing expectations about the past. Changing sensitivities towards realism in art meant that imaginary visions were charged with an archaeological aesthetic. Orientalist painting offered seemingly realistic glimpses of ancient life. Stage plays and opera used the ancient Near East for performances that explored contemporary issues. Mummy stories evolved from humorous time-travel tales into horror fiction rooted in fears of materialism, and adventure novels ruminated on the obligations and dangers of empire.
Alongside these explicitly fictional modes of thinking about the past, the nineteenth century saw a rise in popularity of esoteric thinking. People offered alternative versions of ancient history, imagining that ancient religious practices continued into the present, through secret societies like the Freemasons and the Rosicrucians or in the new movements of Mormonism and Theosophy. Volume III ends by examining the interpretations of the Near East offered by Sigmund Freud and H.P. Lovecraft, showing how these two figures influenced later popular experiences of the ancient Near East.
The Ancient Near East in the Nineteenth Century: II. Collecting, Constructing, and Curating
Published: Mar 2021
£23.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume II examines the different ways that non-specialists encountered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people collected artifacts while traveling in the region or paid to see the collections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' artifacts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical characters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and employed Egyptian styles in their design, first in higher quality designer products and later in novelty items. Egyptian temples provided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagining Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consumers were taught not to be afraid of the transformations brought by the industrial age.
The Ancient Near East in the Nineteenth Century: II. Collecting, Constructing, and Curating
£23.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume II examines the different ways that non-specialists encountered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people collected artifacts while traveling in the region or paid to see the collections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' artifacts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical characters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and employed Egyptian styles in their design, first in higher quality designer products and later in novelty items. Egyptian temples provided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagining Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consumers were taught not to be afraid of the transformations brought by the industrial age.
Job: From Lament to Penitence
Published: Nov 2020
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
Job: From Lament to Penitence
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.