Song of Songs in Sense, Sound and Space
Published: Nov 2024
£70.00
This volume offers 13 cutting-edge essays on the Song of Songs presented in four categories.
1. Exegetical and Contextualised Studies. Fernandes argues Solomon’s sidelining in the Song is unjust and uncovers subtle allusions to him. Scheffler examines the contentious place of Song 7.1 and its depiction. Lombaard challenges whether gender equity exists in the Song, arguing that female voices are more prominent than male ones. Landy employs affect theory to the depiction of the woman as a mare (1.9-11) and the invitation for her to return (7.1). Kim highlights the subjectivity of interpretation by comparing readings of Song 7 by Keel, Black and herself through the lens of Umberto Eco’s semiotic model. Potgieter and Lombaard contemporise Paul Decock’s readings of Origen and Bernard on the Song.
2. Spatial Studies. Fischer applies Lefebvre’s spatial theory to the Song, highlighting the protagonists’ physical space; their conceived (cultural) space; and their lived space (their supra-temporal experience). Dantonel analyses several spatial domains in both the Song and Proverbs: spring; well; and vineyard along with three places of enduring love: mother’s house; door; and window.
3. Comparative Studies. Volkonski compares Early Arabic poetic techniques and the Song to show new possibilities for interpreting the latter. Recalcati investigates parallels between the Song and Hellenistic epigrammatic poetry within the Anthologia Palatina. Biermann explores the metaphor(s) ‘set me as a seal upon your heart, as a seal upon your arm’ in 8.6 through cognitive linguistics and sensory archaeology.
4. Studies in Music. Boyce-Tillman integrates her reading of the Song with her musical compositions to contemporise themes including fertility, the body, ecotheology, and apophatic theology. Lamont and Fernandes survey four shared tropes between Arvo Pärt’s The Deer’s Cry, St. Patrick’s Breastplate and the Song: love and war; incantation and magic; connection with nature; and in medias res.
Song of Songs in Sense, Sound and Space
£70.00
This volume offers 13 cutting-edge essays on the Song of Songs presented in four categories.
1. Exegetical and Contextualised Studies. Fernandes argues Solomon’s sidelining in the Song is unjust and uncovers subtle allusions to him. Scheffler examines the contentious place of Song 7.1 and its depiction. Lombaard challenges whether gender equity exists in the Song, arguing that female voices are more prominent than male ones. Landy employs affect theory to the depiction of the woman as a mare (1.9-11) and the invitation for her to return (7.1). Kim highlights the subjectivity of interpretation by comparing readings of Song 7 by Keel, Black and herself through the lens of Umberto Eco’s semiotic model. Potgieter and Lombaard contemporise Paul Decock’s readings of Origen and Bernard on the Song.
2. Spatial Studies. Fischer applies Lefebvre’s spatial theory to the Song, highlighting the protagonists’ physical space; their conceived (cultural) space; and their lived space (their supra-temporal experience). Dantonel analyses several spatial domains in both the Song and Proverbs: spring; well; and vineyard along with three places of enduring love: mother’s house; door; and window.
3. Comparative Studies. Volkonski compares Early Arabic poetic techniques and the Song to show new possibilities for interpreting the latter. Recalcati investigates parallels between the Song and Hellenistic epigrammatic poetry within the Anthologia Palatina. Biermann explores the metaphor(s) ‘set me as a seal upon your heart, as a seal upon your arm’ in 8.6 through cognitive linguistics and sensory archaeology.
4. Studies in Music. Boyce-Tillman integrates her reading of the Song with her musical compositions to contemporise themes including fertility, the body, ecotheology, and apophatic theology. Lamont and Fernandes survey four shared tropes between Arvo Pärt’s The Deer’s Cry, St. Patrick’s Breastplate and the Song: love and war; incantation and magic; connection with nature; and in medias res.
The Song of Songs Afresh: Perspectives on a Biblical Love Poem
Published: Oct 2019
£60.00
This volume is one of the fruits of a six-year series of international conferences on the Song of Songs. The 13 diverse articles here being presented in four categories.
1. Classical exegetical studies. What does the blackness of the woman signify? Ausloos sees a tension between an exegetically appropriate and a politically correct interpretation, Biernot an example of Jewish discourse on blackness and whiteness ranging from antiquity to modern times. The function of the so-called dream in the Song is examined in the context of dreams in the ancient Near East with their two kinds of wake-up expressions (Fernandes). Fischer sees the daughters of Jerusalem as a means of identification for the reader and as placeholders for the young women of society. Next are intertextual readings of the Shulammite with a South African poem (Lombaard) and of the Song's vision of love with mythological traces in the Hebrew Bible (Mathys).
2. Post-modern exegetical studies. Included is a dialogue on horses in love and war (Landy and Metzler), a psychoanalytical reading on the theme of death (van der Zwan), and a blend of Ricoeur and cognitive metaphor theory that profiles the man in the Song (Verde).
3. Jewish studies. Baraniak studies the targumic exegesis, and DamohorskÌÁ the Song in Passover Piyyutim.
4. Hermeneutics. Responsible exegesis of the Song is Oosthuizen's theme, and Scheffler's is varieties of allegorizing.
The Song of Songs Afresh: Perspectives on a Biblical Love Poem
£60.00
This volume is one of the fruits of a six-year series of international conferences on the Song of Songs. The 13 diverse articles here being presented in four categories.
1. Classical exegetical studies. What does the blackness of the woman signify? Ausloos sees a tension between an exegetically appropriate and a politically correct interpretation, Biernot an example of Jewish discourse on blackness and whiteness ranging from antiquity to modern times. The function of the so-called dream in the Song is examined in the context of dreams in the ancient Near East with their two kinds of wake-up expressions (Fernandes). Fischer sees the daughters of Jerusalem as a means of identification for the reader and as placeholders for the young women of society. Next are intertextual readings of the Shulammite with a South African poem (Lombaard) and of the Song's vision of love with mythological traces in the Hebrew Bible (Mathys).
2. Post-modern exegetical studies. Included is a dialogue on horses in love and war (Landy and Metzler), a psychoanalytical reading on the theme of death (van der Zwan), and a blend of Ricoeur and cognitive metaphor theory that profiles the man in the Song (Verde).
3. Jewish studies. Baraniak studies the targumic exegesis, and DamohorskÌÁ the Song in Passover Piyyutim.
4. Hermeneutics. Responsible exegesis of the Song is Oosthuizen's theme, and Scheffler's is varieties of allegorizing.