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Solomon the Lover and the Shape of the Song of Songs

Published: Sep 2015
£50.00
Reading the Song of Songs perpetually raises the question, What is this love that has been sung about so evocatively to ever new generations? The exuberance of the poetry and the remarkable history of its reception make the understanding of what the poetry is all about the more urgent for the conscientious reader. The shape of the Song and what this shape reveals of the poet's concerns are central for this study. Hauge's analysis discloses that a special arrangement of formally independent units, signalled by effects of repetition, is typical of its composition. The strophes are set out in a fivefold pattern containing three types of passage: narrative elements, addresses to the daughters of Jerusalem, and dialogues between the lovers. The tension of the opening scenes dedicated to Solomon and his women, contrasted with a final scene where the king is the humble supplicant, reflects an underlying story of how Solomon the lover of many women was transformed into a lover of the One. The story is dedicated to the power of love, its character as an overwhelming force being even accented by implications of shame. Motifs of absence and separation suggest longing as the essence of love, the final image of the lover as the hart upon the fragrant mountains adding a tinge of sadness to the impression. Themes from the Solomon tradition are important for the narrative strand. The formal shape and the cast of actors are deeply influenced by Proverbs 1 —7, not least when the poet plays havoc with venerable aspects of the wisdom tradition.
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Solomon the Lover and the Shape of the Song of Songs

£50.00
Reading the Song of Songs perpetually raises the question, What is this love that has been sung about so evocatively to ever new generations? The exuberance of the poetry and the remarkable history of its reception make the understanding of what the poetry is all about the more urgent for the conscientious reader. The shape of the Song and what this shape reveals of the poet's concerns are central for this study. Hauge's analysis discloses that a special arrangement of formally independent units, signalled by effects of repetition, is typical of its composition. The strophes are set out in a fivefold pattern containing three types of passage: narrative elements, addresses to the daughters of Jerusalem, and dialogues between the lovers. The tension of the opening scenes dedicated to Solomon and his women, contrasted with a final scene where the king is the humble supplicant, reflects an underlying story of how Solomon the lover of many women was transformed into a lover of the One. The story is dedicated to the power of love, its character as an overwhelming force being even accented by implications of shame. Motifs of absence and separation suggest longing as the essence of love, the final image of the lover as the hart upon the fragrant mountains adding a tinge of sadness to the impression. Themes from the Solomon tradition are important for the narrative strand. The formal shape and the cast of actors are deeply influenced by Proverbs 1 —7, not least when the poet plays havoc with venerable aspects of the wisdom tradition.
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Proverbs

Published: Jan 2015
£15.00£35.00
In previous commentaries on Proverbs, little is said about any literary and thematic unity in the book. This commentary, by contrast, reads Proverbs not as a collection of disjointed aphorisms, but as a book of symmetrically arranged wisdom-teaching where topics, forms of expression and rhetoric are constantly hearkening back to what has preceded or heralding what is to follow. In the preface (1.1-7), the editors of Proverbs introduce a book of wisdom-teaching which the audience, the youth of Israel, are supposed to understand by discerning the figurative language in which the teaching is expressed. The present-day reader of Proverbs is invited in this commentary to read from the same perspective, becoming, like the original audience, engaged in the unfolding figurative language. At the outset Proverbs is set well within the household (1.8 —9.18), where a mother and father urge their naive and uncommitted son to retain their teaching and to successfully establish his own household. Wisdom is personified as a teacher and a welcoming host whose metaphorical banquet is laid out in the poetry of the topical groups identified in the 'Proverbs of Solomon' (10.1 —22.16). The parental wisdom teaching in the 'Words of the Wise' (22.17 —24.34) addresses a youth now on the threshold of public life, marking out a path of courageous wisdom amid attractive but self-destructive alternatives. In the 'Other Proverbs of Solomon' (chaps. 25 —29) a wealth of imagery and stark antitheses highlight earlier themes and inculcate personal responsibility in a lawless society. The Book of Proverbs concludes with the striking portraits of three eminent wise ones (chaps. 30 —31), who are presumably imbued with the spirit of the Book.
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Proverbs

£15.00£35.00
In previous commentaries on Proverbs, little is said about any literary and thematic unity in the book. This commentary, by contrast, reads Proverbs not as a collection of disjointed aphorisms, but as a book of symmetrically arranged wisdom-teaching where topics, forms of expression and rhetoric are constantly hearkening back to what has preceded or heralding what is to follow. In the preface (1.1-7), the editors of Proverbs introduce a book of wisdom-teaching which the audience, the youth of Israel, are supposed to understand by discerning the figurative language in which the teaching is expressed. The present-day reader of Proverbs is invited in this commentary to read from the same perspective, becoming, like the original audience, engaged in the unfolding figurative language. At the outset Proverbs is set well within the household (1.8 —9.18), where a mother and father urge their naive and uncommitted son to retain their teaching and to successfully establish his own household. Wisdom is personified as a teacher and a welcoming host whose metaphorical banquet is laid out in the poetry of the topical groups identified in the 'Proverbs of Solomon' (10.1 —22.16). The parental wisdom teaching in the 'Words of the Wise' (22.17 —24.34) addresses a youth now on the threshold of public life, marking out a path of courageous wisdom amid attractive but self-destructive alternatives. In the 'Other Proverbs of Solomon' (chaps. 25 —29) a wealth of imagery and stark antitheses highlight earlier themes and inculcate personal responsibility in a lawless society. The Book of Proverbs concludes with the striking portraits of three eminent wise ones (chaps. 30 —31), who are presumably imbued with the spirit of the Book.
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Marxist Feminist Criticism of the Bible

Published: Jun 2008
£40.00
This volume seeks to spur a lively discussion on Marxist feminist analysis of biblical texts. Marxism and feminism have many mutual concerns, and the combination of the two has become common in literary criticism, cultural studies, sociology and philosophy. So it is high time for biblical studies to become interested. This collection is the first of its kind in biblical studies, bringing together a mixture of newer and more mature voices. It falls into three sections: general concerns (Milena Kirova, Tamara Prosic and David Jobling); Hebrew Bible (Gale Yee and Avaren Ipsen); New Testament (Alan Cadwallader, Jorunn Økland, Roland Boer and Jennifer Bird). Thought-provoking and daring, the collection includes: the history of Marxist feminist analysis, the work of Bertolt Brecht, the voices of prostitute collectives, and the possibilities for biblical criticism of the work of Rosemary Hennessy, Simone de Beauvoir, Juliet Mitchell, Wilhelm Reich and Julia Kristeva. All of which are brought to bear on biblical texts such as Proverbs, 1 Kings, Mark, Paul's Letters, and 1 Peter.
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Marxist Feminist Criticism of the Bible

£40.00
This volume seeks to spur a lively discussion on Marxist feminist analysis of biblical texts. Marxism and feminism have many mutual concerns, and the combination of the two has become common in literary criticism, cultural studies, sociology and philosophy. So it is high time for biblical studies to become interested. This collection is the first of its kind in biblical studies, bringing together a mixture of newer and more mature voices. It falls into three sections: general concerns (Milena Kirova, Tamara Prosic and David Jobling); Hebrew Bible (Gale Yee and Avaren Ipsen); New Testament (Alan Cadwallader, Jorunn Økland, Roland Boer and Jennifer Bird). Thought-provoking and daring, the collection includes: the history of Marxist feminist analysis, the work of Bertolt Brecht, the voices of prostitute collectives, and the possibilities for biblical criticism of the work of Rosemary Hennessy, Simone de Beauvoir, Juliet Mitchell, Wilhelm Reich and Julia Kristeva. All of which are brought to bear on biblical texts such as Proverbs, 1 Kings, Mark, Paul's Letters, and 1 Peter.
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