Teaching the Bible in the Liberal Arts Classroom, Volume 2
Published: Oct 2015
£22.50 – £50.00
Eugene V. Gallagher, Rosemary Park Professor of Religious Studies at Connecticut College, writes: 'In a context where the general value of the Humanities has increasingly come under question by those who see a college education as necessarily being directly tied to the first job that students will have after they graduate, an ability to make a vigorous case about the contribution of studying the Bible to any college student's education is crucial for any teacher'.
This second collection of essays edited by Jane Webster and Glenn Holland seeks not only to promote the role of biblical studies in an undergraduate liberal arts education, but also to suggest strategies and approaches for teaching the Bible in a range of academic situations. Combining the theoretical and the practical, this volume will be another useful source of guidance and support for teachers of biblical studies at any point in their professional careers.
Teaching the Bible in the Liberal Arts Classroom, Volume 2
£22.50 – £50.00
Eugene V. Gallagher, Rosemary Park Professor of Religious Studies at Connecticut College, writes: 'In a context where the general value of the Humanities has increasingly come under question by those who see a college education as necessarily being directly tied to the first job that students will have after they graduate, an ability to make a vigorous case about the contribution of studying the Bible to any college student's education is crucial for any teacher'.
This second collection of essays edited by Jane Webster and Glenn Holland seeks not only to promote the role of biblical studies in an undergraduate liberal arts education, but also to suggest strategies and approaches for teaching the Bible in a range of academic situations. Combining the theoretical and the practical, this volume will be another useful source of guidance and support for teachers of biblical studies at any point in their professional careers.
Simulating Aichele: Essays in Bible, Film, Culture and Theory
Published: Oct 2015
£55.00
Simulating Aichele pays tribute to the title of George Aichele's 2011 book, Simulating Jesus. In contemporary biblical scholarship, Aichele is a notable leader whose writings explore the problems of meaning and referentiality in the Bible and in biblical texts found in non-biblical contexts. His close readings of canonical texts alongside 'the fantastic' in film, television and literature reveal the relationships between texts and intertexts. Such juxtapositions expose gaps and liberate strange voices in the Bible and break the stranglehold of canonical ideologies. Aichele shows how the afterlives of biblical texts simultaneously produce present and past realities by simulating both. These afterlives not only pull ancient texts into the present but in the process also change the precursor text(s).
This Festschrift presents some of the afterlives of Aichele's research in Bible, film, culture and theory. Exercises in intertextuality and textual liberation include Yvonne Sherwood's reading of Jacob and Esau alongside a Sierra Leone twin story 'Kanu and the Book'; Richard Walsh's pairing of Jesus' final lament in Mark with Kafka's 'In the Penal Colony'; Tina Pippin's exploration of the afterlives of Jesus' baptism in Mark; Gary A. Phillips's ethical imagining of Martha as the Levinasian Other; and Scott S. Elliott's interpretation of 1 Corinthians 9 in light of Roland Barthes' 'Neutral'. Other contributors explore Bible and film. Robert Paul Seesengood and Jennifer L. Koosed review recent apocalyptic films; Fred W. Burnett analyses the greatest contemporary slacker, the Dude, from The Big Lebowski; and Erin Runions compares the panoptic desire for complete knowledge found in 1 Corinthians and A Scanner Darkly. Finally, Roland Boer looks at the unexpected afterlives of Hebrew and Christian scriptures in Lenin's speeches, and Stephen D. Moore offers a retrospective essay on postmodernism and biblical studies.
Simulating Aichele: Essays in Bible, Film, Culture and Theory
£55.00
Simulating Aichele pays tribute to the title of George Aichele's 2011 book, Simulating Jesus. In contemporary biblical scholarship, Aichele is a notable leader whose writings explore the problems of meaning and referentiality in the Bible and in biblical texts found in non-biblical contexts. His close readings of canonical texts alongside 'the fantastic' in film, television and literature reveal the relationships between texts and intertexts. Such juxtapositions expose gaps and liberate strange voices in the Bible and break the stranglehold of canonical ideologies. Aichele shows how the afterlives of biblical texts simultaneously produce present and past realities by simulating both. These afterlives not only pull ancient texts into the present but in the process also change the precursor text(s).
This Festschrift presents some of the afterlives of Aichele's research in Bible, film, culture and theory. Exercises in intertextuality and textual liberation include Yvonne Sherwood's reading of Jacob and Esau alongside a Sierra Leone twin story 'Kanu and the Book'; Richard Walsh's pairing of Jesus' final lament in Mark with Kafka's 'In the Penal Colony'; Tina Pippin's exploration of the afterlives of Jesus' baptism in Mark; Gary A. Phillips's ethical imagining of Martha as the Levinasian Other; and Scott S. Elliott's interpretation of 1 Corinthians 9 in light of Roland Barthes' 'Neutral'. Other contributors explore Bible and film. Robert Paul Seesengood and Jennifer L. Koosed review recent apocalyptic films; Fred W. Burnett analyses the greatest contemporary slacker, the Dude, from The Big Lebowski; and Erin Runions compares the panoptic desire for complete knowledge found in 1 Corinthians and A Scanner Darkly. Finally, Roland Boer looks at the unexpected afterlives of Hebrew and Christian scriptures in Lenin's speeches, and Stephen D. Moore offers a retrospective essay on postmodernism and biblical studies.
Biblical Reception 3 (2014)
Published: Oct 2015
£80.00
This is the third volume of the journal, Biblical Reception (BibRec), published in November 2013. When we founded the journal our policy was this: it was high time, we believed, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning. Our journal was a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Editorial Board Diane Apostolos-Cappadona (Washington, DC), Alan Cooper (New York), James Crossley (Sheffield), Andrew Davies (Birmingham), Tamara C. Eskenazi (Los Angeles), Philip Esler (Gloucester), Susanne Gillmayr-Bucher (Linz), John Harvey (Aberystwyth), Christine Joynes (Oxford), Carol Newsom (Atlanta), Martin O'Kane (Lampeter), Tina Pippin (Decatur, GA), John F.A. Sawyer (Durham), Reinhold Zwick (Münster).
Biblical Reception 3 (2014)
£80.00
This is the third volume of the journal, Biblical Reception (BibRec), published in November 2013. When we founded the journal our policy was this: it was high time, we believed, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning. Our journal was a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Editorial Board Diane Apostolos-Cappadona (Washington, DC), Alan Cooper (New York), James Crossley (Sheffield), Andrew Davies (Birmingham), Tamara C. Eskenazi (Los Angeles), Philip Esler (Gloucester), Susanne Gillmayr-Bucher (Linz), John Harvey (Aberystwyth), Christine Joynes (Oxford), Carol Newsom (Atlanta), Martin O'Kane (Lampeter), Tina Pippin (Decatur, GA), John F.A. Sawyer (Durham), Reinhold Zwick (Münster).
The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers
Published: Oct 2015
£60.00
Helen Leneman and Barry Dov Walfish, both specialists in biblical reception history, have compiled an unusually rich collection of new essays by experts in their fields. This book is a pioneering attempt to portray and analyse the visions of twentieth- and twenty-first century Jewish artists working in different media —visual art, literature (novels, poetry and short stories), music (opera, oratorio and song), and film —who have retold biblical narratives through their art. Reading these essays together will bring a new appreciation and understanding of what makes the perspective of these visual artists, writers, composers and filmmakers on the Hebrew Bible uniquely Jewish.
All of these Jewish visions can be considered a form of modern midrash, as the artists imaginatively fill in gaps in the biblical narrative, bringing a modern sensibility to the meanings of the stories.
Under the heading 'Biblical Women', the stories of the matriarchs, Hagar, and other biblical women are re-imagined in the visual arts, poetry and music. Several further chapters focus on the story of the Aqedah (Binding of Isaac), as represented in the visual arts, literature and music. Other retellings of biblical narratives through short stories are then examined, while yet other chapters explore the books of Esther and Psalms as envisioned and retold in the visual arts, opera, literature and film.
These retellings, analysed and discussed by the authors of this ground-breaking volume, will stimulate the reader to view the texts in new ways or to confront their challenge to personal or traditional interpretations of those texts.
The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers
£60.00
Helen Leneman and Barry Dov Walfish, both specialists in biblical reception history, have compiled an unusually rich collection of new essays by experts in their fields. This book is a pioneering attempt to portray and analyse the visions of twentieth- and twenty-first century Jewish artists working in different media —visual art, literature (novels, poetry and short stories), music (opera, oratorio and song), and film —who have retold biblical narratives through their art. Reading these essays together will bring a new appreciation and understanding of what makes the perspective of these visual artists, writers, composers and filmmakers on the Hebrew Bible uniquely Jewish.
All of these Jewish visions can be considered a form of modern midrash, as the artists imaginatively fill in gaps in the biblical narrative, bringing a modern sensibility to the meanings of the stories.
Under the heading 'Biblical Women', the stories of the matriarchs, Hagar, and other biblical women are re-imagined in the visual arts, poetry and music. Several further chapters focus on the story of the Aqedah (Binding of Isaac), as represented in the visual arts, literature and music. Other retellings of biblical narratives through short stories are then examined, while yet other chapters explore the books of Esther and Psalms as envisioned and retold in the visual arts, opera, literature and film.
These retellings, analysed and discussed by the authors of this ground-breaking volume, will stimulate the reader to view the texts in new ways or to confront their challenge to personal or traditional interpretations of those texts.
Biblical Rhetoric and Rhetorical Criticism
Published: Oct 2015
£20.00 – £80.00
This volume will prove a classic textbook on rhetorical criticism in the Bible, especially the Hebrew Bible. Following the lead of the famous Presidential Address to the Society of Biblical Literature in 1968 by James Muilenburg, 'Form Criticism and Beyond', Jack Lundbom has for over 40 years been developing and shaping the field with a stream of papers. 26 of them (three not previously published) are gathered into this volume.
Hebrew rhetoric has a long history, reaching back even into the early Israelite period. Recognition of rhetorical elements in the Bible can be seen in Hillel, Augustine, ibn Ezra, and Calvin, as well as among certain biblical scholars of the 18th and 19th centuries. But the revival of rhetoric and the modern method of rhetorical criticism is more recent, having begun in America among classical scholars in the early 1900s, and having been widely adopted by biblical scholars in the last third of the twentieth century. Biblical scholars today invariably have rhetorical criticism in their exegetical toolbox, but the field lacks such a comprehensive corpus of studies as the present volume supplies.
Reading the Bible with an eye to the rhetorical nature of its discourse —not just the style, but its structures and modes of argumentation —gives one a sharpened view of biblical figures, their legacy, and much else in the biblical text. One also gets new insight into the audiences for whom biblical messages were originally intended. Rhetorical criticism offers a ready yield for all those seeking a closer understanding of the biblical texts.
Biblical Rhetoric and Rhetorical Criticism
£20.00 – £80.00
This volume will prove a classic textbook on rhetorical criticism in the Bible, especially the Hebrew Bible. Following the lead of the famous Presidential Address to the Society of Biblical Literature in 1968 by James Muilenburg, 'Form Criticism and Beyond', Jack Lundbom has for over 40 years been developing and shaping the field with a stream of papers. 26 of them (three not previously published) are gathered into this volume.
Hebrew rhetoric has a long history, reaching back even into the early Israelite period. Recognition of rhetorical elements in the Bible can be seen in Hillel, Augustine, ibn Ezra, and Calvin, as well as among certain biblical scholars of the 18th and 19th centuries. But the revival of rhetoric and the modern method of rhetorical criticism is more recent, having begun in America among classical scholars in the early 1900s, and having been widely adopted by biblical scholars in the last third of the twentieth century. Biblical scholars today invariably have rhetorical criticism in their exegetical toolbox, but the field lacks such a comprehensive corpus of studies as the present volume supplies.
Reading the Bible with an eye to the rhetorical nature of its discourse —not just the style, but its structures and modes of argumentation —gives one a sharpened view of biblical figures, their legacy, and much else in the biblical text. One also gets new insight into the audiences for whom biblical messages were originally intended. Rhetorical criticism offers a ready yield for all those seeking a closer understanding of the biblical texts.
Sexuality, Ideology and the Bible: Antipodean Engagements
Published: Sep 2015
£60.00
What happens when explorations of sexuality, gender and the Bible go down under? This fascinating collection of essays, written by scholars located in the Antipodes, traverses the highly contested landscapes of sexuality, gender and biblical studies, revealing a myriad of sexual discourses voiced within both the biblical texts and their interpretative traditions. Recognizing that textual meaning is always shaped by the cultural and contextual baggage the reader brings to the interpretative task, contributors raise provocative questions about the meanings, identities and ideologies that surround biblical discourses of sexuality and gender, exploring how these have been and can be reshaped and reconceived.
Deane Galbraith examines the theological reflections of Augustine and Paul on Adam's 'perfect penis' in Eden while Roland Boer explores the earthy biblical vocabulary used to depict female genitalia. Christina Petterson, meanwhile, examines the Moravian Brethren's celebration of a Christ who bore on his body male and female genitalia. Travelling beyond the sexualized human body, Emily Colgan considers the problematic language of gender violence against the land that is voiced in Jeremiah. Elaine Wainwright blurs and queers the binary categories of human and non-human in the Sermon on the Mount. Yael Klangwisan continues this blurring of boundaries through her creative reading of Song of Songs.
Moving from the gendered body to the gendered voice, Alan Cadwallader probes Paul's rhetorical gender-bending in his 'masculinized' oral culture. Caroline Blyth and Teguh Wijaya Mulya empower Delilah to vocalize her queer potential in both the biblical narrative and popular culture. Gillian Townsley adds her own Kiwi voice to explore queer possibilities in Philippians 4.2-3 in the light of New Zealand's same-sex marriage legislation. The volume concludes with a queer reconsideration of the Antipodes themselves from the perspective of a northern-hemisphere biblical scholar, Hugh Pyper.
This compelling collection will make a substantive contribution to the bookshelves of scholars and interested readers in such areas as biblical studies, religion and gender-queer studies.
Sexuality, Ideology and the Bible: Antipodean Engagements
£60.00
What happens when explorations of sexuality, gender and the Bible go down under? This fascinating collection of essays, written by scholars located in the Antipodes, traverses the highly contested landscapes of sexuality, gender and biblical studies, revealing a myriad of sexual discourses voiced within both the biblical texts and their interpretative traditions. Recognizing that textual meaning is always shaped by the cultural and contextual baggage the reader brings to the interpretative task, contributors raise provocative questions about the meanings, identities and ideologies that surround biblical discourses of sexuality and gender, exploring how these have been and can be reshaped and reconceived.
Deane Galbraith examines the theological reflections of Augustine and Paul on Adam's 'perfect penis' in Eden while Roland Boer explores the earthy biblical vocabulary used to depict female genitalia. Christina Petterson, meanwhile, examines the Moravian Brethren's celebration of a Christ who bore on his body male and female genitalia. Travelling beyond the sexualized human body, Emily Colgan considers the problematic language of gender violence against the land that is voiced in Jeremiah. Elaine Wainwright blurs and queers the binary categories of human and non-human in the Sermon on the Mount. Yael Klangwisan continues this blurring of boundaries through her creative reading of Song of Songs.
Moving from the gendered body to the gendered voice, Alan Cadwallader probes Paul's rhetorical gender-bending in his 'masculinized' oral culture. Caroline Blyth and Teguh Wijaya Mulya empower Delilah to vocalize her queer potential in both the biblical narrative and popular culture. Gillian Townsley adds her own Kiwi voice to explore queer possibilities in Philippians 4.2-3 in the light of New Zealand's same-sex marriage legislation. The volume concludes with a queer reconsideration of the Antipodes themselves from the perspective of a northern-hemisphere biblical scholar, Hugh Pyper.
This compelling collection will make a substantive contribution to the bookshelves of scholars and interested readers in such areas as biblical studies, religion and gender-queer studies.
Authority and Violence in the Gideon and Abimelech Narratives: A Sociological and Literary Exploration of Judges 6-9
Published: Sep 2015
£55.00
Authority and violence exhibit a close and complex relationship in the social worlds depicted in biblical narratives as well as in ancient and modern societies. The perceived legitimacy or illegitimacy of authority and violence can hinge upon a number of factors. In the stories of Gideon and Abimelech in Judges 6 —9, lethal actions are depicted as justified, regrettable, or reproachful based, in part, on assumptions regarding kinship, honor, and justice. These narratives form an intriguing interlude within Judges as they directly broach, for the first time in the flow of biblical history, the 'reality' of dynastic kingship within Israel while telling a tale of deadly and divinely motivated reversals of power.
An interdisciplinary approach that blends social-scientific analysis driven by Pierre Bourdieu's concepts of social field, habitus, capital, and doxa with a close narrative analysis recommends new ways of understanding the biblical characters' motivations, skills, and social capital; the linguistic capital of the text's creators; and the social worlds from which the narratives emerged. By examining the narrated relations of power through a sociological lens, the study discerns and describes how political and religious power is attained, preserved, transmitted, resisted, endorsed, disguised, or divinized. Building upon this basis, concentration on narrated violence suggests how the stories might be purposed to endorse, legitimate, or resist authority in the ancient context. The study concludes with a synthesis of its results and a survey of scribalism in order to recommend historical settings for the origination of the narratives. The study demonstrates how the biblical text, as a cultural product, can both knowingly and unknowingly communicate information about a society's social relations, values, and concerns.
This is the second volume in the sub-series The Bible and Social Science.
Authority and Violence in the Gideon and Abimelech Narratives: A Sociological and Literary Exploration of Judges 6-9
£55.00
Authority and violence exhibit a close and complex relationship in the social worlds depicted in biblical narratives as well as in ancient and modern societies. The perceived legitimacy or illegitimacy of authority and violence can hinge upon a number of factors. In the stories of Gideon and Abimelech in Judges 6 —9, lethal actions are depicted as justified, regrettable, or reproachful based, in part, on assumptions regarding kinship, honor, and justice. These narratives form an intriguing interlude within Judges as they directly broach, for the first time in the flow of biblical history, the 'reality' of dynastic kingship within Israel while telling a tale of deadly and divinely motivated reversals of power.
An interdisciplinary approach that blends social-scientific analysis driven by Pierre Bourdieu's concepts of social field, habitus, capital, and doxa with a close narrative analysis recommends new ways of understanding the biblical characters' motivations, skills, and social capital; the linguistic capital of the text's creators; and the social worlds from which the narratives emerged. By examining the narrated relations of power through a sociological lens, the study discerns and describes how political and religious power is attained, preserved, transmitted, resisted, endorsed, disguised, or divinized. Building upon this basis, concentration on narrated violence suggests how the stories might be purposed to endorse, legitimate, or resist authority in the ancient context. The study concludes with a synthesis of its results and a survey of scribalism in order to recommend historical settings for the origination of the narratives. The study demonstrates how the biblical text, as a cultural product, can both knowingly and unknowingly communicate information about a society's social relations, values, and concerns.
This is the second volume in the sub-series The Bible and Social Science.
Guide to Biblical Chronology
Published: Sep 2015
£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being.
The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives.
After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible.
Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures.
The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
Guide to Biblical Chronology
£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being.
The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives.
After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible.
Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures.
The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
Solomon the Lover and the Shape of the Song of Songs
Published: Sep 2015
£50.00
Reading the Song of Songs perpetually raises the question, What is this love that has been sung about so evocatively to ever new generations? The exuberance of the poetry and the remarkable history of its reception make the understanding of what the poetry is all about the more urgent for the conscientious reader.
The shape of the Song and what this shape reveals of the poet's concerns are central for this study. Hauge's analysis discloses that a special arrangement of formally independent units, signalled by effects of repetition, is typical of its composition. The strophes are set out in a fivefold pattern containing three types of passage: narrative elements, addresses to the daughters of Jerusalem, and dialogues between the lovers.
The tension of the opening scenes dedicated to Solomon and his women, contrasted with a final scene where the king is the humble supplicant, reflects an underlying story of how Solomon the lover of many women was transformed into a lover of the One. The story is dedicated to the power of love, its character as an overwhelming force being even accented by implications of shame. Motifs of absence and separation suggest longing as the essence of love, the final image of the lover as the hart upon the fragrant mountains adding a tinge of sadness to the impression.
Themes from the Solomon tradition are important for the narrative strand. The formal shape and the cast of actors are deeply influenced by Proverbs 1 —7, not least when the poet plays havoc with venerable aspects of the wisdom tradition.
Solomon the Lover and the Shape of the Song of Songs
£50.00
Reading the Song of Songs perpetually raises the question, What is this love that has been sung about so evocatively to ever new generations? The exuberance of the poetry and the remarkable history of its reception make the understanding of what the poetry is all about the more urgent for the conscientious reader.
The shape of the Song and what this shape reveals of the poet's concerns are central for this study. Hauge's analysis discloses that a special arrangement of formally independent units, signalled by effects of repetition, is typical of its composition. The strophes are set out in a fivefold pattern containing three types of passage: narrative elements, addresses to the daughters of Jerusalem, and dialogues between the lovers.
The tension of the opening scenes dedicated to Solomon and his women, contrasted with a final scene where the king is the humble supplicant, reflects an underlying story of how Solomon the lover of many women was transformed into a lover of the One. The story is dedicated to the power of love, its character as an overwhelming force being even accented by implications of shame. Motifs of absence and separation suggest longing as the essence of love, the final image of the lover as the hart upon the fragrant mountains adding a tinge of sadness to the impression.
Themes from the Solomon tradition are important for the narrative strand. The formal shape and the cast of actors are deeply influenced by Proverbs 1 —7, not least when the poet plays havoc with venerable aspects of the wisdom tradition.
The Integrity of 2 Corinthians and Paul’s Aggravating Absence
Published: Sep 2015
£60.00
Is 2 Corinthians a single letter, or a composite of fragments? Does it have a single setting, or do its parts address successive stages in a developing crisis? This is perennial set of questions about this Pauline letter.
In this provocative study, Christopher D. Land steps back from the details that dominate most discussions of integrity. He analyses 2 Corinthians using a theoretically motivated procedure, avoiding the cherry-picking that plagues so many language-related arguments. Then, drawing upon this analysis, he segments 2 Corinthians into five parts. Examining the sorts of meanings employed in each segment, Land asks what is being talked about, what is being done, and who is taking part.
He distinguishes between the settings in which texts are produced and the situations construed by their language, and he affirms both the conventional nature of intra-textual variation and the principle that coherent texts construe coherent situations. In the end, Land argues that 2 Corinthians has the general appearance of being a single text, and that its specifics ought to be re-examined accordingly.
Irrespective of linguistics and literary integrity, scholars of all persuasions will be interested in the specifics. Among other things, Land argues that there is no single 'offender' underlying Paul's remarks in chaps. 2 and 7, but a plurality of misbehaving church members. Paul has been accused of holding the church responsible for problems caused by his prolonged absence; and other Christian missionaries are stoking the church's discontent, criticizing Paul's ineffectual leadership and advancing their own as superior. To confront this crisis, Paul must simultaneously placate his readers, reiterate his demand that they care for themselves in his absence, and persuade them not to abandon him for 'stronger' leadership.
The Integrity of 2 Corinthians and Paul’s Aggravating Absence
£60.00
Is 2 Corinthians a single letter, or a composite of fragments? Does it have a single setting, or do its parts address successive stages in a developing crisis? This is perennial set of questions about this Pauline letter.
In this provocative study, Christopher D. Land steps back from the details that dominate most discussions of integrity. He analyses 2 Corinthians using a theoretically motivated procedure, avoiding the cherry-picking that plagues so many language-related arguments. Then, drawing upon this analysis, he segments 2 Corinthians into five parts. Examining the sorts of meanings employed in each segment, Land asks what is being talked about, what is being done, and who is taking part.
He distinguishes between the settings in which texts are produced and the situations construed by their language, and he affirms both the conventional nature of intra-textual variation and the principle that coherent texts construe coherent situations. In the end, Land argues that 2 Corinthians has the general appearance of being a single text, and that its specifics ought to be re-examined accordingly.
Irrespective of linguistics and literary integrity, scholars of all persuasions will be interested in the specifics. Among other things, Land argues that there is no single 'offender' underlying Paul's remarks in chaps. 2 and 7, but a plurality of misbehaving church members. Paul has been accused of holding the church responsible for problems caused by his prolonged absence; and other Christian missionaries are stoking the church's discontent, criticizing Paul's ineffectual leadership and advancing their own as superior. To confront this crisis, Paul must simultaneously placate his readers, reiterate his demand that they care for themselves in his absence, and persuade them not to abandon him for 'stronger' leadership.
Imagination, Ideology and Inspiration: Echoes of Brueggemann in a New Generation
Published: Aug 2015
£60.00
By any account, Walter Brueggemann stands as one of the foremost interpreters of the Hebrew Bible of the past half-century. Yet the question remains of what his influence will be on the next generation of biblical scholars, who have learned from Brueggemann and taken his work in new and often surprising directions. This volume engages that question by presenting the work of fourteen of Brueggemann's former students at Columbia Theological Seminary (Decatur, Georgia) who are now biblical scholars in their own right, asking how his influence has been received and transformed by them.
Essays in this volume present imaginative new readings of well-known texts, from the crisis of God in Genesis 22 to God's birthing body in Job 38. They engage the ideology of the text, discovering the voice of a female prophet in the book of Isaiah, a Job in drag, and a feminist Qohelet. They grapple with the implications of the text for contemporary life, from reading Lamentations after Hiroshima to considering how the production of Bibles is an act of ideological control. While clearly resonating with Brueggemann's work, these essays also take his influence in new directions, from deeper engagement with rabbinic interpretation to the incorporation of new theoretical perspectives from Lacan to Žižek to Deleuze and Guattari.
An introduction by Brent Strawn considers Brueggemann's influence in the field more generally, while a response from Carolyn Sharp offers soundings for a new generation of scholars.
Imagination, Ideology and Inspiration: Echoes of Brueggemann in a New Generation
£60.00
By any account, Walter Brueggemann stands as one of the foremost interpreters of the Hebrew Bible of the past half-century. Yet the question remains of what his influence will be on the next generation of biblical scholars, who have learned from Brueggemann and taken his work in new and often surprising directions. This volume engages that question by presenting the work of fourteen of Brueggemann's former students at Columbia Theological Seminary (Decatur, Georgia) who are now biblical scholars in their own right, asking how his influence has been received and transformed by them.
Essays in this volume present imaginative new readings of well-known texts, from the crisis of God in Genesis 22 to God's birthing body in Job 38. They engage the ideology of the text, discovering the voice of a female prophet in the book of Isaiah, a Job in drag, and a feminist Qohelet. They grapple with the implications of the text for contemporary life, from reading Lamentations after Hiroshima to considering how the production of Bibles is an act of ideological control. While clearly resonating with Brueggemann's work, these essays also take his influence in new directions, from deeper engagement with rabbinic interpretation to the incorporation of new theoretical perspectives from Lacan to Žižek to Deleuze and Guattari.
An introduction by Brent Strawn considers Brueggemann's influence in the field more generally, while a response from Carolyn Sharp offers soundings for a new generation of scholars.
Adam, Eve, and the Devil: A New Beginning, Second Enlarged Edition
Published: Aug 2015
£22.50 – £60.00
In this book the authors develop an intriguing theory about the Canaanite origin of the biblical traditions concerning the origin of the cosmos and the creation of humankind. Adam, Eve, and the Devil tells a new story about human beginnings and at the same time proposes a fresh start for biblical research into primordial traditions.
A number of clay tablets from Ugarit, dating from the late thirteenth century BCE, throw new light, Korpel and de Moor argue, on the background of the first chapters of Genesis and the myth of Adam. In these tablets, El, the creator deity, and his wife Asherah lived in a vineyard or garden on the slopes of Mt Ararat, known in the Bible as the mountain where Noah's ark came to rest. The first sinner was not a human being, but an evil god called Horon who wanted to depose El. Horon was thrown down from the mountain of the gods, and in revenge he transformed the Tree of Life in the garden into a Tree of Death and enveloped the whole world in a poisonous fog. Adam was sent down to restore life on earth, but failed because Horon in the form of a huge serpent bit him. As a result Adam and his wife lost their immortality.
This myth found its way into the Bible, the Apocrypha and the Pseudepigraphical literature, though it was often transformed or treated critically. Adam, Eve, and the Devil traces the reception of the myth in its many forms, and also presents the oldest pictures of Adam and Eve ever identified (one of them on the front cover of the book). A second, enlarged edition is published in paperback in August, 2015.
Adam, Eve, and the Devil: A New Beginning, Second Enlarged Edition
£22.50 – £60.00
In this book the authors develop an intriguing theory about the Canaanite origin of the biblical traditions concerning the origin of the cosmos and the creation of humankind. Adam, Eve, and the Devil tells a new story about human beginnings and at the same time proposes a fresh start for biblical research into primordial traditions.
A number of clay tablets from Ugarit, dating from the late thirteenth century BCE, throw new light, Korpel and de Moor argue, on the background of the first chapters of Genesis and the myth of Adam. In these tablets, El, the creator deity, and his wife Asherah lived in a vineyard or garden on the slopes of Mt Ararat, known in the Bible as the mountain where Noah's ark came to rest. The first sinner was not a human being, but an evil god called Horon who wanted to depose El. Horon was thrown down from the mountain of the gods, and in revenge he transformed the Tree of Life in the garden into a Tree of Death and enveloped the whole world in a poisonous fog. Adam was sent down to restore life on earth, but failed because Horon in the form of a huge serpent bit him. As a result Adam and his wife lost their immortality.
This myth found its way into the Bible, the Apocrypha and the Pseudepigraphical literature, though it was often transformed or treated critically. Adam, Eve, and the Devil traces the reception of the myth in its many forms, and also presents the oldest pictures of Adam and Eve ever identified (one of them on the front cover of the book). A second, enlarged edition is published in paperback in August, 2015.
‘For She Has Heard’: The Standing Stone in Joshua 24 and the Development of a Covenant Symbol
Published: Aug 2015
£50.00
In this unusual and fascinating study, Elizabeth Berne DeGear draws on both biblical studies and psychoanalytic theory to interpret the role of the standing stone erected by Joshua in the sanctuary at Shechem.
The presence of a listening stone in the sanctuary distinguishes the ritual space in Joshua 24, yet this religious symbol has received little scholarly attention. DeGear begins with the question: What is this numinous feminine presence serving as witness to the people's covenantal relationship with their God? Comparing this stone's function with the function of other covenant stones in the Hebrew Bible and throughout the ancient Near East, DeGear illuminates both the power of the symbol and its dynamics in the people's religious development.
In psychoanalytic mode, DeGear goes on to show how humans create and use symbols differently at various positions along the path to maturity. Her study presents a new perspective on how covenant symbols in the Hebrew Bible function in the development of the communities using them. The present analysis of this one biblical symbol offers scholars and students of biblical and religious studies the tools to engage in psychologically informed consideration of covenant.
With its focus on sanctuary, symbol and psyche, DeGear's exploration of the stone extends from the world of ancient Israel to today's worship communities, where the Bible itself is used as a covenant symbol. What emerges is a picture of how the standing stone and other mediating symbols function in the religion of communities in the Bible and beyond.
‘For She Has Heard’: The Standing Stone in Joshua 24 and the Development of a Covenant Symbol
£50.00
In this unusual and fascinating study, Elizabeth Berne DeGear draws on both biblical studies and psychoanalytic theory to interpret the role of the standing stone erected by Joshua in the sanctuary at Shechem.
The presence of a listening stone in the sanctuary distinguishes the ritual space in Joshua 24, yet this religious symbol has received little scholarly attention. DeGear begins with the question: What is this numinous feminine presence serving as witness to the people's covenantal relationship with their God? Comparing this stone's function with the function of other covenant stones in the Hebrew Bible and throughout the ancient Near East, DeGear illuminates both the power of the symbol and its dynamics in the people's religious development.
In psychoanalytic mode, DeGear goes on to show how humans create and use symbols differently at various positions along the path to maturity. Her study presents a new perspective on how covenant symbols in the Hebrew Bible function in the development of the communities using them. The present analysis of this one biblical symbol offers scholars and students of biblical and religious studies the tools to engage in psychologically informed consideration of covenant.
With its focus on sanctuary, symbol and psyche, DeGear's exploration of the stone extends from the world of ancient Israel to today's worship communities, where the Bible itself is used as a covenant symbol. What emerges is a picture of how the standing stone and other mediating symbols function in the religion of communities in the Bible and beyond.
Journal of Greco-Roman Christianity and Judaism 10 (2014)
Published: July 2015
£80.00
This is the tenth volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009, Volume 7 was for 2010, Volume 8 was for 2011 —2012, Volume 9 was for 2013 and Volume 10 is for 2014. As they appear, the hard-copy editions will replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Journal of Greco-Roman Christianity and Judaism 10 (2014)
£80.00
This is the tenth volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009, Volume 7 was for 2010, Volume 8 was for 2011 —2012, Volume 9 was for 2013 and Volume 10 is for 2014. As they appear, the hard-copy editions will replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Religion and Violence: The Biblical Heritage
Published: Jun 2015
£14.50 – £35.00
Violence that is motivated by--and justified by--religious ideas, authorities and texts is everywhere around us. Some say that the origins of religion and human violence are inherently connected, and that the explanation for religious violence lies at the heart of the religious imagination itself, others that human violence was there long before religion ever came about, being no more than an unfortunate by-product of human evolution. Reconsidering the question of religion and violence in the biblical heritage is a narrower--but nonetheless essential--endeavour, to which the present volume addresses itself.
After an introductory chapter by the editors on religion, violence and the Bible, Ziony Zevit writes on violence in Israelite culture and in the Bible, Tamar Kamionkowski on violence in prophetic literature, Stephen Geller on the prophetic roots of religious violence, David Wright on homicide, talion and vengeance in the Covenant Code, Lawrence Wills on the death of the hero and the violent death of Jesus, Jennifer Wright Knust on sacrifice and sacred text in Justin, and David Frankfurter on vengeance fantasies in the New Testament. Stephen Marini offers concluding reflections on religion and violence under the rubric of conflict, subversion and sacrifice.
Religion and Violence: The Biblical Heritage
£14.50 – £35.00
Violence that is motivated by--and justified by--religious ideas, authorities and texts is everywhere around us. Some say that the origins of religion and human violence are inherently connected, and that the explanation for religious violence lies at the heart of the religious imagination itself, others that human violence was there long before religion ever came about, being no more than an unfortunate by-product of human evolution. Reconsidering the question of religion and violence in the biblical heritage is a narrower--but nonetheless essential--endeavour, to which the present volume addresses itself.
After an introductory chapter by the editors on religion, violence and the Bible, Ziony Zevit writes on violence in Israelite culture and in the Bible, Tamar Kamionkowski on violence in prophetic literature, Stephen Geller on the prophetic roots of religious violence, David Wright on homicide, talion and vengeance in the Covenant Code, Lawrence Wills on the death of the hero and the violent death of Jesus, Jennifer Wright Knust on sacrifice and sacred text in Justin, and David Frankfurter on vengeance fantasies in the New Testament. Stephen Marini offers concluding reflections on religion and violence under the rubric of conflict, subversion and sacrifice.
The Book of Job
Published: Jun 2015
£25.00 – £70.00
John Gray, who was Professor of Hebrew and Semitic Languages in the University of Aberdeen, left at his death in 2000 a complete manuscript of a commentary on the Book of Job. Rich in text-critical and philological observations, the manuscript has been carefully prepared for the press; it will soon become a standard work for scholars and students of the biblical book, and a fitting tribute to the sound judgment and innovative scholarship of its author.
John Gray was noted especially for his books The Legacy of Canaan (1957; 2nd edn, 1964), The Biblical Doctrine of the Reign of God (1979), and his commentaries, I and II Kings (1963; 2nd edn, 1970) and Joshua, Judges and Ruth (1967). Gray's commentary on Job, which is prefaced by a lengthy general introduction, is the first volume in a new series of commentaries on the text of the Hebrew Bible. All the volumes will concentrate on the text criticism and philology of the Hebrew text, a feature notably lacking or merely perfunctory in many current biblical commentary series.
The Book of Job
£25.00 – £70.00
John Gray, who was Professor of Hebrew and Semitic Languages in the University of Aberdeen, left at his death in 2000 a complete manuscript of a commentary on the Book of Job. Rich in text-critical and philological observations, the manuscript has been carefully prepared for the press; it will soon become a standard work for scholars and students of the biblical book, and a fitting tribute to the sound judgment and innovative scholarship of its author.
John Gray was noted especially for his books The Legacy of Canaan (1957; 2nd edn, 1964), The Biblical Doctrine of the Reign of God (1979), and his commentaries, I and II Kings (1963; 2nd edn, 1970) and Joshua, Judges and Ruth (1967). Gray's commentary on Job, which is prefaced by a lengthy general introduction, is the first volume in a new series of commentaries on the text of the Hebrew Bible. All the volumes will concentrate on the text criticism and philology of the Hebrew text, a feature notably lacking or merely perfunctory in many current biblical commentary series.
Sin, Impurity, Sacrifice, Atonement: The Priestly Conceptions
Published: May 2015
£16.50 – £50.00
The goal of this closely reasoned study is to explain why, in Priestly texts of the Hebrew Bible, the verb kipper, traditionally translated 'atone', means the way of dealing both with sin and with impurity —which might seem very different things.
Sklar's first key conclusion is that when the context is sin, certain sins also pollute; so 'atonement' may include some element of purification. His second conclusion is that, when the context is impurity, and kipper means not 'atone' but 'effect purgation', impurity also endangers; so kipper can include some element of ransoming.
In fact, sin and impurity, while distinct categories in themselves, have this in common: each of them requires both ransoming and purification. It is for this reason that kipper can be used in both settings.
This benchmark study concludes with a careful examination of the famous sentence of Leviticus 17.11 that 'blood makes atonement' (kipper) and explains how, in the Priestly ideology, blood sacrifice was able to accomplish both ransom and purification.
Sin, Impurity, Sacrifice, Atonement: The Priestly Conceptions
£16.50 – £50.00
The goal of this closely reasoned study is to explain why, in Priestly texts of the Hebrew Bible, the verb kipper, traditionally translated 'atone', means the way of dealing both with sin and with impurity —which might seem very different things.
Sklar's first key conclusion is that when the context is sin, certain sins also pollute; so 'atonement' may include some element of purification. His second conclusion is that, when the context is impurity, and kipper means not 'atone' but 'effect purgation', impurity also endangers; so kipper can include some element of ransoming.
In fact, sin and impurity, while distinct categories in themselves, have this in common: each of them requires both ransoming and purification. It is for this reason that kipper can be used in both settings.
This benchmark study concludes with a careful examination of the famous sentence of Leviticus 17.11 that 'blood makes atonement' (kipper) and explains how, in the Priestly ideology, blood sacrifice was able to accomplish both ransom and purification.
Borges and the Bible
Published: May 2015
£50.00
Jorge Luis Borges is the darling of authors and critics who were once described as postmodern. Borges's fictions assail the boundaries between text, world and self. In one sense, the fictions are mere rhetorical games, puzzles, or 'tricks', which disrupt communication (and interpretation), but they also suggest —at least to some —metaphysical uncertainties. To read them is as if one read the fictions of Hume or the Buddha.
Most of the literary and biblical scholars in this volume pair the Bible and its scholarship with one or more of Borges's short fictions (particularly those first collected in English in Ficciones ), but some venture into Borges's essays, poetry, and his life story (as he and others have told it). As to Bibles, some essayists focus on particular texts from the Hebrew Bible (like Genesis, Samuel, Kings or Job) or the Christian New Testament (like Mark, 2 Corinthians, or Revelation), while others engage traditions of interpretation like Gnosticism, the Kabbalah or academic biblical scholarship. Several focus on canon, translation, the craft of fiction, religion or hermeneutics as a way of thinking about Borges and the Bible.
With Borges, interpretation is ubiquitous. Whether consciously fictionalizing or not, all (biblical) interpretation transforms its precursor. All (biblical) interpretation becomes a play with secrecy and revelation. Borgesian Bibles and scholarship are labyrinths, gardens of forking paths, unsettling and distorting mirrors. With Borges, biblical scholars come face to face with their finitude, obsession, fascination, ambivalence, and inevitable heresy vis-à-vis ta biblia.
Borges and the Bible
£50.00
Jorge Luis Borges is the darling of authors and critics who were once described as postmodern. Borges's fictions assail the boundaries between text, world and self. In one sense, the fictions are mere rhetorical games, puzzles, or 'tricks', which disrupt communication (and interpretation), but they also suggest —at least to some —metaphysical uncertainties. To read them is as if one read the fictions of Hume or the Buddha.
Most of the literary and biblical scholars in this volume pair the Bible and its scholarship with one or more of Borges's short fictions (particularly those first collected in English in Ficciones ), but some venture into Borges's essays, poetry, and his life story (as he and others have told it). As to Bibles, some essayists focus on particular texts from the Hebrew Bible (like Genesis, Samuel, Kings or Job) or the Christian New Testament (like Mark, 2 Corinthians, or Revelation), while others engage traditions of interpretation like Gnosticism, the Kabbalah or academic biblical scholarship. Several focus on canon, translation, the craft of fiction, religion or hermeneutics as a way of thinking about Borges and the Bible.
With Borges, interpretation is ubiquitous. Whether consciously fictionalizing or not, all (biblical) interpretation transforms its precursor. All (biblical) interpretation becomes a play with secrecy and revelation. Borgesian Bibles and scholarship are labyrinths, gardens of forking paths, unsettling and distorting mirrors. With Borges, biblical scholars come face to face with their finitude, obsession, fascination, ambivalence, and inevitable heresy vis-à-vis ta biblia.
Trauma Begets Genealogy: Gender and Memory in Chronicles
Published: Apr 2015
£60.00
Establishing a connection to the past while at the same time releasing us into the present is crucial to recalling a traumatic past. Tapping into the Book of Chronicles' genealogies as a memory space, Trauma Begets Genealogy facilitates the transformation of the act of looking back into a key for the present. Using a gender studies perspective, it combines a nuanced analysis of the gendered references in 1 Chronicles 1 —9 with an interdisciplinary approach that conceptualizes genealogies as memory performances and investigates them in diverse media.
The genealogies of Chronicles are here read by Ingeborg Löwisch alongside the post-Holocaust documentary My Life Part 2, in which Berlin film-maker Angelika Levi performs her 'gynealogy' at the intersection of her family archive and of discourses that belong to public memory. While Löwisch's close reading of the gendered fragments in Chronicles attest to fissures in the patrilinear succession, the parallel perception of the film deepens our understanding of gendered genealogies in response to trauma by contributing a full female lineage.
The resulting reassessment of an obscure set of biblical texts leads into the heart of the genealogical tissue and its fascinating ability to respond to a fractured past. This is the eighth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and of Hebrew Bible Monographs.
Trauma Begets Genealogy: Gender and Memory in Chronicles
£60.00
Establishing a connection to the past while at the same time releasing us into the present is crucial to recalling a traumatic past. Tapping into the Book of Chronicles' genealogies as a memory space, Trauma Begets Genealogy facilitates the transformation of the act of looking back into a key for the present. Using a gender studies perspective, it combines a nuanced analysis of the gendered references in 1 Chronicles 1 —9 with an interdisciplinary approach that conceptualizes genealogies as memory performances and investigates them in diverse media.
The genealogies of Chronicles are here read by Ingeborg Löwisch alongside the post-Holocaust documentary My Life Part 2, in which Berlin film-maker Angelika Levi performs her 'gynealogy' at the intersection of her family archive and of discourses that belong to public memory. While Löwisch's close reading of the gendered fragments in Chronicles attest to fissures in the patrilinear succession, the parallel perception of the film deepens our understanding of gendered genealogies in response to trauma by contributing a full female lineage.
The resulting reassessment of an obscure set of biblical texts leads into the heart of the genealogical tissue and its fascinating ability to respond to a fractured past. This is the eighth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and of Hebrew Bible Monographs.
Voices of the Wilderness: An Ecological Reading of the Book of Numbers
Voices of the Wilderness: An Ecological Reading of the Book of Numbers