Reforging the Bible: More Biblical Stories and Their Literary Reception
Published: Jan 2014
£55.00
Reforging the Bible continues the programme Anthony Swindell began in his earlier book, Reworking the Bible: The Literary Reception-History of Fourteen Biblical Stories (Sheffield Phoenix Press, 2010). It is a study of the reception in literature of over a dozen biblical stories, giving particular attention to rewritings that make radical changes to the original text. The reworkings are analysed using a morphology based on that of Gérard Genette in his study, Palimpsests. A new emphasis in this volume is on spatiality as a topic in rewritten biblical narratives.
The stories explored in this volume include those of Adam and Eve, Melchizedek, Lot and his Family, Joseph, Ruth, King Saul, David and Bathsheba, Tobit, the Virgin Mary, the Wedding at Cana, the Good Samaritan, Doubting Thomas, and the Second Coming. The literary reworkings discussed include the Old English Genesis A and Genesis B, the medieval Cyprian Feasts, the sixteenth-century broadside ballad David and Berseba, and works by Geoffrey Chaucer, William Shakespeare, Charles Dickens, Izak Dinesen, Carol Ann Duffy, André Gide, Rudyard Kipling, D.H. Lawrence, Penelope Lively, Thomas Mann, Dorothy Sayers, Mark Twain, Fernando Vallejo, Sally Vickers and Voltaire.
Also included is a chapter on folkloric versions of biblical stories as intermediaries in its literary reception. As well as providing the general reader with fascinating insights into the literary reception of the Bible, this work offers scholars an overview of a range of extraordinary reworkings which offer promising avenues for future research.
Reforging the Bible: More Biblical Stories and Their Literary Reception
£55.00
Reforging the Bible continues the programme Anthony Swindell began in his earlier book, Reworking the Bible: The Literary Reception-History of Fourteen Biblical Stories (Sheffield Phoenix Press, 2010). It is a study of the reception in literature of over a dozen biblical stories, giving particular attention to rewritings that make radical changes to the original text. The reworkings are analysed using a morphology based on that of Gérard Genette in his study, Palimpsests. A new emphasis in this volume is on spatiality as a topic in rewritten biblical narratives.
The stories explored in this volume include those of Adam and Eve, Melchizedek, Lot and his Family, Joseph, Ruth, King Saul, David and Bathsheba, Tobit, the Virgin Mary, the Wedding at Cana, the Good Samaritan, Doubting Thomas, and the Second Coming. The literary reworkings discussed include the Old English Genesis A and Genesis B, the medieval Cyprian Feasts, the sixteenth-century broadside ballad David and Berseba, and works by Geoffrey Chaucer, William Shakespeare, Charles Dickens, Izak Dinesen, Carol Ann Duffy, André Gide, Rudyard Kipling, D.H. Lawrence, Penelope Lively, Thomas Mann, Dorothy Sayers, Mark Twain, Fernando Vallejo, Sally Vickers and Voltaire.
Also included is a chapter on folkloric versions of biblical stories as intermediaries in its literary reception. As well as providing the general reader with fascinating insights into the literary reception of the Bible, this work offers scholars an overview of a range of extraordinary reworkings which offer promising avenues for future research.
Abigail, Wife of David, and Other Ancient Oriental Women
Published: Oct 2013
£50.00
This is the first book devoted to the biblical figure of Abigail, whose encounter with David is narrated in 1 Samuel 25. An interdisciplinary study, its seven papers combine biblical criticism, narratology, history of religions, Assyriology and the study of midrash.
One article (by Michaël Guichard) brings to light a major historical analogy from the Mari documents to the triangular relationship of Abigail, Nabal and David. The career of the princess Inib-sharri, first married to an old sheikh, and, after his sudden, mysterious death, to a younger princeling, provides a very apt analogy to that of Abigail.
Another article (by Daniel Bodi) compares David's way of seizing power to the pattern of seizing power in the ancient Near East: Zimri-Lim in Mari, Idrimi in Alalakh, and the 'Apiru in the Amarna texts serve as analogies to David.
The tale of David as an ambitious warlord taking power through marriage can be paralleled by the myth of Nergal and Ereshkigal; in its older Amarna version Nergal takes power through violence whereas in its Assyrian version his power is due to Ereshkigal's seduction and love. The Abigail story combines both aspects, beginning with violence and ending with marriage (Jean-Jacques Glassner).
Some rabbis saw Abigail as a seducer and a hellish type of woman. The final articles (by Bodi and Jean-Marie Husser) show that, while her behaviour might be ambiguous, she should not be branded a scarlet woman.
Abigail, Wife of David, and Other Ancient Oriental Women
£50.00
This is the first book devoted to the biblical figure of Abigail, whose encounter with David is narrated in 1 Samuel 25. An interdisciplinary study, its seven papers combine biblical criticism, narratology, history of religions, Assyriology and the study of midrash.
One article (by Michaël Guichard) brings to light a major historical analogy from the Mari documents to the triangular relationship of Abigail, Nabal and David. The career of the princess Inib-sharri, first married to an old sheikh, and, after his sudden, mysterious death, to a younger princeling, provides a very apt analogy to that of Abigail.
Another article (by Daniel Bodi) compares David's way of seizing power to the pattern of seizing power in the ancient Near East: Zimri-Lim in Mari, Idrimi in Alalakh, and the 'Apiru in the Amarna texts serve as analogies to David.
The tale of David as an ambitious warlord taking power through marriage can be paralleled by the myth of Nergal and Ereshkigal; in its older Amarna version Nergal takes power through violence whereas in its Assyrian version his power is due to Ereshkigal's seduction and love. The Abigail story combines both aspects, beginning with violence and ending with marriage (Jean-Jacques Glassner).
Some rabbis saw Abigail as a seducer and a hellish type of woman. The final articles (by Bodi and Jean-Marie Husser) show that, while her behaviour might be ambiguous, she should not be branded a scarlet woman.
Sight and Insight in Genesis: A Semantic Study
Published: Oct 2013
£60.00
Sight and Insight shows how prominent are terms from the semantic field of sight in the book of Genesis. They are constantly found in openings, at turning points, and as constituents in place-names and personal names. Because of their presence at strategic points in the plot of Genesis, words of sight enhance cohesion among the narratives of the book.
From the beginning of time, according to Genesis, there have been numerous instances of seeing on the part of both God and humans. But as Genesis progresses, God gradually becomes more hidden and his seeing gives place to human perception.
These observations are built upon a sound theoretical foundation, outlined in the opening chapter, which provides a clear definition of the concept of 'semantic field' and an explanation of related semantic terms such as 'frames' and 'prototypes'.
Subsequent chapters identify the words that can be assigned to the 'sight' field, examine the deployment of the sight field in individual narratives in Genesis, and study the sight field over larger sections of the book.
This is the sixth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Sight and Insight in Genesis: A Semantic Study
£60.00
Sight and Insight shows how prominent are terms from the semantic field of sight in the book of Genesis. They are constantly found in openings, at turning points, and as constituents in place-names and personal names. Because of their presence at strategic points in the plot of Genesis, words of sight enhance cohesion among the narratives of the book.
From the beginning of time, according to Genesis, there have been numerous instances of seeing on the part of both God and humans. But as Genesis progresses, God gradually becomes more hidden and his seeing gives place to human perception.
These observations are built upon a sound theoretical foundation, outlined in the opening chapter, which provides a clear definition of the concept of 'semantic field' and an explanation of related semantic terms such as 'frames' and 'prototypes'.
Subsequent chapters identify the words that can be assigned to the 'sight' field, examine the deployment of the sight field in individual narratives in Genesis, and study the sight field over larger sections of the book.
This is the sixth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Chorus in the Dark: The Voices of the Book of Lamentations
Published: Oct 2013
£60.00
Chorus in the Dark invites attention to the treaty negotiated by the voices of Lamentations. The issues of God's justice and human rights are at the centre of a forceful discussion embodied in the five poems of Lamentations. Difficult questions are subtly raised: How can God's justice be recognized and honoured in the midst of suffering? How can the human right to protest against mistreatment be respected? How can loss, grief, and shame be overcome? What future is there for the victims? How can these sensitive issues be negotiated without loss?
Zion is the first major speaker in Lamentations. Zion projects the voice of a woman crying by the grave. Her pain is intense, her loss is vast, her anger is uncontrollable. Zion is unable to see any future. God is indeed just in destroying her, but her surviving children do not deserve her fate.
The other major speaker is the man of Lamentations 3. He too speaks of the pain, grief, anger, and desire for vengeance of a victim bent under the yoke of affliction. Yet, like a Davidic king, he dares to claim covenant promises and hope that darkness will eventually turn to light.
Through both harmony and discord, and with a profound ambivalence toward the future, the separate voices of Lamentations resonate in a timbre that transcends the sum of its parts. The five poems, while having unique value individually, are meant to be read together as a living documentation of a moment of suspension, a great turning point in the history of Israel.
Chorus in the Dark: The Voices of the Book of Lamentations
£60.00
Chorus in the Dark invites attention to the treaty negotiated by the voices of Lamentations. The issues of God's justice and human rights are at the centre of a forceful discussion embodied in the five poems of Lamentations. Difficult questions are subtly raised: How can God's justice be recognized and honoured in the midst of suffering? How can the human right to protest against mistreatment be respected? How can loss, grief, and shame be overcome? What future is there for the victims? How can these sensitive issues be negotiated without loss?
Zion is the first major speaker in Lamentations. Zion projects the voice of a woman crying by the grave. Her pain is intense, her loss is vast, her anger is uncontrollable. Zion is unable to see any future. God is indeed just in destroying her, but her surviving children do not deserve her fate.
The other major speaker is the man of Lamentations 3. He too speaks of the pain, grief, anger, and desire for vengeance of a victim bent under the yoke of affliction. Yet, like a Davidic king, he dares to claim covenant promises and hope that darkness will eventually turn to light.
Through both harmony and discord, and with a profound ambivalence toward the future, the separate voices of Lamentations resonate in a timbre that transcends the sum of its parts. The five poems, while having unique value individually, are meant to be read together as a living documentation of a moment of suspension, a great turning point in the history of Israel.
‘Say You Are My Sister’: Danger, Seduction and the Foreign in Biblical Literature and Beyond
Published: Oct 2013
£50.00
Throughout biblical and Jewish literature we encounter a repeated story of a Hebrew or Jewish character who becomes involved in a dangerous erotic relationship. The sexual tension in these tales articulates the ambivalence between the national identities of the character and of the foreign other.
The first exemplification of the topos occurs in Genesis, where the matriarchs Sarah and Rebekah are handed over (or almost so) by their husbands to a foreign king. The other biblical cases are those of Joseph, who experiences the danger of seduction by Potiphar's wife, and Esther, who is taken by force into the harem of the Persian emperor.
In modern Hebrew literature, the theme reappears in the short story by the Nobel Prize winner S.Y. Agnon, 'The Lady and the Pedlar' from 1943, in which the Jewish pedlar is at risk of becoming the prey of a foreign cannibalistic woman, and in the novel Inta Omri (1994) by the poet-author Smadar Herzfeld, which describes a desperate love affair between an Israeli woman and a Palestinian man against the backdrop of the Intifada in the late 1980s.
Between the chapters devoted to these works lies a discussion of the film by the Swedish director Ingmar Bergman, The Touch (1971), the story of a Jewish archaeologist who falls in love with a Swedish woman, which Keshet reads as another instance of the same theme, but this time as a metaphor of Jewish —Christian relations from the perspective not of the Jewish character but of the foreign other.
‘Say You Are My Sister’: Danger, Seduction and the Foreign in Biblical Literature and Beyond
£50.00
Throughout biblical and Jewish literature we encounter a repeated story of a Hebrew or Jewish character who becomes involved in a dangerous erotic relationship. The sexual tension in these tales articulates the ambivalence between the national identities of the character and of the foreign other.
The first exemplification of the topos occurs in Genesis, where the matriarchs Sarah and Rebekah are handed over (or almost so) by their husbands to a foreign king. The other biblical cases are those of Joseph, who experiences the danger of seduction by Potiphar's wife, and Esther, who is taken by force into the harem of the Persian emperor.
In modern Hebrew literature, the theme reappears in the short story by the Nobel Prize winner S.Y. Agnon, 'The Lady and the Pedlar' from 1943, in which the Jewish pedlar is at risk of becoming the prey of a foreign cannibalistic woman, and in the novel Inta Omri (1994) by the poet-author Smadar Herzfeld, which describes a desperate love affair between an Israeli woman and a Palestinian man against the backdrop of the Intifada in the late 1980s.
Between the chapters devoted to these works lies a discussion of the film by the Swedish director Ingmar Bergman, The Touch (1971), the story of a Jewish archaeologist who falls in love with a Swedish woman, which Keshet reads as another instance of the same theme, but this time as a metaphor of Jewish —Christian relations from the perspective not of the Jewish character but of the foreign other.
The Recovery of the Ancient Hebrew Language: The Lexicographical Writings of D. Winton Thomas
Published: Oct 2013
£75.00
David Winton Thomas (1901 —1970) was Regius Professor of Hebrew in the University of Cambridge (1938 —1968) and one of the most distinguished British lexicographers of the Hebrew language. His special contribution was the identification of words in Biblical Hebrew that had lain undetected since ancient times, sometimes because they were homonyms of other, better-known words. He called his project 'The Recovery of the Ancient Hebrew Language', the title of his inaugural lecture at Cambridge in 1939, as well as of the present book.
In this volume John Day has gathered together all Winton Thomas's lexicographical articles (nearly 400 pages altogether) in a convenient format; hitherto these have been scattered around many different journals and books. In addition, he has prefaced them with a very substantial introduction of some 150 pages, in which he offers the first thorough and systematic evaluation of Winton Thomas's work.
Day concludes that there are definitely occasions where Thomas has made a positive and enduring contribution to Hebrew lexicography, and it is important that modern scholars do not overlook these conclusions. On the other hand, it becomes clear that Thomas was sometimes too prone to appeal to cognate Semitic languages (especially Arabic) in the search for new meanings of Hebrew words when this was unnecessary. In seeking to make a thorough appraisal of Thomas's proposals this volume offers a valuable contribution to the study of Biblical Hebrew lexicography.
The Recovery of the Ancient Hebrew Language: The Lexicographical Writings of D. Winton Thomas
£75.00
David Winton Thomas (1901 —1970) was Regius Professor of Hebrew in the University of Cambridge (1938 —1968) and one of the most distinguished British lexicographers of the Hebrew language. His special contribution was the identification of words in Biblical Hebrew that had lain undetected since ancient times, sometimes because they were homonyms of other, better-known words. He called his project 'The Recovery of the Ancient Hebrew Language', the title of his inaugural lecture at Cambridge in 1939, as well as of the present book.
In this volume John Day has gathered together all Winton Thomas's lexicographical articles (nearly 400 pages altogether) in a convenient format; hitherto these have been scattered around many different journals and books. In addition, he has prefaced them with a very substantial introduction of some 150 pages, in which he offers the first thorough and systematic evaluation of Winton Thomas's work.
Day concludes that there are definitely occasions where Thomas has made a positive and enduring contribution to Hebrew lexicography, and it is important that modern scholars do not overlook these conclusions. On the other hand, it becomes clear that Thomas was sometimes too prone to appeal to cognate Semitic languages (especially Arabic) in the search for new meanings of Hebrew words when this was unnecessary. In seeking to make a thorough appraisal of Thomas's proposals this volume offers a valuable contribution to the study of Biblical Hebrew lexicography.
Encountering Violence in the Bible
Published: Oct 2013
£60.00
Our world is full of violence, with repeated acts of terrorism and generally rising rates of violent criminal acts as the most obvious forms of the phenomenon in the Western world. It even reached the peaceful shores of Norway in the summer of 2011. This was one of the reasons why the first international meeting of the Norwegian Summer Academy for Biblical Studies was devoted to the topic 'Violence as an Ethical Challenge in the Bible'.
Eighteen biblical scholars from nine different countries (Joshua Berman, Lennart Bostršm, Friedmann Eissler, Torleif Elgvin, LarsOlov Eriksson, Karin Finsterbusch, Georg Fischer, Terence E. Fretheim, Hallvard Hagelia, Dana M. Harris, Robert L. Hubbard, Jr, ÌÉrstein Justnes, Gordon McConville, Kirsten Nielsen, Tommy Wasserman, Karl William Weyde, Peter Wick and Markus Zehnder) met on the beautiful premises of Ansgar Theological Seminary to discuss some of the most fundamental aspects of the topic. The papers presented at the conference are collected in the present volume, dealing mostly with the Hebrew Bible, but covering also the New Testament, Jewish literature from the Second Temple period and the Qur'an.
The contributions reflect a refreshing variety of scholarly and theological approaches. One of the fundamental questions addressed in several studies is how biblical texts justifying violence can be properly understood and used today. Other questions raised are how violent some of the often-criticized biblical passages really are and how violence can be overcome.
Encountering Violence in the Bible
£60.00
Our world is full of violence, with repeated acts of terrorism and generally rising rates of violent criminal acts as the most obvious forms of the phenomenon in the Western world. It even reached the peaceful shores of Norway in the summer of 2011. This was one of the reasons why the first international meeting of the Norwegian Summer Academy for Biblical Studies was devoted to the topic 'Violence as an Ethical Challenge in the Bible'.
Eighteen biblical scholars from nine different countries (Joshua Berman, Lennart Bostršm, Friedmann Eissler, Torleif Elgvin, LarsOlov Eriksson, Karin Finsterbusch, Georg Fischer, Terence E. Fretheim, Hallvard Hagelia, Dana M. Harris, Robert L. Hubbard, Jr, ÌÉrstein Justnes, Gordon McConville, Kirsten Nielsen, Tommy Wasserman, Karl William Weyde, Peter Wick and Markus Zehnder) met on the beautiful premises of Ansgar Theological Seminary to discuss some of the most fundamental aspects of the topic. The papers presented at the conference are collected in the present volume, dealing mostly with the Hebrew Bible, but covering also the New Testament, Jewish literature from the Second Temple period and the Qur'an.
The contributions reflect a refreshing variety of scholarly and theological approaches. One of the fundamental questions addressed in several studies is how biblical texts justifying violence can be properly understood and used today. Other questions raised are how violent some of the often-criticized biblical passages really are and how violence can be overcome.
Where the Wild Ox Roams: Biblical Essays in Honour of Norman C. Habel
Published: Sep 2013
£75.00
Norman C. Habel, the most eminent Hebrew Bible scholar of our time in Australia, has claimed a special place in biblical hermeneutics through his untiring work in the last two decades to foreground environmental issues as the critical lens through which the Bible must be read, judged and interpreted.
This centre of his most recent work has built on a long career of creative engagement with the biblical text, creativity that has witnessed not only major contributions in Hebrew Bible scholarship (most especially on Job and ideologies of 'the land') but in drama, poetry, liturgy, puppetry and music. Norm Habel has demonstrated the possibility of the academic being an activist and the activist being a scholar, all the while encouraging emerging and established scholarship to see further into the text and through the text to the justice demanding to be established in the world.
Seventeen friends have joined to honour the man and esteem, through this collection of essays, some of the illustrious facets of his prodigious output — on Job (Mark Brett, David Clines), ecological hermeneutics (Elaine Wainwright, Vicky Balabanski, Alan Cadwallader, Alice Sinnott, Dianne Bergant, Anne Elvey, Philip Davies), the arts (William Urbrock, Carol Newsom), and issues in personal encounters (Martin Buss, Marie Turner, Robert Crotty, Terence Fretheim, Ralph Klein, Gary Stansell).
Where the Wild Ox Roams: Biblical Essays in Honour of Norman C. Habel
£75.00
Norman C. Habel, the most eminent Hebrew Bible scholar of our time in Australia, has claimed a special place in biblical hermeneutics through his untiring work in the last two decades to foreground environmental issues as the critical lens through which the Bible must be read, judged and interpreted.
This centre of his most recent work has built on a long career of creative engagement with the biblical text, creativity that has witnessed not only major contributions in Hebrew Bible scholarship (most especially on Job and ideologies of 'the land') but in drama, poetry, liturgy, puppetry and music. Norm Habel has demonstrated the possibility of the academic being an activist and the activist being a scholar, all the while encouraging emerging and established scholarship to see further into the text and through the text to the justice demanding to be established in the world.
Seventeen friends have joined to honour the man and esteem, through this collection of essays, some of the illustrious facets of his prodigious output — on Job (Mark Brett, David Clines), ecological hermeneutics (Elaine Wainwright, Vicky Balabanski, Alan Cadwallader, Alice Sinnott, Dianne Bergant, Anne Elvey, Philip Davies), the arts (William Urbrock, Carol Newsom), and issues in personal encounters (Martin Buss, Marie Turner, Robert Crotty, Terence Fretheim, Ralph Klein, Gary Stansell).
Toward Understanding the Hebrew Canon: A Form-Critical Approach
Published: Sep 2013
£50.00
Toward Understanding the Hebrew Canon: A Form-Critical Approach explores in an original and reflective way the relations between the linguistic forms, ideas and life involvements of biblical genres. The various forms of the Hebrew Bible reflect and correspond to the richly diverse life experiences of the Hebrew people, which include varied legal, cultic and erotic interactions.
Divine speech is a prominent literary form in the Hebrew Bible, according to Buss's analysis. It has an emotive character, and is highly personal. Such speech establishes a series of Origin events that run from creation to the foundation of kingship; it both provides norms for life and struggles with human recalcitrance. Divine speech also provides evaluative assessments of present and envisaged situations, and it promises a truly good End. The humans to whom divine speech is directed are called on to acknowledge the divine reality, which they can do through self-transcendence, as a part of selfhood. In ethics, a receptive attitude acknowledges the unconditional worth of others, which is supported by Deity.
Human speech is usually also emotive, although on occasion it is concerned rather with dry historical actualities. It is intertwined with divine speech in narratives and prophecies.
In these fourteen essays (one of them previously unpublished) the renowned biblical scholar Martin Buss gathers an array of his work from many years, bringing to bear on the Hebrew Bible his extensive researches in cross-cultural data and in other disciplines such as philosophy and social psychology.
Toward Understanding the Hebrew Canon: A Form-Critical Approach
£50.00
Toward Understanding the Hebrew Canon: A Form-Critical Approach explores in an original and reflective way the relations between the linguistic forms, ideas and life involvements of biblical genres. The various forms of the Hebrew Bible reflect and correspond to the richly diverse life experiences of the Hebrew people, which include varied legal, cultic and erotic interactions.
Divine speech is a prominent literary form in the Hebrew Bible, according to Buss's analysis. It has an emotive character, and is highly personal. Such speech establishes a series of Origin events that run from creation to the foundation of kingship; it both provides norms for life and struggles with human recalcitrance. Divine speech also provides evaluative assessments of present and envisaged situations, and it promises a truly good End. The humans to whom divine speech is directed are called on to acknowledge the divine reality, which they can do through self-transcendence, as a part of selfhood. In ethics, a receptive attitude acknowledges the unconditional worth of others, which is supported by Deity.
Human speech is usually also emotive, although on occasion it is concerned rather with dry historical actualities. It is intertwined with divine speech in narratives and prophecies.
In these fourteen essays (one of them previously unpublished) the renowned biblical scholar Martin Buss gathers an array of his work from many years, bringing to bear on the Hebrew Bible his extensive researches in cross-cultural data and in other disciplines such as philosophy and social psychology.
The Necessary King: A Postcolonial Reading of the Deuteronomistic Portrait of the Monarchy
Published: Sep 2013
£80.00
The Necessary King explains why Israel needed a king according to the Deuteronomistic History, and why its exilic readers can expect no future except under Davidic rule. Given Israel's tendency to rebellion against its divine suzerain, the king is the necessary agent of God's colonization of Israel, making and keeping it a loyal subject.
The Deuteronomistic History with its pro-Davidic narrative has three prongs, each of which relies on an imitation of the imperial ideology of Judah's colonial masters. First, Dtr imitates the discourse of Neo-Assyrian treaties and Mesopotamian royal inscriptions, replacing the imperial suzerain with God.
Second, having established this client —suzerain relationship in Deuteronomy, Dtr then goes on to imitate imperial portrayals of the disloyal and wicked foreign enemies whom the Mesopotamian king colonizes. Israel is a foreign enemy in God's eyes, repetitively proving their disloyalty to their divine suzerain and so demonstrating the need for an Israelite king who will colonize them —for their own good.
Third, Dtr imitates the ideology of the Mesopotamian powers in its portrayal of the monarchy. Dtr presents the Davidides' relation to Judah/Israel just as the Mesopotamian colonial powers present their kings' relation to the foreign peoples they have conquered: their colonial rule is necessary, and actually benefits the peoples whom they colonize.
Disqualifying prophets, priests, and judges as potential leaders of Israel, and presenting the people as far too sinful to live without leadership, the Deuteronomistic History portrays the Davidic monarchy as a necessity.
The Necessary King: A Postcolonial Reading of the Deuteronomistic Portrait of the Monarchy
£80.00
The Necessary King explains why Israel needed a king according to the Deuteronomistic History, and why its exilic readers can expect no future except under Davidic rule. Given Israel's tendency to rebellion against its divine suzerain, the king is the necessary agent of God's colonization of Israel, making and keeping it a loyal subject.
The Deuteronomistic History with its pro-Davidic narrative has three prongs, each of which relies on an imitation of the imperial ideology of Judah's colonial masters. First, Dtr imitates the discourse of Neo-Assyrian treaties and Mesopotamian royal inscriptions, replacing the imperial suzerain with God.
Second, having established this client —suzerain relationship in Deuteronomy, Dtr then goes on to imitate imperial portrayals of the disloyal and wicked foreign enemies whom the Mesopotamian king colonizes. Israel is a foreign enemy in God's eyes, repetitively proving their disloyalty to their divine suzerain and so demonstrating the need for an Israelite king who will colonize them —for their own good.
Third, Dtr imitates the ideology of the Mesopotamian powers in its portrayal of the monarchy. Dtr presents the Davidides' relation to Judah/Israel just as the Mesopotamian colonial powers present their kings' relation to the foreign peoples they have conquered: their colonial rule is necessary, and actually benefits the peoples whom they colonize.
Disqualifying prophets, priests, and judges as potential leaders of Israel, and presenting the people as far too sinful to live without leadership, the Deuteronomistic History portrays the Davidic monarchy as a necessity.
The Bible as Visual Culture: When Text Becomes Image
Published: Aug 2013
£50.00
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines.
The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts.
The book applies theoretical and methodological approaches —native to fine art, art history, and visual cultural studies but new to biblical studies —to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part.
The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
The Bible as Visual Culture: When Text Becomes Image
£50.00
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines.
The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts.
The book applies theoretical and methodological approaches —native to fine art, art history, and visual cultural studies but new to biblical studies —to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part.
The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
The Sacrifice of Isaac: The Reception of a Biblical Story in Music
Published: Aug 2013
£60.00
The biblical story of the sacrifice of Isaac (Genesis 22), or the Akedah in Hebrew tradition, has inspired composers, artists, writers, and dramatists down through the centuries to produce some of the greatest musical, artistic, literary, and dramatic masterpieces the world knows today. This book explores the reception of Genesis 22 in five compositions that not only have been influential in the history of classical art music but also present some of the most insightful and distinctive interpretations of the biblical story. Spanning more than four hundred years, and stemming from a variety of musical genres, the works selected include an oratorio latino by Giacomo Carissimi, the 'Father of Oratorio'; an oratorio volgare by the Bohemian Josef Mysliveček; a canticle, and a movement from the War Requiem of the eminent British composer Benjamin Britten; and a cantata by the Jewish American composer Judith Lang Zaimont.
Dowling Long argues that, despite intensive exegetical work on Genesis 22 and the attention given to the concept of seeing in the narrative, biblical commentators have generally neglected the concept of hearing, which features prominently in the story's reception in music.
This book will be of interest to biblical scholars, musicologists, teachers of religious education and music education, as well as to readers interested in reception history. It is beautifully illustrated with 80 images of the sacrifice of Isaac in art, stone, needlework of tapestry and embroidery, and furniture together with photographs of composers and 86 musical excerpts.
The Sacrifice of Isaac: The Reception of a Biblical Story in Music
£60.00
The biblical story of the sacrifice of Isaac (Genesis 22), or the Akedah in Hebrew tradition, has inspired composers, artists, writers, and dramatists down through the centuries to produce some of the greatest musical, artistic, literary, and dramatic masterpieces the world knows today. This book explores the reception of Genesis 22 in five compositions that not only have been influential in the history of classical art music but also present some of the most insightful and distinctive interpretations of the biblical story. Spanning more than four hundred years, and stemming from a variety of musical genres, the works selected include an oratorio latino by Giacomo Carissimi, the 'Father of Oratorio'; an oratorio volgare by the Bohemian Josef Mysliveček; a canticle, and a movement from the War Requiem of the eminent British composer Benjamin Britten; and a cantata by the Jewish American composer Judith Lang Zaimont.
Dowling Long argues that, despite intensive exegetical work on Genesis 22 and the attention given to the concept of seeing in the narrative, biblical commentators have generally neglected the concept of hearing, which features prominently in the story's reception in music.
This book will be of interest to biblical scholars, musicologists, teachers of religious education and music education, as well as to readers interested in reception history. It is beautifully illustrated with 80 images of the sacrifice of Isaac in art, stone, needlework of tapestry and embroidery, and furniture together with photographs of composers and 86 musical excerpts.
The Joseph of Genesis as Hellenistic Scientist
Published: July 2013
£75.00
To today's confrontations between religion and science Jovanovic contrasts the vibrant collaboration that characterizes Jewish, Christian, and Islamic beginnings. Designation of the patriarch Joseph as both a dream interpreter and a diviner (Gen. 44.4, 15) is a specific example of biblical appropriation of the ancient Mediterranean understanding of cup divination and dream interpretation as among the scientific activities of its social, spiritual and academic elite.
Jovanovic argues that the image of Joseph as a Hellenistic scientist nourished the popularity of early Jewish and Christian literature on Joseph. The works of Josephus and Philo, Rabbinic midrashim, and the newly discovered The Ethiopic Story of Joseph, as well as Jubilees, The Testaments of the Twelve Patriarchs and Joseph and Aseneth, hold that Joseph's profession was that of a scientist of vision. The interpretation of the symbolic images in dreams and cup divination was a scientific method of communication with the divine and of prediction of the future, which Jovanovic calls 'revelation by visual effects'.
Joseph's image as an Egyptian academic provoked varied responses in Hellenistic Jewish circles. The dismay expressed by Jubilees and Philo arose from Joseph's perceived betrayal of religious and traditional values. The acclamation of Josephus and The Ethiopic Story of Joseph demonstrates that a number of Hellenistic Jews believed that their creative integration into the vibrant Hellenistic culture could be successful and deepen their own Jewish identity.
While previous scholarship has focused on representations of Joseph either as an ethical model or as a type of Christ, this is the first major work that explores the image of Joseph as an ancient scholar and spiritual expert.
The Joseph of Genesis as Hellenistic Scientist
£75.00
To today's confrontations between religion and science Jovanovic contrasts the vibrant collaboration that characterizes Jewish, Christian, and Islamic beginnings. Designation of the patriarch Joseph as both a dream interpreter and a diviner (Gen. 44.4, 15) is a specific example of biblical appropriation of the ancient Mediterranean understanding of cup divination and dream interpretation as among the scientific activities of its social, spiritual and academic elite.
Jovanovic argues that the image of Joseph as a Hellenistic scientist nourished the popularity of early Jewish and Christian literature on Joseph. The works of Josephus and Philo, Rabbinic midrashim, and the newly discovered The Ethiopic Story of Joseph, as well as Jubilees, The Testaments of the Twelve Patriarchs and Joseph and Aseneth, hold that Joseph's profession was that of a scientist of vision. The interpretation of the symbolic images in dreams and cup divination was a scientific method of communication with the divine and of prediction of the future, which Jovanovic calls 'revelation by visual effects'.
Joseph's image as an Egyptian academic provoked varied responses in Hellenistic Jewish circles. The dismay expressed by Jubilees and Philo arose from Joseph's perceived betrayal of religious and traditional values. The acclamation of Josephus and The Ethiopic Story of Joseph demonstrates that a number of Hellenistic Jews believed that their creative integration into the vibrant Hellenistic culture could be successful and deepen their own Jewish identity.
While previous scholarship has focused on representations of Joseph either as an ethical model or as a type of Christ, this is the first major work that explores the image of Joseph as an ancient scholar and spiritual expert.
The Politics of Israel’s Past: The Bible, Archaeology and Nation-Building
Published: July 2013
£60.00
It is not uncommon that historical images —presented as simply given, self-evident and even indisputable —are employed in political readings of the past and used as a legitimizing tool. For that reason, the authors of this volume, biblical scholars, archaeologists, anthropologists and historians, undertake a deconstruction of modern biblical discourses on the Bible's production and the history of ancient Israel, enabling the exploration of critical approaches to ancient Palestine's past, to the history of the peoples of the region, to the history of the biblical text(s) and, last but not least, to the modern political uses of biblical narratives as legitimizing land ownership and nationalisms.
Among the topics treated are the appearance of Judaism and its connection to the production of biblical literature, the politics of archaeological practice in Israel, the role of archaeology in the production of nationalist narratives of the past, the relationship between genetic studies and Jewish nationalism, and the prospects for writing critical histories of ancient Palestine beyond biblical images and religious and political aspirations.
Each article illustrates the close relationship between the Bible, archaeology and processes of nation-building in the State of Israel. The Politics of Israel's Past concerns itself both with the ways in which contemporary politics affects the knowledge of the past and with the processes by which constructions of an ancient past legitimate modern political situations.
The Politics of Israel’s Past: The Bible, Archaeology and Nation-Building
£60.00
It is not uncommon that historical images —presented as simply given, self-evident and even indisputable —are employed in political readings of the past and used as a legitimizing tool. For that reason, the authors of this volume, biblical scholars, archaeologists, anthropologists and historians, undertake a deconstruction of modern biblical discourses on the Bible's production and the history of ancient Israel, enabling the exploration of critical approaches to ancient Palestine's past, to the history of the peoples of the region, to the history of the biblical text(s) and, last but not least, to the modern political uses of biblical narratives as legitimizing land ownership and nationalisms.
Among the topics treated are the appearance of Judaism and its connection to the production of biblical literature, the politics of archaeological practice in Israel, the role of archaeology in the production of nationalist narratives of the past, the relationship between genetic studies and Jewish nationalism, and the prospects for writing critical histories of ancient Palestine beyond biblical images and religious and political aspirations.
Each article illustrates the close relationship between the Bible, archaeology and processes of nation-building in the State of Israel. The Politics of Israel's Past concerns itself both with the ways in which contemporary politics affects the knowledge of the past and with the processes by which constructions of an ancient past legitimate modern political situations.
The Reception of the Hebrew Bible in the Septuagint and the New Testament: Essays in Memory of Aileen Guilding
Published: July 2013
£50.00
Aileen Guilding was Professor of Biblical History and Literature in the University of Sheffield from 1959 to 1965, and was known especially for her monograph The Fourth Gospel and Jewish Worship: A Study of the Relation of St. John's Gospel to the Ancient Jewish Lectionary System (Oxford, 1960), which enjoyed a succès d’estime in its day as an exceptionally fascinating and learned book. She is celebrated in Sheffield as the first female professor in the University; she was also the first woman to hold a chair in theology or religion in the United Kingdom. After her death at the age of 94 a conference on themes relevant to her special interests was held in Sheffield as part of a meeting of the Society for Old Testament Study, and the papers read there are presented in this volume, published in the 101st year after her birth.
The Reception of the Hebrew Bible in the Septuagint and the New Testament: Essays in Memory of Aileen Guilding
£50.00
Aileen Guilding was Professor of Biblical History and Literature in the University of Sheffield from 1959 to 1965, and was known especially for her monograph The Fourth Gospel and Jewish Worship: A Study of the Relation of St. John's Gospel to the Ancient Jewish Lectionary System (Oxford, 1960), which enjoyed a succès d’estime in its day as an exceptionally fascinating and learned book. She is celebrated in Sheffield as the first female professor in the University; she was also the first woman to hold a chair in theology or religion in the United Kingdom. After her death at the age of 94 a conference on themes relevant to her special interests was held in Sheffield as part of a meeting of the Society for Old Testament Study, and the papers read there are presented in this volume, published in the 101st year after her birth.
Isaiah 1-12 as Written and Read in Antiquity
Published: Jun 2013
£60.00
This scrupulous study foregrounds an often forgotten element of the Masoretic texts of these important prophetic chapters: the Masoretic systems of indicating smaller and larger parts of the text through the use of spaces and accents.
The Masoretes were not only transmitters of the biblical text but also exegetes and interpreters of it, so taking the Masoretic text divisions seriously should be an essential part of our contemporary exegesis. That is not to say, however, that the Masoretic text divisions should be followed uncritically; de Bruin compares the Masoretic delimitation of textual units with his own structural analysis of the text based on its internal characteristics, as well as with the text division in other ancient manuscripts of Isaiah 1 —12. He concludes that such comparisons show the reliability of the Masoretic system and its value for modern exegetes.
Finally, the multitude of data reported here on text division in ancient Hebrew, Greek, Syriac and Latin witnesses, including commentaries of the Church Fathers Eusebius and Jerome, and the discussion of their interpretative consequences, make this book a treasure house of information for every exegete and Bible reader seeking to gain a clearer insight into Isaiah 1 —12.
Isaiah 1-12 as Written and Read in Antiquity
£60.00
This scrupulous study foregrounds an often forgotten element of the Masoretic texts of these important prophetic chapters: the Masoretic systems of indicating smaller and larger parts of the text through the use of spaces and accents.
The Masoretes were not only transmitters of the biblical text but also exegetes and interpreters of it, so taking the Masoretic text divisions seriously should be an essential part of our contemporary exegesis. That is not to say, however, that the Masoretic text divisions should be followed uncritically; de Bruin compares the Masoretic delimitation of textual units with his own structural analysis of the text based on its internal characteristics, as well as with the text division in other ancient manuscripts of Isaiah 1 —12. He concludes that such comparisons show the reliability of the Masoretic system and its value for modern exegetes.
Finally, the multitude of data reported here on text division in ancient Hebrew, Greek, Syriac and Latin witnesses, including commentaries of the Church Fathers Eusebius and Jerome, and the discussion of their interpretative consequences, make this book a treasure house of information for every exegete and Bible reader seeking to gain a clearer insight into Isaiah 1 —12.
Ben Sira and the Men Who Handle Books: Gender and the Rise of Canon-Consciousness
Published: May 2013
£50.00
What have women to do with the rise of canon-consciousness in early Judaism? Quite a lot, Claudia Camp argues, if the book written by the early second-century BCE scribe, Ben Sira, is any indication. One of the few true misogynists in the biblical tradition, Ben Sira is beset with gender anxiety, fear that his women will sully his honor, their shame causing his name to fail from the eternal memory of his people. Yet the same Ben Sira appropriates the idealized figure of cosmic Woman Wisdom from Proverbs, and identifies her with 'the book of the covenant of the most high God, the law that Moses commanded us'.
This, then, is Ben Sira's dilemma: a woman (Wisdom) can admit him to eternity but his own women can keep him out. It is Camp's thesis that these conflicted perceptions of gender are fundamental to Ben Sira's appropriation and production of authoritative religious literature, and that a critical analysis of his gender ideology is thus essential for understanding his relationship to an emerging canon. Ben Sira writes a book, and writes himself into his book, creating a possession into which he can sublimate his anxiety about the women he cannot truly possess and the God he cannot truly trust.
What is more, if Ben Sira can be considered representative of his scribal class and context, his work may also provide a window into aspects of the larger cultural process of canon building, including the question of whether we would have a canon at all —or have the canon we have —if the men in that particular patriarchal culture had not coded it in the gendered terms that Ben Sira did.
Ben Sira and the Men Who Handle Books: Gender and the Rise of Canon-Consciousness
£50.00
What have women to do with the rise of canon-consciousness in early Judaism? Quite a lot, Claudia Camp argues, if the book written by the early second-century BCE scribe, Ben Sira, is any indication. One of the few true misogynists in the biblical tradition, Ben Sira is beset with gender anxiety, fear that his women will sully his honor, their shame causing his name to fail from the eternal memory of his people. Yet the same Ben Sira appropriates the idealized figure of cosmic Woman Wisdom from Proverbs, and identifies her with 'the book of the covenant of the most high God, the law that Moses commanded us'.
This, then, is Ben Sira's dilemma: a woman (Wisdom) can admit him to eternity but his own women can keep him out. It is Camp's thesis that these conflicted perceptions of gender are fundamental to Ben Sira's appropriation and production of authoritative religious literature, and that a critical analysis of his gender ideology is thus essential for understanding his relationship to an emerging canon. Ben Sira writes a book, and writes himself into his book, creating a possession into which he can sublimate his anxiety about the women he cannot truly possess and the God he cannot truly trust.
What is more, if Ben Sira can be considered representative of his scribal class and context, his work may also provide a window into aspects of the larger cultural process of canon building, including the question of whether we would have a canon at all —or have the canon we have —if the men in that particular patriarchal culture had not coded it in the gendered terms that Ben Sira did.
From Judah to Judaea: Socio-Economic Structures and Processes in the Persian Period
Published: May 2013
Price range: £18.50 through £50.00
It has long been recognized that the Persian period is crucial to the history of the formation of the biblical corpora. The essays presented in this volume explore this critically important era, reconstructing the socio-economic shifts that took place as well as the religio-theological environment of the Judean community and its neighbours. The topics of this volume, sociological, archaeological and theological, include: ethnicities and administration in Persian-era Palestine (Yigal); the historical origin of the concept of the piety of the poor at Qumran (Ro); the development of the theological concept of Yhwh's punitive justice (Ro); social, cultural and demographic transformations in Persian-period Judah (Faust); changes in Judah and its neighbouring provinces in the fourth century BCE (Fantalkin and Tal); some Greek views of the Persian empire (Sano). The papers collected in this volume were presented at an international conference held at International Christian University (ICU) in Tokyo, February 17 —19, 2011, a testimony to the fruitfulness of this unusual Asian —Israeli scholarly dialogue.
From Judah to Judaea: Socio-Economic Structures and Processes in the Persian Period
Price range: £18.50 through £50.00
It has long been recognized that the Persian period is crucial to the history of the formation of the biblical corpora. The essays presented in this volume explore this critically important era, reconstructing the socio-economic shifts that took place as well as the religio-theological environment of the Judean community and its neighbours. The topics of this volume, sociological, archaeological and theological, include: ethnicities and administration in Persian-era Palestine (Yigal); the historical origin of the concept of the piety of the poor at Qumran (Ro); the development of the theological concept of Yhwh's punitive justice (Ro); social, cultural and demographic transformations in Persian-period Judah (Faust); changes in Judah and its neighbouring provinces in the fourth century BCE (Fantalkin and Tal); some Greek views of the Persian empire (Sano). The papers collected in this volume were presented at an international conference held at International Christian University (ICU) in Tokyo, February 17 —19, 2011, a testimony to the fruitfulness of this unusual Asian —Israeli scholarly dialogue.
Between Author and Audience in Mark: Narration, Characterization, Interpretation
Published: May 2013
Price range: £16.50 through £45.00
To hear, read, and interpret the Gospel of Mark is to become involved in the dynamic relationship between author (real or implied) and audience (implied or real). So we have learned from the 'literary turn' in biblical interpretation. But there remains another dynamic relationship in which we are of necessity involved: that of the literary and the historical questions surrounding the text. Clearly, multiple approaches are called for by anyone who wishes to claim a place in the on-going audience of the Gospel of Mark.
The first three essays in this volume move in different ways between real and implied Markan realities: from implied audience to real (ancient) audience, from real (contemporary, oral) narrator to implied (ancient, oral) narrator, and from implied audience to various real (or 'unimplied') audiences. The next three essays treat the central Markan reality of parable as it connects author, narrator, and audience in challenging ways. The final three essays concern the relation of Mark's characters among themselves or the relation of narrator and character, recognizing the complexity of characterization in the Gospel as a form of communication between author and audience.
Between Author and Audience in Mark: Narration, Characterization, Interpretation
Price range: £16.50 through £45.00
To hear, read, and interpret the Gospel of Mark is to become involved in the dynamic relationship between author (real or implied) and audience (implied or real). So we have learned from the 'literary turn' in biblical interpretation. But there remains another dynamic relationship in which we are of necessity involved: that of the literary and the historical questions surrounding the text. Clearly, multiple approaches are called for by anyone who wishes to claim a place in the on-going audience of the Gospel of Mark.
The first three essays in this volume move in different ways between real and implied Markan realities: from implied audience to real (ancient) audience, from real (contemporary, oral) narrator to implied (ancient, oral) narrator, and from implied audience to various real (or 'unimplied') audiences. The next three essays treat the central Markan reality of parable as it connects author, narrator, and audience in challenging ways. The final three essays concern the relation of Mark's characters among themselves or the relation of narrator and character, recognizing the complexity of characterization in the Gospel as a form of communication between author and audience.
Now My Eye Sees You: Unveiling an Apocalyptic Job
Published: May 2013
Price range: £16.50 through £50.00
This groundbreaking study on the book of Job is the first systematic effort to reveal and organize its apocalyptic impulses. Drawing on such scholars as John Collins, Christopher Rowland and Frank Moore Cross, Johnson argues that interpreting Job through the lens of apocalypse yields a coherent reading that is able to incorporate all of the seemingly disparate literary features of the book that historically stymie interpreters.
An apocalyptic reading of Job begins with the presence of three important revelations: Eliphaz's vision, the hymn to wisdom and the Yahweh speeches. A literary division following these revelations contributes to the book's overall emphasis, which is to persevere in the midst of suffering. Thorny questions such as the reason Elihu was not rebuked by God in the epilogue receive fresh treatment from an apocalyptic paradigm.
In tracing the history of the interpretation of Job, Johnson offers evidence that both Jewish and Christian traditions recognized many of these 'apocalyptic' elements. For example, the LXX version of Job contains a resurrection plus in the epilogue, the Testament of Job emphasizes the influence of Satan, the Qumran sect may have drawn strength from the book's message to persevere, and the 'apocalyptic' passage of James upholds Job as a model for perseverance.
Viewing Job as a nascent form of apocalypse may also resuscitate Von Rad's hypothesis that apocalypse grew out of wisdom categories over against the more commonly accepted prophetic works.
Students of Job at all levels are treated here to a stimulating appraisal that will open their eyes to the apocalyptic characteristics woven throughout this diverse book. This monograph will make important contributions to genre studies, the history of interpretation and be valuable to those interested in the intersection of wisdom and apocalypse.
Now My Eye Sees You: Unveiling an Apocalyptic Job
Price range: £16.50 through £50.00
This groundbreaking study on the book of Job is the first systematic effort to reveal and organize its apocalyptic impulses. Drawing on such scholars as John Collins, Christopher Rowland and Frank Moore Cross, Johnson argues that interpreting Job through the lens of apocalypse yields a coherent reading that is able to incorporate all of the seemingly disparate literary features of the book that historically stymie interpreters.
An apocalyptic reading of Job begins with the presence of three important revelations: Eliphaz's vision, the hymn to wisdom and the Yahweh speeches. A literary division following these revelations contributes to the book's overall emphasis, which is to persevere in the midst of suffering. Thorny questions such as the reason Elihu was not rebuked by God in the epilogue receive fresh treatment from an apocalyptic paradigm.
In tracing the history of the interpretation of Job, Johnson offers evidence that both Jewish and Christian traditions recognized many of these 'apocalyptic' elements. For example, the LXX version of Job contains a resurrection plus in the epilogue, the Testament of Job emphasizes the influence of Satan, the Qumran sect may have drawn strength from the book's message to persevere, and the 'apocalyptic' passage of James upholds Job as a model for perseverance.
Viewing Job as a nascent form of apocalypse may also resuscitate Von Rad's hypothesis that apocalypse grew out of wisdom categories over against the more commonly accepted prophetic works.
Students of Job at all levels are treated here to a stimulating appraisal that will open their eyes to the apocalyptic characteristics woven throughout this diverse book. This monograph will make important contributions to genre studies, the history of interpretation and be valuable to those interested in the intersection of wisdom and apocalypse.
Jesus and the People of God: Reconfiguring Ethnic Identity
Published: May 2013
Price range: £19.50 through £50.00
How did the Jesus movement —a messianic sectarian version of Palestinian Judaism —transcend its Judaean origins and ultimately establish itself in the Roman East as the multi-ethnic socio-religious experiment we know as early Christianity?
In this major work, Hellerman, drawing upon his background as a social historian, proposes that a clue to the success of the Christian movement lay in Jesus' own conception of the people of God, and in how he reconfigured its identity from that of ethnos to that of family.
Pointing first to Jesus' critique of sabbath-keeping, the Jerusalem temple, and Jewish dietary laws —practices central to the preservation of Judaean social identity —he argues that Jesus' intention was to destabilize the idea of God's people as a localized ethnos. In its place he conceived the social identity of the people of God as a surrogate family or kinship group, a social entity based not on common ancestry but on a shared commitment to his kingdom programme.
Jesus of Nazareth thus functioned as a kind of ethnic entrepreneur, breaking down the boundaries of ethnic Judaism and providing an ideological foundation and symbolic framework for the wider expansion of the Jesus movement.
Jesus and the People of God: Reconfiguring Ethnic Identity
Price range: £19.50 through £50.00
How did the Jesus movement —a messianic sectarian version of Palestinian Judaism —transcend its Judaean origins and ultimately establish itself in the Roman East as the multi-ethnic socio-religious experiment we know as early Christianity?
In this major work, Hellerman, drawing upon his background as a social historian, proposes that a clue to the success of the Christian movement lay in Jesus' own conception of the people of God, and in how he reconfigured its identity from that of ethnos to that of family.
Pointing first to Jesus' critique of sabbath-keeping, the Jerusalem temple, and Jewish dietary laws —practices central to the preservation of Judaean social identity —he argues that Jesus' intention was to destabilize the idea of God's people as a localized ethnos. In its place he conceived the social identity of the people of God as a surrogate family or kinship group, a social entity based not on common ancestry but on a shared commitment to his kingdom programme.
Jesus of Nazareth thus functioned as a kind of ethnic entrepreneur, breaking down the boundaries of ethnic Judaism and providing an ideological foundation and symbolic framework for the wider expansion of the Jesus movement.
Slavery, Abolitionism, and the Ethics of Biblical Scholarship
Published: May 2013
Price range: £19.50 through £70.00
In this immensely wide-ranging and fascinating study, Avalos critiques the common claim that the abolition of slavery was due in large part to the influence of biblical ethics. Such a claim, he argues, is characteristic of a broader phenomenon in biblical scholarship, which focuses on defending, rather than describing, the ethical norms encountered in biblical texts.
The first part of Avalos's critique explores how modern scholars have praised the supposed superiority of biblical ethics at the cost of diminishing or ignoring many similar features in ancient Near Eastern cultures. These features include manumission, fixed terms of service, familial rights, and egalitarian critiques of slavery. At the same time, modern scholarship has used the standard tools of biblical exegesis in order to minimize the ethically negative implications of many biblical references to slavery.
The second part of the book concentrates on how the Bible has been used throughout Christian history both to maintain and to extend slavery. In particular, Avalos offers detailed studies of papal documents used to defend the Church's stance on slavery. Discussions of Gregory of Nyssa, Aquinas and Luther, among others, show that they are not such champions of freedom as they are often portrayed.
Avalos's close readings of the writings of major abolitionists such as Granville Sharp, William Wilberforce and Frederick Douglass show an increasing shift away from using the Bible as a support for abolitionism. Biblical scholars have rarely recognized that pro-slavery advocates could use the Bible just as effectively. According to Avalos, one of the complex mix of factors leading to abolition was the abandonment of the Bible as an ethical authority. The case of the biblical attitude to slavery is just one confirmation of how unsuitable the Bible is as a manual of ethics in the modern world.
Slavery, Abolitionism, and the Ethics of Biblical Scholarship
Price range: £19.50 through £70.00
In this immensely wide-ranging and fascinating study, Avalos critiques the common claim that the abolition of slavery was due in large part to the influence of biblical ethics. Such a claim, he argues, is characteristic of a broader phenomenon in biblical scholarship, which focuses on defending, rather than describing, the ethical norms encountered in biblical texts.
The first part of Avalos's critique explores how modern scholars have praised the supposed superiority of biblical ethics at the cost of diminishing or ignoring many similar features in ancient Near Eastern cultures. These features include manumission, fixed terms of service, familial rights, and egalitarian critiques of slavery. At the same time, modern scholarship has used the standard tools of biblical exegesis in order to minimize the ethically negative implications of many biblical references to slavery.
The second part of the book concentrates on how the Bible has been used throughout Christian history both to maintain and to extend slavery. In particular, Avalos offers detailed studies of papal documents used to defend the Church's stance on slavery. Discussions of Gregory of Nyssa, Aquinas and Luther, among others, show that they are not such champions of freedom as they are often portrayed.
Avalos's close readings of the writings of major abolitionists such as Granville Sharp, William Wilberforce and Frederick Douglass show an increasing shift away from using the Bible as a support for abolitionism. Biblical scholars have rarely recognized that pro-slavery advocates could use the Bible just as effectively. According to Avalos, one of the complex mix of factors leading to abolition was the abandonment of the Bible as an ethical authority. The case of the biblical attitude to slavery is just one confirmation of how unsuitable the Bible is as a manual of ethics in the modern world.
Jeremiah Closer Up: The Prophet and the Book
Published: May 2013
Price range: £15.00 through £40.00
Closer up than what? Many recent studies of Jeremiah leave us with but a faint glimmer of this great Hebrew prophet; in some he disappears completely into later tradition. Some scholars think that the book of Jeremiah lacks historical veracity: when it was composed, supposedly in the late exilic or postexilic periods, historical memories had been dimmed and ideology had come to dominate the Jeremiah legacy. The present essays combine to argue that both the prophet and his book can be viewed “closer up” than the imagination of many modern-day interpreters will allow.
The first three essays discuss the text, rhetoric and composition of the book of Jeremiah. The longer Hebrew text is given preference over the Greek Septuagint text, which means that we can dispense entirely with the idea that scribes were busily writing, editing and expanding the Jeremiah book in Babylon. Rhetorical and other delimiting criteria show that Jeremiah’s so-called ‘Temple Sermon’ (7.1-15) is rather a cluster of three oracles manifesting a rudimentary form of logic. Finally, a correlation of Gedaliah’s murder with the exile of 582 argues for a nearly four-year existence of the remnant community at Mizpah, more than enough time for Jeremiah and Baruch to write up the events following the destruction of Jerusalem.
The remaining essays discuss Jeremiah’s views of history, the created order, the covenant, and nations of the world, as well as the prophet’s so-called ‘confessions’. These extraordinary insights into the interior disposition of a Hebrew prophet reveal how Jeremiah felt about the word he had to preach, and what impact it had on him personally. The confessions are analysed both as formal psalm-like laments, and as gems of rhetorical composition.
Jeremiah Closer Up: The Prophet and the Book
Price range: £15.00 through £40.00
Closer up than what? Many recent studies of Jeremiah leave us with but a faint glimmer of this great Hebrew prophet; in some he disappears completely into later tradition. Some scholars think that the book of Jeremiah lacks historical veracity: when it was composed, supposedly in the late exilic or postexilic periods, historical memories had been dimmed and ideology had come to dominate the Jeremiah legacy. The present essays combine to argue that both the prophet and his book can be viewed “closer up” than the imagination of many modern-day interpreters will allow.
The first three essays discuss the text, rhetoric and composition of the book of Jeremiah. The longer Hebrew text is given preference over the Greek Septuagint text, which means that we can dispense entirely with the idea that scribes were busily writing, editing and expanding the Jeremiah book in Babylon. Rhetorical and other delimiting criteria show that Jeremiah’s so-called ‘Temple Sermon’ (7.1-15) is rather a cluster of three oracles manifesting a rudimentary form of logic. Finally, a correlation of Gedaliah’s murder with the exile of 582 argues for a nearly four-year existence of the remnant community at Mizpah, more than enough time for Jeremiah and Baruch to write up the events following the destruction of Jerusalem.
The remaining essays discuss Jeremiah’s views of history, the created order, the covenant, and nations of the world, as well as the prophet’s so-called ‘confessions’. These extraordinary insights into the interior disposition of a Hebrew prophet reveal how Jeremiah felt about the word he had to preach, and what impact it had on him personally. The confessions are analysed both as formal psalm-like laments, and as gems of rhetorical composition.
Son of Man: An African Jesus Film
Published: Apr 2013
£50.00
The remarkable, award-winning film, Son of Man (2005), directed by the South African Mark Dornford-May, sets the Jesus story in a contemporary, fictional southern African Judea. While news broadcasts display the political struggles and troubles of this postcolonial country, moments of magical realism point to supernatural battles between Satan and Jesus as well. Jesus' Judean struggle with Satan begins with a haunting reprise of Matthew's 'slaughter of the innocents' and moves forward in a Steve Biko-like non-violent, community-building ministry, captured in graffiti and in the video footage that Judas takes to incriminate Jesus. Satan and the powers seemingly triumph when Jesus 'disappears', but then Mary creates a community that challenges such injustice by displaying her son's dead body upon a hillside cross. The film ends with shots of Jesus among the angels and everyday life in Khayelitsha (the primary shooting location), auguring hope of a new humanity (Genesis 1.26).
This book's essays situate Son of Man in its African context, exploring the film's incorporation of local customs, music, rituals, and events as it constructs an imperial and postcolonial 'world'. The film is to be seen as an expression of postcolonial agency, as a call to constructive political action, as an interpretation of the Gospels, and as a reconfiguration of the Jesus film tradition. Finally, the essays call attention to their interested, ideological interpretations by using Son of Man to raise contemporary ethical, hermeneutical, and theological questions. As the film itself concisely asks on behalf of the children featured in it and their politically active mothers, 'Whose world is this'?
Son of Man: An African Jesus Film
£50.00
The remarkable, award-winning film, Son of Man (2005), directed by the South African Mark Dornford-May, sets the Jesus story in a contemporary, fictional southern African Judea. While news broadcasts display the political struggles and troubles of this postcolonial country, moments of magical realism point to supernatural battles between Satan and Jesus as well. Jesus' Judean struggle with Satan begins with a haunting reprise of Matthew's 'slaughter of the innocents' and moves forward in a Steve Biko-like non-violent, community-building ministry, captured in graffiti and in the video footage that Judas takes to incriminate Jesus. Satan and the powers seemingly triumph when Jesus 'disappears', but then Mary creates a community that challenges such injustice by displaying her son's dead body upon a hillside cross. The film ends with shots of Jesus among the angels and everyday life in Khayelitsha (the primary shooting location), auguring hope of a new humanity (Genesis 1.26).
This book's essays situate Son of Man in its African context, exploring the film's incorporation of local customs, music, rituals, and events as it constructs an imperial and postcolonial 'world'. The film is to be seen as an expression of postcolonial agency, as a call to constructive political action, as an interpretation of the Gospels, and as a reconfiguration of the Jesus film tradition. Finally, the essays call attention to their interested, ideological interpretations by using Son of Man to raise contemporary ethical, hermeneutical, and theological questions. As the film itself concisely asks on behalf of the children featured in it and their politically active mothers, 'Whose world is this'?
Small Screen Revelations: Apocalypse in Contemporary Television
Published: Mar 2013
£50.00
Representations of apocalyptic themes and motifs in popular culture has a long history, and a number of books and edited collections have examined their influence on popular film and music. Small Screen Revelations shifts the attention to popular television, examining the ways in which contemporary television drama and news draw on both the language and imagery of apocalyptic texts.
Essays in the collection examine topics such as the representation of apocalyptic prophecies and prophets in television news and documentaries; how news of natural disasters draws on apocalyptic language to frame the events, and how drama series use, develop and sometimes seek to subvert apocalyptic motifs. Thus, Small Screen Revelations offers a repositioning of the importance of television in representing the apocalypse, while providing a pertinent addition to the examination of how and for what purpose the apocalypse is used in popular culture.
Small Screen Revelations: Apocalypse in Contemporary Television
£50.00
Representations of apocalyptic themes and motifs in popular culture has a long history, and a number of books and edited collections have examined their influence on popular film and music. Small Screen Revelations shifts the attention to popular television, examining the ways in which contemporary television drama and news draw on both the language and imagery of apocalyptic texts.
Essays in the collection examine topics such as the representation of apocalyptic prophecies and prophets in television news and documentaries; how news of natural disasters draws on apocalyptic language to frame the events, and how drama series use, develop and sometimes seek to subvert apocalyptic motifs. Thus, Small Screen Revelations offers a repositioning of the importance of television in representing the apocalypse, while providing a pertinent addition to the examination of how and for what purpose the apocalypse is used in popular culture.
Poetry and Theology in the Book of Lamentations: The Aesthetics of an Open Text
Published: Mar 2013
£60.00
The book of Lamentations is a challenge to its readers. Its ambiguous theology, strident protestations against its deity, and haunting imagery confound interpreters. This monograph engages the enigma of Lamentations by assessing its theology. It does so, however, neither by tracing a single theological perspective through the book nor by reconstructing the history of the composition of the book. Rather, Heath Thomas assesses the poetry of Lamentations by offering a close analysis of each poem in the book. He reconsiders the acrostic as the foundational structure for the poetry, reads the book as an intentionally composed whole, and assesses the pervasive use of repetition, metaphor, and allusion.
For the first time in the field, the analysis here is grounded on the insights of the Italian semiotician Umberto Eco. Drawing upon Eco's distinction between 'open' and 'closed' textualities, Thomas argues that Lamentations represents a distinctively 'open' text, one that presents its reader with a myriad of surprising avenues to interpret the poetry. This distinctive approach avoids a polarization in the portrait of God in Lamentations, arguing that its poetry neither justifies God outright nor does it exonerate God's people in the exilic age. Rather, it enables these theological visions to interrelate with each another, inviting the reader to make sense of the interaction.
The ambiguous theological vision of Lamentations, then, is not a problem that the reader is intended to overcome but an integral feature in the construction of meaning. This original monograph offers a new perspective on how the poetry informs our appreciation of theological thought in the exilic age.
Poetry and Theology in the Book of Lamentations: The Aesthetics of an Open Text
£60.00
The book of Lamentations is a challenge to its readers. Its ambiguous theology, strident protestations against its deity, and haunting imagery confound interpreters. This monograph engages the enigma of Lamentations by assessing its theology. It does so, however, neither by tracing a single theological perspective through the book nor by reconstructing the history of the composition of the book. Rather, Heath Thomas assesses the poetry of Lamentations by offering a close analysis of each poem in the book. He reconsiders the acrostic as the foundational structure for the poetry, reads the book as an intentionally composed whole, and assesses the pervasive use of repetition, metaphor, and allusion.
For the first time in the field, the analysis here is grounded on the insights of the Italian semiotician Umberto Eco. Drawing upon Eco's distinction between 'open' and 'closed' textualities, Thomas argues that Lamentations represents a distinctively 'open' text, one that presents its reader with a myriad of surprising avenues to interpret the poetry. This distinctive approach avoids a polarization in the portrait of God in Lamentations, arguing that its poetry neither justifies God outright nor does it exonerate God's people in the exilic age. Rather, it enables these theological visions to interrelate with each another, inviting the reader to make sense of the interaction.
The ambiguous theological vision of Lamentations, then, is not a problem that the reader is intended to overcome but an integral feature in the construction of meaning. This original monograph offers a new perspective on how the poetry informs our appreciation of theological thought in the exilic age.
Journal of Greco-Roman Christianity and Judaism 8 (2011-2012)
Published: Feb 2013
£80.00
This is the eighth volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009, Volume 7 was for 2010 and Volume 8 is for 2011-2012. As they appear, the hardcopy editions will replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Graeco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Journal of Greco-Roman Christianity and Judaism 8 (2011-2012)
£80.00
This is the eighth volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009, Volume 7 was for 2010 and Volume 8 is for 2011-2012. As they appear, the hardcopy editions will replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Graeco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Psalms 1-2: Gateway to the Psalter
Published: Jan 2013
£50.00
As against the form-critical approach, which sees the first two psalms as more or less random examples of the torah and royal types, this study argues for a deliberate and cogent arrangement of Psalms 1 and 2.
A detailed linguistic analysis of and comparison between these two apparently disparate psalms at the outset of the book reveals the purpose for their juxtaposition. The principal characters in the first psalm are further described in the second. The man of Psalm 1 is portrayed in eschatological terms as an impeccable royal, sacerdotal, and all-conquering military figure. He appears again in Psalm 2 but as a heavenly-enthroned victorious priest and king. His opponents, the wicked in Psalm 1, are identified in Psalm 2 as recalcitrant rulers and peoples who reject his rule and seek to do away with him.
However, the calculated divine response to their plotting assures their ultimate defeat unless they submit to him. This cohesive and coherent introductory pair of psalms sets a pattern at the beginning for reading all those that follow. Indeed, a thorough understanding of the first two psalms and their integrated message is a prerequisite for understanding the purpose of the entire book.
Psalms 1-2: Gateway to the Psalter
£50.00
As against the form-critical approach, which sees the first two psalms as more or less random examples of the torah and royal types, this study argues for a deliberate and cogent arrangement of Psalms 1 and 2.
A detailed linguistic analysis of and comparison between these two apparently disparate psalms at the outset of the book reveals the purpose for their juxtaposition. The principal characters in the first psalm are further described in the second. The man of Psalm 1 is portrayed in eschatological terms as an impeccable royal, sacerdotal, and all-conquering military figure. He appears again in Psalm 2 but as a heavenly-enthroned victorious priest and king. His opponents, the wicked in Psalm 1, are identified in Psalm 2 as recalcitrant rulers and peoples who reject his rule and seek to do away with him.
However, the calculated divine response to their plotting assures their ultimate defeat unless they submit to him. This cohesive and coherent introductory pair of psalms sets a pattern at the beginning for reading all those that follow. Indeed, a thorough understanding of the first two psalms and their integrated message is a prerequisite for understanding the purpose of the entire book.
The Dictionary of Classical Hebrew, Volume VIII Sin-Taw
Published: Dec 2012
£150.00
The Dictionary of Classical Hebrew is a completely new and innovative dictionary.
Unlike previous dictionaries, which have been dictionaries of biblical Hebrew, this is the first dictionary of the classical Hebrew language to include the Bible, Dead Sea Scrolls, and all the other known Hebrew inscriptions and manuscripts.
This Dictionary covers the period from the earliest times to 200 CE. It lists and analyses every occurrences of each Hebrew word that occurs in texts of that period, with an English translation of every Hebrew word and phrase cited.
Among its special features are: a list of the non-biblical texts cited (especially the Dead Sea Scrolls), a word frequency index for each letter of the alphabet, a substantial bibliography (from Volume 2 onward) and an English–Hebrew index in each volume.
The Dictionary of Classical Hebrew, Volume VIII Sin-Taw
£150.00
The Dictionary of Classical Hebrew is a completely new and innovative dictionary.
Unlike previous dictionaries, which have been dictionaries of biblical Hebrew, this is the first dictionary of the classical Hebrew language to include the Bible, Dead Sea Scrolls, and all the other known Hebrew inscriptions and manuscripts.
This Dictionary covers the period from the earliest times to 200 CE. It lists and analyses every occurrences of each Hebrew word that occurs in texts of that period, with an English translation of every Hebrew word and phrase cited.
Among its special features are: a list of the non-biblical texts cited (especially the Dead Sea Scrolls), a word frequency index for each letter of the alphabet, a substantial bibliography (from Volume 2 onward) and an English–Hebrew index in each volume.
Admen and Eve: The Bible in Contemporary Advertising
Published: Nov 2012
£50.00
This remarkable new book, the first of its kind, is an analysis of a phenomenon that biblical scholars have scarcely taken notice of, much less studied critically —the use of the Bible in advertising. Focussing on the figure of Eve, Admen and Eve shows how she has become the ultimate postfeminist icon of female sexual and consumer power, promoting self-regarding individual choice over collective political action for today's 'I'm not a feminist but ...' generation.
Contemporary advertising, Edwards shows, deploys a collage of images simultaneously reflecting and dictating the ideals and ideologies that inform much of Western culture. Exploiting the cultural mythology that surrounds Eve, advertisers constantly recycle images of this biblical figure because she is easily recognizable by the target consumer. In so doing, they are shaping how women and men see each other and themselves and how they treat each other and themselves, persuading them to become their culturally dictated dream through the products they consume.
Eve in advertising is then a revealing example of how the Bible functions today. But Admen and Eve is not a value-free and apolitical analysis; it is an incitement to the exposure and subversion of today's dominant cultural attitudes to gender roles.
Admen and Eve: The Bible in Contemporary Advertising
£50.00
This remarkable new book, the first of its kind, is an analysis of a phenomenon that biblical scholars have scarcely taken notice of, much less studied critically —the use of the Bible in advertising. Focussing on the figure of Eve, Admen and Eve shows how she has become the ultimate postfeminist icon of female sexual and consumer power, promoting self-regarding individual choice over collective political action for today's 'I'm not a feminist but ...' generation.
Contemporary advertising, Edwards shows, deploys a collage of images simultaneously reflecting and dictating the ideals and ideologies that inform much of Western culture. Exploiting the cultural mythology that surrounds Eve, advertisers constantly recycle images of this biblical figure because she is easily recognizable by the target consumer. In so doing, they are shaping how women and men see each other and themselves and how they treat each other and themselves, persuading them to become their culturally dictated dream through the products they consume.
Eve in advertising is then a revealing example of how the Bible functions today. But Admen and Eve is not a value-free and apolitical analysis; it is an incitement to the exposure and subversion of today's dominant cultural attitudes to gender roles.
Plotted, Shot, and Painted: Cultural Representations of Biblical Women, Second Revised Edition
Published: Oct 2012
£25.00
Plotted, Shot, and Painted stakes out new territory for feminist biblical criticism. It considers what happens to biblical women in popular culture, in art and in film, and it foregrounds questions about how gender interests affect interpretation and about the roles and responsibilities of commentators and readers. This second revised edition contains an additional chapter, 'Lot and his Daughters', and an expanded chapter on Delilah.
Plotted, Shot, and Painted: Cultural Representations of Biblical Women, Second Revised Edition
£25.00
Plotted, Shot, and Painted stakes out new territory for feminist biblical criticism. It considers what happens to biblical women in popular culture, in art and in film, and it foregrounds questions about how gender interests affect interpretation and about the roles and responsibilities of commentators and readers. This second revised edition contains an additional chapter, 'Lot and his Daughters', and an expanded chapter on Delilah.
The Death of Judas: The Characterization of Judas Iscariot in Three Early Christian Accounts of His Death
Published: Oct 2012
£60.00
Images of Judas across the centuries of Christian interpretation predominantly depict him as an object of horror and condemnation. Some modern interpreters have argued, however, that details about Judas in the canonical Gospels, such as his remorse and suicide, are tragic elements that vindicate Judas, to some extent at least. In addition, the recent discovery of the Gospel of Judas has provided further evidence that even in antiquity there were widely differing views of Judas. The question of the characterization of Judas in early Christianity remains open.
Ancient rhetorical handbooks and countless examples from the literature of the Greco-Roman period reveal that death-accounts were regarded as fertile opportunities for shaping the characterization of a figure. Authors and audiences shared the expectation that the manner of a person's death revealed character. This insight provides a new window into the interpretation of Judas in the early Christian era, since three accounts of the death of Judas have survived from before 150 CE through the Gospel of Matthew, the Acts of the Apostles, and the fragments of Papias.
Strategies for encomium and invective, and other elements of Greco-Roman and Jewish literary portraiture, vividly reveal the character-shaping significance of the details in the accounts of Judas's death. His final words, final actions, and the mode of his death —whether suicide by hanging, falling headlong and bursting, or swelling to the size of a wagon —all would have been understood to signify Judas's inner qualities and indicate his moral worth. To ancient auditors, the characterization of Judas in these texts could lead only to the assessment of Jesus, 'Woe to that one by whom the Son of Man is betrayed! It would have been better for that one not to have been born' (Matt. 26.24).
The Death of Judas: The Characterization of Judas Iscariot in Three Early Christian Accounts of His Death
£60.00
Images of Judas across the centuries of Christian interpretation predominantly depict him as an object of horror and condemnation. Some modern interpreters have argued, however, that details about Judas in the canonical Gospels, such as his remorse and suicide, are tragic elements that vindicate Judas, to some extent at least. In addition, the recent discovery of the Gospel of Judas has provided further evidence that even in antiquity there were widely differing views of Judas. The question of the characterization of Judas in early Christianity remains open.
Ancient rhetorical handbooks and countless examples from the literature of the Greco-Roman period reveal that death-accounts were regarded as fertile opportunities for shaping the characterization of a figure. Authors and audiences shared the expectation that the manner of a person's death revealed character. This insight provides a new window into the interpretation of Judas in the early Christian era, since three accounts of the death of Judas have survived from before 150 CE through the Gospel of Matthew, the Acts of the Apostles, and the fragments of Papias.
Strategies for encomium and invective, and other elements of Greco-Roman and Jewish literary portraiture, vividly reveal the character-shaping significance of the details in the accounts of Judas's death. His final words, final actions, and the mode of his death —whether suicide by hanging, falling headlong and bursting, or swelling to the size of a wagon —all would have been understood to signify Judas's inner qualities and indicate his moral worth. To ancient auditors, the characterization of Judas in these texts could lead only to the assessment of Jesus, 'Woe to that one by whom the Son of Man is betrayed! It would have been better for that one not to have been born' (Matt. 26.24).
The Death and Resurrection of the Author and Other Feminist Essays on the Bible
Published: Oct 2012
£45.00
Jane Dewar Schaberg (1938 —2012) is widely recognized as one of the foremothers of feminist biblical studies in North America, best known for her ground-breaking and controversial works, The Illegitimacy of Jesus (1987) and The Resurrection of Mary Magdalene (2002). The present volume brings together fourteen of her essays on feminist approaches to scholarship and teaching, studies on women in the Christian Scriptures, feminist scholarship and modern media, and responses to backlash against feminism. Many of these essays appear here for the first time. Included also are several of Schaberg's important essays on Mary Magdalene as well as new essays in which she explores further her proposal for 'Magdalene Christianity'.
These studies will be of interest not only to scholars, but also those teaching courses on women and the Bible, women's studies, religion and media, and the history of early Christianity. A distinctive feature of this volume is the way in which it honors the feminist commitment to acknowledging the voice and presence of the author in the text. Each of the five sections is introduced by a brief autobiographical sketch that invites the reader to hear the essays in dialogue with the context of Schaberg's life. These sketches offer the reader a glimpse of the values, commitments, and struggles that are the substratum out of which the scholarly essays emerge. Also woven throughout the volume are several of Schaberg's poems, providing commentary on the essays and drawing them into conversation with Schaberg's life experiences.
Together, the essays, autobiographical sketches and poems speak to the importance of claiming one's own voice and identifying absent voices in the texts. They also speak to the importance of recognizing the context(s) in which one reads and writes, and the need to uncover the hard realities that silence many voices within those contexts. The volume is, in short, a stunning and remarkable representation of a life dedicated to feminist scholarship. For those who read it, it is also a call to action.
The Death and Resurrection of the Author and Other Feminist Essays on the Bible
£45.00
Jane Dewar Schaberg (1938 —2012) is widely recognized as one of the foremothers of feminist biblical studies in North America, best known for her ground-breaking and controversial works, The Illegitimacy of Jesus (1987) and The Resurrection of Mary Magdalene (2002). The present volume brings together fourteen of her essays on feminist approaches to scholarship and teaching, studies on women in the Christian Scriptures, feminist scholarship and modern media, and responses to backlash against feminism. Many of these essays appear here for the first time. Included also are several of Schaberg's important essays on Mary Magdalene as well as new essays in which she explores further her proposal for 'Magdalene Christianity'.
These studies will be of interest not only to scholars, but also those teaching courses on women and the Bible, women's studies, religion and media, and the history of early Christianity. A distinctive feature of this volume is the way in which it honors the feminist commitment to acknowledging the voice and presence of the author in the text. Each of the five sections is introduced by a brief autobiographical sketch that invites the reader to hear the essays in dialogue with the context of Schaberg's life. These sketches offer the reader a glimpse of the values, commitments, and struggles that are the substratum out of which the scholarly essays emerge. Also woven throughout the volume are several of Schaberg's poems, providing commentary on the essays and drawing them into conversation with Schaberg's life experiences.
Together, the essays, autobiographical sketches and poems speak to the importance of claiming one's own voice and identifying absent voices in the texts. They also speak to the importance of recognizing the context(s) in which one reads and writes, and the need to uncover the hard realities that silence many voices within those contexts. The volume is, in short, a stunning and remarkable representation of a life dedicated to feminist scholarship. For those who read it, it is also a call to action.
Beyond the End: The Future of Millennial Studies
Published: Oct 2012
£60.00
There are promising signs that millennial studies is now being recognized by the wider academic community as a profitable pursuit that merits serious scholarly attention. More than ever before, the horizons of academic engagement with millennial ideologies and their historical and cultural ramifications are being expanded over a multiplicity of disciplinary perspectives.
Historians, theologians, literary critics and social scientists have all been able to establish a compelling unanimity in attesting to the vital historical significance and critical contemporary relevance of millennial thought. Thanks to such interdisciplinary efforts, millennial hope is now identified as a vital aspect of the human condition and as a dynamic force that has motivated diverse world-historical individuals from Zoroaster and Francis of Assisi to Adolf Hitler and Mao Zedong.
Contributors to the volume are Jennie Chapman, Andrew Crome, Eugene V. Gallagher, Crawford Gribben, Robert Glenn Howard, Andrew Pierce, Joshua Searle, Timothy Stunt and Kenneth G.C. Newport. There is a substantial Preface by Richard Landes.
Beyond the End: The Future of Millennial Studies
£60.00
There are promising signs that millennial studies is now being recognized by the wider academic community as a profitable pursuit that merits serious scholarly attention. More than ever before, the horizons of academic engagement with millennial ideologies and their historical and cultural ramifications are being expanded over a multiplicity of disciplinary perspectives.
Historians, theologians, literary critics and social scientists have all been able to establish a compelling unanimity in attesting to the vital historical significance and critical contemporary relevance of millennial thought. Thanks to such interdisciplinary efforts, millennial hope is now identified as a vital aspect of the human condition and as a dynamic force that has motivated diverse world-historical individuals from Zoroaster and Francis of Assisi to Adolf Hitler and Mao Zedong.
Contributors to the volume are Jennie Chapman, Andrew Crome, Eugene V. Gallagher, Crawford Gribben, Robert Glenn Howard, Andrew Pierce, Joshua Searle, Timothy Stunt and Kenneth G.C. Newport. There is a substantial Preface by Richard Landes.
Teaching the Bible in the Liberal Arts Classroom
Published: Oct 2012
Price range: £22.50 through £50.00
Teaching biblical studies in the undergraduate liberal arts classroom poses many challenges. Do biblical studies deserve a place at a secular liberal arts college? In church-affiliated colleges, should courses in Bible toe the denominational line? Can we claim that biblical studies advance the goals of liberal education, whatever we might think they are?
On a more practical level, how can an instructor engage the attention of students who are taking a course in biblical studies only to fulfill a requirement? How best to begin with students from non-religious backgrounds who begin a course with no real knowledge of the Bible at all? How best to deal with students who already think they know what the Bible is all about, and resist any ideas or approaches that might threaten their ideas?
This collection of pedagogical essays reflects the practical experience of instructors who have spent years teaching biblical studies successfully to undergraduates at liberal arts colleges. The essays address both methodological approaches and specific classroom strategies for teaching biblical studies effectively in a way that advances the skills of thinking and expression that are essential to a liberal arts education. The product of several years of conversation among working professors from an array of liberal arts colleges, these essays offer insights and inspiration for biblical studies instructors who work in a very specific and demanding academic environment.
Teaching the Bible in the Liberal Arts Classroom
Price range: £22.50 through £50.00
Teaching biblical studies in the undergraduate liberal arts classroom poses many challenges. Do biblical studies deserve a place at a secular liberal arts college? In church-affiliated colleges, should courses in Bible toe the denominational line? Can we claim that biblical studies advance the goals of liberal education, whatever we might think they are?
On a more practical level, how can an instructor engage the attention of students who are taking a course in biblical studies only to fulfill a requirement? How best to begin with students from non-religious backgrounds who begin a course with no real knowledge of the Bible at all? How best to deal with students who already think they know what the Bible is all about, and resist any ideas or approaches that might threaten their ideas?
This collection of pedagogical essays reflects the practical experience of instructors who have spent years teaching biblical studies successfully to undergraduates at liberal arts colleges. The essays address both methodological approaches and specific classroom strategies for teaching biblical studies effectively in a way that advances the skills of thinking and expression that are essential to a liberal arts education. The product of several years of conversation among working professors from an array of liberal arts colleges, these essays offer insights and inspiration for biblical studies instructors who work in a very specific and demanding academic environment.
The Book of Isaiah: Its Composition and Final Form
Published: Oct 2012
£80.00
Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent.
This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features that have been repeatedly observed —the cross-connections, key word associations, resumption of themes, and especially the bracketing of the book by chaps. 1 and 66 —are traces of a deliberate interweaving of various small compositions as well as of larger literary redactions.
The paradigm most suited to the book of Isaiah in all its complexity is not that of one comprehensive overall structure or final redaction, but that of smaller compositions that build on one another, come into conversation with one another, and, each in its own way, bring into play specific contemporary problems. We should not force a common thematic denominator on the book, but it becomes clear that Jerusalem and Zion belong to the basic tenor of the book of Isaiah as it was developed and refashioned through the centuries.
The Book of Isaiah: Its Composition and Final Form is translated by Millard C. Lind from its German original, Das Buch Jesaja: Komposition und Endgestalt (Freiburg: Herder, 1998).
The Book of Isaiah: Its Composition and Final Form
£80.00
Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent.
This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features that have been repeatedly observed —the cross-connections, key word associations, resumption of themes, and especially the bracketing of the book by chaps. 1 and 66 —are traces of a deliberate interweaving of various small compositions as well as of larger literary redactions.
The paradigm most suited to the book of Isaiah in all its complexity is not that of one comprehensive overall structure or final redaction, but that of smaller compositions that build on one another, come into conversation with one another, and, each in its own way, bring into play specific contemporary problems. We should not force a common thematic denominator on the book, but it becomes clear that Jerusalem and Zion belong to the basic tenor of the book of Isaiah as it was developed and refashioned through the centuries.
The Book of Isaiah: Its Composition and Final Form is translated by Millard C. Lind from its German original, Das Buch Jesaja: Komposition und Endgestalt (Freiburg: Herder, 1998).
Biblical Reception 1
Published: Oct 2012
£80.00
This is the first volume of a new journal, Biblical Reception (BibRec), published in November 2012.
It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any ‘original’ meaning.
Our new journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Editorial Board Diane Apostolos-Cappadona (Washington, DC), Alan Cooper (New York), James Crossley (Sheffield), Andrew Davies (Birmingham), Tamara C. Eskenazi (Los Angeles), Philip Esler (Gloucester), Susanne Gillmayr-Bucher (Linz), John Harvey (Aberystwyth), Christine Joynes (Oxford), Carol Newsom (Atlanta), Martin O'Kane (Lampeter), Tina Pippin (Decatur, GA), John F.A. Sawyer (Durham), Reinhold Zwick (Münster).
Biblical Reception 1
£80.00
This is the first volume of a new journal, Biblical Reception (BibRec), published in November 2012.
It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any ‘original’ meaning.
Our new journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Editorial Board Diane Apostolos-Cappadona (Washington, DC), Alan Cooper (New York), James Crossley (Sheffield), Andrew Davies (Birmingham), Tamara C. Eskenazi (Los Angeles), Philip Esler (Gloucester), Susanne Gillmayr-Bucher (Linz), John Harvey (Aberystwyth), Christine Joynes (Oxford), Carol Newsom (Atlanta), Martin O'Kane (Lampeter), Tina Pippin (Decatur, GA), John F.A. Sawyer (Durham), Reinhold Zwick (Münster).
Making a Difference: Essays on the Bible and Judaism in Honor of Tamara Cohn Eskenazi
Published: Oct 2012
£75.00
Tamara Cohn Eskenazi has a special place in contemporary biblical scholarship. Among the first to bring a focus of scholarly attention to the period of ancient Israel's creativity after the Exile, she has also been a leader in foregrounding the Jewish tradition within the interpretative discourse of biblical scholars. And as a woman scholar, she has advanced the study of issues in the Hebrew Bible that impinge on the concerns of women ancient and modern.
Tamara Eskenazi was awarded the 2008 National Jewish Book Award for her volume The Torah: A Women's Commentary and the 2011 National Jewish Book Award in Women's Studies for her commentary on Ruth in the Jewish Publication Society Bible Commentary series.
The 26 articles offered to Tamara Eskenazi by her friends in this volume represent the range of her interests in all things biblical and Jewish. From the Book of Genesis to the New Testament to modern Hebrew fiction, from technical studies on the prophets or Qumran to penetrating insights on her beloved philosopher Levinas, this volume beautifully represents the range and depth of Jewish culture.
Making a Difference: Essays on the Bible and Judaism in Honor of Tamara Cohn Eskenazi
£75.00
Tamara Cohn Eskenazi has a special place in contemporary biblical scholarship. Among the first to bring a focus of scholarly attention to the period of ancient Israel's creativity after the Exile, she has also been a leader in foregrounding the Jewish tradition within the interpretative discourse of biblical scholars. And as a woman scholar, she has advanced the study of issues in the Hebrew Bible that impinge on the concerns of women ancient and modern.
Tamara Eskenazi was awarded the 2008 National Jewish Book Award for her volume The Torah: A Women's Commentary and the 2011 National Jewish Book Award in Women's Studies for her commentary on Ruth in the Jewish Publication Society Bible Commentary series.
The 26 articles offered to Tamara Eskenazi by her friends in this volume represent the range of her interests in all things biblical and Jewish. From the Book of Genesis to the New Testament to modern Hebrew fiction, from technical studies on the prophets or Qumran to penetrating insights on her beloved philosopher Levinas, this volume beautifully represents the range and depth of Jewish culture.
Biblical Reception 2
Published: Oct 2012
£80.00
This is the second volume of the new journal, Biblical Reception (BibRec), published in November 2013. For the first volume, click here.
Our policy for the journal is this. It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning.
Our journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Biblical Reception 2
£80.00
This is the second volume of the new journal, Biblical Reception (BibRec), published in November 2013. For the first volume, click here.
Our policy for the journal is this. It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning.
Our journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Beyond the Quest for the Historical Jesus: Memoir of a Discovery
Published: Sep 2012
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed.
The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8.
The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
Beyond the Quest for the Historical Jesus: Memoir of a Discovery
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed.
The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8.
The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.