From Words to Meaning: Studies on Old Testament Language and Theology for David J. Reimer
Published: Dec 2021
£60.00
David J. Reimer, to whom this volume is dedicated, has taught over twenty years at New College in Edinburgh. During this time, he has published and supervised many projects in the areas of Hebrew language study and Old Testament theology. These two disciplines often stay each in their own territory. As a token of recognition to David's scholarship, From Words to Meaning is designed to bridge this gap and to demonstrate afresh how speaking theologically about the Old Testament is enriched when it focuses on how these ancient texts communicate their message.
With its analysis of selected literary aspects, words, and theological questions, the volume contributes to current methodological discussions in both disciplines. Each of its twelve essays provides a case study that models the crossover between theology and language study. Alongside up-to-date discussions about Bible translation and biblical theology, the volume sheds new light on old questions, such as resurrection and Christology in the Old Testament. Inasmuch as all of these items are established topics in Old Testament theology, From Words to Meaning highlights time and again how close attention to Hebrew language results in a more nuanced understanding. This holds true especially for the many exercises of lexical semantics and pragmatics that are included in the volume. Readers will benefit from the careful study of the words 'to save' and 'glory', but will also gain fresh insights into the rhetoric of David's tears, Hosea's culinary metaphors, and Jeremiah's speech quotation.
The combination of well-established writers and emerging new voices results in a rounded sample of how we may move 'from words to meaning'. With its expertise and methodological orientation, the volume is an excellent resource for all scholars who are interested in the interplay of theology and language in the field of Old Testament studies.
From Words to Meaning: Studies on Old Testament Language and Theology for David J. Reimer
£60.00
David J. Reimer, to whom this volume is dedicated, has taught over twenty years at New College in Edinburgh. During this time, he has published and supervised many projects in the areas of Hebrew language study and Old Testament theology. These two disciplines often stay each in their own territory. As a token of recognition to David's scholarship, From Words to Meaning is designed to bridge this gap and to demonstrate afresh how speaking theologically about the Old Testament is enriched when it focuses on how these ancient texts communicate their message.
With its analysis of selected literary aspects, words, and theological questions, the volume contributes to current methodological discussions in both disciplines. Each of its twelve essays provides a case study that models the crossover between theology and language study. Alongside up-to-date discussions about Bible translation and biblical theology, the volume sheds new light on old questions, such as resurrection and Christology in the Old Testament. Inasmuch as all of these items are established topics in Old Testament theology, From Words to Meaning highlights time and again how close attention to Hebrew language results in a more nuanced understanding. This holds true especially for the many exercises of lexical semantics and pragmatics that are included in the volume. Readers will benefit from the careful study of the words 'to save' and 'glory', but will also gain fresh insights into the rhetoric of David's tears, Hosea's culinary metaphors, and Jeremiah's speech quotation.
The combination of well-established writers and emerging new voices results in a rounded sample of how we may move 'from words to meaning'. With its expertise and methodological orientation, the volume is an excellent resource for all scholars who are interested in the interplay of theology and language in the field of Old Testament studies.
Women and Gender in the Bible: Texts, Intersections, Intertexts
Published: Dec 2021
£60.00
This volume has its origins in a conference entitled 'Women and Gender in the Bible and the Ancient World' (University of Glasgow, 2019), a symposium with a deliberately broad scope to encourage fresh research that might transcend already-defined categories. With responses from both emerging and established academics, as well as professionals outside the academy, this collection offers a breadth of explorations of the gendered landscapes and horizons that construct, and subvert, biblical womanhood, and its reception. Familiar figures such as Mary Magdalene, Eve, and Tamar are treated alongside unnamed women whose anonymity is revealing.
Exploring a range of performances from ritual to resistance, and from storytelling to sex work, the contributors aim to capture connections between biblical figures and their socio-political worlds, their afterlives and reworkings, and their continued resonances for today's readers and scholars of the Bible. Questions are raised about gendered status, transformation, territorialization and oppression of biblical women: the significance and complexity of their relationships within and outwith the texts that both constitute their confinements and provoke new lineages.
Women and Gender in the Bible offers challenging perspectives on our understanding of how we can establish creative transactions between ancient patriarchal cultures and modern post-industrial cultures via counter-readings, misreadings and outraged readings. Casting off the intolerable weight of hundreds of years of androcentric reception is both a starting point and an ultimate goal.
Women and Gender in the Bible: Texts, Intersections, Intertexts
£60.00
This volume has its origins in a conference entitled 'Women and Gender in the Bible and the Ancient World' (University of Glasgow, 2019), a symposium with a deliberately broad scope to encourage fresh research that might transcend already-defined categories. With responses from both emerging and established academics, as well as professionals outside the academy, this collection offers a breadth of explorations of the gendered landscapes and horizons that construct, and subvert, biblical womanhood, and its reception. Familiar figures such as Mary Magdalene, Eve, and Tamar are treated alongside unnamed women whose anonymity is revealing.
Exploring a range of performances from ritual to resistance, and from storytelling to sex work, the contributors aim to capture connections between biblical figures and their socio-political worlds, their afterlives and reworkings, and their continued resonances for today's readers and scholars of the Bible. Questions are raised about gendered status, transformation, territorialization and oppression of biblical women: the significance and complexity of their relationships within and outwith the texts that both constitute their confinements and provoke new lineages.
Women and Gender in the Bible offers challenging perspectives on our understanding of how we can establish creative transactions between ancient patriarchal cultures and modern post-industrial cultures via counter-readings, misreadings and outraged readings. Casting off the intolerable weight of hundreds of years of androcentric reception is both a starting point and an ultimate goal.
Epigraphy, Iconography, and the Bible
Published: Dec 2021
£85.00
The study of the Bible has long been illuminated by 'light from the East' (in the famous phrase of Adolf Deissmann in 1908). Almost daily, new artifacts and inscriptions are announced that will have an impact on how the Bible is read and understood.
Following Meir Lubetski's SPP collection New Seals and Inscriptions, Hebrew, Idumean and Cuneiform in 2007 and his Festschrift, Visions of Life in Biblical Times in 2015, the present volume garners papers from a wide and distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.
Among the papers, Alan Millard reviews the issue of the use of the early alphabets, André Lemaire revisits the Mesha stele (the Moabite Stone), and Pieter Gert van der Veen takes a fresh look at the seal of Shema with its famous lion (still adorning the cover of the Journal for the Study of the Old Testament). Bezalel Porten contributes a fascinating study, illustrated by twenty colour diagrams, of documents on papyrus or ostraca requesting provisions from storerooms—an insight into the practicalities of daily administrative life in Egypt, Idumea and Israel.
There are papers also on the arks of the Hebrew Bible (Yigal Levin), on alleged identifications of Hebrew kings in inscriptions (Lawrence Mykytiuk), on literary images in the Tell Fekheriye inscription and the book of Lamentations (Gideon Kotzé) and on Judaean pillar figurines of women that are ubiquitous in archaeological excavations from Iron Age Judah.
Epigraphy, Iconography, and the Bible, in sum, is something of a cornucopia of new and revised data about the Hebrew Bible in its ancient context, intelligible to scholars, students and a more general public alike.
Epigraphy, Iconography, and the Bible
£85.00
The study of the Bible has long been illuminated by 'light from the East' (in the famous phrase of Adolf Deissmann in 1908). Almost daily, new artifacts and inscriptions are announced that will have an impact on how the Bible is read and understood.
Following Meir Lubetski's SPP collection New Seals and Inscriptions, Hebrew, Idumean and Cuneiform in 2007 and his Festschrift, Visions of Life in Biblical Times in 2015, the present volume garners papers from a wide and distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.
Among the papers, Alan Millard reviews the issue of the use of the early alphabets, André Lemaire revisits the Mesha stele (the Moabite Stone), and Pieter Gert van der Veen takes a fresh look at the seal of Shema with its famous lion (still adorning the cover of the Journal for the Study of the Old Testament). Bezalel Porten contributes a fascinating study, illustrated by twenty colour diagrams, of documents on papyrus or ostraca requesting provisions from storerooms—an insight into the practicalities of daily administrative life in Egypt, Idumea and Israel.
There are papers also on the arks of the Hebrew Bible (Yigal Levin), on alleged identifications of Hebrew kings in inscriptions (Lawrence Mykytiuk), on literary images in the Tell Fekheriye inscription and the book of Lamentations (Gideon Kotzé) and on Judaean pillar figurines of women that are ubiquitous in archaeological excavations from Iron Age Judah.
Epigraphy, Iconography, and the Bible, in sum, is something of a cornucopia of new and revised data about the Hebrew Bible in its ancient context, intelligible to scholars, students and a more general public alike.
Vision and Voice: Revelatory Experience in the Formation of Christian Identity
Published: Oct 2021
£60.00
Vision and Voice explores the impact of revelatory events (such as visions and voices) upon early Christian self-identity. In the Gospels, revelatory events, like the transfiguration, the voice from heaven in John 12, and Jesus' baptism, burst into the narrative almost gratuitously, without leaving a tangible, lasting impression on those who witness them. Yet from these revelatory experiences there emerged a story of how early Christians came to think of themselves as a community of Jesus followers. The revelatory events of the Gospels became an invitation to their readers to enter into the experience of Jesus' disciples, to see what they saw, to hear what they heard, reliving the visions and voices remembered by these first witnesses.
Vision and Voice: Revelatory Experience in the Formation of Christian Identity
£60.00
Vision and Voice explores the impact of revelatory events (such as visions and voices) upon early Christian self-identity. In the Gospels, revelatory events, like the transfiguration, the voice from heaven in John 12, and Jesus' baptism, burst into the narrative almost gratuitously, without leaving a tangible, lasting impression on those who witness them. Yet from these revelatory experiences there emerged a story of how early Christians came to think of themselves as a community of Jesus followers. The revelatory events of the Gospels became an invitation to their readers to enter into the experience of Jesus' disciples, to see what they saw, to hear what they heard, reliving the visions and voices remembered by these first witnesses.
A Theology of Genocide? : Reading Deuteronomy 20
Published: Oct 2021
£70.00
The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)?
In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically, as a metaphor for the interior struggle against sin.
That may seem to be too easy a solution. Yet, looking at modern historical and literary analyses of the text, Milner shows that the original audiences of this passage would also have taken it symbolically, since they lived many generations after the 'narrated time' of the Conquest when no Canaanites populations remained to be exterminated. Further, the narrative itself demonstrates that the 'military option' was a complete failure, and does not commend it to the audience of the text.
Milner argues that God no more commanded genocide than he wandered about in the evening breeze in Eden (Gen 3:8) or encouraged Satan to persecute and tempt Job (Job 1-2). This is by no means a new insight, he says, tracing it back to early Christian theologians, particularly Origen and Gregory of Nyssa, who argued that passages not 'worthy of God' should not be interpreted literally.
A Theology of Genocide? : Reading Deuteronomy 20
£70.00
The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)?
In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically, as a metaphor for the interior struggle against sin.
That may seem to be too easy a solution. Yet, looking at modern historical and literary analyses of the text, Milner shows that the original audiences of this passage would also have taken it symbolically, since they lived many generations after the 'narrated time' of the Conquest when no Canaanites populations remained to be exterminated. Further, the narrative itself demonstrates that the 'military option' was a complete failure, and does not commend it to the audience of the text.
Milner argues that God no more commanded genocide than he wandered about in the evening breeze in Eden (Gen 3:8) or encouraged Satan to persecute and tempt Job (Job 1-2). This is by no means a new insight, he says, tracing it back to early Christian theologians, particularly Origen and Gregory of Nyssa, who argued that passages not 'worthy of God' should not be interpreted literally.
Herald of Good Tidings: Essays on the Bible, Prophecy, and the Hope of Israel in Honour of Antti Laato
Published: Sep 2021
£90.00
This volume is dedicated to the prominent biblical scholar, Antti Laato, of Åbo Akademi University, Finland, on the occasion of his sixtieth birthday. In his extensive and many-faceted scholarly work spanning more than 35 years, there have been some focal points. One has been the Book of Isaiah, and, more broadly, the prophetic books and the messianic hopes they contain. From the 2010s onwards, another aspect has gained more visibility in Antti Laato's work: the reception history of the Bible —the Hebrew Bible in particular —in both Judaism and Christianity. Herald of Good Tidings is a collection of papers, by nineteen scholars mainly from the Nordic countries, on the heralds of redemption and hope, the prophets —their voice, words and deeds, and on the status and role of these prophets.
The first part of the volume concerns the world of the Hebrew Bible: biblical prophetism, the prophets themselves and their books.
The second part is devoted to the continuing message of the prophets in its post-biblical Jewish and Christian reception. A key aspect is their message of a bright future, whether about hope in general or about the Messiah. Their words are constantly being interpreted, sometimes personalities of the post-biblical era also being seen as prophetic figures.
The brief third part of the book illustrates the ongoing influence of the prophets in times yet more distant than the post-biblical age from the prophets of the Hebrew Bible.
Herald of Good Tidings: Essays on the Bible, Prophecy, and the Hope of Israel in Honour of Antti Laato
£90.00
This volume is dedicated to the prominent biblical scholar, Antti Laato, of Åbo Akademi University, Finland, on the occasion of his sixtieth birthday. In his extensive and many-faceted scholarly work spanning more than 35 years, there have been some focal points. One has been the Book of Isaiah, and, more broadly, the prophetic books and the messianic hopes they contain. From the 2010s onwards, another aspect has gained more visibility in Antti Laato's work: the reception history of the Bible —the Hebrew Bible in particular —in both Judaism and Christianity. Herald of Good Tidings is a collection of papers, by nineteen scholars mainly from the Nordic countries, on the heralds of redemption and hope, the prophets —their voice, words and deeds, and on the status and role of these prophets.
The first part of the volume concerns the world of the Hebrew Bible: biblical prophetism, the prophets themselves and their books.
The second part is devoted to the continuing message of the prophets in its post-biblical Jewish and Christian reception. A key aspect is their message of a bright future, whether about hope in general or about the Messiah. Their words are constantly being interpreted, sometimes personalities of the post-biblical era also being seen as prophetic figures.
The brief third part of the book illustrates the ongoing influence of the prophets in times yet more distant than the post-biblical age from the prophets of the Hebrew Bible.
Explanations for Exile in Amos
Published: July 2021
£60.00
In four places, Amos announces Israel's coming exile to Assyria: 4.1-3, 5.25-27, 6.1-14 and 7.7-17. It will be Yahweh's punishment for social injustice. But who is to blame?
Most scholars think it is the women (and men) of the mid-eighth-century BCE Israelite upper class. Not so, says Campos. It is the kings who are the culprits. Kings should champion social justice, as we know from ancient Near Eastern texts and biblical books like Jeremiah, and the endurance of the kingship depends on their upholding justice. Kings must also remain loyal Yahwists, and keep clear of alliances with foreign powers. The kingship has failed on these counts.
In this forensic overturning of time-honoured readings of Amos's oracles, and with a fresh eye for his metaphors, Martha Campos outs the successors of Jeroboam (7.9) as the cows of Bashan (4.1), manufacturers of images for non-Yahwistic worship, especially of Ninurta/Sakkuth (5.26), lounging on couches at their banquets (6.4). And Amos himself is a tin wall (7.8), strong enough to fend off the arrows of his opponents.
Explanations for Exile will be a breath of fresh air for scholars and students of the prophet Amos.
Explanations for Exile in Amos
£60.00
In four places, Amos announces Israel's coming exile to Assyria: 4.1-3, 5.25-27, 6.1-14 and 7.7-17. It will be Yahweh's punishment for social injustice. But who is to blame?
Most scholars think it is the women (and men) of the mid-eighth-century BCE Israelite upper class. Not so, says Campos. It is the kings who are the culprits. Kings should champion social justice, as we know from ancient Near Eastern texts and biblical books like Jeremiah, and the endurance of the kingship depends on their upholding justice. Kings must also remain loyal Yahwists, and keep clear of alliances with foreign powers. The kingship has failed on these counts.
In this forensic overturning of time-honoured readings of Amos's oracles, and with a fresh eye for his metaphors, Martha Campos outs the successors of Jeroboam (7.9) as the cows of Bashan (4.1), manufacturers of images for non-Yahwistic worship, especially of Ninurta/Sakkuth (5.26), lounging on couches at their banquets (6.4). And Amos himself is a tin wall (7.8), strong enough to fend off the arrows of his opponents.
Explanations for Exile will be a breath of fresh air for scholars and students of the prophet Amos.
Sequencing the Hebrew Bible: The Order of the Books
Published: July 2021
£55.00
If the order of the Hebrew Bible's books is significant, as many believe, why did differing arrangements of the Hebrew Bible emerge over time? This is a crucial question for Bible readers generally and especially for scholars of compilational criticism —the study of how the books of the Hebrew Bible were arranged in their various orders. Yet few compilational critics offer a solution to this problem and several fail even to recognize the issue. Sequencing the Hebrew Bible makes the novel proposal that multiple orders are part of the compositional intent of the framers of the Hebrew Bible. That is, those responsible for producing the final form of the Hebrew Bible's text created multiple ways in which its books could be meaningfully arranged. No single arrangement, as found in ancient manuscripts and lists of the books, can fully account for the compositional intent of these framers. The task of the compilational critic is to identify these arrangements, classify them, and evaluate the effect of these varying arrangements. This solution has implications both for the production of modern Bibles and for biblical theology. While some interested in compilational criticism argue that modern Bibles should be reorganized to reflect earlier arrangements of the biblical books, this study would suggest that such attempts would be limited in value. For only one of the several attested arrangements could be presented in any printed Bible. As for the idea of attempting to arrange the Bible chronologically, this study argues that to do so would inhibit the reader's understanding of the design of the biblical authors. Since biblical theology bridges the gap between historical-critical and theological studies, internal tensions between historical and theological analyses are often apparent within biblical theology. Compilational criticism helps to relieve these tensions by showing how theology underlies the formation of the Hebrew Bible.
Sequencing the Hebrew Bible: The Order of the Books
£55.00
If the order of the Hebrew Bible's books is significant, as many believe, why did differing arrangements of the Hebrew Bible emerge over time? This is a crucial question for Bible readers generally and especially for scholars of compilational criticism —the study of how the books of the Hebrew Bible were arranged in their various orders. Yet few compilational critics offer a solution to this problem and several fail even to recognize the issue. Sequencing the Hebrew Bible makes the novel proposal that multiple orders are part of the compositional intent of the framers of the Hebrew Bible. That is, those responsible for producing the final form of the Hebrew Bible's text created multiple ways in which its books could be meaningfully arranged. No single arrangement, as found in ancient manuscripts and lists of the books, can fully account for the compositional intent of these framers. The task of the compilational critic is to identify these arrangements, classify them, and evaluate the effect of these varying arrangements. This solution has implications both for the production of modern Bibles and for biblical theology. While some interested in compilational criticism argue that modern Bibles should be reorganized to reflect earlier arrangements of the biblical books, this study would suggest that such attempts would be limited in value. For only one of the several attested arrangements could be presented in any printed Bible. As for the idea of attempting to arrange the Bible chronologically, this study argues that to do so would inhibit the reader's understanding of the design of the biblical authors. Since biblical theology bridges the gap between historical-critical and theological studies, internal tensions between historical and theological analyses are often apparent within biblical theology. Compilational criticism helps to relieve these tensions by showing how theology underlies the formation of the Hebrew Bible.
Jesus the Dayspring: The Sunrise and the Visitation of Israel’s Messiah
Published: May 2021
£65.00
Messianic expectations in the first century ce were varied, but rarely did they include a figure associated with the sunrise or the direction of the east. However, in Luke's gospel the prophetic song (the 'Benedictus') of the priest Zechariah, father of John the Baptist, includes a title for Jesus that means the 'dayspring', 'dawn', or 'rising sun'. Where did this title arise?
In Jesus the Dayspring, Wenkel suggests that the connection between Jesus and the sunrise may have come from any number of texts and traditions contributing to the expectation of God's divine presence visiting his people from the sunrise. The idea of the Lord who comes from the east also plays an important role in Luke's narrative of Jesus arriving in Jerusalem from the eastern side of the city as he enters from the Mount of Olives. Such details are often underappreciated but contribute to our understanding of Jesus as a messianic figure who would come like the sunrise.
Wenkel's search for other potential influences leading to this type of messianic language takes him into Genesis, Exodus, Isaiah, Hosea and Malachi. By casting his net to include allusions to looking eastward for redemptive hope, Wenkel suggests how Luke's portrait of Jesus as the 'dayspring' or 'sunrise' fits into a larger pattern of resonance across Israel's scriptures.
Jesus the Dayspring: The Sunrise and the Visitation of Israel’s Messiah
£65.00
Messianic expectations in the first century ce were varied, but rarely did they include a figure associated with the sunrise or the direction of the east. However, in Luke's gospel the prophetic song (the 'Benedictus') of the priest Zechariah, father of John the Baptist, includes a title for Jesus that means the 'dayspring', 'dawn', or 'rising sun'. Where did this title arise?
In Jesus the Dayspring, Wenkel suggests that the connection between Jesus and the sunrise may have come from any number of texts and traditions contributing to the expectation of God's divine presence visiting his people from the sunrise. The idea of the Lord who comes from the east also plays an important role in Luke's narrative of Jesus arriving in Jerusalem from the eastern side of the city as he enters from the Mount of Olives. Such details are often underappreciated but contribute to our understanding of Jesus as a messianic figure who would come like the sunrise.
Wenkel's search for other potential influences leading to this type of messianic language takes him into Genesis, Exodus, Isaiah, Hosea and Malachi. By casting his net to include allusions to looking eastward for redemptive hope, Wenkel suggests how Luke's portrait of Jesus as the 'dayspring' or 'sunrise' fits into a larger pattern of resonance across Israel's scriptures.
The Great Drama of Jeremiah: A Performance Reading
Published: May 2021
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
The Great Drama of Jeremiah: A Performance Reading
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
Abishag: Administrator of King David’s Household
Published: May 2021
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
Abishag: Administrator of King David’s Household
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
Lukan Parables of Reckless Liberality
Published: Apr 2021
£60.00
From among the many parables in Luke, Amanda Brobst-Renaud chooses three, which she names 'parables of reckless liberality': the Prodigal Son, the Shrewd Steward, and the Rich Man and Lazarus. Picking up on the supposed slur that Jesus 'welcomes sinners and dines with them', Luke encourages his audience in these parables from chaps. 15 —16 in a practice of giving excessively to the wrong people at inappropriate times (flouting Aristotle's advice on liberality in the Nicomachean Ethics).
Each parable in this volume presents at least one of its characters in crisis; these situations demand a decisive response. We all know the crises faced by the younger son, the steward, and the rich man, but the crises confronting the elder son and the rich man's brothers are equally dire, starkly sketched by the open questions left hanging at the end of each parable. Will the elder son join the party, celebrating his once-dead younger brother? Will the steward secure an eternal welcome? Will the rich man's brothers heed Moses and the prophets, or will they meet the same fate as the rich man?
In each case, reckless liberality answers the characters' quandaries and demands of Luke's auditors that they choose between emulating or avoiding the behaviors of the characters. The elder son should join the party and imitate his father's reckless liberality: giving to someone undeserving, at an inappropriate time, and to an excessive amount. The steward's highly questionable profligacy plus his debt-reduction schemes nevertheless earn his master's praise and secure his welcome (Lk. 16.9). The rich man's brothers should listen to the call of the law and the prophets to care for the poor and disenfranchised, and show reckless liberality to any Lazarus on their thresholds. Showing reckless liberality gives entrance into the eschatological party (Lk. 16.16).
Lukan Parables of Reckless Liberality
£60.00
From among the many parables in Luke, Amanda Brobst-Renaud chooses three, which she names 'parables of reckless liberality': the Prodigal Son, the Shrewd Steward, and the Rich Man and Lazarus. Picking up on the supposed slur that Jesus 'welcomes sinners and dines with them', Luke encourages his audience in these parables from chaps. 15 —16 in a practice of giving excessively to the wrong people at inappropriate times (flouting Aristotle's advice on liberality in the Nicomachean Ethics).
Each parable in this volume presents at least one of its characters in crisis; these situations demand a decisive response. We all know the crises faced by the younger son, the steward, and the rich man, but the crises confronting the elder son and the rich man's brothers are equally dire, starkly sketched by the open questions left hanging at the end of each parable. Will the elder son join the party, celebrating his once-dead younger brother? Will the steward secure an eternal welcome? Will the rich man's brothers heed Moses and the prophets, or will they meet the same fate as the rich man?
In each case, reckless liberality answers the characters' quandaries and demands of Luke's auditors that they choose between emulating or avoiding the behaviors of the characters. The elder son should join the party and imitate his father's reckless liberality: giving to someone undeserving, at an inappropriate time, and to an excessive amount. The steward's highly questionable profligacy plus his debt-reduction schemes nevertheless earn his master's praise and secure his welcome (Lk. 16.9). The rich man's brothers should listen to the call of the law and the prophets to care for the poor and disenfranchised, and show reckless liberality to any Lazarus on their thresholds. Showing reckless liberality gives entrance into the eschatological party (Lk. 16.16).
The Ancient Near East in the Nineteenth Century: III. Fantasy and Alternative Histories
Published: Mar 2021
£22.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume III argues that fiction and fantasy play an important role in establishing expectations about the past. Changing sensitivities towards realism in art meant that imaginary visions were charged with an archaeological aesthetic. Orientalist painting offered seemingly realistic glimpses of ancient life. Stage plays and opera used the ancient Near East for performances that explored contemporary issues. Mummy stories evolved from humorous time-travel tales into horror fiction rooted in fears of materialism, and adventure novels ruminated on the obligations and dangers of empire.
Alongside these explicitly fictional modes of thinking about the past, the nineteenth century saw a rise in popularity of esoteric thinking. People offered alternative versions of ancient history, imagining that ancient religious practices continued into the present, through secret societies like the Freemasons and the Rosicrucians or in the new movements of Mormonism and Theosophy. Volume III ends by examining the interpretations of the Near East offered by Sigmund Freud and H.P. Lovecraft, showing how these two figures influenced later popular experiences of the ancient Near East.
The Ancient Near East in the Nineteenth Century: III. Fantasy and Alternative Histories
£22.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume III argues that fiction and fantasy play an important role in establishing expectations about the past. Changing sensitivities towards realism in art meant that imaginary visions were charged with an archaeological aesthetic. Orientalist painting offered seemingly realistic glimpses of ancient life. Stage plays and opera used the ancient Near East for performances that explored contemporary issues. Mummy stories evolved from humorous time-travel tales into horror fiction rooted in fears of materialism, and adventure novels ruminated on the obligations and dangers of empire.
Alongside these explicitly fictional modes of thinking about the past, the nineteenth century saw a rise in popularity of esoteric thinking. People offered alternative versions of ancient history, imagining that ancient religious practices continued into the present, through secret societies like the Freemasons and the Rosicrucians or in the new movements of Mormonism and Theosophy. Volume III ends by examining the interpretations of the Near East offered by Sigmund Freud and H.P. Lovecraft, showing how these two figures influenced later popular experiences of the ancient Near East.
The Ancient Near East in the Nineteenth Century: II. Collecting, Constructing, and Curating
Published: Mar 2021
£23.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume II examines the different ways that non-specialists encountered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people collected artifacts while traveling in the region or paid to see the collections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' artifacts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical characters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and employed Egyptian styles in their design, first in higher quality designer products and later in novelty items. Egyptian temples provided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagining Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consumers were taught not to be afraid of the transformations brought by the industrial age.
The Ancient Near East in the Nineteenth Century: II. Collecting, Constructing, and Curating
£23.00 – £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume II examines the different ways that non-specialists encountered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people collected artifacts while traveling in the region or paid to see the collections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' artifacts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical characters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and employed Egyptian styles in their design, first in higher quality designer products and later in novelty items. Egyptian temples provided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagining Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consumers were taught not to be afraid of the transformations brought by the industrial age.
The Bible and Money: Economy and Socioeconomic Ethics in the Bible
Published: Nov 2020
£70.00
What does the Bible say about money? This volume presents the researches of 18 international biblical scholars at Ansgarskolen«s Norwegian Summer Academy for Biblical Studies. Papers include:
The Prophets on Trade: Did They Consider it a Canaanite Affair?
Two Categories of Loans in the Old Testament á Give Willingly and Do Not Expect Anything? A Biblical View on Loans and Interest
Government and Economy in the Hebrew Bible: Taxes and Related Issues á State and Temple Economy in the Levant in the Persian and Hellenistic Periods
Economics and Poverty: Negotiating the Spectrum of Personal Wealth or Shared Resources
Proportionate and Sufficient Wealth: Financial Transparency in Paul's Collection for the Saints in Jerusalem á Engaging the New Testament and the Welfare State
Divine Plenty, Human Thriftiness: A Canonical Reading of (Un)Limited Resources This unusual volume is a useful resource for researchers, but also a coursebook to be used in the classroom and a comprehensive introduction to biblical economic ethics in general.
The Bible and Money: Economy and Socioeconomic Ethics in the Bible
£70.00
What does the Bible say about money? This volume presents the researches of 18 international biblical scholars at Ansgarskolen«s Norwegian Summer Academy for Biblical Studies. Papers include:
The Prophets on Trade: Did They Consider it a Canaanite Affair?
Two Categories of Loans in the Old Testament á Give Willingly and Do Not Expect Anything? A Biblical View on Loans and Interest
Government and Economy in the Hebrew Bible: Taxes and Related Issues á State and Temple Economy in the Levant in the Persian and Hellenistic Periods
Economics and Poverty: Negotiating the Spectrum of Personal Wealth or Shared Resources
Proportionate and Sufficient Wealth: Financial Transparency in Paul's Collection for the Saints in Jerusalem á Engaging the New Testament and the Welfare State
Divine Plenty, Human Thriftiness: A Canonical Reading of (Un)Limited Resources This unusual volume is a useful resource for researchers, but also a coursebook to be used in the classroom and a comprehensive introduction to biblical economic ethics in general.
Job: From Lament to Penitence
Published: Nov 2020
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
Job: From Lament to Penitence
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
Reading the Magnificat in Australia: Unsettling Engagements
Published: Nov 2020
£70.00
Biblical songs have multiple afterlives. In a history of invasion, their reverberations are poignant. What is now called Australia is a continent of many First Nations where Country has been sung for tens of thousands of years before the Bible arrived as part of the cultural cargo of the colonisers. Reading the Magnificat in Australia focuses on one text, Mary's Magnificat, around two thousand years old in its Lukan form, and carrying Hebraic traditions some thousand or more years older. First Nations traditions are older still.
In this colonial context, the Magnificat inspired settler-migrant writing, composition and art. Reading the Magnificat in Australia is a settler reading, but not a conventional one. It offers a performative, conversational reading trajectory that places instances of cultural reception of the Magnificat in the context of colonial occupation of Country, the problematics of whiteness, and the ensuing hiatuses for settler biblical scholars in Australia.
Reading the Magnificat as a song of protest, placed in the mouth of a young Jewish woman of the first century ce, Anne Elvey sketches a counter-colonial reading practice that in compassionate grief and hope is attentive to the ecological trauma of our time. The readings engage with creative responses to the Magnificat, from pious verse to abstract expressionist art, and include a number of the author's creative engagements in response. Grounded in feminist and ecological approaches, Reading the Magnificat in Australia employs hermeneutics of restraint, intertextual engagement and creative witness, rereading the biblical text in relation to contexts of conflict, intersections of race, gender, species and sexuality, constructive and deconstructive materialities in colonised space, and finally the song of birds (of which the Australian magpies on the front cover are an emblem). This listening again to an ancient text reimagines an aesthetics of reading-as-writing that opens to a situated and unsettled praxis, where the Magnificat points inward to its material contingency as a colonial artefact and outward toward contemporary songs of protest.
Reading the Magnificat in Australia: Unsettling Engagements
£70.00
Biblical songs have multiple afterlives. In a history of invasion, their reverberations are poignant. What is now called Australia is a continent of many First Nations where Country has been sung for tens of thousands of years before the Bible arrived as part of the cultural cargo of the colonisers. Reading the Magnificat in Australia focuses on one text, Mary's Magnificat, around two thousand years old in its Lukan form, and carrying Hebraic traditions some thousand or more years older. First Nations traditions are older still.
In this colonial context, the Magnificat inspired settler-migrant writing, composition and art. Reading the Magnificat in Australia is a settler reading, but not a conventional one. It offers a performative, conversational reading trajectory that places instances of cultural reception of the Magnificat in the context of colonial occupation of Country, the problematics of whiteness, and the ensuing hiatuses for settler biblical scholars in Australia.
Reading the Magnificat as a song of protest, placed in the mouth of a young Jewish woman of the first century ce, Anne Elvey sketches a counter-colonial reading practice that in compassionate grief and hope is attentive to the ecological trauma of our time. The readings engage with creative responses to the Magnificat, from pious verse to abstract expressionist art, and include a number of the author's creative engagements in response. Grounded in feminist and ecological approaches, Reading the Magnificat in Australia employs hermeneutics of restraint, intertextual engagement and creative witness, rereading the biblical text in relation to contexts of conflict, intersections of race, gender, species and sexuality, constructive and deconstructive materialities in colonised space, and finally the song of birds (of which the Australian magpies on the front cover are an emblem). This listening again to an ancient text reimagines an aesthetics of reading-as-writing that opens to a situated and unsettled praxis, where the Magnificat points inward to its material contingency as a colonial artefact and outward toward contemporary songs of protest.
Spirit and Story: Essays in Honour of John Christopher Thomas
Published: Nov 2020
£70.00
This collection of essays brings together an international group of biblical scholars, theologians, and historians who are committed to readings of biblical texts that are sensitive to the work of the Spirit. Perhaps no one has contributed more in recent decades to the description and promotion of Pentecostal Theology than Chris Thomas, and this volume serves as a loving and respectful tribute to his commitment and achievement.
Thomas's own work on the story told in the Gospel and Letters of John as well as his explorations into the narrative structure of the Apocalypse are models not only of exegetical proficiency but also of the careful elucidation of the text for the general reader as well as the expert. Moreover, his work is distinguished by a prayerful pastoral commitment as his ear is consistently attentive to what the Spirit is saying to the church.
The influence of Chris Thomas has been very considerable. The essays presented here capture the scope of his interests and of his important contribution to both the church and the academy.
Spirit and Story: Essays in Honour of John Christopher Thomas
£70.00
This collection of essays brings together an international group of biblical scholars, theologians, and historians who are committed to readings of biblical texts that are sensitive to the work of the Spirit. Perhaps no one has contributed more in recent decades to the description and promotion of Pentecostal Theology than Chris Thomas, and this volume serves as a loving and respectful tribute to his commitment and achievement.
Thomas's own work on the story told in the Gospel and Letters of John as well as his explorations into the narrative structure of the Apocalypse are models not only of exegetical proficiency but also of the careful elucidation of the text for the general reader as well as the expert. Moreover, his work is distinguished by a prayerful pastoral commitment as his ear is consistently attentive to what the Spirit is saying to the church.
The influence of Chris Thomas has been very considerable. The essays presented here capture the scope of his interests and of his important contribution to both the church and the academy.
Performing Masculinity in the Hebrew Bible
Published: Oct 2020
£65.00
In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017. Her chapters, each with an attractive and stimulating title, present a distinctive voice in current debates about masculinity in the Hebrew Bible.
Masculinity studies have been developing during the last half a century, but there is still some opposition, not always conscious, to the field. Studies in masculinity in the Bible have an even shorter history and have created as yet little by way of a tradition among biblical scholars: it is a field still under development.
Kirova has researched a rich variety of narrative situations, poetic characteristics, and symbolic functions of biblical men. Her research here is especially focused on the regal roles ascribed to masculinity in the ancient world.
Among the intriguing questions Kirova poses are these: Why should heroes be beautiful? What is the benefit of weeping, and weeping eloquently? Why problematize what is 'natural'? Who is the 'bramble king'? The ten chapters of Performing Masculinity are deliberately interdisciplinary: anthropology, psychoanalysis, literary and gender studies complement biblical criticism. A variety of audiences will find the book a pleasure and an education.
Performing Masculinity in the Hebrew Bible
£65.00
In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017. Her chapters, each with an attractive and stimulating title, present a distinctive voice in current debates about masculinity in the Hebrew Bible.
Masculinity studies have been developing during the last half a century, but there is still some opposition, not always conscious, to the field. Studies in masculinity in the Bible have an even shorter history and have created as yet little by way of a tradition among biblical scholars: it is a field still under development.
Kirova has researched a rich variety of narrative situations, poetic characteristics, and symbolic functions of biblical men. Her research here is especially focused on the regal roles ascribed to masculinity in the ancient world.
Among the intriguing questions Kirova poses are these: Why should heroes be beautiful? What is the benefit of weeping, and weeping eloquently? Why problematize what is 'natural'? Who is the 'bramble king'? The ten chapters of Performing Masculinity are deliberately interdisciplinary: anthropology, psychoanalysis, literary and gender studies complement biblical criticism. A variety of audiences will find the book a pleasure and an education.
Nehemiah: A Commentary
Nehemiah: A Commentary