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Judges: Once Upon a Time in Israel

Published: Jun 2023
£60.00
Judges is the Bible’s end-of-the-frontier epic. It depicts the first generations of Israelite life in Canaan and portrays a set of memorable protagonists, the “judges,” who were wild enough to tame a wilderness, but too wild to persist into the next era of royal courts, central shrines, and political states. The core of Judges consists of a series of narratives about the outlaws, warlords and war-ladies, mercenaries, and jackleg and priests and prophets from ancient Ephraim whose exploits were recounted in a series of redacted documents that, to the chagrin of pious readers over the centuries, ended up in the Bible, of all places. There is Ehud, the left-handed assassin on a grim solo labyrinthine mission in and out of an enemy fortress. There is Deborah, the alpha female who, in one chapter, commands an army and, in another, is credited with uttering her eponymous song, which deserves to be counted among the world’s great war poetry. There is Jael, the man-slaughtering Bedouin woman who is handy with a hammer. There is Gideon, the insecure hero who leads, in one story, an outnumbered elite band of warriors to victory over an enemy force of uncountable proportions and, in another story, a clannish vendetta filled with torture, arson, and revenge killings. There is the tale of Abimelech which traces the rise and fall of a gangster. There is Jephthah, the outcast summoned to rescue his tribe when they need his desperado skill set, but whose rash vow has fatal consequences for his daughter. Finally, there is Samson, one of folk literature’s most memorable characterizations, a walking, talking incarnation of unshaved, unbalanced hyper-masculinity. This reading of the tales of Judges as a set of adventure stories from the early centuries of alphabetic literacy requires that we dig through mounds of didactic, theological, moralistic, messianic, and nationalistic landfill in order to reclaim the full glory—and horror—of their dark violence and eroticism, as well as to marvel at the coarse folk poetry in the tales’ narration and dialogue.
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Judges: Once Upon a Time in Israel

£60.00
Judges is the Bible’s end-of-the-frontier epic. It depicts the first generations of Israelite life in Canaan and portrays a set of memorable protagonists, the “judges,” who were wild enough to tame a wilderness, but too wild to persist into the next era of royal courts, central shrines, and political states. The core of Judges consists of a series of narratives about the outlaws, warlords and war-ladies, mercenaries, and jackleg and priests and prophets from ancient Ephraim whose exploits were recounted in a series of redacted documents that, to the chagrin of pious readers over the centuries, ended up in the Bible, of all places. There is Ehud, the left-handed assassin on a grim solo labyrinthine mission in and out of an enemy fortress. There is Deborah, the alpha female who, in one chapter, commands an army and, in another, is credited with uttering her eponymous song, which deserves to be counted among the world’s great war poetry. There is Jael, the man-slaughtering Bedouin woman who is handy with a hammer. There is Gideon, the insecure hero who leads, in one story, an outnumbered elite band of warriors to victory over an enemy force of uncountable proportions and, in another story, a clannish vendetta filled with torture, arson, and revenge killings. There is the tale of Abimelech which traces the rise and fall of a gangster. There is Jephthah, the outcast summoned to rescue his tribe when they need his desperado skill set, but whose rash vow has fatal consequences for his daughter. Finally, there is Samson, one of folk literature’s most memorable characterizations, a walking, talking incarnation of unshaved, unbalanced hyper-masculinity. This reading of the tales of Judges as a set of adventure stories from the early centuries of alphabetic literacy requires that we dig through mounds of didactic, theological, moralistic, messianic, and nationalistic landfill in order to reclaim the full glory—and horror—of their dark violence and eroticism, as well as to marvel at the coarse folk poetry in the tales’ narration and dialogue.
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Samson and Delilah: Selected Essays

Published: July 2020
£75.00
Samson and Delilah. Well-known biblical figures in a tale of deception, betrayal and a haircut. Or is there more to the tale than this? There is, in fact, a good deal more, as J. Cheryl Exum demonstrates in this wide-ranging collection of her essays. Far from being a simple story, the tale in Judges 13 —16 about Samson and his adventures, culminating in his fatal liaison with Delilah, is a subtle, nuanced and highly complex narrative with an elaborate literary structure, a sophisticated theological programme, and an ambitious and problematic androcentric agenda. It is, moreover, a story that lives on in literature, art, music and even Hollywood films. The eleven essays brought together in this volume investigate the Samson story from a diversity of critical perspectives and in a variety of its afterlives. Both Samson and Delilah are characters of many facets, as these essays reveal, and Judges 13 —16 emerges from this investigation as a story that encourages and supports rather than resists multiple, often incompatible, modes of reading it.
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Samson and Delilah: Selected Essays

£75.00
Samson and Delilah. Well-known biblical figures in a tale of deception, betrayal and a haircut. Or is there more to the tale than this? There is, in fact, a good deal more, as J. Cheryl Exum demonstrates in this wide-ranging collection of her essays. Far from being a simple story, the tale in Judges 13 —16 about Samson and his adventures, culminating in his fatal liaison with Delilah, is a subtle, nuanced and highly complex narrative with an elaborate literary structure, a sophisticated theological programme, and an ambitious and problematic androcentric agenda. It is, moreover, a story that lives on in literature, art, music and even Hollywood films. The eleven essays brought together in this volume investigate the Samson story from a diversity of critical perspectives and in a variety of its afterlives. Both Samson and Delilah are characters of many facets, as these essays reveal, and Judges 13 —16 emerges from this investigation as a story that encourages and supports rather than resists multiple, often incompatible, modes of reading it.
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Authority and Violence in the Gideon and Abimelech Narratives: A Sociological and Literary Exploration of Judges 6-9

Published: Sep 2015
£55.00
Authority and violence exhibit a close and complex relationship in the social worlds depicted in biblical narratives as well as in ancient and modern societies. The perceived legitimacy or illegitimacy of authority and violence can hinge upon a number of factors. In the stories of Gideon and Abimelech in Judges 6 —9, lethal actions are depicted as justified, regrettable, or reproachful based, in part, on assumptions regarding kinship, honor, and justice. These narratives form an intriguing interlude within Judges as they directly broach, for the first time in the flow of biblical history, the 'reality' of dynastic kingship within Israel while telling a tale of deadly and divinely motivated reversals of power. An interdisciplinary approach that blends social-scientific analysis driven by Pierre Bourdieu's concepts of social field, habitus, capital, and doxa with a close narrative analysis recommends new ways of understanding the biblical characters' motivations, skills, and social capital; the linguistic capital of the text's creators; and the social worlds from which the narratives emerged. By examining the narrated relations of power through a sociological lens, the study discerns and describes how political and religious power is attained, preserved, transmitted, resisted, endorsed, disguised, or divinized. Building upon this basis, concentration on narrated violence suggests how the stories might be purposed to endorse, legitimate, or resist authority in the ancient context. The study concludes with a synthesis of its results and a survey of scribalism in order to recommend historical settings for the origination of the narratives. The study demonstrates how the biblical text, as a cultural product, can both knowingly and unknowingly communicate information about a society's social relations, values, and concerns. This is the second volume in the sub-series The Bible and Social Science.
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Authority and Violence in the Gideon and Abimelech Narratives: A Sociological and Literary Exploration of Judges 6-9

£55.00
Authority and violence exhibit a close and complex relationship in the social worlds depicted in biblical narratives as well as in ancient and modern societies. The perceived legitimacy or illegitimacy of authority and violence can hinge upon a number of factors. In the stories of Gideon and Abimelech in Judges 6 —9, lethal actions are depicted as justified, regrettable, or reproachful based, in part, on assumptions regarding kinship, honor, and justice. These narratives form an intriguing interlude within Judges as they directly broach, for the first time in the flow of biblical history, the 'reality' of dynastic kingship within Israel while telling a tale of deadly and divinely motivated reversals of power. An interdisciplinary approach that blends social-scientific analysis driven by Pierre Bourdieu's concepts of social field, habitus, capital, and doxa with a close narrative analysis recommends new ways of understanding the biblical characters' motivations, skills, and social capital; the linguistic capital of the text's creators; and the social worlds from which the narratives emerged. By examining the narrated relations of power through a sociological lens, the study discerns and describes how political and religious power is attained, preserved, transmitted, resisted, endorsed, disguised, or divinized. Building upon this basis, concentration on narrated violence suggests how the stories might be purposed to endorse, legitimate, or resist authority in the ancient context. The study concludes with a synthesis of its results and a survey of scribalism in order to recommend historical settings for the origination of the narratives. The study demonstrates how the biblical text, as a cultural product, can both knowingly and unknowingly communicate information about a society's social relations, values, and concerns. This is the second volume in the sub-series The Bible and Social Science.
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Guide to Biblical Chronology

Published: Sep 2015
£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being. The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives. After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible. Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures. The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
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Guide to Biblical Chronology

£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being. The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives. After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible. Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures. The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
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The Impartial God: Essays in Biblical Studies in Honor of Jouette M. Bassler

Published: Oct 2007
£55.00
Jouette M. Bassler, Professor of New Testament at Perkins School of Theology at Southern Methodist University since 1986, is widely recognized for contributions to Pauline studies, the Pastoral Epistles, women in the New Testament, and for her work as editor of the Journal of Biblical Literature from 1995 to 1999. The nineteen contributions to this Festschrift include: Charles Cousar on the Christ-hymn in Philippians, Gordon Fee on the locative en in Galatians, Benjamin Fiore on kinship address in Philemon, Robert Foster on the visions of grace in Ephesians, Serge Frolov on the 'Rebellious Tenants' story as political allegory, Victor Furnish on the theology of faith, love, and hope in 1 Thessalonians, Roy Heller on widows in Deuteronomy, Robert Jewett on wrath and violence in Romans and 1 Thessalonians, Elizabeth Johnson on first-century asceticism, Ila Bovee Kraft on the fictive interlocutor in 1 Corinthians 14, Steven Kraftchick on death in Philippians, Alan Mitchell on friendship in 1 Cor. 6:8, Richard Nelson on Achsah in Judges, Jerome Neyrey on characters in the Fourth Gospel, David Rensberger on the Holy Spirit in Pauline churches, Calvin Roetzel on violent metaphorical language in 2 Corinthians, E.P. Sanders on the providence of God in Josephus and Paul, Joseph Tyson on conflicting views of leadership in Acts, and Larry Yarbrough on concern for the poor of Jerusalem.
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The Impartial God: Essays in Biblical Studies in Honor of Jouette M. Bassler

£55.00
Jouette M. Bassler, Professor of New Testament at Perkins School of Theology at Southern Methodist University since 1986, is widely recognized for contributions to Pauline studies, the Pastoral Epistles, women in the New Testament, and for her work as editor of the Journal of Biblical Literature from 1995 to 1999. The nineteen contributions to this Festschrift include: Charles Cousar on the Christ-hymn in Philippians, Gordon Fee on the locative en in Galatians, Benjamin Fiore on kinship address in Philemon, Robert Foster on the visions of grace in Ephesians, Serge Frolov on the 'Rebellious Tenants' story as political allegory, Victor Furnish on the theology of faith, love, and hope in 1 Thessalonians, Roy Heller on widows in Deuteronomy, Robert Jewett on wrath and violence in Romans and 1 Thessalonians, Elizabeth Johnson on first-century asceticism, Ila Bovee Kraft on the fictive interlocutor in 1 Corinthians 14, Steven Kraftchick on death in Philippians, Alan Mitchell on friendship in 1 Cor. 6:8, Richard Nelson on Achsah in Judges, Jerome Neyrey on characters in the Fourth Gospel, David Rensberger on the Holy Spirit in Pauline churches, Calvin Roetzel on violent metaphorical language in 2 Corinthians, E.P. Sanders on the providence of God in Josephus and Paul, Joseph Tyson on conflicting views of leadership in Acts, and Larry Yarbrough on concern for the poor of Jerusalem.
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Judges

Published: Oct 2007
£15.00£35.00
In this new contribution to the Readings series of commentaries, Roger Ryan offers a challenge to the fashionable disdain for the heroes of the Book of Judges. As against the current consensus majoring on the supposed flaws in the characters of the judges, and denigrating them as participants in Israel's moral and religious decline, he paints a positive portrait of each of the book's judge-deliverers. The key element in all the stories of the judges is that each of them wins independence for oppressed Israelites against great odds —an element that should predispose readers to a favourable evaluation of the heroes. Ehud slaughters an enemy king when the only weapon he has is a homemade dagger. Barak resolutely charges downhill against enemy chariots reinforced with iron. Jael slaughters an enemy commander by improvising with a hammer and a tent peg. Gideon defeats hordes of nomadic invaders with a small token army. The lone hero Samson slaughters the Philistine foe in great numbers. The Book of Judges presents in this reading a dark story-world in which its characters take heroic risks as they resolve conflicts by violent means. Their stories are jubilantly told and readers are expected to be neither squeamish nor censorious.
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Judges

£15.00£35.00
In this new contribution to the Readings series of commentaries, Roger Ryan offers a challenge to the fashionable disdain for the heroes of the Book of Judges. As against the current consensus majoring on the supposed flaws in the characters of the judges, and denigrating them as participants in Israel's moral and religious decline, he paints a positive portrait of each of the book's judge-deliverers. The key element in all the stories of the judges is that each of them wins independence for oppressed Israelites against great odds —an element that should predispose readers to a favourable evaluation of the heroes. Ehud slaughters an enemy king when the only weapon he has is a homemade dagger. Barak resolutely charges downhill against enemy chariots reinforced with iron. Jael slaughters an enemy commander by improvising with a hammer and a tent peg. Gideon defeats hordes of nomadic invaders with a small token army. The lone hero Samson slaughters the Philistine foe in great numbers. The Book of Judges presents in this reading a dark story-world in which its characters take heroic risks as they resolve conflicts by violent means. Their stories are jubilantly told and readers are expected to be neither squeamish nor censorious.
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