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Beyond the Quest for the Historical Jesus: Memoir of a Discovery
Published: Sep 2012
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed.
The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8.
The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
Beyond the Quest for the Historical Jesus: Memoir of a Discovery
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed.
The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8.
The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
Yearning for You: Psalms and the Song of Songs in Conversation with Rock and Worship Songs
Published: Sep 2012
£60.00
From your lips she drew the Hallelujah' (Leonard Cohen). Romance and sexual desire are expressed in some of today's most popular songs using religious language. Conversely, the latest Christian worship songs sometimes invite worshippers to speak to God in the language of desire and romance. Contemporary western culture and spirituality blur the boundaries between desire for God and sexual desire. This innovative book stages a conversation first between biblical songs and then between biblical and contemporary songs. Desire for intimacy is the topic of conversation. Texts from the Song of Songs are first in dialogue with some of the Psalms, exploring their themes of desire, absence, longing, hearing, delight, feasting, physicality, mutuality and security. The circle of conversation is then widened, to consider the voices of contemporary rock and worship songs in the light of what has been uncovered in the biblical songs, and to hear what questions today's songs may ask of the ancient texts. The biblical voices resist any suggestion, Goodman argues, that human sexual experience may be a means of encounter with God, or a sacrament of such an encounter. They also highlight the disparity in power between God and human beings which weighs against any sense of a balanced mutuality in yearning. Yet eros or romance may serve as a metaphor for a divine —human relationship, if used alongside a variety of other metaphors. At points of intersection, where they converge and conflict, these different metaphors can create a deeper understanding of the yearning for intimacy, both human and divine.
Yearning for You: Psalms and the Song of Songs in Conversation with Rock and Worship Songs
£60.00
From your lips she drew the Hallelujah' (Leonard Cohen). Romance and sexual desire are expressed in some of today's most popular songs using religious language. Conversely, the latest Christian worship songs sometimes invite worshippers to speak to God in the language of desire and romance. Contemporary western culture and spirituality blur the boundaries between desire for God and sexual desire. This innovative book stages a conversation first between biblical songs and then between biblical and contemporary songs. Desire for intimacy is the topic of conversation. Texts from the Song of Songs are first in dialogue with some of the Psalms, exploring their themes of desire, absence, longing, hearing, delight, feasting, physicality, mutuality and security. The circle of conversation is then widened, to consider the voices of contemporary rock and worship songs in the light of what has been uncovered in the biblical songs, and to hear what questions today's songs may ask of the ancient texts. The biblical voices resist any suggestion, Goodman argues, that human sexual experience may be a means of encounter with God, or a sacrament of such an encounter. They also highlight the disparity in power between God and human beings which weighs against any sense of a balanced mutuality in yearning. Yet eros or romance may serve as a metaphor for a divine —human relationship, if used alongside a variety of other metaphors. At points of intersection, where they converge and conflict, these different metaphors can create a deeper understanding of the yearning for intimacy, both human and divine.
The Book of Job in Post-Holocaust Thought
Published: Aug 2012
£40.00
The story of Job's suffering has often been appealed to by those responding to the Holocaust. This book explores a rich variety of such receptions of the Book of Job, highlighting the need to appreciate the tensions present in both the biblical text of Job and in perceptions of the Holocaust's meaning. Attention is given to the often creative modes of reading used by those appealing to Job, and the presence of complex interactions between theology, textual interpretation, and historical analysis. Receptions of Job examined include those presented by key post-Holocaust thinkers such as Emil Fackenheim, Elie Wiesel and Richard Rubenstein.
Bringing together elements of biblical studies and Holocaust studies, David Tollerton shows that Job has been harnessed for an array of purposes, from asserting the continuity of Jewish faith amid the traumas of twentieth-century history, to resisting the idea that there can be any decisive religious 'answer' to the Holocaust. Despite the diversity of ways in which Job has been cited, it is shown that such reception is nonetheless controversial, doubts being repeatedly raised whether Job is appropriate to the Holocaust context. While ultimately proposing that Job does indeed have a valuable role to play, The Book of Job in Post-Holocaust Thought argues that in some cases such doubts are in order, and that some receptions should be queried on textual, historical or ethical grounds.
This book will be of interest to readers concerned with the modern reception of wisdom literature, theological responses to the Holocaust, or simply the manner in which the Bible has been used by communities attempting to make sense of modernity's darkest aspects.
The Book of Job in Post-Holocaust Thought
£40.00
The story of Job's suffering has often been appealed to by those responding to the Holocaust. This book explores a rich variety of such receptions of the Book of Job, highlighting the need to appreciate the tensions present in both the biblical text of Job and in perceptions of the Holocaust's meaning. Attention is given to the often creative modes of reading used by those appealing to Job, and the presence of complex interactions between theology, textual interpretation, and historical analysis. Receptions of Job examined include those presented by key post-Holocaust thinkers such as Emil Fackenheim, Elie Wiesel and Richard Rubenstein.
Bringing together elements of biblical studies and Holocaust studies, David Tollerton shows that Job has been harnessed for an array of purposes, from asserting the continuity of Jewish faith amid the traumas of twentieth-century history, to resisting the idea that there can be any decisive religious 'answer' to the Holocaust. Despite the diversity of ways in which Job has been cited, it is shown that such reception is nonetheless controversial, doubts being repeatedly raised whether Job is appropriate to the Holocaust context. While ultimately proposing that Job does indeed have a valuable role to play, The Book of Job in Post-Holocaust Thought argues that in some cases such doubts are in order, and that some receptions should be queried on textual, historical or ethical grounds.
This book will be of interest to readers concerned with the modern reception of wisdom literature, theological responses to the Holocaust, or simply the manner in which the Bible has been used by communities attempting to make sense of modernity's darkest aspects.
Words, Ideas, Worlds: Biblical Essays in Honour of Yairah Amit
Published: Aug 2012
£75.00
This volume brings together fourteen essays by Israeli, European and American scholars honouring the distinct contribution of Yairah Amit to the literary study of the Hebrew Bible and to her public role, fostering especially the place of the Hebrew Bible in Israeli education. In biblical studies she has made significant contributions to the study of redactional and editorial activity, which she has always viewed from a rhetorical and literary point of view. These aspects were uniquely developed in her work on the books of Judges and Chronicles, in which literary considerations always lead to the recognition of the ideology behind the redactor’s work. Another key theme of hers has been overt and hidden polemics expressed or suggested by the narrative text.
The studies assembled in the present volume deal with the many aspects of Amit’s work, from the biblical and post-biblical down to the mediaeval and the modern period. Central fields are the art of the redactor and inner-biblical polemics (Diana Edelman, Cynthia Edenburg, Nadav Na’aman, Meira Polliack, Dalit Rom-Shiloni), literary scrutiny (Ed Greenstein, Lillian Klein Abensohn, Frank Polak), ideology in social and religious contexts (Ehud Ben Zvi, Israel Knohl), and feminist and cultural studies in a wider sense (Athalya Brenner, Cheryl Exum, Yael Feldman, Shulamit Valler).
This is the fifth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Words, Ideas, Worlds: Biblical Essays in Honour of Yairah Amit
£75.00
This volume brings together fourteen essays by Israeli, European and American scholars honouring the distinct contribution of Yairah Amit to the literary study of the Hebrew Bible and to her public role, fostering especially the place of the Hebrew Bible in Israeli education. In biblical studies she has made significant contributions to the study of redactional and editorial activity, which she has always viewed from a rhetorical and literary point of view. These aspects were uniquely developed in her work on the books of Judges and Chronicles, in which literary considerations always lead to the recognition of the ideology behind the redactor’s work. Another key theme of hers has been overt and hidden polemics expressed or suggested by the narrative text.
The studies assembled in the present volume deal with the many aspects of Amit’s work, from the biblical and post-biblical down to the mediaeval and the modern period. Central fields are the art of the redactor and inner-biblical polemics (Diana Edelman, Cynthia Edenburg, Nadav Na’aman, Meira Polliack, Dalit Rom-Shiloni), literary scrutiny (Ed Greenstein, Lillian Klein Abensohn, Frank Polak), ideology in social and religious contexts (Ehud Ben Zvi, Israel Knohl), and feminist and cultural studies in a wider sense (Athalya Brenner, Cheryl Exum, Yael Feldman, Shulamit Valler).
This is the fifth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Beyond Feminist Biblical Studies
Published: July 2012
£40.00
In today's postfeminist, post-structuralist milieu, feminist biblical studies —despite its now well-established place in the discipline —can seem out on a limb, too narrowly concerned with the interests of women: women in the text, women in history, women readers. Its connections with studies in masculinities, with queer theories, with lesbian and gay studies may appear thin and flimsy. As the current terminology shifts perceptibly to 'gender criticism', this book examines the continued place of feminist biblical studies within the discipline. Is it now the time, Deryn Guest asks, for feminist biblical scholars to resist more strongly than ever the threats of a diluted feminist agenda and feminist politics, the erasure of women's concerns from public consciousness, the loss of autonomy for feminist space? Or is it the time to make a definite shift and abandon the language of 'feminism'? Readers of this scintillating volume will find themselves invited into a sophisticated discussion of the question as they consider how far feminist biblical scholarship should be more inclusive of the newer critical voices emerging from trans- and intersex studies, testing the extent to which it can examine the construction of heterosexuality and make the apparatus of biblically prescribed heteronormativity an object of critical study. The book closes with the intriguing possibilities available for 'queer straight' practitioners of biblical studies with an armoury of genderqueer strategies in their hermeneutical toolbox.
Beyond Feminist Biblical Studies
£40.00
In today's postfeminist, post-structuralist milieu, feminist biblical studies —despite its now well-established place in the discipline —can seem out on a limb, too narrowly concerned with the interests of women: women in the text, women in history, women readers. Its connections with studies in masculinities, with queer theories, with lesbian and gay studies may appear thin and flimsy. As the current terminology shifts perceptibly to 'gender criticism', this book examines the continued place of feminist biblical studies within the discipline. Is it now the time, Deryn Guest asks, for feminist biblical scholars to resist more strongly than ever the threats of a diluted feminist agenda and feminist politics, the erasure of women's concerns from public consciousness, the loss of autonomy for feminist space? Or is it the time to make a definite shift and abandon the language of 'feminism'? Readers of this scintillating volume will find themselves invited into a sophisticated discussion of the question as they consider how far feminist biblical scholarship should be more inclusive of the newer critical voices emerging from trans- and intersex studies, testing the extent to which it can examine the construction of heterosexuality and make the apparatus of biblically prescribed heteronormativity an object of critical study. The book closes with the intriguing possibilities available for 'queer straight' practitioners of biblical studies with an armoury of genderqueer strategies in their hermeneutical toolbox.
Isaiah: The Prophet and His Book
Published: July 2012
£21.00
The book of Isaiah presents one of the most challenging pieces of literature in the Hebrew Bible. Over a period of some four hundred years (from the end of the eighth century down to the end of the fourth century BCE), the great prophet Isaiah and his disciples in the Assyrian period, as well as later scholars in Babylonian and Persian times, worked on this marvellous prophetic text. In its final form it resembles a mediaeval cathedral constructed by many gifted people across the centuries. Each piece has its own history, place and function in the whole structure.
In this lucid study, Berges interprets the scroll of Isaiah as a 'literal cathedral', written by many hands and empowered by the experience of sorrow and disaster, liberation and joy. In the centre of the book (Isaiah 36 —39) and of its theology stands the threat and redemption of Zion. The nations that in the first part were taking action against God's city are invited to join the exiled and dispersed people of Israel as it travels home. The reader too is called to journey the same path and to join the congregation of Israel and the nations on their way to the New Jerusalem — not in heaven but on a renewed earth.
Methodologically, the book combines synchronic and diachronic perspectives and paves the way to a fruitful conversation between them. The vast reception history of the Book of Isaiah in the Septuagint, the New Testament, and in rabbinic and Christian traditions, as well as in painting and music, is also illustrated by some of the most illuminating examples.
Isaiah: The Prophet and His Book
£21.00
The book of Isaiah presents one of the most challenging pieces of literature in the Hebrew Bible. Over a period of some four hundred years (from the end of the eighth century down to the end of the fourth century BCE), the great prophet Isaiah and his disciples in the Assyrian period, as well as later scholars in Babylonian and Persian times, worked on this marvellous prophetic text. In its final form it resembles a mediaeval cathedral constructed by many gifted people across the centuries. Each piece has its own history, place and function in the whole structure.
In this lucid study, Berges interprets the scroll of Isaiah as a 'literal cathedral', written by many hands and empowered by the experience of sorrow and disaster, liberation and joy. In the centre of the book (Isaiah 36 —39) and of its theology stands the threat and redemption of Zion. The nations that in the first part were taking action against God's city are invited to join the exiled and dispersed people of Israel as it travels home. The reader too is called to journey the same path and to join the congregation of Israel and the nations on their way to the New Jerusalem — not in heaven but on a renewed earth.
Methodologically, the book combines synchronic and diachronic perspectives and paves the way to a fruitful conversation between them. The vast reception history of the Book of Isaiah in the Septuagint, the New Testament, and in rabbinic and Christian traditions, as well as in painting and music, is also illustrated by some of the most illuminating examples.
Abject Bodies in the Gospel of Mark
Published: July 2012
Price range: £22.50 through £50.00
Basing himself on Judith Butler’s notion of gender, abjectness, vulnerability, and the precariousness of the human body, Manuel Villalobos offers a compelling study of a number of characters in Mark’s passion narrative whom he finds to be transgressing boundaries and disrupting their assigned gender roles. He then applies the same methodology to Jesus, queering the Markan passion narrative, and concludes that because it was subject to all kinds of physical abuses Jesus’ body is the way by which God becomes identified and fully implicated in the life of those who live at the margins of society.
The whole book, exegetically rich and imaginative, is grounded on a hermeneutic which Villalobos terms Del otro lado / from the other side, because it celebrates the kind of ambiguity produced by gender, racial, cultural, and ethnic otherness, interweaving (often harrowing) tales of village life in Mexico with interpretations of specific Markan episodes. In so doing he hopes to initiate a dialogue between the Northern and the Southern hemispheres, a dialogue that crosses the boundaries that separate and exclude people because of economic and legal statuses and, specially, sexual orientation. The end product is a fresh and totally destabilizing reading that accomplishes the difficult task of bringing to the fore those voices neglected by the history of the interpretation of the text.
Abject Bodies in the Gospel of Mark
Price range: £22.50 through £50.00
Basing himself on Judith Butler’s notion of gender, abjectness, vulnerability, and the precariousness of the human body, Manuel Villalobos offers a compelling study of a number of characters in Mark’s passion narrative whom he finds to be transgressing boundaries and disrupting their assigned gender roles. He then applies the same methodology to Jesus, queering the Markan passion narrative, and concludes that because it was subject to all kinds of physical abuses Jesus’ body is the way by which God becomes identified and fully implicated in the life of those who live at the margins of society.
The whole book, exegetically rich and imaginative, is grounded on a hermeneutic which Villalobos terms Del otro lado / from the other side, because it celebrates the kind of ambiguity produced by gender, racial, cultural, and ethnic otherness, interweaving (often harrowing) tales of village life in Mexico with interpretations of specific Markan episodes. In so doing he hopes to initiate a dialogue between the Northern and the Southern hemispheres, a dialogue that crosses the boundaries that separate and exclude people because of economic and legal statuses and, specially, sexual orientation. The end product is a fresh and totally destabilizing reading that accomplishes the difficult task of bringing to the fore those voices neglected by the history of the interpretation of the text.
In Praise of Editing in the Hebrew Bible: Collected Essays in Retrospect
Published: Jun 2012
£75.00
Yairah Amit is a leading Israeli scholar of the Hebrew Bible who has published some of her articles only in Hebrew. Most of them are here translated for the first time. As she compiled the volume, she discovered that this collection of 19 essays had a common denominator: they are all about the process of editing that has gone on in the creation of the Hebrew Bible, a process that Amit looks on with some favour. Hence her title, In Praise of Editing . The Bible, she argues, is a long carefully edited book, which means that it is not a chance agglomeration of materials bound together, but rather a complete and carefully selected library. Among the essays in this volume are: Who Decided to Open the Torah with the Creation of the Sabbath?, The Garden of Eden as Utopia, Repetition as Poetic Principle, Who Is Afraid of Multiple Voices?, Editorial Considerations Regarding Ending, Who Is Lent to the Lord? Ask the Editor, To Include or Not to Include? Editorial Considerations Regarding the Whole. What makes this volume unique among collections of essays is her decision to add a personal preface to each article, highlighting it from an additional subjective angle. Sometimes the preface reflects her relationship to the subject and its ideology, sometimes the circumstances in which the article was written or published. At other times, readers may learn about the teachers who guided her first steps in the field, and about her own relationship to various issues in biblical research. These prefaces, she believes, show the researcher not as a rigid professional, but as a more rounded human person. This is the fourth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
In Praise of Editing in the Hebrew Bible: Collected Essays in Retrospect
£75.00
Yairah Amit is a leading Israeli scholar of the Hebrew Bible who has published some of her articles only in Hebrew. Most of them are here translated for the first time. As she compiled the volume, she discovered that this collection of 19 essays had a common denominator: they are all about the process of editing that has gone on in the creation of the Hebrew Bible, a process that Amit looks on with some favour. Hence her title, In Praise of Editing . The Bible, she argues, is a long carefully edited book, which means that it is not a chance agglomeration of materials bound together, but rather a complete and carefully selected library. Among the essays in this volume are: Who Decided to Open the Torah with the Creation of the Sabbath?, The Garden of Eden as Utopia, Repetition as Poetic Principle, Who Is Afraid of Multiple Voices?, Editorial Considerations Regarding Ending, Who Is Lent to the Lord? Ask the Editor, To Include or Not to Include? Editorial Considerations Regarding the Whole. What makes this volume unique among collections of essays is her decision to add a personal preface to each article, highlighting it from an additional subjective angle. Sometimes the preface reflects her relationship to the subject and its ideology, sometimes the circumstances in which the article was written or published. At other times, readers may learn about the teachers who guided her first steps in the field, and about her own relationship to various issues in biblical research. These prefaces, she believes, show the researcher not as a rigid professional, but as a more rounded human person. This is the fourth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels
Published: Jun 2012
£45.00
This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short 'Jeepers Jacobs', in which the title character —a theologian whose main area of research is the Christian doctrine of Hell —tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea , a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood . Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts —including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman —to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen . This is the fifth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (4) Partridge, Anthems of Apocalypse , and (6) Aston and Walliss, Small Screen Revelations .
The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels
£45.00
This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short 'Jeepers Jacobs', in which the title character —a theologian whose main area of research is the Christian doctrine of Hell —tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea , a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood . Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts —including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman —to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen . This is the fifth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (4) Partridge, Anthems of Apocalypse , and (6) Aston and Walliss, Small Screen Revelations .
The Thematic Unity of the Book of the Twelve
Published: Jun 2012
£75.00
“Return to me”, declares Yhwh of Hosts, “and I will return to you”, declares Yhwh of Hosts. The sentence stands at the head of the prophecy of Zechariah (1.3). But what does it mean to 'return to Yhwh?' And what does it mean that Yhwh 'will return to you'? LeCureux argues that it is this call to repentance, and Yhwh's responses to it, that form the unifying and organizing theme of return for the Book of the Twelve. While studies on the development and composition of the Twelve have proved fruitful in recent years, this book attempts to expand on those works by looking closely at the final form of the Twelve, particularly of its opening and closing books (Hosea —Joel, Zechariah —Malachi), and the role that canonical position and theme play within the Book. This project begins by defining the function of theme in biblical books, and then compares the role theme plays in Isaiah with its role in the Twelve, before engaging in the primary task of exegesis. LeCureux examines the use of 'return' in the Twelve, showing that it is the call to return that controls the events of the Day of Yhwh. Going further, the exegesis uncovers the links between the return imperatives of Hosea 14, Joel 2, Zechariah's own calls to return and Malachi's concluding question, 'How are we to return?'(3.7). What is ultimately revealed is the multifaceted nature of God's relationship with his people, one that involves the people's struggle to turn from covenantal disobedience toward Yhwh in repentance, as well as Yhwh's own turning from judgment toward his people in blessing.
The Thematic Unity of the Book of the Twelve
£75.00
“Return to me”, declares Yhwh of Hosts, “and I will return to you”, declares Yhwh of Hosts. The sentence stands at the head of the prophecy of Zechariah (1.3). But what does it mean to 'return to Yhwh?' And what does it mean that Yhwh 'will return to you'? LeCureux argues that it is this call to repentance, and Yhwh's responses to it, that form the unifying and organizing theme of return for the Book of the Twelve. While studies on the development and composition of the Twelve have proved fruitful in recent years, this book attempts to expand on those works by looking closely at the final form of the Twelve, particularly of its opening and closing books (Hosea —Joel, Zechariah —Malachi), and the role that canonical position and theme play within the Book. This project begins by defining the function of theme in biblical books, and then compares the role theme plays in Isaiah with its role in the Twelve, before engaging in the primary task of exegesis. LeCureux examines the use of 'return' in the Twelve, showing that it is the call to return that controls the events of the Day of Yhwh. Going further, the exegesis uncovers the links between the return imperatives of Hosea 14, Joel 2, Zechariah's own calls to return and Malachi's concluding question, 'How are we to return?'(3.7). What is ultimately revealed is the multifaceted nature of God's relationship with his people, one that involves the people's struggle to turn from covenantal disobedience toward Yhwh in repentance, as well as Yhwh's own turning from judgment toward his people in blessing.
Three Old Testament Theologies for Today: Helge S. Kvanvig, Walter Brueggemann and Erhard Gerstenberger
Published: Jun 2012
£50.00
This book is a critical analysis and comparison of three Old Testament theologies, those by Helge S. Kvanvig, Historisk Bibel og bibelsk historie (1999), Walter Brueggemann, Theology of the Old Testament (1997), and Erhard S. Gerstenberger, Theologies of the Old Testament (2002). Since Kvanvig's book is written in Norwegian, his book is not generally known among Old Testament scholars outside Scandinavia. The three volumes have different theological profiles. Kvanvig, unlike other Old Testament theologians, allows theology to develop from his analyses of the biblical narratives and the strategies available to readers. Gerstenberger presents Old Testament theology as a plurality of theologies, and his book is as much a history of Israelite religion and ancient Israel's social history as a theology proper. Brueggemann sees Old Testament theology within the framework of a virtual trial between Israel and Yahweh. All three books are to some degree postmodern in their approach to Old Testament theology, Gerstenberger to a lesser degree, Brueggemann to a greater degree. Hagelia argues that Kvanvig's book could with profit be read as a prolegomenon to Brueggemann's book, whereas Gerstenberger's book follows a different track. On the basis of these three eminent contributions, the author outlines a possible future for the business of writing Old Testament theologies, suggesting that future theologies will be much more in conversation with contemporary issues, ethical, political and social, than the traditional theologies of the past have been.
Three Old Testament Theologies for Today: Helge S. Kvanvig, Walter Brueggemann and Erhard Gerstenberger
£50.00
This book is a critical analysis and comparison of three Old Testament theologies, those by Helge S. Kvanvig, Historisk Bibel og bibelsk historie (1999), Walter Brueggemann, Theology of the Old Testament (1997), and Erhard S. Gerstenberger, Theologies of the Old Testament (2002). Since Kvanvig's book is written in Norwegian, his book is not generally known among Old Testament scholars outside Scandinavia. The three volumes have different theological profiles. Kvanvig, unlike other Old Testament theologians, allows theology to develop from his analyses of the biblical narratives and the strategies available to readers. Gerstenberger presents Old Testament theology as a plurality of theologies, and his book is as much a history of Israelite religion and ancient Israel's social history as a theology proper. Brueggemann sees Old Testament theology within the framework of a virtual trial between Israel and Yahweh. All three books are to some degree postmodern in their approach to Old Testament theology, Gerstenberger to a lesser degree, Brueggemann to a greater degree. Hagelia argues that Kvanvig's book could with profit be read as a prolegomenon to Brueggemann's book, whereas Gerstenberger's book follows a different track. On the basis of these three eminent contributions, the author outlines a possible future for the business of writing Old Testament theologies, suggesting that future theologies will be much more in conversation with contemporary issues, ethical, political and social, than the traditional theologies of the past have been.
Anthems of Apocalypse: Popular Music and Apocalyptic Thought
Published: Mar 2012
£50.00
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and SÌ©rgio Fava's discussion of apocalyptic folk. This is the fourth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (5) Clanton, The End Will Be Graphic , and (6) Aston and Walliss, Small Screen Revelations .
Anthems of Apocalypse: Popular Music and Apocalyptic Thought
£50.00
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and SÌ©rgio Fava's discussion of apocalyptic folk. This is the fourth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (5) Clanton, The End Will Be Graphic , and (6) Aston and Walliss, Small Screen Revelations .
The Other Face of God: ‘I Am That I Am’ Reconsidered
Published: Feb 2012
£75.00
'I am that I am' (Exodus 3.14) has been an exegetical puzzle to many generations of biblical scholars as well as theologians: is it about the present or the future, is it about God's presence or his hiddenness? Den Hertog argues that such exegetical questions have been framed too narrowly, and that this deeply suggestive statement about God needs to be set in a broader context.
Firstly, the statement must be understood within the narrative of Moses's call as an answer to his problem: how can his being launched on a radically new, prophetic mission be reconciled with the features of the God of the patriarchs? This book
substantiates the view that the meaning of the statement is deliberately indefinite: 'I may be who I may be'. In its context, it points to Yhwh’s other face, the possibility of his manifesting himself differently from the way he is thought to be.
Secondly, the after-history of this text should also be considered, since it has shaped our understanding in one way or another. This book pays particular attention to the renderings by the ancient and early modern versions (including the King James Version). The point of departure is the Septuagint rendering 'I am the one being', which has traditionally been associated with the Greek philosophical concept of absolute Being. This rendering, however, appears to have originally signified God's active presence: 'I am the one who shows himself to be there'.
Thirdly, this fundamental theological statement invites further a psychoanalytic interpretation. Den Hertog adopts a Lacanian perspective, according to which 'I am that I am' represents an irruption of an 'I' from nowhere, from beyond usual thought and expectation. In its context this means that in a situation of crisis a new orientation is born, one that undermines the pharaonic powers.
The Other Face of God: ‘I Am That I Am’ Reconsidered
£75.00
'I am that I am' (Exodus 3.14) has been an exegetical puzzle to many generations of biblical scholars as well as theologians: is it about the present or the future, is it about God's presence or his hiddenness? Den Hertog argues that such exegetical questions have been framed too narrowly, and that this deeply suggestive statement about God needs to be set in a broader context.
Firstly, the statement must be understood within the narrative of Moses's call as an answer to his problem: how can his being launched on a radically new, prophetic mission be reconciled with the features of the God of the patriarchs? This book
substantiates the view that the meaning of the statement is deliberately indefinite: 'I may be who I may be'. In its context, it points to Yhwh’s other face, the possibility of his manifesting himself differently from the way he is thought to be.
Secondly, the after-history of this text should also be considered, since it has shaped our understanding in one way or another. This book pays particular attention to the renderings by the ancient and early modern versions (including the King James Version). The point of departure is the Septuagint rendering 'I am the one being', which has traditionally been associated with the Greek philosophical concept of absolute Being. This rendering, however, appears to have originally signified God's active presence: 'I am the one who shows himself to be there'.
Thirdly, this fundamental theological statement invites further a psychoanalytic interpretation. Den Hertog adopts a Lacanian perspective, according to which 'I am that I am' represents an irruption of an 'I' from nowhere, from beyond usual thought and expectation. In its context this means that in a situation of crisis a new orientation is born, one that undermines the pharaonic powers.
Joseph and Aseneth: A Christian Book
Published: Feb 2012
£55.00
Joseph and Aseneth , a book of the Old Testament Pseudepigrapha, is a love story about the biblical Joseph and his Egyptian wife Aseneth which, in richly symbolic language, tells how the idol worshipper Aseneth was converted to belief in the one God. In recent decades, it has featured prominently in discussions of Second Temple Judaism as a testimony to a Hellenistic diaspora Judaism that neither observed the rules of conversion to Judaism ( giyyur ) nor cared much for the laws of the Torah. Rivka Nir offers a completely different understanding. Joseph and Aseneth , she argues, teaches us nothing about Second Temple Judaism. Rather, its vocabulary, ideas, symbols and structure become fully comprehensible only when viewed against the background of Syriac Christianity of the third and fourth century. In this setting, Aseneth and Joseph are symbolic and typological images: Aseneth symbolizes the church, Joseph is a prototype of Christ, and their marriage is a symbolic representation of the eternal marriage between Christ and the church. Aseneth's religious transformation should be understood as conversion to Christianity, an example for polytheists to follow. Turning our attention to the central role virginity plays in the story, Nir addresses the problematic scene of the honeycomb and the bees, reading it as a call to those joining the church to take a vow of virginity and resolve to lead a life of sexual abstinence. Through Nir's detailed analysis of the symbols and metaphors of Joseph and Aseneth in a Christian context, the book coalesces into a tightly integrated and meaningful whole, on both the theological and the symbolic levels.
Joseph and Aseneth: A Christian Book
£55.00
Joseph and Aseneth , a book of the Old Testament Pseudepigrapha, is a love story about the biblical Joseph and his Egyptian wife Aseneth which, in richly symbolic language, tells how the idol worshipper Aseneth was converted to belief in the one God. In recent decades, it has featured prominently in discussions of Second Temple Judaism as a testimony to a Hellenistic diaspora Judaism that neither observed the rules of conversion to Judaism ( giyyur ) nor cared much for the laws of the Torah. Rivka Nir offers a completely different understanding. Joseph and Aseneth , she argues, teaches us nothing about Second Temple Judaism. Rather, its vocabulary, ideas, symbols and structure become fully comprehensible only when viewed against the background of Syriac Christianity of the third and fourth century. In this setting, Aseneth and Joseph are symbolic and typological images: Aseneth symbolizes the church, Joseph is a prototype of Christ, and their marriage is a symbolic representation of the eternal marriage between Christ and the church. Aseneth's religious transformation should be understood as conversion to Christianity, an example for polytheists to follow. Turning our attention to the central role virginity plays in the story, Nir addresses the problematic scene of the honeycomb and the bees, reading it as a call to those joining the church to take a vow of virginity and resolve to lead a life of sexual abstinence. Through Nir's detailed analysis of the symbols and metaphors of Joseph and Aseneth in a Christian context, the book coalesces into a tightly integrated and meaningful whole, on both the theological and the symbolic levels.
Preposterous Revelations: Visions of Apocalypse and Martyrdom in Hollywood Cinema 1980-2000
Published: Jan 2012
£21.00
This is an ambitious attempt to produce an interdisciplinary reading of a set of relatively recent Hollywood films that appear to make references to the biblical genre of apocalyptic and associated ideas of Christian martyrdom and eschatology: End of Days , Armageddon , Alien3 , The Rapture , The Seventh Sign . It is a 'preposterous' reading (Mieke Bal's term), reversing a common-sense impulse to view what comes first chronologically (the biblical text) as an unproblematic template rather than as itself the consequence of subsequent, contextualized readings. The cinematic reworkings Copier describes shift our understanding of both texts (biblical and cinematic) and genre. Within this process, the apocalyptic subject —the martyr —adopts variable poses that reflect the effects of this disorienting reversal: across the five films analysed, the martyr moves from identifiably Christian motivations to the representation of patriotic American masculinity, or even to something that, in a contrary sense, powerfully challenges the conventional masculinity of any martyrdom that counts as significant. To achieve a genuine interdisciplinarity, Copier not only avoids reading each film as if it were simply the visual counterpart to a (biblical) narrative, but also analyses in the case of each film what the 'shot list' of a key sequence reveals about the semiotics at work within its construction. Unlike most encounters between religion and film, her film analysis goes far beyond the identification of themes and motifs. Here the author engages with the larger field of film studies, and especially with film as a visual medium.
Preposterous Revelations: Visions of Apocalypse and Martyrdom in Hollywood Cinema 1980-2000
£21.00
This is an ambitious attempt to produce an interdisciplinary reading of a set of relatively recent Hollywood films that appear to make references to the biblical genre of apocalyptic and associated ideas of Christian martyrdom and eschatology: End of Days , Armageddon , Alien3 , The Rapture , The Seventh Sign . It is a 'preposterous' reading (Mieke Bal's term), reversing a common-sense impulse to view what comes first chronologically (the biblical text) as an unproblematic template rather than as itself the consequence of subsequent, contextualized readings. The cinematic reworkings Copier describes shift our understanding of both texts (biblical and cinematic) and genre. Within this process, the apocalyptic subject —the martyr —adopts variable poses that reflect the effects of this disorienting reversal: across the five films analysed, the martyr moves from identifiably Christian motivations to the representation of patriotic American masculinity, or even to something that, in a contrary sense, powerfully challenges the conventional masculinity of any martyrdom that counts as significant. To achieve a genuine interdisciplinarity, Copier not only avoids reading each film as if it were simply the visual counterpart to a (biblical) narrative, but also analyses in the case of each film what the 'shot list' of a key sequence reveals about the semiotics at work within its construction. Unlike most encounters between religion and film, her film analysis goes far beyond the identification of themes and motifs. Here the author engages with the larger field of film studies, and especially with film as a visual medium.
The Dictionary of Classical Hebrew: Volumes 1-9 paperback
Published: Nov 2011
£445.00
The Dictionary of Classical Hebrew is a completely new and innovative dictionary.
Unlike previous dictionaries, which have been dictionaries of biblical Hebrew, this is the first dictionary of the classical Hebrew language to include, as well as the biblical texts, Ben Sira, the Dead Sea Scrolls, and all the other known Hebrew inscriptions and manuscripts.
This Dictionary covers the period from the earliest times to 200 CE. It lists and analyses every occurrence of each Hebrew word that occurs in texts of that period, with an English translation of every Hebrew word and phrase cited. Among its special features are: a list of the non-biblical texts cited (especially the Dead Sea Scrolls), a word frequency index for each letter of the alphabet, a substantial bibliography and an English–Hebrew index in each volume.
The paperback edition contains exactly the same pages as the hardback, and is priced at less than half the hardback price.
Please use this page for ordering the complete set of 9 paperback vols., originally published between 1993 and 2016.
The Dictionary of Classical Hebrew: Volumes 1-9 paperback
£445.00
The Dictionary of Classical Hebrew is a completely new and innovative dictionary.
Unlike previous dictionaries, which have been dictionaries of biblical Hebrew, this is the first dictionary of the classical Hebrew language to include, as well as the biblical texts, Ben Sira, the Dead Sea Scrolls, and all the other known Hebrew inscriptions and manuscripts.
This Dictionary covers the period from the earliest times to 200 CE. It lists and analyses every occurrence of each Hebrew word that occurs in texts of that period, with an English translation of every Hebrew word and phrase cited. Among its special features are: a list of the non-biblical texts cited (especially the Dead Sea Scrolls), a word frequency index for each letter of the alphabet, a substantial bibliography and an English–Hebrew index in each volume.
The paperback edition contains exactly the same pages as the hardback, and is priced at less than half the hardback price.
Please use this page for ordering the complete set of 9 paperback vols., originally published between 1993 and 2016.
A Critical Engagement: Essays on the Hebrew Bible in Honour of J. Cheryl Exum
Published: Nov 2011
£75.00
This volume honours the distinctive contribution to Hebrew Bible studies over four decades by Cheryl Exum, Professor Emerita of Biblical Studies in the University of Sheffield. Her special interests have lain, first, in the modern literary criticism of the Hebrew Bible, where her key work was Tragedy and Biblical Narrative: Arrows of the Almighty . A second area has been feminist criticism of the Hebrew Bible; here her notable contributions were Fragmented Women: Feminist (Sub)versions of Biblical Narratives and Plotted, Shot, and Painted: Cultural Representations of Biblical Women . A more recent, and now almost favourite, theme is the Bible and cultural studies, especially the Bible and art. Key works here have been a series of edited volumes, such as Beyond the Biblical Horizon: The Bible and the Arts , and The Bible in Film / The Bible and Film . Her fourth area of continuing interest has been the Song of Songs, with many articles culminating in her perceptive commentary in the Old Testament Library series. In this rich volume, 25 of her friends and colleagues offer her papers on all these themes. Several are on or around the Song of Songs (Graeme Auld, Fiona Black, David Clines, Sara Japhet, Martti Nissinen, Yair Zakovitch), and topics of feminist interest (Yairah Amit, Athalya Brenner, Claudia Camp, Hugh Pyper, Jack Sasson). Cultural studies are represented by Alice Bach, Hans Barstad, Andrew Davies, David Gunn, Martin O'Kane, John Sawyer and Ellen van Wolde, and literary criticism by Michael Fox, Edwin Good, Norman Gottwald, Edward Greenstein, Francis Landy, Burke Long and Hugh Williamson.
A Critical Engagement: Essays on the Hebrew Bible in Honour of J. Cheryl Exum
£75.00
This volume honours the distinctive contribution to Hebrew Bible studies over four decades by Cheryl Exum, Professor Emerita of Biblical Studies in the University of Sheffield. Her special interests have lain, first, in the modern literary criticism of the Hebrew Bible, where her key work was Tragedy and Biblical Narrative: Arrows of the Almighty . A second area has been feminist criticism of the Hebrew Bible; here her notable contributions were Fragmented Women: Feminist (Sub)versions of Biblical Narratives and Plotted, Shot, and Painted: Cultural Representations of Biblical Women . A more recent, and now almost favourite, theme is the Bible and cultural studies, especially the Bible and art. Key works here have been a series of edited volumes, such as Beyond the Biblical Horizon: The Bible and the Arts , and The Bible in Film / The Bible and Film . Her fourth area of continuing interest has been the Song of Songs, with many articles culminating in her perceptive commentary in the Old Testament Library series. In this rich volume, 25 of her friends and colleagues offer her papers on all these themes. Several are on or around the Song of Songs (Graeme Auld, Fiona Black, David Clines, Sara Japhet, Martti Nissinen, Yair Zakovitch), and topics of feminist interest (Yairah Amit, Athalya Brenner, Claudia Camp, Hugh Pyper, Jack Sasson). Cultural studies are represented by Alice Bach, Hans Barstad, Andrew Davies, David Gunn, Martin O'Kane, John Sawyer and Ellen van Wolde, and literary criticism by Michael Fox, Edwin Good, Norman Gottwald, Edward Greenstein, Francis Landy, Burke Long and Hugh Williamson.
Reconfiguring Mark’s Jesus: Narrative Criticism After Poststructuralism
Published: Oct 2011
£60.00
As readers, we are captivated by the resemblance of literary characters to actual persons. But it is precisely this illusion that allows characterization to play host to dominant ideologies of both 'literature' and 'the self'. This is especially true when we confuse narrative figures and historical persons.
Over the last thirty years, New Testament narrative criticism has developed into a major methodological approach in Biblical Studies. But for all its ingenuity and promise, it has been reluctant to let go of conventional historical-critical moorings. As a result, one is hard pressed to find any substantive difference between reconstructions of the historical Jesus and narrative-critical readings of the character Jesus.
Reconfiguring Mark's Jesus endeavors to reorient and advance narrative criticism by analysing the Gospel of Mark's characterization of the figure of Jesus in relation to three other fundamental aspects of narrative discourse: focalization, dialogue, and plot. This intertextual reading, in which Mark is set alongside two ancient novels — Leucippe and Clitophon and the Life of Aesop —problematizes implicitly modern notions of literary characters as autonomous 'agents', as well as 'naturalizing' treatments of literary characters as historical referents. Highlighting the inherent ambiguity of narrative discourse, particularly with regard to referentiality, human agency, and the complex relationship between literature and history, Reconfiguring Mark's Jesus illustrates the diverse and complex ways that narratives, of necessity, produce fragmented characters that refract the inherent paradoxes of narrative itself and of human subjectivity.
Reconfiguring Mark’s Jesus: Narrative Criticism After Poststructuralism
£60.00
As readers, we are captivated by the resemblance of literary characters to actual persons. But it is precisely this illusion that allows characterization to play host to dominant ideologies of both 'literature' and 'the self'. This is especially true when we confuse narrative figures and historical persons.
Over the last thirty years, New Testament narrative criticism has developed into a major methodological approach in Biblical Studies. But for all its ingenuity and promise, it has been reluctant to let go of conventional historical-critical moorings. As a result, one is hard pressed to find any substantive difference between reconstructions of the historical Jesus and narrative-critical readings of the character Jesus.
Reconfiguring Mark's Jesus endeavors to reorient and advance narrative criticism by analysing the Gospel of Mark's characterization of the figure of Jesus in relation to three other fundamental aspects of narrative discourse: focalization, dialogue, and plot. This intertextual reading, in which Mark is set alongside two ancient novels — Leucippe and Clitophon and the Life of Aesop —problematizes implicitly modern notions of literary characters as autonomous 'agents', as well as 'naturalizing' treatments of literary characters as historical referents. Highlighting the inherent ambiguity of narrative discourse, particularly with regard to referentiality, human agency, and the complex relationship between literature and history, Reconfiguring Mark's Jesus illustrates the diverse and complex ways that narratives, of necessity, produce fragmented characters that refract the inherent paradoxes of narrative itself and of human subjectivity.
Holy Land as Homeland? Models for Constructing the Historic Landscapes of Jesus
Published: Oct 2011
£50.00
The quest for the historical Jesus has invariably tried to make sense of his world by constructing what it considers to be the historic landscapes that he inhabited. These essays explore how we do not create an actual past or rediscover an actual landscape with its towns and villages but 'imaginary homelands' that allow us to inhabit and possess the past.
The papers in this volume explore the ways in which constructions of the Holy Land as homeland have been mediated through history textbooks, geographies and maps, and continue to exert an influence on contemporary scholarship. The complex interrelationships between scholarship and its national settings is a constant thread throughout the papers: the work of many of the iconic figures of nineteenth- and twentieth-century European biblical scholarship (Moxnes); the roots of European constructions of homeland from the Enlightenment onwards (Birch); American biblical scholarship in the twentieth century (Long); cartography and the construction of homeland (Whitelam); the constructions of a Galilaean homeland for Jesus (Baergen and Vaage); a contemporary imagined homeland in British politics (Crossley). The final essay takes up the themes of 'home', 'homeland' and 'homelessness' to reflect on the methods and models that underpin contemporary scholarship (Penner and Lopez).
These essays show how the scholarly task is a continuing questioning —and self-questioning —of the models and methods with which we are most at home.
The papers collected in this volume were presented in Oslo as one of the events organized by the 'Jesus in Cultural Complexity: Interpretation, Memory and Identification' project directed by Halvor Moxnes at the University of Oslo and funded by the Norwegian Research Council.
Holy Land as Homeland? Models for Constructing the Historic Landscapes of Jesus
£50.00
The quest for the historical Jesus has invariably tried to make sense of his world by constructing what it considers to be the historic landscapes that he inhabited. These essays explore how we do not create an actual past or rediscover an actual landscape with its towns and villages but 'imaginary homelands' that allow us to inhabit and possess the past.
The papers in this volume explore the ways in which constructions of the Holy Land as homeland have been mediated through history textbooks, geographies and maps, and continue to exert an influence on contemporary scholarship. The complex interrelationships between scholarship and its national settings is a constant thread throughout the papers: the work of many of the iconic figures of nineteenth- and twentieth-century European biblical scholarship (Moxnes); the roots of European constructions of homeland from the Enlightenment onwards (Birch); American biblical scholarship in the twentieth century (Long); cartography and the construction of homeland (Whitelam); the constructions of a Galilaean homeland for Jesus (Baergen and Vaage); a contemporary imagined homeland in British politics (Crossley). The final essay takes up the themes of 'home', 'homeland' and 'homelessness' to reflect on the methods and models that underpin contemporary scholarship (Penner and Lopez).
These essays show how the scholarly task is a continuing questioning —and self-questioning —of the models and methods with which we are most at home.
The papers collected in this volume were presented in Oslo as one of the events organized by the 'Jesus in Cultural Complexity: Interpretation, Memory and Identification' project directed by Halvor Moxnes at the University of Oslo and funded by the Norwegian Research Council.
Emotions in Biblical Law: A Cognitive Science Approach
Published: Oct 2011
£50.00
This study pioneers the use of insights from cognitive sciences, such as evolutionary biology, neuroscience, and developmental psychology, as heuristic tools for interpreting ancient texts. The approach could be described as 'psycho-biological'. The focus is on emotions in the various Pentateuchal legal collections. Kazen discusses the role of disgust, empathy, fear, and a sense of justice, for particular moral and ritual issues: purity and holiness; humanitarian concern for vulnerable categories; ethnocentrism and xenophobia; divine punishment and demonic threat; revenge, compensation, and ransom (kofer), together with removal (kipper) rites.
The book consists of two main parts, framed by an introductory chapter and a concluding discussion. In the first part, Kazen explores cognitive foundations, including biological and neuroscientific underpinnings for basic affects, and the role of culture in shaping both conventional morality and ritual behaviour. Four particular emotions are then outlined. In the second part, these insights from cognitive science are applied in analyses of particular texts. After an overview of the Pentateuchal legal collections, each of the four emotions is dealt with in a separate chapter. Kazen constantly relates a cognitive science approach to more traditional source and redaction-critical analysis, regarding them as complementary.
As a result, the Pentateuchal legal collections are seen as emotional texts, expressing strong affects —which influences our understanding of the character of Israelite 'law'. Kazen suggests that interaction and conflict between various emotions can explain discrepancies and tensions between humanitarian concerns and ethnocentrism, and between empathy and justice. He also demonstrates that viewing emotions as common denominators contains a potential for solving some difficult and long-standing conundrums. He argues that a focus on the human embodied experience rather than on theological convictions and theoretical ideas may avoid some interpretative dead ends and open up new avenues for understanding ancient texts.
Emotions in Biblical Law: A Cognitive Science Approach
£50.00
This study pioneers the use of insights from cognitive sciences, such as evolutionary biology, neuroscience, and developmental psychology, as heuristic tools for interpreting ancient texts. The approach could be described as 'psycho-biological'. The focus is on emotions in the various Pentateuchal legal collections. Kazen discusses the role of disgust, empathy, fear, and a sense of justice, for particular moral and ritual issues: purity and holiness; humanitarian concern for vulnerable categories; ethnocentrism and xenophobia; divine punishment and demonic threat; revenge, compensation, and ransom (kofer), together with removal (kipper) rites.
The book consists of two main parts, framed by an introductory chapter and a concluding discussion. In the first part, Kazen explores cognitive foundations, including biological and neuroscientific underpinnings for basic affects, and the role of culture in shaping both conventional morality and ritual behaviour. Four particular emotions are then outlined. In the second part, these insights from cognitive science are applied in analyses of particular texts. After an overview of the Pentateuchal legal collections, each of the four emotions is dealt with in a separate chapter. Kazen constantly relates a cognitive science approach to more traditional source and redaction-critical analysis, regarding them as complementary.
As a result, the Pentateuchal legal collections are seen as emotional texts, expressing strong affects —which influences our understanding of the character of Israelite 'law'. Kazen suggests that interaction and conflict between various emotions can explain discrepancies and tensions between humanitarian concerns and ethnocentrism, and between empathy and justice. He also demonstrates that viewing emotions as common denominators contains a potential for solving some difficult and long-standing conundrums. He argues that a focus on the human embodied experience rather than on theological convictions and theoretical ideas may avoid some interpretative dead ends and open up new avenues for understanding ancient texts.
Bible, Art, Gallery
Published: Sep 2011
£50.00
While Old Masters' paintings of biblical scenes held by major galleries in many countries are visited and seen by thousands, gems of biblical art in smaller, provincial galleries seldom get the recognition and attention they deserve. Over two years, assisted by funding from the British Academy, conferences were held at the Barber Institute of Fine Arts, University of Birmingham, and at the Manchester Art Gallery, highlighting some of the significant biblical paintings held in the collections of both galleries. The papers presented at these conferences, drawn from the worlds of biblical studies, art history, philosophy, sociology and music, and collected in this volume, reflect the interdisciplinary goals of the project. These essays serve not only to showcase biblical paintings by lesser known artists but also to illustrate the wide range of perspectives and insights brought by the different academic disciplines.
Bible, Art, Gallery
£50.00
While Old Masters' paintings of biblical scenes held by major galleries in many countries are visited and seen by thousands, gems of biblical art in smaller, provincial galleries seldom get the recognition and attention they deserve. Over two years, assisted by funding from the British Academy, conferences were held at the Barber Institute of Fine Arts, University of Birmingham, and at the Manchester Art Gallery, highlighting some of the significant biblical paintings held in the collections of both galleries. The papers presented at these conferences, drawn from the worlds of biblical studies, art history, philosophy, sociology and music, and collected in this volume, reflect the interdisciplinary goals of the project. These essays serve not only to showcase biblical paintings by lesser known artists but also to illustrate the wide range of perspectives and insights brought by the different academic disciplines.
Korean Feminists in Conversation with the Bible, Church and Society
Published: Sep 2011
£50.00
This book offers scholars and students outside Korea some insight into what forms feminist biblical interpretation takes in Korea and what approaches Korean feminists adopt for dealing with the Bible in their writing and their professional lives.
The contributors to this book represent a wide spectrum of the Korean feminist Christian movement. They include university and seminary teachers, ministers, and field workers. This book is a product of their numerous meetings and discussions on the practical issues that define contemporary Korean women's lives. In it, the contributors reflect on the diverse situations modern Korean women have faced and continue to struggle with, among them, the traditional religious culture based on Confucianism, economic globalization, postcolonialism, the problems of migrant women labourers, and the trauma of being forced into sexual slavery for Japanese soldiers during World War II. They view these situations in the light of the lives and experiences of women in the Old and New Testaments, and they look to the Bible for resources for dealing with them.
This is socially engaged biblical interpretation. It goes beyond the academic study of the Bible to a wider engagement with the church and with Korean society.
The volume is published in cooperation with Ewha Institute for Women's Theological Studies.
Korean Feminists in Conversation with the Bible, Church and Society
£50.00
This book offers scholars and students outside Korea some insight into what forms feminist biblical interpretation takes in Korea and what approaches Korean feminists adopt for dealing with the Bible in their writing and their professional lives.
The contributors to this book represent a wide spectrum of the Korean feminist Christian movement. They include university and seminary teachers, ministers, and field workers. This book is a product of their numerous meetings and discussions on the practical issues that define contemporary Korean women's lives. In it, the contributors reflect on the diverse situations modern Korean women have faced and continue to struggle with, among them, the traditional religious culture based on Confucianism, economic globalization, postcolonialism, the problems of migrant women labourers, and the trauma of being forced into sexual slavery for Japanese soldiers during World War II. They view these situations in the light of the lives and experiences of women in the Old and New Testaments, and they look to the Bible for resources for dealing with them.
This is socially engaged biblical interpretation. It goes beyond the academic study of the Bible to a wider engagement with the church and with Korean society.
The volume is published in cooperation with Ewha Institute for Women's Theological Studies.
The Letter to the Romans: Salvation as Justice and the Deconstruction of Law
Published: Sep 2011
£70.00
Romans, says Waetjen, is the first publication of the Christ movement. To understand it well is therefore a task of monumental importance, and to understand it today requires a postmodern hermeneutics, in which the interpreter's subjective experience of reading the text is correlated with historical-critical knowledge and social-scientific criticism. That hermeneutics has to create a new genre of commentary, making room for readers' prior understandings as well as for a dynamic form of close reading and consistency building. The outcome is a contemporizing of Paul's theology that induces conversation with Derrida, Žižek, Badiou and Agamben and others.
The central theme of Romans is, according to Waetjen, the healing of humanity through the realization of 'the justice of God', which is disclosed in the movement 'out of trust into trust', or, more specifically, out of the trust of Abraham into the trust of Jesus Christ. Living on this side of the law of Sinai and therefore being conscious of the condition of sin requires the reconciliation of Christ's death and the justification of Christ's resurrection in order to participate in the New Humanity of life-giving spirits.
Consequently Romans is more than a rhetorical effort to mediate conflicts between Jewish and Gentile believers in Rome. Composed prior to his journey to Jerusalem with the possibility of martyrdom before him, the letter is Paul's major theological testament.
The Letter to the Romans: Salvation as Justice and the Deconstruction of Law
£70.00
Romans, says Waetjen, is the first publication of the Christ movement. To understand it well is therefore a task of monumental importance, and to understand it today requires a postmodern hermeneutics, in which the interpreter's subjective experience of reading the text is correlated with historical-critical knowledge and social-scientific criticism. That hermeneutics has to create a new genre of commentary, making room for readers' prior understandings as well as for a dynamic form of close reading and consistency building. The outcome is a contemporizing of Paul's theology that induces conversation with Derrida, Žižek, Badiou and Agamben and others.
The central theme of Romans is, according to Waetjen, the healing of humanity through the realization of 'the justice of God', which is disclosed in the movement 'out of trust into trust', or, more specifically, out of the trust of Abraham into the trust of Jesus Christ. Living on this side of the law of Sinai and therefore being conscious of the condition of sin requires the reconciliation of Christ's death and the justification of Christ's resurrection in order to participate in the New Humanity of life-giving spirits.
Consequently Romans is more than a rhetorical effort to mediate conflicts between Jewish and Gentile believers in Rome. Composed prior to his journey to Jerusalem with the possibility of martyrdom before him, the letter is Paul's major theological testament.
The Holy Seed Has Been Defiled: The Interethnic Marriage Dilemma in Ezra 9-10
Published: Sep 2011
£45.00
In the Book of Ezra —Nehemiah, Ezra commands Yehudite men to put away their foreign wives to avoid further defiling the 'holy seed'. What is the meaning of this warning? Are Ezra's words to be understood as a concern about race-mixing or is it emblematic of some more complex set of problems prevalent in the fledgling postexilic community? Ezra's words, with their seemingly racialized thinking, have been influential in much political, religious and popular culture in the USA. It has been a backdrop for constructing racial reality for centuries, melding seemingly biblical ideologies with accepted European Enlightenment-era ideas about racial superiority and inferiority.
Willa Johnson combines archaeological data with social-scientific theory to argue for a new interpretation. In this anthropological and narratological analysis, Johnson views Ezra's edict in the light of ancient Yehudite concerns over ethnicity, gender, sexuality and social class following the return from exile. In this context, she argues, the warning against intermarriage appears to be an effort to reconstitute identity in the aftermath of the cataclysmic political dominance by first the Babylonian and then the Persian empires.
This book represents a postmodern interdisciplinary approach to understanding an ancient biblical socio-political situation. As such, it offers fresh perspectives on ways that interpretations of the Bible continue to reflect the ideologies of its interpreters.
The Holy Seed Has Been Defiled: The Interethnic Marriage Dilemma in Ezra 9-10
£45.00
In the Book of Ezra —Nehemiah, Ezra commands Yehudite men to put away their foreign wives to avoid further defiling the 'holy seed'. What is the meaning of this warning? Are Ezra's words to be understood as a concern about race-mixing or is it emblematic of some more complex set of problems prevalent in the fledgling postexilic community? Ezra's words, with their seemingly racialized thinking, have been influential in much political, religious and popular culture in the USA. It has been a backdrop for constructing racial reality for centuries, melding seemingly biblical ideologies with accepted European Enlightenment-era ideas about racial superiority and inferiority.
Willa Johnson combines archaeological data with social-scientific theory to argue for a new interpretation. In this anthropological and narratological analysis, Johnson views Ezra's edict in the light of ancient Yehudite concerns over ethnicity, gender, sexuality and social class following the return from exile. In this context, she argues, the warning against intermarriage appears to be an effort to reconstitute identity in the aftermath of the cataclysmic political dominance by first the Babylonian and then the Persian empires.
This book represents a postmodern interdisciplinary approach to understanding an ancient biblical socio-political situation. As such, it offers fresh perspectives on ways that interpretations of the Bible continue to reflect the ideologies of its interpreters.
Reading Ideologies: Essays on the Bible and Interpretation in Honor of Mary Ann Tolbert
Published: Sep 2011
£75.00
Mary Ann Tolbert has been a pioneering voice in what we have now come to call 'interdisciplinary reading' of the Bible. In the early stages of her career, Tolbert used New Testament parables to push biblical scholarship beyond the traditional confines of historical-critical methods. Over the past four decades, she has made significant contributions to psychoanalytical, narrative, rhetorical, feminist, and queer readings of the Bible, and has interrogated the social location of biblical interpreters as well as the ideological implications of reading and reading methodologies.
Divided into three main sections, this collection of essays from biblical scholars around the world to honor Tolbert engage the very issues that have driven and defined Tolbert's scholarship: reading between the historical and the literary; reading between biblical authority and social location; and reading between gender and sexuality. The title of the collection focuses on an often-used but arguably under-examined term in biblical studies: 'ideology'. Together, essays in this volume not only perform ideological criticism of the Bible but also profess the ideological nature of criticism itself, since —regardless of 'what' and 'how' one is reading —the act of reading is always already infused with ideology. By highlighting the work of ideology in interpretation, this volume ultimately suggests that while ideology impacts interpretation of meaning, the meaning of ideology itself also needs to be interpreted.
Reading Ideologies: Essays on the Bible and Interpretation in Honor of Mary Ann Tolbert
£75.00
Mary Ann Tolbert has been a pioneering voice in what we have now come to call 'interdisciplinary reading' of the Bible. In the early stages of her career, Tolbert used New Testament parables to push biblical scholarship beyond the traditional confines of historical-critical methods. Over the past four decades, she has made significant contributions to psychoanalytical, narrative, rhetorical, feminist, and queer readings of the Bible, and has interrogated the social location of biblical interpreters as well as the ideological implications of reading and reading methodologies.
Divided into three main sections, this collection of essays from biblical scholars around the world to honor Tolbert engage the very issues that have driven and defined Tolbert's scholarship: reading between the historical and the literary; reading between biblical authority and social location; and reading between gender and sexuality. The title of the collection focuses on an often-used but arguably under-examined term in biblical studies: 'ideology'. Together, essays in this volume not only perform ideological criticism of the Bible but also profess the ideological nature of criticism itself, since —regardless of 'what' and 'how' one is reading —the act of reading is always already infused with ideology. By highlighting the work of ideology in interpretation, this volume ultimately suggests that while ideology impacts interpretation of meaning, the meaning of ideology itself also needs to be interpreted.
Jerusalem and the Nations: Studies in the Book of Isaiah
Published: Sep 2011
£50.00
This volume contains the fruit of three decades of Ronald Clements's researches on prophecy in the Old Testament. In sixteen papers, seven of them not previously published, he broaches several leading questions about the origins of written prophecy in the Old Testament. A major focus is on the impact of the events of 701 BCE on the formation of the Isaiah book as a whole and the rise of Jerusalem as a centre of religious hope.
Further studies deal with the role of the Isaiah book in current biblical interpretation and the failure of twentieth-century interpreters to explain its unity. Other subjects concern ideas of divine providence, theodicy, and the links between ancient scribal methods of book formation and canonical authority. Special attention is given to the attempts to retain traditional Christian approaches to a book, the interpretation of which has been greatly transformed by modern critical study.
Jerusalem and the Nations: Studies in the Book of Isaiah
£50.00
This volume contains the fruit of three decades of Ronald Clements's researches on prophecy in the Old Testament. In sixteen papers, seven of them not previously published, he broaches several leading questions about the origins of written prophecy in the Old Testament. A major focus is on the impact of the events of 701 BCE on the formation of the Isaiah book as a whole and the rise of Jerusalem as a centre of religious hope.
Further studies deal with the role of the Isaiah book in current biblical interpretation and the failure of twentieth-century interpreters to explain its unity. Other subjects concern ideas of divine providence, theodicy, and the links between ancient scribal methods of book formation and canonical authority. Special attention is given to the attempts to retain traditional Christian approaches to a book, the interpretation of which has been greatly transformed by modern critical study.
Revelation, Second Edition
Published: Aug 2011
Price range: £15.00 through £35.00
This reading of Revelation views the text as John's response to the problem of social accommodation in the churches of Asia Minor. Knight works from the hypothesis, now increasingly argued in scholarly circles, that there was no persecution of the Christians by the emperor Domitian at the end of the first century CE, and he explains the references to martyrdom in the Apocalypse as mainly symbolic. Knight argues that John is creating awareness of a crisis in order to call his readers to a stricter pattern of behaviour than Paul had allowed when writing to the Corinthians. This readable chapter-by-chapter commentary on the book concludes with a section on the main theological ideas of Revelation. This is a reprint of the edition originally published in 1999.
Revelation, Second Edition
Price range: £15.00 through £35.00
This reading of Revelation views the text as John's response to the problem of social accommodation in the churches of Asia Minor. Knight works from the hypothesis, now increasingly argued in scholarly circles, that there was no persecution of the Christians by the emperor Domitian at the end of the first century CE, and he explains the references to martyrdom in the Apocalypse as mainly symbolic. Knight argues that John is creating awareness of a crisis in order to call his readers to a stricter pattern of behaviour than Paul had allowed when writing to the Corinthians. This readable chapter-by-chapter commentary on the book concludes with a section on the main theological ideas of Revelation. This is a reprint of the edition originally published in 1999.
The Lord of the Entire World: Lord Jesus, a Challenge to Lord Caesar?
Published: Aug 2011
£70.00
How would the confession, 'Jesus is Lord', have been understood in the first-century Roman world? Was it more than a statement of one's devotion to Jesus? Was it also an implicit challenge to the living Caesar, the lord of the Roman empire?
There were many lords in the first century and the use of the title kyrios was complex. Clearly Paul was influenced by the use of this title for Yahweh in the Greek Old Testament. But he was also part of a culture in which the title was used for many persons, including fathers, slave owners, government officials —and the emperor.
However, the title kyrios was used sparingly of emperors in the early and mid-first century. On the basis of the extant evidence, scholars since Deissmann have come to differing conclusions as to whether a challenge to the emperor is contained in the phrase.
Fantin proposes a more powerful method of resolving the question, drawing upon the insights of relevance theory. He examines a whole range of persons referred to with this title, and evaluates the potential influence of such contexts on Paul's usage. Only then is it possible to draw compelling conclusions on whether any challenge is likely to be implied.
In The Lord of the Entire World, Fantin shows that the living Caesar was indeed acknowledged in Paul's time as the supreme lord of the Roman world. Key New Testament texts such as Romans 10.9, 1 Corinthians 8.6 and Philippians 2.11 show that in all likelihood the Christian confession was in fact a challenge to imperial authority.
The Lord of the Entire World: Lord Jesus, a Challenge to Lord Caesar?
£70.00
How would the confession, 'Jesus is Lord', have been understood in the first-century Roman world? Was it more than a statement of one's devotion to Jesus? Was it also an implicit challenge to the living Caesar, the lord of the Roman empire?
There were many lords in the first century and the use of the title kyrios was complex. Clearly Paul was influenced by the use of this title for Yahweh in the Greek Old Testament. But he was also part of a culture in which the title was used for many persons, including fathers, slave owners, government officials —and the emperor.
However, the title kyrios was used sparingly of emperors in the early and mid-first century. On the basis of the extant evidence, scholars since Deissmann have come to differing conclusions as to whether a challenge to the emperor is contained in the phrase.
Fantin proposes a more powerful method of resolving the question, drawing upon the insights of relevance theory. He examines a whole range of persons referred to with this title, and evaluates the potential influence of such contexts on Paul's usage. Only then is it possible to draw compelling conclusions on whether any challenge is likely to be implied.
In The Lord of the Entire World, Fantin shows that the living Caesar was indeed acknowledged in Paul's time as the supreme lord of the Roman world. Key New Testament texts such as Romans 10.9, 1 Corinthians 8.6 and Philippians 2.11 show that in all likelihood the Christian confession was in fact a challenge to imperial authority.
Textual Memory: Ancient Archives, Libraries and the Hebrew Bible
Published: Aug 2011
£65.00
In modern scholarship the Hebrew Bible represents a collection of books, perhaps even a library of books. Some think that it is a selection of ancient oral traditions that were eventually written down, edited and preserved. Others suggest that the biblical corpus resulted from a merging of regional libraries in ancient Palestine or was the outcome of the Hasmoneans' need to legitimize their rule by claiming ownership of a library of books originating in the Jerusalem temple. No matter how tantalizing these hypotheses are, the implications of a concrete understanding of the origins of the Bible as library or archive are not often fully appreciated by scholars.
Textual Memory explores how various disciplines, including Assyriology, biblical studies, archival science and library history, have made sense of the thousands of collections of clay tablets and ancient written material discovered over the past two hundred years in the Middle East. And it raises the question whether the great libraries of Ashurbanipal and Alexandria, among others, are able to suggest models of how the Hebrew Bible came into being. Can the temple libraries in Mesopotamia or Egypt offer us any clues about who decided what should be preserved and why? What have ancient archival practices of careful selection, conservation, classification and dissemination of information to contribute to our understanding of the creation of the Hebrew Bible?
Ultimately, this book is a historiographical synthesis of current scholarship on ancient Near Eastern archives and libraries from different disciplinary perspectives. Its purpose is to better understand how we should conceive of the Bible as religious tradition and literary heritage.
Textual Memory: Ancient Archives, Libraries and the Hebrew Bible
£65.00
In modern scholarship the Hebrew Bible represents a collection of books, perhaps even a library of books. Some think that it is a selection of ancient oral traditions that were eventually written down, edited and preserved. Others suggest that the biblical corpus resulted from a merging of regional libraries in ancient Palestine or was the outcome of the Hasmoneans' need to legitimize their rule by claiming ownership of a library of books originating in the Jerusalem temple. No matter how tantalizing these hypotheses are, the implications of a concrete understanding of the origins of the Bible as library or archive are not often fully appreciated by scholars.
Textual Memory explores how various disciplines, including Assyriology, biblical studies, archival science and library history, have made sense of the thousands of collections of clay tablets and ancient written material discovered over the past two hundred years in the Middle East. And it raises the question whether the great libraries of Ashurbanipal and Alexandria, among others, are able to suggest models of how the Hebrew Bible came into being. Can the temple libraries in Mesopotamia or Egypt offer us any clues about who decided what should be preserved and why? What have ancient archival practices of careful selection, conservation, classification and dissemination of information to contribute to our understanding of the creation of the Hebrew Bible?
Ultimately, this book is a historiographical synthesis of current scholarship on ancient Near Eastern archives and libraries from different disciplinary perspectives. Its purpose is to better understand how we should conceive of the Bible as religious tradition and literary heritage.
Journal of Greco-Roman Christianity and Judaism 7 (2010)
Published: Aug 2011
£80.00
This is the seventh volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009 and Volume 7 is for 2010. As they appear, the hardcopy editions will replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Journal of Greco-Roman Christianity and Judaism 7 (2010)
£80.00
This is the seventh volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009 and Volume 7 is for 2010. As they appear, the hardcopy editions will replace the online materials. The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Sacred Texts and Sacred Meanings: Studies in Biblical Language and Literature
Published: Jun 2011
£75.00
John Sawyer has been known for over 40 years as one of the finest British biblical scholars, always alert to new perspectives in biblical criticism and a pioneer in fruitful applications of new, often interdisciplinary, research methods. He has been an inspiring teacher to generations of students in Glasgow (1964-65), Newcastle upon Tyne (1965-94), Lancaster (1994-2002) and Oxford (2005-2008). From the very beginning he saw the need to apply sound linguistic theory to the study of the Bible, with the fundamental insight that all texts can have, and very often have had, more than one meaning.
No one meaning can claim priority over the others, he argues. The 'original meaning', more or less convincingly reconstructed by modern scholarship, can claim chronological priority, but that is all. What the text has meant to its Jewish and Christian readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning. This is the unifying strand in the whole of his work, from his groundbreaking Semantics in Biblical Research: New Methods of Defining Hebrew Words for Salvation (1972) and his From Moses to Patmos: New Perspectives in Old Testament Study (1977) to his fascinating The Fifth Gospel: Isaiah in the History of Christianity (1996) and his Sacred Languages and Sacred Texts (1999). Among his most recent major contributions in this area have been his co-editorship of the Blackwell Bible Commentary Series, his edited Blackwell Companion to the Bible and Culture (2006) and his own Concise Dictionary of the Bible and its Reception (2009).
In 2011 John Sawyer has been elected President of the Society for Old Testament Study, and to celebrate that appointment Sheffield Phoenix Press is honoured to present this representative selection of 46 of his papers, some previously unpublished and some originally published in rather obscure places.
Sacred Texts and Sacred Meanings: Studies in Biblical Language and Literature
£75.00
John Sawyer has been known for over 40 years as one of the finest British biblical scholars, always alert to new perspectives in biblical criticism and a pioneer in fruitful applications of new, often interdisciplinary, research methods. He has been an inspiring teacher to generations of students in Glasgow (1964-65), Newcastle upon Tyne (1965-94), Lancaster (1994-2002) and Oxford (2005-2008). From the very beginning he saw the need to apply sound linguistic theory to the study of the Bible, with the fundamental insight that all texts can have, and very often have had, more than one meaning.
No one meaning can claim priority over the others, he argues. The 'original meaning', more or less convincingly reconstructed by modern scholarship, can claim chronological priority, but that is all. What the text has meant to its Jewish and Christian readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning. This is the unifying strand in the whole of his work, from his groundbreaking Semantics in Biblical Research: New Methods of Defining Hebrew Words for Salvation (1972) and his From Moses to Patmos: New Perspectives in Old Testament Study (1977) to his fascinating The Fifth Gospel: Isaiah in the History of Christianity (1996) and his Sacred Languages and Sacred Texts (1999). Among his most recent major contributions in this area have been his co-editorship of the Blackwell Bible Commentary Series, his edited Blackwell Companion to the Bible and Culture (2006) and his own Concise Dictionary of the Bible and its Reception (2009).
In 2011 John Sawyer has been elected President of the Society for Old Testament Study, and to celebrate that appointment Sheffield Phoenix Press is honoured to present this representative selection of 46 of his papers, some previously unpublished and some originally published in rather obscure places.
The Matter of the Text: Material Engagements Between Luke and the Five Senses
Published: May 2011
£60.00
When the Lukan Jesus stands up to read in the Nazareth synagogue, he unrolls and rolls up a scroll. At this moment —which scholars have read as programmatic for the Gospel of Luke —the material text frames the written and spoken word. Here reading is an engagement with the senses of touch, sight and hearing. The organs of sense —skin, eyes, ears and mouth —function as mediators of the material text.
By contrast, our contemporary practices of reading as biblical scholars and critics commonly ignore the underlying materiality that is given to writing. In an ecological context where the mass production of Bibles is part of a consumerist economics that does not walk lightly on the Earth, and in an Australian postcolonial context where Bibles arrived as material artefacts of European colonizers, this book asks what modes of reading might best be suited to the materiality of the text. Engaging with the Gospel of Luke and the five senses, The Matter of the Text enacts a mode of reading that attends to the underlying materiality of the text.
Reading with the senses offers a way of imagining the mutual touching of artefact and writing and the absent presence of the material text, where matter is given to the word as a visible voice.
The Matter of the Text: Material Engagements Between Luke and the Five Senses
£60.00
When the Lukan Jesus stands up to read in the Nazareth synagogue, he unrolls and rolls up a scroll. At this moment —which scholars have read as programmatic for the Gospel of Luke —the material text frames the written and spoken word. Here reading is an engagement with the senses of touch, sight and hearing. The organs of sense —skin, eyes, ears and mouth —function as mediators of the material text.
By contrast, our contemporary practices of reading as biblical scholars and critics commonly ignore the underlying materiality that is given to writing. In an ecological context where the mass production of Bibles is part of a consumerist economics that does not walk lightly on the Earth, and in an Australian postcolonial context where Bibles arrived as material artefacts of European colonizers, this book asks what modes of reading might best be suited to the materiality of the text. Engaging with the Gospel of Luke and the five senses, The Matter of the Text enacts a mode of reading that attends to the underlying materiality of the text.
Reading with the senses offers a way of imagining the mutual touching of artefact and writing and the absent presence of the material text, where matter is given to the word as a visible voice.
Paradoxes of Paradise: Identity and Difference in the Song of Songs, Second Edition
Published: May 2011
£22.50
Rabbi Akiba is famously reported to have said, 'Heaven forbid that any one in Israel ever disputed that the Song of Songs is holy, for the whole world is not worth the day on which the Song of Songs was given to Israel, for all the writings are holy, but the Song of Songs is the Holy of Holies'. This book is an extended elaboration of Rabbi Akiba's statement. It argues that the Song is a Hellenistic composition, drawing on the resources of ancient Near Eastern erotic poetry and characterized by a complex though fragile unity.
Through the metaphors, the lovers progressively see themselves reflected in each other, as well as in the world about them and the poetry of love. The poem celebrates the land of Israel in spring, an ideal humanity, and a perfected language. It culminates in the contestation of love and death, and the assertion that only love survives the exigencies of time.
The pervasive ambiguity of the Song, in which one never quite knows what happens, is related to the ambivalence of beauty, which is closely related to ugliness. Hence the surrealist imagery of the Song verges upon the grotesque and stretches the resources of our imagination. Through a detailed comparison with the Garden of Eden story, Landy argues that the Song is a vision of paradise seen from the outside, through the ironic poetic gaze, in a world potentially hostile or indifferent.
Paradoxes of Paradise: Identity and Difference in the Song of Songs, Second Edition
£22.50
Rabbi Akiba is famously reported to have said, 'Heaven forbid that any one in Israel ever disputed that the Song of Songs is holy, for the whole world is not worth the day on which the Song of Songs was given to Israel, for all the writings are holy, but the Song of Songs is the Holy of Holies'. This book is an extended elaboration of Rabbi Akiba's statement. It argues that the Song is a Hellenistic composition, drawing on the resources of ancient Near Eastern erotic poetry and characterized by a complex though fragile unity.
Through the metaphors, the lovers progressively see themselves reflected in each other, as well as in the world about them and the poetry of love. The poem celebrates the land of Israel in spring, an ideal humanity, and a perfected language. It culminates in the contestation of love and death, and the assertion that only love survives the exigencies of time.
The pervasive ambiguity of the Song, in which one never quite knows what happens, is related to the ambivalence of beauty, which is closely related to ugliness. Hence the surrealist imagery of the Song verges upon the grotesque and stretches the resources of our imagination. Through a detailed comparison with the Garden of Eden story, Landy argues that the Song is a vision of paradise seen from the outside, through the ironic poetic gaze, in a world potentially hostile or indifferent.
Network Apocalypse: Visions of the End in an Age of Internet Media
Published: May 2011
£50.00
In the twenty-first century, religious belief is undergoing change, driven in part by new communication technologies. Such technologies have often given rise to notable changes in religion, some of the most revolutionary of them being apocalyptic in character. What, then, is the nature of the changes in religious belief created or enabled by the Internet?
In this collection, the first of its kind, nine scholars consider whether the empowerment offered by Internet communication generally encourages the exchange of ideas or whether, rather, it allows individuals to seal themselves off into ideological ghettos of the like-minded. These nine essays explore those possibilities by documenting and analysing the diversity of apocalyptic belief online.
Andrew Fergus Wilson looks at those using the Internet to explore the syncretism that lies at the heart of the 'cultic milieu'. William A. Stahl examines the online discourse about climate change to find the apocalyptic structures undergirding it. Dennis Beesley examines End Times discourse on the video sharing Web site YouTube. J.L. Schatz explores how the apocalyptic imaginings of science fiction set the trajectory of our shared future. Amarnath Amarasingam documents how the Internet is encouraging the belief that President Barack Obama is the Antichrist. Salvador Jimenez Murguia analyses an Internet-based service offered to those wishing to communicate with their loved ones who might be 'left behind' after the anticipated 'Rapture'. David Drissel documents how social networking facilitates connections among Muslims who share a belief in a nearing apocalypse. James Schirmer examines an apocalyptic computer game individuals use to explore personal ethics. Robert Glenn Howard documents the first Internet-based new religious movement —reflected in the beliefs of the suicidal 1997 'Heaven's Gate' group, extant in their archived websites.
Network Apocalypse: Visions of the End in an Age of Internet Media
£50.00
In the twenty-first century, religious belief is undergoing change, driven in part by new communication technologies. Such technologies have often given rise to notable changes in religion, some of the most revolutionary of them being apocalyptic in character. What, then, is the nature of the changes in religious belief created or enabled by the Internet?
In this collection, the first of its kind, nine scholars consider whether the empowerment offered by Internet communication generally encourages the exchange of ideas or whether, rather, it allows individuals to seal themselves off into ideological ghettos of the like-minded. These nine essays explore those possibilities by documenting and analysing the diversity of apocalyptic belief online.
Andrew Fergus Wilson looks at those using the Internet to explore the syncretism that lies at the heart of the 'cultic milieu'. William A. Stahl examines the online discourse about climate change to find the apocalyptic structures undergirding it. Dennis Beesley examines End Times discourse on the video sharing Web site YouTube. J.L. Schatz explores how the apocalyptic imaginings of science fiction set the trajectory of our shared future. Amarnath Amarasingam documents how the Internet is encouraging the belief that President Barack Obama is the Antichrist. Salvador Jimenez Murguia analyses an Internet-based service offered to those wishing to communicate with their loved ones who might be 'left behind' after the anticipated 'Rapture'. David Drissel documents how social networking facilitates connections among Muslims who share a belief in a nearing apocalypse. James Schirmer examines an apocalyptic computer game individuals use to explore personal ethics. Robert Glenn Howard documents the first Internet-based new religious movement —reflected in the beliefs of the suicidal 1997 'Heaven's Gate' group, extant in their archived websites.
Hosea, Second Edition
Published: May 2011
Price range: £15.00 through £35.00
This reading of Hosea explores the book from a feminist, psychoanalytical and poetic perspective. What is God doing with a prostitute? How does the theme of prostitution relate to the abjection of the woman as the other, and the fantasy of sexual ecstasy, precisely because she escapes patriarchal order? Where is the prophet situated in the dialectic of rage and desire that both seduces and condemns Israel? The prophet's voice is both masculine and feminine, and poetically embodies the sensuality of wayward Israel.
The ambiguity of voice is also that of the prophet's role, which is both to nurture Israel, as on its Exodus from Egypt, and to be the trap that destroys it. The problematic of voice and prophetic function is evident in the vivid dissection of Israel's social institutions, whose disintegration is inversely related to the centrality of the discussion in the structure of the book, and in the violent swings from despair to impossible hope.
The focus on immediate and uncontrollable entropy, manifest in extended tangled metaphors, that occupies the centre of the book, is framed in the outer chapters by intertextual references to Israel's primordial vision, and the romantic distantiation of the Song of Songs, in which the erotic and poetic contradictions of the book find their perhaps ironic resolution.
This is an extensive revision of the 1995 edition.
Hosea, Second Edition
Price range: £15.00 through £35.00
This reading of Hosea explores the book from a feminist, psychoanalytical and poetic perspective. What is God doing with a prostitute? How does the theme of prostitution relate to the abjection of the woman as the other, and the fantasy of sexual ecstasy, precisely because she escapes patriarchal order? Where is the prophet situated in the dialectic of rage and desire that both seduces and condemns Israel? The prophet's voice is both masculine and feminine, and poetically embodies the sensuality of wayward Israel.
The ambiguity of voice is also that of the prophet's role, which is both to nurture Israel, as on its Exodus from Egypt, and to be the trap that destroys it. The problematic of voice and prophetic function is evident in the vivid dissection of Israel's social institutions, whose disintegration is inversely related to the centrality of the discussion in the structure of the book, and in the violent swings from despair to impossible hope.
The focus on immediate and uncontrollable entropy, manifest in extended tangled metaphors, that occupies the centre of the book, is framed in the outer chapters by intertextual references to Israel's primordial vision, and the romantic distantiation of the Song of Songs, in which the erotic and poetic contradictions of the book find their perhaps ironic resolution.
This is an extensive revision of the 1995 edition.
Left Behind and the Evangelical Imagination
Published: May 2011
£50.00
Left Behind — twelve novels that dramatize one evangelical perspective on the end of the world — is now established as the best-selling fictional series in American literary history. But it has been met with a range of critical receptions. This volume gathers essays by new and established critics of the series to interrogate the series' significance and its cultural and commercial success, and includes, for the first time, a response to these criticisms written on behalf of one of the series' authors.
Mark S. Sweetnam considers the challenge that the organically theological nature of Left Behind has posed for cultural scholars. Amy Frykholm situates the novels' discussion of gender within wider traditions of sentimental and domestic fiction. Jennie Chapman nuances the general assumption that the series' conspiracy plots have been poached from secular accounts of subversion that emerged from the radical Right. Crawford Gribben contextualizes the treatment of Jews and Muslims in the rapture fiction tradition. Jarlath Killeen identifies a profoundly ambiguous attitude to Catholicism in the novels, accounted for by the emergence of lobbying and campaigning alliances between evangelicals and Catholics on a range of social issues. John Walliss outlines the manner in which rapture films speak to an evangelical audience, and addresses the failure of these films to gain significant crossover appeal. Katie Sturm interrogates the series' ecumenical reflections. Marisa Ronan traces the role of Christian fiction in the shaping of evangelical identity. Thomas Ice addresses the theological background of the novels. Writing on behalf of Jerry B. Jenkins, Kevin Zuber responds to the criticisms provided by the volume's contributors.
Left Behind and the Evangelical Imagination
£50.00
Left Behind — twelve novels that dramatize one evangelical perspective on the end of the world — is now established as the best-selling fictional series in American literary history. But it has been met with a range of critical receptions. This volume gathers essays by new and established critics of the series to interrogate the series' significance and its cultural and commercial success, and includes, for the first time, a response to these criticisms written on behalf of one of the series' authors.
Mark S. Sweetnam considers the challenge that the organically theological nature of Left Behind has posed for cultural scholars. Amy Frykholm situates the novels' discussion of gender within wider traditions of sentimental and domestic fiction. Jennie Chapman nuances the general assumption that the series' conspiracy plots have been poached from secular accounts of subversion that emerged from the radical Right. Crawford Gribben contextualizes the treatment of Jews and Muslims in the rapture fiction tradition. Jarlath Killeen identifies a profoundly ambiguous attitude to Catholicism in the novels, accounted for by the emergence of lobbying and campaigning alliances between evangelicals and Catholics on a range of social issues. John Walliss outlines the manner in which rapture films speak to an evangelical audience, and addresses the failure of these films to gain significant crossover appeal. Katie Sturm interrogates the series' ecumenical reflections. Marisa Ronan traces the role of Christian fiction in the shaping of evangelical identity. Thomas Ice addresses the theological background of the novels. Writing on behalf of Jerry B. Jenkins, Kevin Zuber responds to the criticisms provided by the volume's contributors.
Through the ‘I’-Window: The Inner Life of Characters in the Hebrew Bible
Published: Mar 2011
£60.00
It is often said that the inner life of characters in the Hebrew Bible is inaccessible to us, and that we can know little or nothing about how they felt and thought. In this study, original in both its scope and its method, Barbara Leung Lai shows how wrong that assumption is. She directs our attention to the many places where her chosen characters, Daniel, Isaiah, and Yahweh, speak of themselves, using the first-person 'I' voice, and finds those to be a unique point of entry, or window, into the interiority of the characters.
To construct an interior profile of these characters, Leung Lai develops an integrated methodology of psychological exegesis, drawing upon psychological perspectives of personality, Bakhtinian views of polyphony and dialogism, current studies of emotion, self and selfhood, and the empirics of reading under the rubric of reader-response literary criticism.
From these perspectives, Leung Lai can identify in Daniel two primary realms in his inner identity-seeing and emotive experiencing -- and can characterize Daniel's interior world as a world of paradoxes, of seeing without comprehending, hearing without the capacity to respond. Isaiah, on the other hand, exhibits a broad spectrum of emotions, from love, intimacy, joy and empathy to a sense of being under divine constraint, and to mourning, lament, doubt, distress, helplessness and despair. The prophet exhibits a profound sense of selfhood and subtle inner depths. The character of Yahweh is found to be most striking for its inner conflicts, with its frustrations, disappointments, pain and suffering.
This groundbreaking book will stimulate many readers to a new appreciation of characterization in the Hebrew Bible.
Through the ‘I’-Window: The Inner Life of Characters in the Hebrew Bible
£60.00
It is often said that the inner life of characters in the Hebrew Bible is inaccessible to us, and that we can know little or nothing about how they felt and thought. In this study, original in both its scope and its method, Barbara Leung Lai shows how wrong that assumption is. She directs our attention to the many places where her chosen characters, Daniel, Isaiah, and Yahweh, speak of themselves, using the first-person 'I' voice, and finds those to be a unique point of entry, or window, into the interiority of the characters.
To construct an interior profile of these characters, Leung Lai develops an integrated methodology of psychological exegesis, drawing upon psychological perspectives of personality, Bakhtinian views of polyphony and dialogism, current studies of emotion, self and selfhood, and the empirics of reading under the rubric of reader-response literary criticism.
From these perspectives, Leung Lai can identify in Daniel two primary realms in his inner identity-seeing and emotive experiencing -- and can characterize Daniel's interior world as a world of paradoxes, of seeing without comprehending, hearing without the capacity to respond. Isaiah, on the other hand, exhibits a broad spectrum of emotions, from love, intimacy, joy and empathy to a sense of being under divine constraint, and to mourning, lament, doubt, distress, helplessness and despair. The prophet exhibits a profound sense of selfhood and subtle inner depths. The character of Yahweh is found to be most striking for its inner conflicts, with its frustrations, disappointments, pain and suffering.
This groundbreaking book will stimulate many readers to a new appreciation of characterization in the Hebrew Bible.
Jonathan Loved David: Manly Love in the Bible and the Hermeneutics of Sex
Published: Mar 2011
£60.00
The relationship between the Hebrew heroes David and Jonathan has caught the attention of popular and scholarly writers alike. Yet there is little agreement about the nature of this relationship that speaks of a love between two men that 'surpasses the love of a man for a woman' (2 Sam. 1.26). Weighing the arguments of scholars including Nissinen, Stone and Zehnder, Heacock produces a meta-critical analysis of the many interpretations of the relationship between David and Jonathan, identifying three dominant readings: the traditional political-theological interpretation, the homoerotic interpretation, and the homosocial interpretation.
After outlining the three interpretive approaches, Heacock considers the evidence cited to support each: namely, themes in the David and Jonathan narrative and related biblical texts, ancient political treaties, laws pertaining to homogenital behaviour in the ancient Mediterranean world, and the heroic tales of the Gilgamesh Epic and Homer's Iliad. By applying recent epistemological shifts in knowledge as developed in the interdisciplinary fields of sexuality studies, queer studies and ancient studies, Heacock emphasizes the inescapability of the modern reader's cultural context when reading the narrative, particularly the influence of modern discourses of sexuality.
Rather than suggest an alternative historical reading, Heacock turns the debate on its head by abandoning claims to historical veracity and embracing the input of the contemporary queer reader. Using queer theory and reader-response criticism, he offers a reading of the relationship between David and Jonathan through the lens of contemporary gay male friendships. This queer reading not only celebrates manly love in its numerous forms, but also adds a self-critical voice to the discussion that exposes the heteronormative assumptions underlying the questions often asked of the narrative.
Jonathan Loved David: Manly Love in the Bible and the Hermeneutics of Sex
£60.00
The relationship between the Hebrew heroes David and Jonathan has caught the attention of popular and scholarly writers alike. Yet there is little agreement about the nature of this relationship that speaks of a love between two men that 'surpasses the love of a man for a woman' (2 Sam. 1.26). Weighing the arguments of scholars including Nissinen, Stone and Zehnder, Heacock produces a meta-critical analysis of the many interpretations of the relationship between David and Jonathan, identifying three dominant readings: the traditional political-theological interpretation, the homoerotic interpretation, and the homosocial interpretation.
After outlining the three interpretive approaches, Heacock considers the evidence cited to support each: namely, themes in the David and Jonathan narrative and related biblical texts, ancient political treaties, laws pertaining to homogenital behaviour in the ancient Mediterranean world, and the heroic tales of the Gilgamesh Epic and Homer's Iliad. By applying recent epistemological shifts in knowledge as developed in the interdisciplinary fields of sexuality studies, queer studies and ancient studies, Heacock emphasizes the inescapability of the modern reader's cultural context when reading the narrative, particularly the influence of modern discourses of sexuality.
Rather than suggest an alternative historical reading, Heacock turns the debate on its head by abandoning claims to historical veracity and embracing the input of the contemporary queer reader. Using queer theory and reader-response criticism, he offers a reading of the relationship between David and Jonathan through the lens of contemporary gay male friendships. This queer reading not only celebrates manly love in its numerous forms, but also adds a self-critical voice to the discussion that exposes the heteronormative assumptions underlying the questions often asked of the narrative.
Biblical Curses and the Displacement of Tradition
Published: Mar 2011
£70.00
In Biblical Curses and the Displacement of Tradition Brian Britt offers an intriguing perspective on curses as the focus of debates over the power, pleasure, and danger of words. Biblical authors transformed ancient Near Eastern curses against rival ethnic groups, disobedient ancestors, and the day of one's own birth with great variety and ingenuity.
Transformations of biblical curses proliferated in post-biblical history, even during periods of 'secularization'. This study argues that biblical, early modern, and contemporary transformations of curses constitute displacements rather than replacements of earlier traditions.
The crucial notion of displacement draws from Freud's psychoanalytic theory, Nietzsche's critical philosophy, and Benjamin's engagement with textual tradition; it highlights not only manifest shifts but also many hidden continuities between cursing in biblical texts and cursing in such 'secular' domains as literature, law, politics, and philosophy. The tradition of biblical cursing —neither purely 'religious' nor purely 'secular' —travels through these texts and contexts as it redefines verbal, human, and supernatural power.
Biblical Curses and the Displacement of Tradition
£70.00
In Biblical Curses and the Displacement of Tradition Brian Britt offers an intriguing perspective on curses as the focus of debates over the power, pleasure, and danger of words. Biblical authors transformed ancient Near Eastern curses against rival ethnic groups, disobedient ancestors, and the day of one's own birth with great variety and ingenuity.
Transformations of biblical curses proliferated in post-biblical history, even during periods of 'secularization'. This study argues that biblical, early modern, and contemporary transformations of curses constitute displacements rather than replacements of earlier traditions.
The crucial notion of displacement draws from Freud's psychoanalytic theory, Nietzsche's critical philosophy, and Benjamin's engagement with textual tradition; it highlights not only manifest shifts but also many hidden continuities between cursing in biblical texts and cursing in such 'secular' domains as literature, law, politics, and philosophy. The tradition of biblical cursing —neither purely 'religious' nor purely 'secular' —travels through these texts and contexts as it redefines verbal, human, and supernatural power.
The Birth, the Curse and the Greening of Earth: An Ecological Reading of Genesis 1-11
The Birth, the Curse and the Greening of Earth: An Ecological Reading of Genesis 1-11