Beyond the End: The Future of Millennial Studies
Published: Oct 2012
£60.00
There are promising signs that millennial studies is now being recognized by the wider academic community as a profitable pursuit that merits serious scholarly attention. More than ever before, the horizons of academic engagement with millennial ideologies and their historical and cultural ramifications are being expanded over a multiplicity of disciplinary perspectives.
Historians, theologians, literary critics and social scientists have all been able to establish a compelling unanimity in attesting to the vital historical significance and critical contemporary relevance of millennial thought. Thanks to such interdisciplinary efforts, millennial hope is now identified as a vital aspect of the human condition and as a dynamic force that has motivated diverse world-historical individuals from Zoroaster and Francis of Assisi to Adolf Hitler and Mao Zedong.
Contributors to the volume are Jennie Chapman, Andrew Crome, Eugene V. Gallagher, Crawford Gribben, Robert Glenn Howard, Andrew Pierce, Joshua Searle, Timothy Stunt and Kenneth G.C. Newport. There is a substantial Preface by Richard Landes.
Beyond the End: The Future of Millennial Studies
£60.00
There are promising signs that millennial studies is now being recognized by the wider academic community as a profitable pursuit that merits serious scholarly attention. More than ever before, the horizons of academic engagement with millennial ideologies and their historical and cultural ramifications are being expanded over a multiplicity of disciplinary perspectives.
Historians, theologians, literary critics and social scientists have all been able to establish a compelling unanimity in attesting to the vital historical significance and critical contemporary relevance of millennial thought. Thanks to such interdisciplinary efforts, millennial hope is now identified as a vital aspect of the human condition and as a dynamic force that has motivated diverse world-historical individuals from Zoroaster and Francis of Assisi to Adolf Hitler and Mao Zedong.
Contributors to the volume are Jennie Chapman, Andrew Crome, Eugene V. Gallagher, Crawford Gribben, Robert Glenn Howard, Andrew Pierce, Joshua Searle, Timothy Stunt and Kenneth G.C. Newport. There is a substantial Preface by Richard Landes.
Teaching the Bible in the Liberal Arts Classroom
Published: Oct 2012
£22.50 – £50.00
Teaching biblical studies in the undergraduate liberal arts classroom poses many challenges. Do biblical studies deserve a place at a secular liberal arts college? In church-affiliated colleges, should courses in Bible toe the denominational line? Can we claim that biblical studies advance the goals of liberal education, whatever we might think they are?
On a more practical level, how can an instructor engage the attention of students who are taking a course in biblical studies only to fulfill a requirement? How best to begin with students from non-religious backgrounds who begin a course with no real knowledge of the Bible at all? How best to deal with students who already think they know what the Bible is all about, and resist any ideas or approaches that might threaten their ideas?
This collection of pedagogical essays reflects the practical experience of instructors who have spent years teaching biblical studies successfully to undergraduates at liberal arts colleges. The essays address both methodological approaches and specific classroom strategies for teaching biblical studies effectively in a way that advances the skills of thinking and expression that are essential to a liberal arts education. The product of several years of conversation among working professors from an array of liberal arts colleges, these essays offer insights and inspiration for biblical studies instructors who work in a very specific and demanding academic environment.
Teaching the Bible in the Liberal Arts Classroom
£22.50 – £50.00
Teaching biblical studies in the undergraduate liberal arts classroom poses many challenges. Do biblical studies deserve a place at a secular liberal arts college? In church-affiliated colleges, should courses in Bible toe the denominational line? Can we claim that biblical studies advance the goals of liberal education, whatever we might think they are?
On a more practical level, how can an instructor engage the attention of students who are taking a course in biblical studies only to fulfill a requirement? How best to begin with students from non-religious backgrounds who begin a course with no real knowledge of the Bible at all? How best to deal with students who already think they know what the Bible is all about, and resist any ideas or approaches that might threaten their ideas?
This collection of pedagogical essays reflects the practical experience of instructors who have spent years teaching biblical studies successfully to undergraduates at liberal arts colleges. The essays address both methodological approaches and specific classroom strategies for teaching biblical studies effectively in a way that advances the skills of thinking and expression that are essential to a liberal arts education. The product of several years of conversation among working professors from an array of liberal arts colleges, these essays offer insights and inspiration for biblical studies instructors who work in a very specific and demanding academic environment.
The Book of Isaiah: Its Composition and Final Form
Published: Oct 2012
£80.00
Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent.
This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features that have been repeatedly observed —the cross-connections, key word associations, resumption of themes, and especially the bracketing of the book by chaps. 1 and 66 —are traces of a deliberate interweaving of various small compositions as well as of larger literary redactions.
The paradigm most suited to the book of Isaiah in all its complexity is not that of one comprehensive overall structure or final redaction, but that of smaller compositions that build on one another, come into conversation with one another, and, each in its own way, bring into play specific contemporary problems. We should not force a common thematic denominator on the book, but it becomes clear that Jerusalem and Zion belong to the basic tenor of the book of Isaiah as it was developed and refashioned through the centuries.
The Book of Isaiah: Its Composition and Final Form is translated by Millard C. Lind from its German original, Das Buch Jesaja: Komposition und Endgestalt (Freiburg: Herder, 1998).
The Book of Isaiah: Its Composition and Final Form
£80.00
Study of the book of Isaiah has in recent times been strongly marked by a tension between synchronic and diachronic approaches. The first is favoured mainly by English-speaking, the second by German-speaking scholars. Berges's book attempts to mediate between the two poles, arguing that the final form analysis and the tracing of the development of that form are deeply interdependent.
This new research paradigm is applied here to the entire text of the book of Isaiah. Berges works consistently from the synchronic to the diachronic and back again to the evolved synchronous final form. Features that have been repeatedly observed —the cross-connections, key word associations, resumption of themes, and especially the bracketing of the book by chaps. 1 and 66 —are traces of a deliberate interweaving of various small compositions as well as of larger literary redactions.
The paradigm most suited to the book of Isaiah in all its complexity is not that of one comprehensive overall structure or final redaction, but that of smaller compositions that build on one another, come into conversation with one another, and, each in its own way, bring into play specific contemporary problems. We should not force a common thematic denominator on the book, but it becomes clear that Jerusalem and Zion belong to the basic tenor of the book of Isaiah as it was developed and refashioned through the centuries.
The Book of Isaiah: Its Composition and Final Form is translated by Millard C. Lind from its German original, Das Buch Jesaja: Komposition und Endgestalt (Freiburg: Herder, 1998).
Biblical Reception 1
Published: Oct 2012
£80.00
This is the first volume of a new journal, Biblical Reception (BibRec), published in November 2012.
It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any ‘original’ meaning.
Our new journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Editorial Board Diane Apostolos-Cappadona (Washington, DC), Alan Cooper (New York), James Crossley (Sheffield), Andrew Davies (Birmingham), Tamara C. Eskenazi (Los Angeles), Philip Esler (Gloucester), Susanne Gillmayr-Bucher (Linz), John Harvey (Aberystwyth), Christine Joynes (Oxford), Carol Newsom (Atlanta), Martin O'Kane (Lampeter), Tina Pippin (Decatur, GA), John F.A. Sawyer (Durham), Reinhold Zwick (Münster).
Biblical Reception 1
£80.00
This is the first volume of a new journal, Biblical Reception (BibRec), published in November 2012.
It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any ‘original’ meaning.
Our new journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Editorial Board Diane Apostolos-Cappadona (Washington, DC), Alan Cooper (New York), James Crossley (Sheffield), Andrew Davies (Birmingham), Tamara C. Eskenazi (Los Angeles), Philip Esler (Gloucester), Susanne Gillmayr-Bucher (Linz), John Harvey (Aberystwyth), Christine Joynes (Oxford), Carol Newsom (Atlanta), Martin O'Kane (Lampeter), Tina Pippin (Decatur, GA), John F.A. Sawyer (Durham), Reinhold Zwick (Münster).
Making a Difference: Essays on the Bible and Judaism in Honor of Tamara Cohn Eskenazi
Published: Oct 2012
£75.00
Tamara Cohn Eskenazi has a special place in contemporary biblical scholarship. Among the first to bring a focus of scholarly attention to the period of ancient Israel's creativity after the Exile, she has also been a leader in foregrounding the Jewish tradition within the interpretative discourse of biblical scholars. And as a woman scholar, she has advanced the study of issues in the Hebrew Bible that impinge on the concerns of women ancient and modern.
Tamara Eskenazi was awarded the 2008 National Jewish Book Award for her volume The Torah: A Women's Commentary and the 2011 National Jewish Book Award in Women's Studies for her commentary on Ruth in the Jewish Publication Society Bible Commentary series.
The 26 articles offered to Tamara Eskenazi by her friends in this volume represent the range of her interests in all things biblical and Jewish. From the Book of Genesis to the New Testament to modern Hebrew fiction, from technical studies on the prophets or Qumran to penetrating insights on her beloved philosopher Levinas, this volume beautifully represents the range and depth of Jewish culture.
Making a Difference: Essays on the Bible and Judaism in Honor of Tamara Cohn Eskenazi
£75.00
Tamara Cohn Eskenazi has a special place in contemporary biblical scholarship. Among the first to bring a focus of scholarly attention to the period of ancient Israel's creativity after the Exile, she has also been a leader in foregrounding the Jewish tradition within the interpretative discourse of biblical scholars. And as a woman scholar, she has advanced the study of issues in the Hebrew Bible that impinge on the concerns of women ancient and modern.
Tamara Eskenazi was awarded the 2008 National Jewish Book Award for her volume The Torah: A Women's Commentary and the 2011 National Jewish Book Award in Women's Studies for her commentary on Ruth in the Jewish Publication Society Bible Commentary series.
The 26 articles offered to Tamara Eskenazi by her friends in this volume represent the range of her interests in all things biblical and Jewish. From the Book of Genesis to the New Testament to modern Hebrew fiction, from technical studies on the prophets or Qumran to penetrating insights on her beloved philosopher Levinas, this volume beautifully represents the range and depth of Jewish culture.
Biblical Reception 2
Published: Oct 2012
£80.00
This is the second volume of the new journal, Biblical Reception (BibRec), published in November 2013. For the first volume, click here.
Our policy for the journal is this. It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning.
Our journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Biblical Reception 2
£80.00
This is the second volume of the new journal, Biblical Reception (BibRec), published in November 2013. For the first volume, click here.
Our policy for the journal is this. It is high time, we believe, for the new and burgeoning field of the reception of the Bible to have a publication medium of its own. What the biblical text has meant to its readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning.
Our journal is a substantial annual volume covering all kinds of use of the Bible — in art, literature, music, film and popular culture, as well as in the history of interpretation.
Plotted, Shot, and Painted: Cultural Representations of Biblical Women, Second Revised Edition
Published: Oct 2012
£25.00
Plotted, Shot, and Painted stakes out new territory for feminist biblical criticism. It considers what happens to biblical women in popular culture, in art and in film, and it foregrounds questions about how gender interests affect interpretation and about the roles and responsibilities of commentators and readers. This second revised edition contains an additional chapter, 'Lot and his Daughters', and an expanded chapter on Delilah.
Plotted, Shot, and Painted: Cultural Representations of Biblical Women, Second Revised Edition
£25.00
Plotted, Shot, and Painted stakes out new territory for feminist biblical criticism. It considers what happens to biblical women in popular culture, in art and in film, and it foregrounds questions about how gender interests affect interpretation and about the roles and responsibilities of commentators and readers. This second revised edition contains an additional chapter, 'Lot and his Daughters', and an expanded chapter on Delilah.
Beyond the Quest for the Historical Jesus: Memoir of a Discovery
Published: Sep 2012
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed.
The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8.
The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
Beyond the Quest for the Historical Jesus: Memoir of a Discovery
£18.95
In the past forty years, while historical-critical studies were seeking with renewed intensity to reconstruct events behind the biblical texts, not least the life of Jesus, two branches of literary studies were finally reaching maturity. First, researchers were recognizing that many biblical texts are rewritings or transformations of older texts that still exist, thus giving a clearer sense of where the biblical texts came from; and second, studies in the ancient art of composition clarified the biblical texts' unity and purpose, that is to say, where biblical texts were headed.
The primary literary model behind the gospels, Brodie argues, is the biblical account of Elijah and Elisha, as R.E. Brown already saw in 1971. In this fascinating memoir of his life journey, Tom Brodie, Irishman, Dominican priest, and biblical scholar, recounts the steps he has taken, in an eventful life in many countries, to his conclusion that the New Testament account of Jesus is essentially a rewriting of the Septuagint version of the Hebrew Bible, or, in some cases, of earlier New Testament texts. Jesus' challenge to would-be disciples (Luke 9.57-62), for example, is a transformation of the challenge to Elijah at Horeb (1 Kings 19), while his journey from Jerusalem and Judea to Samaria and beyond (John 2.23 —4.54) is deeply indebted to the account of the journey of God's Word in Acts 1 —8.
The work of tracing literary indebtedness and art is far from finished but it is already possible and necessary to draw a conclusion: it is that, bluntly, Jesus did not exist as a historical individual. This is not as negative as may at first appear. In a deeply personal coda, Brodie begins to develop a new vision of Jesus as an icon of God's presence in the world and in human history.
Yearning for You: Psalms and the Song of Songs in Conversation with Rock and Worship Songs
Published: Sep 2012
£60.00
From your lips she drew the Hallelujah' (Leonard Cohen). Romance and sexual desire are expressed in some of today's most popular songs using religious language. Conversely, the latest Christian worship songs sometimes invite worshippers to speak to God in the language of desire and romance. Contemporary western culture and spirituality blur the boundaries between desire for God and sexual desire. This innovative book stages a conversation first between biblical songs and then between biblical and contemporary songs. Desire for intimacy is the topic of conversation. Texts from the Song of Songs are first in dialogue with some of the Psalms, exploring their themes of desire, absence, longing, hearing, delight, feasting, physicality, mutuality and security. The circle of conversation is then widened, to consider the voices of contemporary rock and worship songs in the light of what has been uncovered in the biblical songs, and to hear what questions today's songs may ask of the ancient texts. The biblical voices resist any suggestion, Goodman argues, that human sexual experience may be a means of encounter with God, or a sacrament of such an encounter. They also highlight the disparity in power between God and human beings which weighs against any sense of a balanced mutuality in yearning. Yet eros or romance may serve as a metaphor for a divine —human relationship, if used alongside a variety of other metaphors. At points of intersection, where they converge and conflict, these different metaphors can create a deeper understanding of the yearning for intimacy, both human and divine.
Yearning for You: Psalms and the Song of Songs in Conversation with Rock and Worship Songs
£60.00
From your lips she drew the Hallelujah' (Leonard Cohen). Romance and sexual desire are expressed in some of today's most popular songs using religious language. Conversely, the latest Christian worship songs sometimes invite worshippers to speak to God in the language of desire and romance. Contemporary western culture and spirituality blur the boundaries between desire for God and sexual desire. This innovative book stages a conversation first between biblical songs and then between biblical and contemporary songs. Desire for intimacy is the topic of conversation. Texts from the Song of Songs are first in dialogue with some of the Psalms, exploring their themes of desire, absence, longing, hearing, delight, feasting, physicality, mutuality and security. The circle of conversation is then widened, to consider the voices of contemporary rock and worship songs in the light of what has been uncovered in the biblical songs, and to hear what questions today's songs may ask of the ancient texts. The biblical voices resist any suggestion, Goodman argues, that human sexual experience may be a means of encounter with God, or a sacrament of such an encounter. They also highlight the disparity in power between God and human beings which weighs against any sense of a balanced mutuality in yearning. Yet eros or romance may serve as a metaphor for a divine —human relationship, if used alongside a variety of other metaphors. At points of intersection, where they converge and conflict, these different metaphors can create a deeper understanding of the yearning for intimacy, both human and divine.
The Book of Job in Post-Holocaust Thought
Published: Aug 2012
£40.00
The story of Job's suffering has often been appealed to by those responding to the Holocaust. This book explores a rich variety of such receptions of the Book of Job, highlighting the need to appreciate the tensions present in both the biblical text of Job and in perceptions of the Holocaust's meaning. Attention is given to the often creative modes of reading used by those appealing to Job, and the presence of complex interactions between theology, textual interpretation, and historical analysis. Receptions of Job examined include those presented by key post-Holocaust thinkers such as Emil Fackenheim, Elie Wiesel and Richard Rubenstein.
Bringing together elements of biblical studies and Holocaust studies, David Tollerton shows that Job has been harnessed for an array of purposes, from asserting the continuity of Jewish faith amid the traumas of twentieth-century history, to resisting the idea that there can be any decisive religious 'answer' to the Holocaust. Despite the diversity of ways in which Job has been cited, it is shown that such reception is nonetheless controversial, doubts being repeatedly raised whether Job is appropriate to the Holocaust context. While ultimately proposing that Job does indeed have a valuable role to play, The Book of Job in Post-Holocaust Thought argues that in some cases such doubts are in order, and that some receptions should be queried on textual, historical or ethical grounds.
This book will be of interest to readers concerned with the modern reception of wisdom literature, theological responses to the Holocaust, or simply the manner in which the Bible has been used by communities attempting to make sense of modernity's darkest aspects.
The Book of Job in Post-Holocaust Thought
£40.00
The story of Job's suffering has often been appealed to by those responding to the Holocaust. This book explores a rich variety of such receptions of the Book of Job, highlighting the need to appreciate the tensions present in both the biblical text of Job and in perceptions of the Holocaust's meaning. Attention is given to the often creative modes of reading used by those appealing to Job, and the presence of complex interactions between theology, textual interpretation, and historical analysis. Receptions of Job examined include those presented by key post-Holocaust thinkers such as Emil Fackenheim, Elie Wiesel and Richard Rubenstein.
Bringing together elements of biblical studies and Holocaust studies, David Tollerton shows that Job has been harnessed for an array of purposes, from asserting the continuity of Jewish faith amid the traumas of twentieth-century history, to resisting the idea that there can be any decisive religious 'answer' to the Holocaust. Despite the diversity of ways in which Job has been cited, it is shown that such reception is nonetheless controversial, doubts being repeatedly raised whether Job is appropriate to the Holocaust context. While ultimately proposing that Job does indeed have a valuable role to play, The Book of Job in Post-Holocaust Thought argues that in some cases such doubts are in order, and that some receptions should be queried on textual, historical or ethical grounds.
This book will be of interest to readers concerned with the modern reception of wisdom literature, theological responses to the Holocaust, or simply the manner in which the Bible has been used by communities attempting to make sense of modernity's darkest aspects.
Words, Ideas, Worlds: Biblical Essays in Honour of Yairah Amit
Published: Aug 2012
£75.00
This volume brings together fourteen essays by Israeli, European and American scholars honouring the distinct contribution of Yairah Amit to the literary study of the Hebrew Bible and to her public role, fostering especially the place of the Hebrew Bible in Israeli education. In biblical studies she has made significant contributions to the study of redactional and editorial activity, which she has always viewed from a rhetorical and literary point of view. These aspects were uniquely developed in her work on the books of Judges and Chronicles, in which literary considerations always lead to the recognition of the ideology behind the redactor’s work. Another key theme of hers has been overt and hidden polemics expressed or suggested by the narrative text.
The studies assembled in the present volume deal with the many aspects of Amit’s work, from the biblical and post-biblical down to the mediaeval and the modern period. Central fields are the art of the redactor and inner-biblical polemics (Diana Edelman, Cynthia Edenburg, Nadav Na’aman, Meira Polliack, Dalit Rom-Shiloni), literary scrutiny (Ed Greenstein, Lillian Klein Abensohn, Frank Polak), ideology in social and religious contexts (Ehud Ben Zvi, Israel Knohl), and feminist and cultural studies in a wider sense (Athalya Brenner, Cheryl Exum, Yael Feldman, Shulamit Valler).
This is the fifth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Words, Ideas, Worlds: Biblical Essays in Honour of Yairah Amit
£75.00
This volume brings together fourteen essays by Israeli, European and American scholars honouring the distinct contribution of Yairah Amit to the literary study of the Hebrew Bible and to her public role, fostering especially the place of the Hebrew Bible in Israeli education. In biblical studies she has made significant contributions to the study of redactional and editorial activity, which she has always viewed from a rhetorical and literary point of view. These aspects were uniquely developed in her work on the books of Judges and Chronicles, in which literary considerations always lead to the recognition of the ideology behind the redactor’s work. Another key theme of hers has been overt and hidden polemics expressed or suggested by the narrative text.
The studies assembled in the present volume deal with the many aspects of Amit’s work, from the biblical and post-biblical down to the mediaeval and the modern period. Central fields are the art of the redactor and inner-biblical polemics (Diana Edelman, Cynthia Edenburg, Nadav Na’aman, Meira Polliack, Dalit Rom-Shiloni), literary scrutiny (Ed Greenstein, Lillian Klein Abensohn, Frank Polak), ideology in social and religious contexts (Ehud Ben Zvi, Israel Knohl), and feminist and cultural studies in a wider sense (Athalya Brenner, Cheryl Exum, Yael Feldman, Shulamit Valler).
This is the fifth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Beyond Feminist Biblical Studies
Published: July 2012
£40.00
In today's postfeminist, post-structuralist milieu, feminist biblical studies —despite its now well-established place in the discipline —can seem out on a limb, too narrowly concerned with the interests of women: women in the text, women in history, women readers. Its connections with studies in masculinities, with queer theories, with lesbian and gay studies may appear thin and flimsy. As the current terminology shifts perceptibly to 'gender criticism', this book examines the continued place of feminist biblical studies within the discipline. Is it now the time, Deryn Guest asks, for feminist biblical scholars to resist more strongly than ever the threats of a diluted feminist agenda and feminist politics, the erasure of women's concerns from public consciousness, the loss of autonomy for feminist space? Or is it the time to make a definite shift and abandon the language of 'feminism'? Readers of this scintillating volume will find themselves invited into a sophisticated discussion of the question as they consider how far feminist biblical scholarship should be more inclusive of the newer critical voices emerging from trans- and intersex studies, testing the extent to which it can examine the construction of heterosexuality and make the apparatus of biblically prescribed heteronormativity an object of critical study. The book closes with the intriguing possibilities available for 'queer straight' practitioners of biblical studies with an armoury of genderqueer strategies in their hermeneutical toolbox.
Beyond Feminist Biblical Studies
£40.00
In today's postfeminist, post-structuralist milieu, feminist biblical studies —despite its now well-established place in the discipline —can seem out on a limb, too narrowly concerned with the interests of women: women in the text, women in history, women readers. Its connections with studies in masculinities, with queer theories, with lesbian and gay studies may appear thin and flimsy. As the current terminology shifts perceptibly to 'gender criticism', this book examines the continued place of feminist biblical studies within the discipline. Is it now the time, Deryn Guest asks, for feminist biblical scholars to resist more strongly than ever the threats of a diluted feminist agenda and feminist politics, the erasure of women's concerns from public consciousness, the loss of autonomy for feminist space? Or is it the time to make a definite shift and abandon the language of 'feminism'? Readers of this scintillating volume will find themselves invited into a sophisticated discussion of the question as they consider how far feminist biblical scholarship should be more inclusive of the newer critical voices emerging from trans- and intersex studies, testing the extent to which it can examine the construction of heterosexuality and make the apparatus of biblically prescribed heteronormativity an object of critical study. The book closes with the intriguing possibilities available for 'queer straight' practitioners of biblical studies with an armoury of genderqueer strategies in their hermeneutical toolbox.
Out of Stock
Isaiah: The Prophet and His Book
Published: July 2012
£21.00
The book of Isaiah presents one of the most challenging pieces of literature in the Hebrew Bible. Over a period of some four hundred years (from the end of the eighth century down to the end of the fourth century BCE), the great prophet Isaiah and his disciples in the Assyrian period, as well as later scholars in Babylonian and Persian times, worked on this marvellous prophetic text. In its final form it resembles a mediaeval cathedral constructed by many gifted people across the centuries. Each piece has its own history, place and function in the whole structure.
In this lucid study, Berges interprets the scroll of Isaiah as a 'literal cathedral', written by many hands and empowered by the experience of sorrow and disaster, liberation and joy. In the centre of the book (Isaiah 36 —39) and of its theology stands the threat and redemption of Zion. The nations that in the first part were taking action against God's city are invited to join the exiled and dispersed people of Israel as it travels home. The reader too is called to journey the same path and to join the congregation of Israel and the nations on their way to the New Jerusalem — not in heaven but on a renewed earth.
Methodologically, the book combines synchronic and diachronic perspectives and paves the way to a fruitful conversation between them. The vast reception history of the Book of Isaiah in the Septuagint, the New Testament, and in rabbinic and Christian traditions, as well as in painting and music, is also illustrated by some of the most illuminating examples.
Out of Stock
Isaiah: The Prophet and His Book
£21.00
The book of Isaiah presents one of the most challenging pieces of literature in the Hebrew Bible. Over a period of some four hundred years (from the end of the eighth century down to the end of the fourth century BCE), the great prophet Isaiah and his disciples in the Assyrian period, as well as later scholars in Babylonian and Persian times, worked on this marvellous prophetic text. In its final form it resembles a mediaeval cathedral constructed by many gifted people across the centuries. Each piece has its own history, place and function in the whole structure.
In this lucid study, Berges interprets the scroll of Isaiah as a 'literal cathedral', written by many hands and empowered by the experience of sorrow and disaster, liberation and joy. In the centre of the book (Isaiah 36 —39) and of its theology stands the threat and redemption of Zion. The nations that in the first part were taking action against God's city are invited to join the exiled and dispersed people of Israel as it travels home. The reader too is called to journey the same path and to join the congregation of Israel and the nations on their way to the New Jerusalem — not in heaven but on a renewed earth.
Methodologically, the book combines synchronic and diachronic perspectives and paves the way to a fruitful conversation between them. The vast reception history of the Book of Isaiah in the Septuagint, the New Testament, and in rabbinic and Christian traditions, as well as in painting and music, is also illustrated by some of the most illuminating examples.
Abject Bodies in the Gospel of Mark
Published: July 2012
£22.50 – £50.00
Basing himself on Judith Butler’s notion of gender, abjectness, vulnerability, and the precariousness of the human body, Manuel Villalobos offers a compelling study of a number of characters in Mark’s passion narrative whom he finds to be transgressing boundaries and disrupting their assigned gender roles. He then applies the same methodology to Jesus, queering the Markan passion narrative, and concludes that because it was subject to all kinds of physical abuses Jesus’ body is the way by which God becomes identified and fully implicated in the life of those who live at the margins of society.
The whole book, exegetically rich and imaginative, is grounded on a hermeneutic which Villalobos terms Del otro lado / from the other side, because it celebrates the kind of ambiguity produced by gender, racial, cultural, and ethnic otherness, interweaving (often harrowing) tales of village life in Mexico with interpretations of specific Markan episodes. In so doing he hopes to initiate a dialogue between the Northern and the Southern hemispheres, a dialogue that crosses the boundaries that separate and exclude people because of economic and legal statuses and, specially, sexual orientation. The end product is a fresh and totally destabilizing reading that accomplishes the difficult task of bringing to the fore those voices neglected by the history of the interpretation of the text.
Abject Bodies in the Gospel of Mark
£22.50 – £50.00
Basing himself on Judith Butler’s notion of gender, abjectness, vulnerability, and the precariousness of the human body, Manuel Villalobos offers a compelling study of a number of characters in Mark’s passion narrative whom he finds to be transgressing boundaries and disrupting their assigned gender roles. He then applies the same methodology to Jesus, queering the Markan passion narrative, and concludes that because it was subject to all kinds of physical abuses Jesus’ body is the way by which God becomes identified and fully implicated in the life of those who live at the margins of society.
The whole book, exegetically rich and imaginative, is grounded on a hermeneutic which Villalobos terms Del otro lado / from the other side, because it celebrates the kind of ambiguity produced by gender, racial, cultural, and ethnic otherness, interweaving (often harrowing) tales of village life in Mexico with interpretations of specific Markan episodes. In so doing he hopes to initiate a dialogue between the Northern and the Southern hemispheres, a dialogue that crosses the boundaries that separate and exclude people because of economic and legal statuses and, specially, sexual orientation. The end product is a fresh and totally destabilizing reading that accomplishes the difficult task of bringing to the fore those voices neglected by the history of the interpretation of the text.
Out of Stock
In Praise of Editing in the Hebrew Bible: Collected Essays in Retrospect
Published: Jun 2012
£75.00
Yairah Amit is a leading Israeli scholar of the Hebrew Bible who has published some of her articles only in Hebrew. Most of them are here translated for the first time. As she compiled the volume, she discovered that this collection of 19 essays had a common denominator: they are all about the process of editing that has gone on in the creation of the Hebrew Bible, a process that Amit looks on with some favour. Hence her title, In Praise of Editing . The Bible, she argues, is a long carefully edited book, which means that it is not a chance agglomeration of materials bound together, but rather a complete and carefully selected library. Among the essays in this volume are: Who Decided to Open the Torah with the Creation of the Sabbath?, The Garden of Eden as Utopia, Repetition as Poetic Principle, Who Is Afraid of Multiple Voices?, Editorial Considerations Regarding Ending, Who Is Lent to the Lord? Ask the Editor, To Include or Not to Include? Editorial Considerations Regarding the Whole. What makes this volume unique among collections of essays is her decision to add a personal preface to each article, highlighting it from an additional subjective angle. Sometimes the preface reflects her relationship to the subject and its ideology, sometimes the circumstances in which the article was written or published. At other times, readers may learn about the teachers who guided her first steps in the field, and about her own relationship to various issues in biblical research. These prefaces, she believes, show the researcher not as a rigid professional, but as a more rounded human person. This is the fourth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Out of Stock
In Praise of Editing in the Hebrew Bible: Collected Essays in Retrospect
£75.00
Yairah Amit is a leading Israeli scholar of the Hebrew Bible who has published some of her articles only in Hebrew. Most of them are here translated for the first time. As she compiled the volume, she discovered that this collection of 19 essays had a common denominator: they are all about the process of editing that has gone on in the creation of the Hebrew Bible, a process that Amit looks on with some favour. Hence her title, In Praise of Editing . The Bible, she argues, is a long carefully edited book, which means that it is not a chance agglomeration of materials bound together, but rather a complete and carefully selected library. Among the essays in this volume are: Who Decided to Open the Torah with the Creation of the Sabbath?, The Garden of Eden as Utopia, Repetition as Poetic Principle, Who Is Afraid of Multiple Voices?, Editorial Considerations Regarding Ending, Who Is Lent to the Lord? Ask the Editor, To Include or Not to Include? Editorial Considerations Regarding the Whole. What makes this volume unique among collections of essays is her decision to add a personal preface to each article, highlighting it from an additional subjective angle. Sometimes the preface reflects her relationship to the subject and its ideology, sometimes the circumstances in which the article was written or published. At other times, readers may learn about the teachers who guided her first steps in the field, and about her own relationship to various issues in biblical research. These prefaces, she believes, show the researcher not as a rigid professional, but as a more rounded human person. This is the fourth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and Hebrew Bible Monographs.
Out of Stock
The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels
Published: Jun 2012
£45.00
This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short 'Jeepers Jacobs', in which the title character —a theologian whose main area of research is the Christian doctrine of Hell —tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea , a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood . Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts —including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman —to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen . This is the fifth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (4) Partridge, Anthems of Apocalypse , and (6) Aston and Walliss, Small Screen Revelations .
Out of Stock
The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels
£45.00
This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short 'Jeepers Jacobs', in which the title character —a theologian whose main area of research is the Christian doctrine of Hell —tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea , a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood . Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts —including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman —to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen . This is the fifth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (4) Partridge, Anthems of Apocalypse , and (6) Aston and Walliss, Small Screen Revelations .
Out of Stock
The Thematic Unity of the Book of the Twelve
Published: Jun 2012
£75.00
“Return to me”, declares Yhwh of Hosts, “and I will return to you”, declares Yhwh of Hosts. The sentence stands at the head of the prophecy of Zechariah (1.3). But what does it mean to 'return to Yhwh?' And what does it mean that Yhwh 'will return to you'? LeCureux argues that it is this call to repentance, and Yhwh's responses to it, that form the unifying and organizing theme of return for the Book of the Twelve. While studies on the development and composition of the Twelve have proved fruitful in recent years, this book attempts to expand on those works by looking closely at the final form of the Twelve, particularly of its opening and closing books (Hosea —Joel, Zechariah —Malachi), and the role that canonical position and theme play within the Book. This project begins by defining the function of theme in biblical books, and then compares the role theme plays in Isaiah with its role in the Twelve, before engaging in the primary task of exegesis. LeCureux examines the use of 'return' in the Twelve, showing that it is the call to return that controls the events of the Day of Yhwh. Going further, the exegesis uncovers the links between the return imperatives of Hosea 14, Joel 2, Zechariah's own calls to return and Malachi's concluding question, 'How are we to return?'(3.7). What is ultimately revealed is the multifaceted nature of God's relationship with his people, one that involves the people's struggle to turn from covenantal disobedience toward Yhwh in repentance, as well as Yhwh's own turning from judgment toward his people in blessing.
Out of Stock
The Thematic Unity of the Book of the Twelve
£75.00
“Return to me”, declares Yhwh of Hosts, “and I will return to you”, declares Yhwh of Hosts. The sentence stands at the head of the prophecy of Zechariah (1.3). But what does it mean to 'return to Yhwh?' And what does it mean that Yhwh 'will return to you'? LeCureux argues that it is this call to repentance, and Yhwh's responses to it, that form the unifying and organizing theme of return for the Book of the Twelve. While studies on the development and composition of the Twelve have proved fruitful in recent years, this book attempts to expand on those works by looking closely at the final form of the Twelve, particularly of its opening and closing books (Hosea —Joel, Zechariah —Malachi), and the role that canonical position and theme play within the Book. This project begins by defining the function of theme in biblical books, and then compares the role theme plays in Isaiah with its role in the Twelve, before engaging in the primary task of exegesis. LeCureux examines the use of 'return' in the Twelve, showing that it is the call to return that controls the events of the Day of Yhwh. Going further, the exegesis uncovers the links between the return imperatives of Hosea 14, Joel 2, Zechariah's own calls to return and Malachi's concluding question, 'How are we to return?'(3.7). What is ultimately revealed is the multifaceted nature of God's relationship with his people, one that involves the people's struggle to turn from covenantal disobedience toward Yhwh in repentance, as well as Yhwh's own turning from judgment toward his people in blessing.
Out of Stock
Three Old Testament Theologies for Today: Helge S. Kvanvig, Walter Brueggemann and Erhard Gerstenberger
Published: Jun 2012
£50.00
This book is a critical analysis and comparison of three Old Testament theologies, those by Helge S. Kvanvig, Historisk Bibel og bibelsk historie (1999), Walter Brueggemann, Theology of the Old Testament (1997), and Erhard S. Gerstenberger, Theologies of the Old Testament (2002). Since Kvanvig's book is written in Norwegian, his book is not generally known among Old Testament scholars outside Scandinavia. The three volumes have different theological profiles. Kvanvig, unlike other Old Testament theologians, allows theology to develop from his analyses of the biblical narratives and the strategies available to readers. Gerstenberger presents Old Testament theology as a plurality of theologies, and his book is as much a history of Israelite religion and ancient Israel's social history as a theology proper. Brueggemann sees Old Testament theology within the framework of a virtual trial between Israel and Yahweh. All three books are to some degree postmodern in their approach to Old Testament theology, Gerstenberger to a lesser degree, Brueggemann to a greater degree. Hagelia argues that Kvanvig's book could with profit be read as a prolegomenon to Brueggemann's book, whereas Gerstenberger's book follows a different track. On the basis of these three eminent contributions, the author outlines a possible future for the business of writing Old Testament theologies, suggesting that future theologies will be much more in conversation with contemporary issues, ethical, political and social, than the traditional theologies of the past have been.
Out of Stock
Three Old Testament Theologies for Today: Helge S. Kvanvig, Walter Brueggemann and Erhard Gerstenberger
£50.00
This book is a critical analysis and comparison of three Old Testament theologies, those by Helge S. Kvanvig, Historisk Bibel og bibelsk historie (1999), Walter Brueggemann, Theology of the Old Testament (1997), and Erhard S. Gerstenberger, Theologies of the Old Testament (2002). Since Kvanvig's book is written in Norwegian, his book is not generally known among Old Testament scholars outside Scandinavia. The three volumes have different theological profiles. Kvanvig, unlike other Old Testament theologians, allows theology to develop from his analyses of the biblical narratives and the strategies available to readers. Gerstenberger presents Old Testament theology as a plurality of theologies, and his book is as much a history of Israelite religion and ancient Israel's social history as a theology proper. Brueggemann sees Old Testament theology within the framework of a virtual trial between Israel and Yahweh. All three books are to some degree postmodern in their approach to Old Testament theology, Gerstenberger to a lesser degree, Brueggemann to a greater degree. Hagelia argues that Kvanvig's book could with profit be read as a prolegomenon to Brueggemann's book, whereas Gerstenberger's book follows a different track. On the basis of these three eminent contributions, the author outlines a possible future for the business of writing Old Testament theologies, suggesting that future theologies will be much more in conversation with contemporary issues, ethical, political and social, than the traditional theologies of the past have been.
Out of Stock
Anthems of Apocalypse: Popular Music and Apocalyptic Thought
Published: Mar 2012
£50.00
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and SÌ©rgio Fava's discussion of apocalyptic folk. This is the fourth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (5) Clanton, The End Will Be Graphic , and (6) Aston and Walliss, Small Screen Revelations .
Out of Stock
Anthems of Apocalypse: Popular Music and Apocalyptic Thought
£50.00
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and SÌ©rgio Fava's discussion of apocalyptic folk. This is the fourth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (5) Clanton, The End Will Be Graphic , and (6) Aston and Walliss, Small Screen Revelations .
Out of Stock
Joseph and Aseneth: A Christian Book
Published: Feb 2012
£55.00
Joseph and Aseneth , a book of the Old Testament Pseudepigrapha, is a love story about the biblical Joseph and his Egyptian wife Aseneth which, in richly symbolic language, tells how the idol worshipper Aseneth was converted to belief in the one God. In recent decades, it has featured prominently in discussions of Second Temple Judaism as a testimony to a Hellenistic diaspora Judaism that neither observed the rules of conversion to Judaism ( giyyur ) nor cared much for the laws of the Torah. Rivka Nir offers a completely different understanding. Joseph and Aseneth , she argues, teaches us nothing about Second Temple Judaism. Rather, its vocabulary, ideas, symbols and structure become fully comprehensible only when viewed against the background of Syriac Christianity of the third and fourth century. In this setting, Aseneth and Joseph are symbolic and typological images: Aseneth symbolizes the church, Joseph is a prototype of Christ, and their marriage is a symbolic representation of the eternal marriage between Christ and the church. Aseneth's religious transformation should be understood as conversion to Christianity, an example for polytheists to follow. Turning our attention to the central role virginity plays in the story, Nir addresses the problematic scene of the honeycomb and the bees, reading it as a call to those joining the church to take a vow of virginity and resolve to lead a life of sexual abstinence. Through Nir's detailed analysis of the symbols and metaphors of Joseph and Aseneth in a Christian context, the book coalesces into a tightly integrated and meaningful whole, on both the theological and the symbolic levels.
Out of Stock
Joseph and Aseneth: A Christian Book
£55.00
Joseph and Aseneth , a book of the Old Testament Pseudepigrapha, is a love story about the biblical Joseph and his Egyptian wife Aseneth which, in richly symbolic language, tells how the idol worshipper Aseneth was converted to belief in the one God. In recent decades, it has featured prominently in discussions of Second Temple Judaism as a testimony to a Hellenistic diaspora Judaism that neither observed the rules of conversion to Judaism ( giyyur ) nor cared much for the laws of the Torah. Rivka Nir offers a completely different understanding. Joseph and Aseneth , she argues, teaches us nothing about Second Temple Judaism. Rather, its vocabulary, ideas, symbols and structure become fully comprehensible only when viewed against the background of Syriac Christianity of the third and fourth century. In this setting, Aseneth and Joseph are symbolic and typological images: Aseneth symbolizes the church, Joseph is a prototype of Christ, and their marriage is a symbolic representation of the eternal marriage between Christ and the church. Aseneth's religious transformation should be understood as conversion to Christianity, an example for polytheists to follow. Turning our attention to the central role virginity plays in the story, Nir addresses the problematic scene of the honeycomb and the bees, reading it as a call to those joining the church to take a vow of virginity and resolve to lead a life of sexual abstinence. Through Nir's detailed analysis of the symbols and metaphors of Joseph and Aseneth in a Christian context, the book coalesces into a tightly integrated and meaningful whole, on both the theological and the symbolic levels.