The Flesh Was Made Word: A Metahistorical Critique of the Contemporary Quest of the Historical Jesus
£50.00
This ground-breaking critical investigation exposes the theological and cultural meanings embedded in all historical Jesus writing, showing how narrative forms function ideologically. It concludes with fresh answers to questions both about the methods we use and about the social implications of the contemporary quest of the historical Jesus, and proposes different directions for future research.
The ‘historical Jesus’ still remains elusive. Who was Jesus? What really happened? How can we know for sure? The latest quest for the truth about him comes at a time marked by radical uncertainty and postmodern scepticism about master narratives, along with a loss of confidence in the traditional methods of historical analysis.
In this context, Susan Lochrie Graham approaches the old debates from an entirely new direction. Armed with a ‘metahistorical’ approach adapted from the work of Hayden White, the philosopher of history, she reads the work of four representative historical Jesus writers: John P. Meier, N.T. Wright, Elisabeth Schüssler Fiorenza and John Dominic Crossan. The analysis brings to light the deep literary structures of their portraits, showing the differing plots and rhetorical concepts that shape them, and the types of argument that are deployed by each writer.
This ground-breaking critical investigation exposes the theological and cultural meanings embedded in all historical Jesus writing, showing how narrative forms function ideologically. It concludes with fresh answers to questions both about the methods we use and about the social implications of the contemporary quest of the historical Jesus, and proposes different directions for future research.
Additional information
Table of Contents | PART I: METHODOLOGICAL MATTERS I. History and Theory II. Elements of Historiography PART II: PORTRAITS REPAINTED III. Seeing Jesus Twice: J.P. Meier's Dual Vision IV. N.T. Wright's Prodigal Jesus V. Anamnesis as Political Theology: E. Schüssler Fiorenza's Jesus VI. Programmed Performance: John Dominic Crossan's Jesus Ouroboric Conclusions and Reflections |
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