Sale
Solomon the Lover and the Shape of the Song of Songs
Published: Sep 2015
Original price was: £50.00.£18.50Current price is: £18.50.
Reading the Song of Songs perpetually raises the question, What is this love that has been sung about so evocatively to ever new generations? The exuberance of the poetry and the remarkable history of its reception make the understanding of what the poetry is all about the more urgent for the conscientious reader.
The shape of the Song and what this shape reveals of the poet's concerns are central for this study. Hauge's analysis discloses that a special arrangement of formally independent units, signalled by effects of repetition, is typical of its composition. The strophes are set out in a fivefold pattern containing three types of passage: narrative elements, addresses to the daughters of Jerusalem, and dialogues between the lovers.
The tension of the opening scenes dedicated to Solomon and his women, contrasted with a final scene where the king is the humble supplicant, reflects an underlying story of how Solomon the lover of many women was transformed into a lover of the One. The story is dedicated to the power of love, its character as an overwhelming force being even accented by implications of shame. Motifs of absence and separation suggest longing as the essence of love, the final image of the lover as the hart upon the fragrant mountains adding a tinge of sadness to the impression.
Themes from the Solomon tradition are important for the narrative strand. The formal shape and the cast of actors are deeply influenced by Proverbs 1 —7, not least when the poet plays havoc with venerable aspects of the wisdom tradition.
Sale
Solomon the Lover and the Shape of the Song of Songs
Original price was: £50.00.£18.50Current price is: £18.50.
Reading the Song of Songs perpetually raises the question, What is this love that has been sung about so evocatively to ever new generations? The exuberance of the poetry and the remarkable history of its reception make the understanding of what the poetry is all about the more urgent for the conscientious reader.
The shape of the Song and what this shape reveals of the poet's concerns are central for this study. Hauge's analysis discloses that a special arrangement of formally independent units, signalled by effects of repetition, is typical of its composition. The strophes are set out in a fivefold pattern containing three types of passage: narrative elements, addresses to the daughters of Jerusalem, and dialogues between the lovers.
The tension of the opening scenes dedicated to Solomon and his women, contrasted with a final scene where the king is the humble supplicant, reflects an underlying story of how Solomon the lover of many women was transformed into a lover of the One. The story is dedicated to the power of love, its character as an overwhelming force being even accented by implications of shame. Motifs of absence and separation suggest longing as the essence of love, the final image of the lover as the hart upon the fragrant mountains adding a tinge of sadness to the impression.
Themes from the Solomon tradition are important for the narrative strand. The formal shape and the cast of actors are deeply influenced by Proverbs 1 —7, not least when the poet plays havoc with venerable aspects of the wisdom tradition.
Sale
Marxist Feminist Criticism of the Bible
Published: Jun 2008
Original price was: £40.00.£18.50Current price is: £18.50.
This volume seeks to spur a lively discussion on Marxist feminist analysis of biblical texts. Marxism and feminism have many mutual concerns, and the combination of the two has become common in literary criticism, cultural studies, sociology and philosophy. So it is high time for biblical studies to become interested.
This collection is the first of its kind in biblical studies, bringing together a mixture of newer and more mature voices. It falls into three sections: general concerns (Milena Kirova, Tamara Prosic and David Jobling); Hebrew Bible (Gale Yee and Avaren Ipsen); New Testament (Alan Cadwallader, Jorunn Økland, Roland Boer and Jennifer Bird).
Thought-provoking and daring, the collection includes: the history of Marxist feminist analysis, the work of Bertolt Brecht, the voices of prostitute collectives, and the possibilities for biblical criticism of the work of Rosemary Hennessy, Simone de Beauvoir, Juliet Mitchell, Wilhelm Reich and Julia Kristeva. All of which are brought to bear on biblical texts such as Proverbs, 1 Kings, Mark, Paul's Letters, and 1 Peter.
Sale
Marxist Feminist Criticism of the Bible
Original price was: £40.00.£18.50Current price is: £18.50.
This volume seeks to spur a lively discussion on Marxist feminist analysis of biblical texts. Marxism and feminism have many mutual concerns, and the combination of the two has become common in literary criticism, cultural studies, sociology and philosophy. So it is high time for biblical studies to become interested.
This collection is the first of its kind in biblical studies, bringing together a mixture of newer and more mature voices. It falls into three sections: general concerns (Milena Kirova, Tamara Prosic and David Jobling); Hebrew Bible (Gale Yee and Avaren Ipsen); New Testament (Alan Cadwallader, Jorunn Økland, Roland Boer and Jennifer Bird).
Thought-provoking and daring, the collection includes: the history of Marxist feminist analysis, the work of Bertolt Brecht, the voices of prostitute collectives, and the possibilities for biblical criticism of the work of Rosemary Hennessy, Simone de Beauvoir, Juliet Mitchell, Wilhelm Reich and Julia Kristeva. All of which are brought to bear on biblical texts such as Proverbs, 1 Kings, Mark, Paul's Letters, and 1 Peter.
Proverbs
Proverbs