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The Daughter’s Resistance: Lamentations and Theodicy
Published: Oct 2025
£60.00
Susannah M Larry offers a feminist “history of consequences” of Lamentations, and via a trauma lens, surfaces the rich theodicy of the text. The Book of Lamentations has often become a conversation partner for communities in crisis, and yet, its somber poetry has most often explained the suffering experienced by way of a causal connection between sin and suffering. For many sufferers, especially trauma survivors, this perceived message of Lamentations seems, at best, unhelpful, and, at worst, retraumatizing. Familiar Jewish and Christian readings of Lamentations draw a foregone conclusion: that God has justly commissioned the Babylonian invaders to destroy Jerusalem.
The potential of harm from these interpretations of Lamentations’ can fall especially hard on those who have experienced sexual violence, which figures significantly in the attack against the Judeans in Lamentations. In contexts where rape culture dominates, which already blames the victim for their trauma, biblical interpretations like the prevailing one of Lamentations entrenches unfair stereotypes about victims’ responsibility, while exonerating offenders. And yet, a closer reading of Lamentations reveals a much more nuanced perspective on human suffering. Contrary to popular belief, Lamentations includes as much, if not more, protest of unjust suffering than pronouncement of suffering justified from sin.
Larry seeks to both analyze Lamentations 1–2’s theodicy and the reasons for victim-blaming interpretations in the modern period. The words of the female personification of Jerusalem—Daughter Zion—channel this theodicy especially, and yet the patriarchal exclusion of her voice’s textured response to suffering is lost. The Daughter’s Resistance shows how Daughter Zion resists simplicity theodicy. Through re-reading Lamentations 1-2 through the Mesopotamian forerunners to Lamentations and analyzing its Jewish and Christian receptions, this book suggests that Lamentations offers more resources to survivors than recently thought.
The Daughter’s Resistance: Lamentations and Theodicy
£60.00
Susannah M Larry offers a feminist “history of consequences” of Lamentations, and via a trauma lens, surfaces the rich theodicy of the text. The Book of Lamentations has often become a conversation partner for communities in crisis, and yet, its somber poetry has most often explained the suffering experienced by way of a causal connection between sin and suffering. For many sufferers, especially trauma survivors, this perceived message of Lamentations seems, at best, unhelpful, and, at worst, retraumatizing. Familiar Jewish and Christian readings of Lamentations draw a foregone conclusion: that God has justly commissioned the Babylonian invaders to destroy Jerusalem.
The potential of harm from these interpretations of Lamentations’ can fall especially hard on those who have experienced sexual violence, which figures significantly in the attack against the Judeans in Lamentations. In contexts where rape culture dominates, which already blames the victim for their trauma, biblical interpretations like the prevailing one of Lamentations entrenches unfair stereotypes about victims’ responsibility, while exonerating offenders. And yet, a closer reading of Lamentations reveals a much more nuanced perspective on human suffering. Contrary to popular belief, Lamentations includes as much, if not more, protest of unjust suffering than pronouncement of suffering justified from sin.
Larry seeks to both analyze Lamentations 1–2’s theodicy and the reasons for victim-blaming interpretations in the modern period. The words of the female personification of Jerusalem—Daughter Zion—channel this theodicy especially, and yet the patriarchal exclusion of her voice’s textured response to suffering is lost. The Daughter’s Resistance shows how Daughter Zion resists simplicity theodicy. Through re-reading Lamentations 1-2 through the Mesopotamian forerunners to Lamentations and analyzing its Jewish and Christian receptions, this book suggests that Lamentations offers more resources to survivors than recently thought.
The Book of Judges: Ecopsychological Readings
Published: Oct 2025
£60.00
Directly addressing ecological crises and our planetary future, Deryn Guest’s ecopsychological readings present an urgent and profoundly innovative challenge to biblical scholars all over the world. For, when organic connection between humans and the natural world has been lost, indeed even the capacity for such connection profoundly damaged, the complicity of the Bible and its interpretation in this loss must be scrutinised. No longer is it possible to write biblical commentary without asking similar questions to those posed in this volume.
The new dialogue partners Guest brings into the field of biblical scholars are most welcome and most needed. Applying theories of ecopsychology and employing a three-dimensional sensory amplification of scenes from the Book of Judges, Guest brings what has often been relegated as ‘background’ or ‘setting’ imaginatively into the foreground. Readers will find themselves reconsidering mountain-daughter encounters, pondering how standing stones can offer a word from the Gods, how trees and flames participate in navigating human-divine relations and how horses, foxes and lions become collateral damage in those dealings.
A surprising discovery is that a single thread runs through many of these scenes. Guest names it the ‘Changing of the Gods’. It involves the denigration and censure of all things ‘Canaanite’. As the not-us, the not-Christian, not-Jewish, not-Yahwistic, the ‘Canaanite’ is revealed as a projection of our own anxieties and demons on to a convenient Other. The significant consequence of such scapegoating is that we are alienated from the life-giving, numinous encounters that could otherwise happen on every green hill and under every green tree.
A compelling interdisciplinary study, this book is vital reading for all involved in biblical interpretation. It promises not only transformation of the field, but of scholars themselves as they reflect on their own complicity in writing commentaries that alienate their readers from the whisper of stones and the messages of trees.
The Book of Judges: Ecopsychological Readings
£60.00
Directly addressing ecological crises and our planetary future, Deryn Guest’s ecopsychological readings present an urgent and profoundly innovative challenge to biblical scholars all over the world. For, when organic connection between humans and the natural world has been lost, indeed even the capacity for such connection profoundly damaged, the complicity of the Bible and its interpretation in this loss must be scrutinised. No longer is it possible to write biblical commentary without asking similar questions to those posed in this volume.
The new dialogue partners Guest brings into the field of biblical scholars are most welcome and most needed. Applying theories of ecopsychology and employing a three-dimensional sensory amplification of scenes from the Book of Judges, Guest brings what has often been relegated as ‘background’ or ‘setting’ imaginatively into the foreground. Readers will find themselves reconsidering mountain-daughter encounters, pondering how standing stones can offer a word from the Gods, how trees and flames participate in navigating human-divine relations and how horses, foxes and lions become collateral damage in those dealings.
A surprising discovery is that a single thread runs through many of these scenes. Guest names it the ‘Changing of the Gods’. It involves the denigration and censure of all things ‘Canaanite’. As the not-us, the not-Christian, not-Jewish, not-Yahwistic, the ‘Canaanite’ is revealed as a projection of our own anxieties and demons on to a convenient Other. The significant consequence of such scapegoating is that we are alienated from the life-giving, numinous encounters that could otherwise happen on every green hill and under every green tree.
A compelling interdisciplinary study, this book is vital reading for all involved in biblical interpretation. It promises not only transformation of the field, but of scholars themselves as they reflect on their own complicity in writing commentaries that alienate their readers from the whisper of stones and the messages of trees.
Hebrew Philology, Hebrew Lexicography
Published: Oct 2025
£75.00
This edited collection, from world-leading philologist and lexicographer of Classical Hebrew, David J.A. Clines (1938–2022), demonstrates how his motivations for philological and lexicographical work sat in contrast to each other. These articles and papers, published and unpublished, show Clines’s efforts in each direction.
As Clines explains a “philologian is a ‘lover of words’ [...] a hunter, imbued with the spirit of the chase [...]. A lexicographer is by contrast a shepherd, gathering a flock together [...], big words and little words, common words and rare words [...]. To the lexicographer, all words are equally deserving of respect and nurture; a lexicographer cannot afford favourite love objects. [...] A philologian can polish off an article in 50 or 100 hours—or less–but a lexicographer must be long-lived, immune to boredom, and possessed of an addictive personality.”
In the first section, Philology, there are eight chapters, mostly on individual words. In the second section, Lexicography, there are eighteen chapters, dealing first with Clines’s Dictionary of Classical Hebrew in general (Chapters 9-14), then with features of the Dictionary that call for exposition and justification (Chapters 15-21), and finally with some individual studies arising from the lexicographical work (Chapters 22-26).
Via these articles and papers, Clines seeks to counter the lack from editors of earlier Hebrew dictionaries, which left scholars with little explanation of their methods and procedures. By explaining himself Clines wishes that present and future users of the Dictionary would know the conception of his intentions for the project. This Clinesian imperative means his views are explained, in general, about byforms, synonyms, semantic fields, definitions and suchlike, so readers are not left with only his conclusions.
Hebrew Philology, Hebrew Lexicography
£75.00
This edited collection, from world-leading philologist and lexicographer of Classical Hebrew, David J.A. Clines (1938–2022), demonstrates how his motivations for philological and lexicographical work sat in contrast to each other. These articles and papers, published and unpublished, show Clines’s efforts in each direction.
As Clines explains a “philologian is a ‘lover of words’ [...] a hunter, imbued with the spirit of the chase [...]. A lexicographer is by contrast a shepherd, gathering a flock together [...], big words and little words, common words and rare words [...]. To the lexicographer, all words are equally deserving of respect and nurture; a lexicographer cannot afford favourite love objects. [...] A philologian can polish off an article in 50 or 100 hours—or less–but a lexicographer must be long-lived, immune to boredom, and possessed of an addictive personality.”
In the first section, Philology, there are eight chapters, mostly on individual words. In the second section, Lexicography, there are eighteen chapters, dealing first with Clines’s Dictionary of Classical Hebrew in general (Chapters 9-14), then with features of the Dictionary that call for exposition and justification (Chapters 15-21), and finally with some individual studies arising from the lexicographical work (Chapters 22-26).
Via these articles and papers, Clines seeks to counter the lack from editors of earlier Hebrew dictionaries, which left scholars with little explanation of their methods and procedures. By explaining himself Clines wishes that present and future users of the Dictionary would know the conception of his intentions for the project. This Clinesian imperative means his views are explained, in general, about byforms, synonyms, semantic fields, definitions and suchlike, so readers are not left with only his conclusions.
Empires Fall, Yhwh Reigns: Concluding Performance Readings in Jeremiah
Published: Oct 2025
£70.00
This work completes Billingham’s performance reading of selected passages in the book of Jeremiah, following two previous volumes: The Great Drama of Jeremiah: A Performance Reading and A Distraught Prophet and Other Performance Readings in Jeremiah. Employing her established methodology that includes rhetorical analyses of her own translations, she discusses ten scenes selected from Chaps. 34-52 according to their scripts, actors, audiences, settings, and improvisations of traditional narratives and customs. Ancient Near Eastern historical accounts are enlivened as they are viewed as dramas.
- In a life and death struggle between the word of Yhwh and the king, the scroll is read and burnt by King Jehoiakim. However, the divine word is indestructible as it is recomposed by Jeremiah and rewritten by Baruch to produce an enhanced version.
- During the Babylonian siege of Jerusalem, Jeremiah is incarcerated in various prisons. However, he is rescued from a dungeon by the Ethiopia eunuch Ebed Melech. The unexpected and unsolicited kindness he experiences provides a hopeful paradigm for Yhwh’s care for the exilic community.
- The Oracles against the Nations demonstrate Yhwh’s international power and covenantal commitment to Judah.
- In a sign-act Jeremiah ties Yhwh’s judgment oracle to a stone and flings it into the Euphrates River in the heart of Babylon. There, as a silent symbol, it awaits Yhwh’s fulfilment, providing hope for the captive Judeans.
- A tale of two kings and the toppling temple embody the dismantling of Judah’s royal-priestly support structures.
- The conclusion of the book remains open-ended, allowing for the possibilities of survival, return to Judah, and faith in God. While empires fall, Yhwh reigns.
Billingham’s set of performance readings in Jeremiah provide illuminating resources for students, teachers and clergy alike.
Empires Fall, Yhwh Reigns: Concluding Performance Readings in Jeremiah
£70.00
This work completes Billingham’s performance reading of selected passages in the book of Jeremiah, following two previous volumes: The Great Drama of Jeremiah: A Performance Reading and A Distraught Prophet and Other Performance Readings in Jeremiah. Employing her established methodology that includes rhetorical analyses of her own translations, she discusses ten scenes selected from Chaps. 34-52 according to their scripts, actors, audiences, settings, and improvisations of traditional narratives and customs. Ancient Near Eastern historical accounts are enlivened as they are viewed as dramas.
- In a life and death struggle between the word of Yhwh and the king, the scroll is read and burnt by King Jehoiakim. However, the divine word is indestructible as it is recomposed by Jeremiah and rewritten by Baruch to produce an enhanced version.
- During the Babylonian siege of Jerusalem, Jeremiah is incarcerated in various prisons. However, he is rescued from a dungeon by the Ethiopia eunuch Ebed Melech. The unexpected and unsolicited kindness he experiences provides a hopeful paradigm for Yhwh’s care for the exilic community.
- The Oracles against the Nations demonstrate Yhwh’s international power and covenantal commitment to Judah.
- In a sign-act Jeremiah ties Yhwh’s judgment oracle to a stone and flings it into the Euphrates River in the heart of Babylon. There, as a silent symbol, it awaits Yhwh’s fulfilment, providing hope for the captive Judeans.
- A tale of two kings and the toppling temple embody the dismantling of Judah’s royal-priestly support structures.
- The conclusion of the book remains open-ended, allowing for the possibilities of survival, return to Judah, and faith in God. While empires fall, Yhwh reigns.
Billingham’s set of performance readings in Jeremiah provide illuminating resources for students, teachers and clergy alike.
Productive and Disordered Bodies: Judges 19–21 as a Somatic Society
Published: Oct 2025
£68.00
Examining pre-monarchic Israelite society—as seen in Judges 19–21—M.L. Case focuses on the depiction of bodies as both productive bodies which are useful for society and as disordered bodies that contribute to social breakdown. Written as an idealized example of ancient Israelite pre-monarchic society, Judges 19–21 relates the story of the rape and death of the Levite’s wife (pîlegeš), the subsequent civil war, and the attempts of the Israelite factions to reconcile at the end of the conflict. In her examination of the pericope, Case examines how female and male bodies are portrayed and how their regulation functions in this society.
Case uses social-scientific theories outlining the importance of bodies to social organization, particularly Bryan Turner’s concept of a somatic society. The resulting interpretation argues that this story describes an ideal scenario of the success of Israelite society in overcoming their inter-tribal conflict without a king. This sits in divergence to scholars who have viewed Judges 19–21 as a story which points toward the unavoidable rise of the monarchy— interpretation on these chapters as a whole has typically focused on the apparent social disorder in the period before the monarchy which they are claimed to portray, a decline from which only the establishment of the (Davidic) monarchy can rescue the Israelites.
Instead, this monograph proposes that the exchange of women in Judges 21 makes it possible for the Benjaminite War to end in peace. The society depicted in this pericope depends on the proper control of bodies, both male and female: improper regulation, such as the lack of hospitality for a foreign body, occasions social disorder, while correct regulation of bodies, such as providing hospitality to foreign bodies or limiting who has sexual access to female bodies, results in social harmony. The exchanged women’s bodies, then, critically serve as both the means and location for rapprochement.
Productive and Disordered Bodies: Judges 19–21 as a Somatic Society
£68.00
Examining pre-monarchic Israelite society—as seen in Judges 19–21—M.L. Case focuses on the depiction of bodies as both productive bodies which are useful for society and as disordered bodies that contribute to social breakdown. Written as an idealized example of ancient Israelite pre-monarchic society, Judges 19–21 relates the story of the rape and death of the Levite’s wife (pîlegeš), the subsequent civil war, and the attempts of the Israelite factions to reconcile at the end of the conflict. In her examination of the pericope, Case examines how female and male bodies are portrayed and how their regulation functions in this society.
Case uses social-scientific theories outlining the importance of bodies to social organization, particularly Bryan Turner’s concept of a somatic society. The resulting interpretation argues that this story describes an ideal scenario of the success of Israelite society in overcoming their inter-tribal conflict without a king. This sits in divergence to scholars who have viewed Judges 19–21 as a story which points toward the unavoidable rise of the monarchy— interpretation on these chapters as a whole has typically focused on the apparent social disorder in the period before the monarchy which they are claimed to portray, a decline from which only the establishment of the (Davidic) monarchy can rescue the Israelites.
Instead, this monograph proposes that the exchange of women in Judges 21 makes it possible for the Benjaminite War to end in peace. The society depicted in this pericope depends on the proper control of bodies, both male and female: improper regulation, such as the lack of hospitality for a foreign body, occasions social disorder, while correct regulation of bodies, such as providing hospitality to foreign bodies or limiting who has sexual access to female bodies, results in social harmony. The exchanged women’s bodies, then, critically serve as both the means and location for rapprochement.
The Woman of Courage: A Womanist Reading of Proverbs 31
Published: Oct 2025
£60.00
In The Woman of Courage, Mmapula Diana Kebaneilwe provides a brilliant contextual and inter-textual, womanist analysis of Proverbs 31:10-31. Kebaneilwe critically engages with this well-known pericope’s intertextual context with other biblical texts from the same era. As she renders the Hebrew eshet hayil, she questions conventional patriarchal readings of Prov. 31 and emphasizes the agency, tenacity, and economic might of the ‘woman of courage.’
Kebaneilwe shows that the woman who is celebrated in this biblical text lives in a culture with accentuated gender roles which resonate with the lived experiences of many Batswana women in many ways and at different levels. Like Botswana culture, ancient Israelite culture, as demonstrated throughout the Hebrew Bible, is agrarian, patriarchal, and androcentric. In both worlds, a woman’s worth and dignity are closely associated with her socially prescribed and labour-intensive roles of wife and mother.
This monograph demonstrates that eshet-hayil is impressive to her oppressors, including her husband and the patriarchs in higher authority, who are urged by the overarching voice of the narrator to hold her in high esteem and applaud her for her work and position. The implied praise of the men at the gate shows that the Woman of Courage has transcended one of the fundamental limitations of the patriarchal system, which was that she could never be recognised, praised, or rewarded for her work.
By emphasizing African womanist viewpoints, Kebaneilwe shows that Prov. 31 is not only a critique of patriarchal biblical ideas about women, but also—and perhaps more significantly—a text of empowerment for modern women and everyone else because it provides new perspectives on gender justice issues. The Woman of Courage is a must read for theologians, undergraduate and graduate students and all those interested in the intersection of religion and gender justice.
The Woman of Courage: A Womanist Reading of Proverbs 31
£60.00
In The Woman of Courage, Mmapula Diana Kebaneilwe provides a brilliant contextual and inter-textual, womanist analysis of Proverbs 31:10-31. Kebaneilwe critically engages with this well-known pericope’s intertextual context with other biblical texts from the same era. As she renders the Hebrew eshet hayil, she questions conventional patriarchal readings of Prov. 31 and emphasizes the agency, tenacity, and economic might of the ‘woman of courage.’
Kebaneilwe shows that the woman who is celebrated in this biblical text lives in a culture with accentuated gender roles which resonate with the lived experiences of many Batswana women in many ways and at different levels. Like Botswana culture, ancient Israelite culture, as demonstrated throughout the Hebrew Bible, is agrarian, patriarchal, and androcentric. In both worlds, a woman’s worth and dignity are closely associated with her socially prescribed and labour-intensive roles of wife and mother.
This monograph demonstrates that eshet-hayil is impressive to her oppressors, including her husband and the patriarchs in higher authority, who are urged by the overarching voice of the narrator to hold her in high esteem and applaud her for her work and position. The implied praise of the men at the gate shows that the Woman of Courage has transcended one of the fundamental limitations of the patriarchal system, which was that she could never be recognised, praised, or rewarded for her work.
By emphasizing African womanist viewpoints, Kebaneilwe shows that Prov. 31 is not only a critique of patriarchal biblical ideas about women, but also—and perhaps more significantly—a text of empowerment for modern women and everyone else because it provides new perspectives on gender justice issues. The Woman of Courage is a must read for theologians, undergraduate and graduate students and all those interested in the intersection of religion and gender justice.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
Published: Sep 2025
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Jonah’s Motive in the Light of Exodus 32–34
Published: Sep 2025
£70.00
Chanreiso Lungleng offers a favourable insight into the motivation and concerns of Jonah. This monograph pivots on the significance of Jonah 4.2 with the contention that the allusion to Exodus 32–34 unveils Jonah’s motive—zeal for God’s glory—which is otherwise assumed in the narrative.
Although the book of Jonah has received much attention in recent years—with many describing Jonah using terms such as ‘bigoted nationalist,’ ‘chauvinist,’ ‘jingoist,’ ‘anti-prophet,’ ‘satirical comic character,’ ‘hypocrite,’ and others—Lungleng argues that Yahweh’s attribution of the virtue of ‘pity’ to Jonah in Jonah 4.10 provides a key insight into Jonah’s character. Lungleng’s fresh exploration of Jonah’s character against the backdrop of Exodus 32–34, leads to several interesting discoveries. Collectively, these insights form a coherent exposition of this prophetic book. This provides the foundation for understanding that Jonah’s interactions with Yahweh and other characters in the narrative are motivated by a concern for the defence of God’s glory. And yet where Jonah’s zealous concern is for maintaining God’s reputation, Lungleng interprets the interchange with Yahweh, as divine guidance to Jonah that God’s glory is most radiantly revealed in showing compassion—even to Nineveh, a Gentile city—rather than in the protectionist approach of the prophet. Jonah’s Motive in the Light of Exodus 32–34
£70.00
Chanreiso Lungleng offers a favourable insight into the motivation and concerns of Jonah. This monograph pivots on the significance of Jonah 4.2 with the contention that the allusion to Exodus 32–34 unveils Jonah’s motive—zeal for God’s glory—which is otherwise assumed in the narrative.
Although the book of Jonah has received much attention in recent years—with many describing Jonah using terms such as ‘bigoted nationalist,’ ‘chauvinist,’ ‘jingoist,’ ‘anti-prophet,’ ‘satirical comic character,’ ‘hypocrite,’ and others—Lungleng argues that Yahweh’s attribution of the virtue of ‘pity’ to Jonah in Jonah 4.10 provides a key insight into Jonah’s character. Lungleng’s fresh exploration of Jonah’s character against the backdrop of Exodus 32–34, leads to several interesting discoveries. Collectively, these insights form a coherent exposition of this prophetic book. This provides the foundation for understanding that Jonah’s interactions with Yahweh and other characters in the narrative are motivated by a concern for the defence of God’s glory. And yet where Jonah’s zealous concern is for maintaining God’s reputation, Lungleng interprets the interchange with Yahweh, as divine guidance to Jonah that God’s glory is most radiantly revealed in showing compassion—even to Nineveh, a Gentile city—rather than in the protectionist approach of the prophet.
Irony in the Divine Response to Job
Published: Sep 2025
£70.00
The interrogation by Scott Xu of the ironic motifs in the divine response to Job offers a new understanding of the Book of Job’s questions surrounding suffering. Xu offers a thorough investigation and analysis of the different levels and aspects of irony in Job, particularly in the closing chapters (Job 38–42). The use of irony, Xu proposes, is designed to respond to the key issue in Job that has plagued readers and scholars over the ages, namely that of innocent suffering.
Prior to this monograph, there has been no in-depth study of irony, beyond at a verbal level; nor had the book’s theological concerns—in relation to irony—been sufficiently addressed. Nearly a century of Joban scholarship on irony demonstrates a growing literary appreciation of the book of Job, but leaves much to be desired such as methodological uniformity. A survey of previous studies on irony in the book of Job is conducted and critical gaps are identified. A sophisticated framework of irony is established and then applied to the divine speeches and the Epilogue.
The result of this analysis is the discovery that the Book of Job can be understood as suggesting that an innocent sufferer can have a positive understanding of their suffering as well as of their relation with the divine. Fundamental to this interpretation is the revelation of a God who responds to the issue of innocent suffering in ingenious ways, whose pride cannot be threatened, but who nevertheless identifies with the human situation and is even capable of self-irony. In conclusion, the completed interpretive lens that is offered enables the reader to see irony itself as the divine response to the issue of innocent suffering.
Irony in the Divine Response to Job
£70.00
The interrogation by Scott Xu of the ironic motifs in the divine response to Job offers a new understanding of the Book of Job’s questions surrounding suffering. Xu offers a thorough investigation and analysis of the different levels and aspects of irony in Job, particularly in the closing chapters (Job 38–42). The use of irony, Xu proposes, is designed to respond to the key issue in Job that has plagued readers and scholars over the ages, namely that of innocent suffering.
Prior to this monograph, there has been no in-depth study of irony, beyond at a verbal level; nor had the book’s theological concerns—in relation to irony—been sufficiently addressed. Nearly a century of Joban scholarship on irony demonstrates a growing literary appreciation of the book of Job, but leaves much to be desired such as methodological uniformity. A survey of previous studies on irony in the book of Job is conducted and critical gaps are identified. A sophisticated framework of irony is established and then applied to the divine speeches and the Epilogue.
The result of this analysis is the discovery that the Book of Job can be understood as suggesting that an innocent sufferer can have a positive understanding of their suffering as well as of their relation with the divine. Fundamental to this interpretation is the revelation of a God who responds to the issue of innocent suffering in ingenious ways, whose pride cannot be threatened, but who nevertheless identifies with the human situation and is even capable of self-irony. In conclusion, the completed interpretive lens that is offered enables the reader to see irony itself as the divine response to the issue of innocent suffering.
Character Development in MT Esther
Published: Sep 2025
£70.00
Through this literary reading of MT Esther, Bernard Tola determines—in this early example of a novel—whether character change and complexity can be discerned in the four main characters: Esther, Mordecai, Ahasuerus and Haman. Characterization in MT Esther has widely been assessed as flat and unchanging, resulting in portrayals that lack depth, with the possible exception of Esther herself. In this view, the characters remain superficial, merely fulfilling archetypal roles or representing static wisdom types.
Tola investigates if the narrative is more concerned with the quality of Jewish life in the diaspora rather than with depicting character. This monograph shows how the author of Esther makes use of a wide range of tools in their work with characterization, creating a variety of characters that interact with each other in interesting and sometimes surprising ways.
By applying the anthropological model of Cultural Theory, Tola provides a typology for linking worldview and behaviour. Tola uses this for analysing the interactions between different worldviews, clarifying the cultural commitments of the four main characters. Other methodologies are used to analyse how the worldviews and psychology of the characters manifest themselves through their speech. They provide a means of investigating the interactions between protagonists and of identifying character changes.
This study establishes that the many clashes between the various characters arise from differences in their worldviews, that the result of these clashes is often a change in worldview, and that the worldviews of the characters fuel the plot of the narrative. In their own way, the four main characters change in the course of the narrative. Their changes are sometimes abrupt, sometimes gradual, sometimes profound and sometimes do not amount to character development. Their changes are, however, always important in the narrative.
Character Development in MT Esther
£70.00
Through this literary reading of MT Esther, Bernard Tola determines—in this early example of a novel—whether character change and complexity can be discerned in the four main characters: Esther, Mordecai, Ahasuerus and Haman. Characterization in MT Esther has widely been assessed as flat and unchanging, resulting in portrayals that lack depth, with the possible exception of Esther herself. In this view, the characters remain superficial, merely fulfilling archetypal roles or representing static wisdom types.
Tola investigates if the narrative is more concerned with the quality of Jewish life in the diaspora rather than with depicting character. This monograph shows how the author of Esther makes use of a wide range of tools in their work with characterization, creating a variety of characters that interact with each other in interesting and sometimes surprising ways.
By applying the anthropological model of Cultural Theory, Tola provides a typology for linking worldview and behaviour. Tola uses this for analysing the interactions between different worldviews, clarifying the cultural commitments of the four main characters. Other methodologies are used to analyse how the worldviews and psychology of the characters manifest themselves through their speech. They provide a means of investigating the interactions between protagonists and of identifying character changes.
This study establishes that the many clashes between the various characters arise from differences in their worldviews, that the result of these clashes is often a change in worldview, and that the worldviews of the characters fuel the plot of the narrative. In their own way, the four main characters change in the course of the narrative. Their changes are sometimes abrupt, sometimes gradual, sometimes profound and sometimes do not amount to character development. Their changes are, however, always important in the narrative.
Jacob: Conflicted Twin, Aggrieved Patriarch
Published: Jun 2025
£70.00
George Savran brings his narrative interpretive approach to look closely at Jacob’s shifting identity. Jacob is indelibly linked to his brother Esau in the Genesis narrative, and their complex relationship as twins foregrounds this problematic connection. Jacob’s lineage is examined—he differs noticeably from his ancestors and his offspring in the complexity of his changing character. At times he is a “simple man” at the mercy of the demands of others; elsewhere he is a devious trickster eager to use his wits to achieve personal success. His search for a coherent identity, as it unfolds in this study, leads to his emergence as the patriarch of his family, compelled to make peace with his brother and his sons in the midst of ongoing conflict.
This study brings out how Jacob’s mature identity is clarified further by his reactions to three unusual and unexpected encounters which shed light on his ability to recalibrate his self-understanding.
- The first is his struggle with the man/angel at the Jabbok, where he receives a blessing with the name Israel, and comes to realize that his relationship to God is more complicated (and less predictable) than he had previously thought.
- An additional insight comes the following day during his reunion with Esau, as he learns to appreciate him in a new way and compares beholding his face to “seeing the face of God”. This is a remarkable admission by a brother who thought only the worst of his twin.
- Jacob’s rethinking his own self-importance emerges later in the Joseph story, when he is compelled to realizes that his insistence on his personal concerns will lead to the dissolution of his family.
Savran’s interpretation of these reactions underscores their significance in Jacob’s development, revealing a character of depth and resilience and giving new meaning to his role as the avatar of Israel.
Jacob: Conflicted Twin, Aggrieved Patriarch
£70.00
George Savran brings his narrative interpretive approach to look closely at Jacob’s shifting identity. Jacob is indelibly linked to his brother Esau in the Genesis narrative, and their complex relationship as twins foregrounds this problematic connection. Jacob’s lineage is examined—he differs noticeably from his ancestors and his offspring in the complexity of his changing character. At times he is a “simple man” at the mercy of the demands of others; elsewhere he is a devious trickster eager to use his wits to achieve personal success. His search for a coherent identity, as it unfolds in this study, leads to his emergence as the patriarch of his family, compelled to make peace with his brother and his sons in the midst of ongoing conflict.
This study brings out how Jacob’s mature identity is clarified further by his reactions to three unusual and unexpected encounters which shed light on his ability to recalibrate his self-understanding.
- The first is his struggle with the man/angel at the Jabbok, where he receives a blessing with the name Israel, and comes to realize that his relationship to God is more complicated (and less predictable) than he had previously thought.
- An additional insight comes the following day during his reunion with Esau, as he learns to appreciate him in a new way and compares beholding his face to “seeing the face of God”. This is a remarkable admission by a brother who thought only the worst of his twin.
- Jacob’s rethinking his own self-importance emerges later in the Joseph story, when he is compelled to realizes that his insistence on his personal concerns will lead to the dissolution of his family.
Savran’s interpretation of these reactions underscores their significance in Jacob’s development, revealing a character of depth and resilience and giving new meaning to his role as the avatar of Israel.
Song of Songs in Sense, Sound and Space
Published: Nov 2024
£70.00
This volume offers 13 cutting-edge essays on the Song of Songs presented in four categories.
1. Exegetical and Contextualised Studies. Fernandes argues Solomon’s sidelining in the Song is unjust and uncovers subtle allusions to him. Scheffler examines the contentious place of Song 7.1 and its depiction. Lombaard challenges whether gender equity exists in the Song, arguing that female voices are more prominent than male ones. Landy employs affect theory to the depiction of the woman as a mare (1.9-11) and the invitation for her to return (7.1). Kim highlights the subjectivity of interpretation by comparing readings of Song 7 by Keel, Black and herself through the lens of Umberto Eco’s semiotic model. Potgieter and Lombaard contemporise Paul Decock’s readings of Origen and Bernard on the Song.
2. Spatial Studies. Fischer applies Lefebvre’s spatial theory to the Song, highlighting the protagonists’ physical space; their conceived (cultural) space; and their lived space (their supra-temporal experience). Dantonel analyses several spatial domains in both the Song and Proverbs: spring; well; and vineyard along with three places of enduring love: mother’s house; door; and window.
3. Comparative Studies. Volkonski compares Early Arabic poetic techniques and the Song to show new possibilities for interpreting the latter. Recalcati investigates parallels between the Song and Hellenistic epigrammatic poetry within the Anthologia Palatina. Biermann explores the metaphor(s) ‘set me as a seal upon your heart, as a seal upon your arm’ in 8.6 through cognitive linguistics and sensory archaeology.
4. Studies in Music. Boyce-Tillman integrates her reading of the Song with her musical compositions to contemporise themes including fertility, the body, ecotheology, and apophatic theology. Lamont and Fernandes survey four shared tropes between Arvo Pärt’s The Deer’s Cry, St. Patrick’s Breastplate and the Song: love and war; incantation and magic; connection with nature; and in medias res.
Song of Songs in Sense, Sound and Space
£70.00
This volume offers 13 cutting-edge essays on the Song of Songs presented in four categories.
1. Exegetical and Contextualised Studies. Fernandes argues Solomon’s sidelining in the Song is unjust and uncovers subtle allusions to him. Scheffler examines the contentious place of Song 7.1 and its depiction. Lombaard challenges whether gender equity exists in the Song, arguing that female voices are more prominent than male ones. Landy employs affect theory to the depiction of the woman as a mare (1.9-11) and the invitation for her to return (7.1). Kim highlights the subjectivity of interpretation by comparing readings of Song 7 by Keel, Black and herself through the lens of Umberto Eco’s semiotic model. Potgieter and Lombaard contemporise Paul Decock’s readings of Origen and Bernard on the Song.
2. Spatial Studies. Fischer applies Lefebvre’s spatial theory to the Song, highlighting the protagonists’ physical space; their conceived (cultural) space; and their lived space (their supra-temporal experience). Dantonel analyses several spatial domains in both the Song and Proverbs: spring; well; and vineyard along with three places of enduring love: mother’s house; door; and window.
3. Comparative Studies. Volkonski compares Early Arabic poetic techniques and the Song to show new possibilities for interpreting the latter. Recalcati investigates parallels between the Song and Hellenistic epigrammatic poetry within the Anthologia Palatina. Biermann explores the metaphor(s) ‘set me as a seal upon your heart, as a seal upon your arm’ in 8.6 through cognitive linguistics and sensory archaeology.
4. Studies in Music. Boyce-Tillman integrates her reading of the Song with her musical compositions to contemporise themes including fertility, the body, ecotheology, and apophatic theology. Lamont and Fernandes survey four shared tropes between Arvo Pärt’s The Deer’s Cry, St. Patrick’s Breastplate and the Song: love and war; incantation and magic; connection with nature; and in medias res.
Ancient Israel, Judah, and Greece: Laying the Foundation of a Comparative Approach
Published: Nov 2024
£70.00
Andrew Tobolowsky offers a new starting point for comparative investigations into the traditions of the Hebrew Bible and of ancient Greece. Noting a number of shared problems and questions in the study of each corpus, he advocates for a method based on comparing not tradition to tradition but scholarly approach to scholarly approach. He argues that such a method not only helps overcome the problem of parallelomania, and a high philological barrier to entry, but transforms scholars in each discipline into fellow travellers, capable of offering each other useful insights.
By applying this method of comparing scholarly approaches, Tobolowsky considers four crucial questions:
- what do contemporary understandings of ethnic identity mean for the study of these traditions;
- what role should extraliterary evidence play in illuminating them;
- how should we understand the data of genealogical traditions;
- and what do new understandings of the porousness of cultural boundaries in the ancient world mean for the study of foundation traditions.
In each case, he surveys the landscape of contemporary debates in both fields to determine what new ideas hold the most promise for solving intractable problems—and for most successfully moving on from outdated assumptions.
In addition, Ancient Israel, Judah, and Greece particularly emphasizes the usefulness of thinking about the historical development of traditions in the Hebrew Bible through the lens of a Mediterranean context where there is so much more evidence for how traditions were inherited and adapted to work with. Overall, Tobolowsky argues that what each of these comparisons most clearly demonstrates is the crucial importance of completing the shift from a “kernels of truth” based approach to the study of traditions to one where their ongoing dynamism as the medium for redescribing identity and the past is emphasized instead.
Ancient Israel, Judah, and Greece: Laying the Foundation of a Comparative Approach
£70.00
Andrew Tobolowsky offers a new starting point for comparative investigations into the traditions of the Hebrew Bible and of ancient Greece. Noting a number of shared problems and questions in the study of each corpus, he advocates for a method based on comparing not tradition to tradition but scholarly approach to scholarly approach. He argues that such a method not only helps overcome the problem of parallelomania, and a high philological barrier to entry, but transforms scholars in each discipline into fellow travellers, capable of offering each other useful insights.
By applying this method of comparing scholarly approaches, Tobolowsky considers four crucial questions:
- what do contemporary understandings of ethnic identity mean for the study of these traditions;
- what role should extraliterary evidence play in illuminating them;
- how should we understand the data of genealogical traditions;
- and what do new understandings of the porousness of cultural boundaries in the ancient world mean for the study of foundation traditions.
In each case, he surveys the landscape of contemporary debates in both fields to determine what new ideas hold the most promise for solving intractable problems—and for most successfully moving on from outdated assumptions.
In addition, Ancient Israel, Judah, and Greece particularly emphasizes the usefulness of thinking about the historical development of traditions in the Hebrew Bible through the lens of a Mediterranean context where there is so much more evidence for how traditions were inherited and adapted to work with. Overall, Tobolowsky argues that what each of these comparisons most clearly demonstrates is the crucial importance of completing the shift from a “kernels of truth” based approach to the study of traditions to one where their ongoing dynamism as the medium for redescribing identity and the past is emphasized instead.
Trauma Theories: Refractions in the Book of Jeremiah
Published: Oct 2024
£75.00
A first of its kind, this monograph examines five common trauma theories used within biblical studies, setting out the assumptions and implications of each and using passages from the book of Jeremiah to demonstrate interpretive possibilities. Trauma Theories highlights the interdisciplinary character of trauma hermeneutics and demonstrates the distinctive contribution each approach offers for biblical interpreters.
In her exploration of trauma theories, Elizabeth Boase treats each school of thought separately, tracing its disciplinary roots and its underlying convictions about language and memory. At the same time, she argues for the importance of understanding the way each theory accounts for the place of texts in a communal setting, suggesting that it is the communal impact of trauma that is key to reading biblical texts.
Boase uses passages from the Book of Jeremiah as case studies, showcasing how different theories offer diverse ways of understanding the impact of suffering experienced during the time of the Babylonian incursion on Judah and Jerusalem in the sixth century BCE.
This volume will be an invaluable resource for newcomers to the field of biblical trauma hermeneutics and for those more familiar with these approaches.
Trauma Theories: Refractions in the Book of Jeremiah
£75.00
A first of its kind, this monograph examines five common trauma theories used within biblical studies, setting out the assumptions and implications of each and using passages from the book of Jeremiah to demonstrate interpretive possibilities. Trauma Theories highlights the interdisciplinary character of trauma hermeneutics and demonstrates the distinctive contribution each approach offers for biblical interpreters.
In her exploration of trauma theories, Elizabeth Boase treats each school of thought separately, tracing its disciplinary roots and its underlying convictions about language and memory. At the same time, she argues for the importance of understanding the way each theory accounts for the place of texts in a communal setting, suggesting that it is the communal impact of trauma that is key to reading biblical texts.
Boase uses passages from the Book of Jeremiah as case studies, showcasing how different theories offer diverse ways of understanding the impact of suffering experienced during the time of the Babylonian incursion on Judah and Jerusalem in the sixth century BCE.
This volume will be an invaluable resource for newcomers to the field of biblical trauma hermeneutics and for those more familiar with these approaches.
A Distraught Prophet and Other Performance Readings in Jeremiah
Published: July 2024
£70.00
Continuing the theme of Valerie M Billingham’s, The Great Drama of Jeremiah: A Performance Reading which addresses eleven scenes in Jer 1-19, Billingham presents a performance reading of nine further scenes from chs. 20-32. In a synchronic reading, she undertakes rhetorical analyses of her own translations of the Masoretic Text, noting repetitions, chiastic structures, parallelism, alliteration and assonance that add impact to the messages. She analyses each scene according to their actors, audience, settings (geographical and socio-political), and improvisation of traditional scripts.
Employing the Earth Bible Team’s six Eco-justice Principles, she attends to the voices of Earth and members of the Earth community as they express their distress at the Babylonian invasion of Judah, and rejoice at the prospect of the exiles’ return. With the exilic community suffering Post Traumatic Stress, she argues that Jeremiah presents a manual that offers healing and restoration. Acknowledging performance as a worthy pursuit, Billingham provides helpful groundwork for engaging with texts in order to produce scripts for acting.
The performances presented include Jeremiah's distress at Yhwh's apparent deception and coercion regarding his prophetic vocation. The kings are the problem in Judah, provoking Yhwh’s judgment, but plans to appoint an ideal leader who will rule according to the covenantal qualities of wisdom, justice and righteousness. Two baskets of figs represent the exilic community and those who remain in Judah. In a twist, the good figs are identified as the suffering exiles, and the bad figs are those who avoided deportation. In a heated clash over the severity and duration of exile, yokes are smashed and Jeremiah is declared to be the true prophet of Yhwh. Jeremiah purchases his uncle’s block of land. An ecological reading presents the field as a silent symbol of hope for the exilic community. It represents all the other fields that will be restored to the rightful families of the returning exiles.
A Distraught Prophet and Other Performance Readings in Jeremiah
£70.00
Continuing the theme of Valerie M Billingham’s, The Great Drama of Jeremiah: A Performance Reading which addresses eleven scenes in Jer 1-19, Billingham presents a performance reading of nine further scenes from chs. 20-32. In a synchronic reading, she undertakes rhetorical analyses of her own translations of the Masoretic Text, noting repetitions, chiastic structures, parallelism, alliteration and assonance that add impact to the messages. She analyses each scene according to their actors, audience, settings (geographical and socio-political), and improvisation of traditional scripts.
Employing the Earth Bible Team’s six Eco-justice Principles, she attends to the voices of Earth and members of the Earth community as they express their distress at the Babylonian invasion of Judah, and rejoice at the prospect of the exiles’ return. With the exilic community suffering Post Traumatic Stress, she argues that Jeremiah presents a manual that offers healing and restoration. Acknowledging performance as a worthy pursuit, Billingham provides helpful groundwork for engaging with texts in order to produce scripts for acting.
The performances presented include Jeremiah's distress at Yhwh's apparent deception and coercion regarding his prophetic vocation. The kings are the problem in Judah, provoking Yhwh’s judgment, but plans to appoint an ideal leader who will rule according to the covenantal qualities of wisdom, justice and righteousness. Two baskets of figs represent the exilic community and those who remain in Judah. In a twist, the good figs are identified as the suffering exiles, and the bad figs are those who avoided deportation. In a heated clash over the severity and duration of exile, yokes are smashed and Jeremiah is declared to be the true prophet of Yhwh. Jeremiah purchases his uncle’s block of land. An ecological reading presents the field as a silent symbol of hope for the exilic community. It represents all the other fields that will be restored to the rightful families of the returning exiles.
1 & 2 Kings: A Visual Commentary
Published: Mar 2024
£75.00
In this uniquely conceived and brilliantly illustrated book, Martin O’Kane, one of the leading experts internationally on biblical art, turns his attention to the narratives of 1&2 Kings. Here we encounter a large and varied cast of characters, men and women whose lives are portrayed imaginatively, ranging from exotic kings and queens and flamboyant prophets to lowly servants and other insignificant functionaries. Readers meet individuals of all ages, from the old and wise to the young and foolish, saints and sinners alike. Many of these characters, and the stories in which they appear, play a prominent part in the religious traditions and cultural worlds of three major faiths—Judaism, Christianity and Islam. Interpreted according to each faith’s distinctive norms, they are popular subjects not only in the literature but particularly in the rich iconographies of the three religions.
1&2 Kings: A Visual Commentary takes the form of a commentary that focuses on the interpretation of characters and stories from the books of Kings in the visual cultures of the three monotheistic faiths. In each chapter, the first section sets out the most distinctive interpretations and appropriations of the biblical story. The second section interprets how the story has been received and interpreted in Jewish, Christian and Islamic literature. The final section details how characters or episodes from Kings re-appear in original ways in the artwork of the three religions. With its over one hundred and seventy-five full-colour images, from Christian mediaeval manuscripts and Persian and Ottoman miniature paintings to contemporary Jewish art, the volume shows why stories from 1&2 Kings feature so prominently in the artistic and cultural worlds the three religions have helped to shape.
Scholars, students and Bible readers in general will find something new and something delightful on every page of this unusually engaging work.
1 & 2 Kings: A Visual Commentary
£75.00
In this uniquely conceived and brilliantly illustrated book, Martin O’Kane, one of the leading experts internationally on biblical art, turns his attention to the narratives of 1&2 Kings. Here we encounter a large and varied cast of characters, men and women whose lives are portrayed imaginatively, ranging from exotic kings and queens and flamboyant prophets to lowly servants and other insignificant functionaries. Readers meet individuals of all ages, from the old and wise to the young and foolish, saints and sinners alike. Many of these characters, and the stories in which they appear, play a prominent part in the religious traditions and cultural worlds of three major faiths—Judaism, Christianity and Islam. Interpreted according to each faith’s distinctive norms, they are popular subjects not only in the literature but particularly in the rich iconographies of the three religions.
1&2 Kings: A Visual Commentary takes the form of a commentary that focuses on the interpretation of characters and stories from the books of Kings in the visual cultures of the three monotheistic faiths. In each chapter, the first section sets out the most distinctive interpretations and appropriations of the biblical story. The second section interprets how the story has been received and interpreted in Jewish, Christian and Islamic literature. The final section details how characters or episodes from Kings re-appear in original ways in the artwork of the three religions. With its over one hundred and seventy-five full-colour images, from Christian mediaeval manuscripts and Persian and Ottoman miniature paintings to contemporary Jewish art, the volume shows why stories from 1&2 Kings feature so prominently in the artistic and cultural worlds the three religions have helped to shape.
Scholars, students and Bible readers in general will find something new and something delightful on every page of this unusually engaging work.
Doing Biblical Masculinity Studies as Feminist Biblical Studies? Critical Interrogations
Published: Oct 2023
£60.00
This anthology presents a collaborative interrogation at the intersection of feminist biblical studies and biblical masculinity studies. The included essays make a compelling case for both feminist and masculist readers to recognize the advantage of engaging with each other. As they join forces, they produce research that not only brings female characters, gender issues or queer interpretation histories to the forefront but also interrogates critically male characters as well as androcentric and heteronormative conventions, viewpoints and norms. Connections to geopolitical, ethno-religious and other intersectional issues are part and parcel of the diverse range of approaches.
As a whole, then, the book expands the scholarly discourse from essentializing attention on ‘women’ or ‘men’ to a multifaceted (de)construction of gender that exposes gendered structures of domination in comprehensive ways. The shared goal is to halt reactionary gender discourses and to foster intersectional comprehension of texts and scholarship. Theoretical, historical, contemporary and textual considerations underscore the methodological, hermeneutical and exegetical value of this kind of work.
The volume is organized into three main parts. First, ‘Theoretical Considerations’, presents two essays illuminating meta-level assumptions and developments when biblical scholars embrace the interrelationship of feminist and masculinity studies in their work. Second, ‘Historical and Contemporary Considerations’, contains three essays examining the Bible in past and present cultural contexts. Third, ‘Textual Considerations’, features four essays focusing on specific passages with lenses informed by masculinity and feminist studies. All nine essays, and the three responses addressing them, invite readers to understand, critique and interrupt phallogocentric assumptions in texts, interpretation histories, and research of the Hebrew Bible.
Doing Biblical Masculinity Studies as Feminist Biblical Studies? Critical Interrogations
£60.00
This anthology presents a collaborative interrogation at the intersection of feminist biblical studies and biblical masculinity studies. The included essays make a compelling case for both feminist and masculist readers to recognize the advantage of engaging with each other. As they join forces, they produce research that not only brings female characters, gender issues or queer interpretation histories to the forefront but also interrogates critically male characters as well as androcentric and heteronormative conventions, viewpoints and norms. Connections to geopolitical, ethno-religious and other intersectional issues are part and parcel of the diverse range of approaches.
As a whole, then, the book expands the scholarly discourse from essentializing attention on ‘women’ or ‘men’ to a multifaceted (de)construction of gender that exposes gendered structures of domination in comprehensive ways. The shared goal is to halt reactionary gender discourses and to foster intersectional comprehension of texts and scholarship. Theoretical, historical, contemporary and textual considerations underscore the methodological, hermeneutical and exegetical value of this kind of work.
The volume is organized into three main parts. First, ‘Theoretical Considerations’, presents two essays illuminating meta-level assumptions and developments when biblical scholars embrace the interrelationship of feminist and masculinity studies in their work. Second, ‘Historical and Contemporary Considerations’, contains three essays examining the Bible in past and present cultural contexts. Third, ‘Textual Considerations’, features four essays focusing on specific passages with lenses informed by masculinity and feminist studies. All nine essays, and the three responses addressing them, invite readers to understand, critique and interrupt phallogocentric assumptions in texts, interpretation histories, and research of the Hebrew Bible.
Effective Stories: Genesis Through the Lens of Resilience
Published: July 2023
£70.00
This book is the first monograph-length reading of a biblical book through the lens of resilience. Megan Warner first defines the lens and outlines its boundaries, before training it upon Genesis—to draw new, and often surprising, meaning out of a much-mined text. This innovative reading responds to the need for sustained readings of biblical text, not just in the spheres of resilience and vulnerability, but also in the closely connected interpretative field of trauma.
Warner demonstrates that the authors and editors of Genesis wrote and presented ‘effective stories’—i.e. stories designed to effect change. The devastation of the destruction of Jerusalem, the exile and dispiriting return are nowhere explicitly addressed in Genesis. It relates the history of much earlier events. Nevertheless, this reading exposes intimate engagement with these seminal disasters and the formulation of responses to them. Genesis reaches back into ancient history for the purpose of preparing a new and resilient road into an uncertain future.
Amongst the contributions of this volume are:
a presentation of Genesis’ two creation stories as concerted and complementary responses to the Babylonian crisis;
the identification of an extensive book-wide project, focused on Abraham, to present a history of a united (albeit Judah-centred) Israel designed to challenge the Mosaic Yahwisms of the pre-exilic and exilic periods;
exploration of patterns of use and recruitment of female characters for political means; and
a sustained reading of the resilience of a single character, Joseph.
Warner’s critical approach exposes limitations of the use of resilience as lens, but ultimately demonstrates its potential to go beyond trauma-centred approaches, to recognise innovative, practical and above all, effective, strategies for the construction of viable futures.
Effective Stories: Genesis Through the Lens of Resilience
£70.00
This book is the first monograph-length reading of a biblical book through the lens of resilience. Megan Warner first defines the lens and outlines its boundaries, before training it upon Genesis—to draw new, and often surprising, meaning out of a much-mined text. This innovative reading responds to the need for sustained readings of biblical text, not just in the spheres of resilience and vulnerability, but also in the closely connected interpretative field of trauma.
Warner demonstrates that the authors and editors of Genesis wrote and presented ‘effective stories’—i.e. stories designed to effect change. The devastation of the destruction of Jerusalem, the exile and dispiriting return are nowhere explicitly addressed in Genesis. It relates the history of much earlier events. Nevertheless, this reading exposes intimate engagement with these seminal disasters and the formulation of responses to them. Genesis reaches back into ancient history for the purpose of preparing a new and resilient road into an uncertain future.
Amongst the contributions of this volume are:
a presentation of Genesis’ two creation stories as concerted and complementary responses to the Babylonian crisis;
the identification of an extensive book-wide project, focused on Abraham, to present a history of a united (albeit Judah-centred) Israel designed to challenge the Mosaic Yahwisms of the pre-exilic and exilic periods;
exploration of patterns of use and recruitment of female characters for political means; and
a sustained reading of the resilience of a single character, Joseph.
Warner’s critical approach exposes limitations of the use of resilience as lens, but ultimately demonstrates its potential to go beyond trauma-centred approaches, to recognise innovative, practical and above all, effective, strategies for the construction of viable futures.
The Way to Zion in Isaiah 40-55: Beyond New Exodus or Metaphor
Published: Jun 2023
£70.00
Entering into a longstanding debate in Isaiah research on 'way' language in chapters 40–55 comes The Way to Zion in Isaiah 40–55. This discussion concerns whether the 'way' is best understood as a new exodus of the exiles from Babylon or instead as a metaphor signifying the transformation of Jerusalem from a place of judgement to a place of redemption.
Caleb Gundlach’s study contributes to this debate by arguing that the pilgrimage to Zion becomes a prevalent aspect of the 'way' theme in Isaiah 40–55 and influences how the homecoming is envisioned in these chapters. Firstly, it lays out criteria for recognizing the pilgrimage to Zion as the predominant journey type in Isaiah 49–55. It then explores the relationship of this pilgrimage journey to the major theme of Zion’s restoration within Isaiah 40–55, a theme also emphasized by metaphorical interpretations of the 'way'.
Resituating the homecoming material within the perspective of pilgrimage to Zion sheds light on other interpretive debates on Isaiah 40–55, including:
- the Babylonian or Judahite provenance for the text;
- emphasis on either the text’s compositional stages or its thematic coherence;
- thematic tensions, such as between Zion’s restoration and the Servant’s mission to the nations.
Reconsidering Isaiah’s 'way' imagery under the paradigm of the pilgrimage to Zion provides new avenues for negotiating these issues and takes a further step towards understanding how Isaiah 40–55 coheres as a meaningful and complex unity.
The Way to Zion in Isaiah 40-55: Beyond New Exodus or Metaphor
£70.00
Entering into a longstanding debate in Isaiah research on 'way' language in chapters 40–55 comes The Way to Zion in Isaiah 40–55. This discussion concerns whether the 'way' is best understood as a new exodus of the exiles from Babylon or instead as a metaphor signifying the transformation of Jerusalem from a place of judgement to a place of redemption.
Caleb Gundlach’s study contributes to this debate by arguing that the pilgrimage to Zion becomes a prevalent aspect of the 'way' theme in Isaiah 40–55 and influences how the homecoming is envisioned in these chapters. Firstly, it lays out criteria for recognizing the pilgrimage to Zion as the predominant journey type in Isaiah 49–55. It then explores the relationship of this pilgrimage journey to the major theme of Zion’s restoration within Isaiah 40–55, a theme also emphasized by metaphorical interpretations of the 'way'.
Resituating the homecoming material within the perspective of pilgrimage to Zion sheds light on other interpretive debates on Isaiah 40–55, including:
- the Babylonian or Judahite provenance for the text;
- emphasis on either the text’s compositional stages or its thematic coherence;
- thematic tensions, such as between Zion’s restoration and the Servant’s mission to the nations.
Reconsidering Isaiah’s 'way' imagery under the paradigm of the pilgrimage to Zion provides new avenues for negotiating these issues and takes a further step towards understanding how Isaiah 40–55 coheres as a meaningful and complex unity.
From Qumran to Jude: A History of Social Crisis at Qumran and in Early Jewish Christianity
Published: Jun 2023
£65.00
Many have noted the Qumran-like language of Jude. Chris Armitage provides a detailed comparative consideration of the similarities between Jude and the Dead Sea Scrolls peshers in the Hebrew Bible. The writers, in each of these texts, frequently appeal to examples of eschatological punishment for deviant theology and conduct, from the Hebrew Bible.
This study delves systematically into Jude’s use of pesher technique—appropriating a Hebrew Bible example of deviant teaching and behaviour and its eschatological consequences and applying it to the present—and shows, across the divide of Koine Greek and Classical Hebrew, that this is same technique as found in the Dead Sea Scrolls.
Armitage infers that similar socio-theological crises faced Jude’s and the Qumran community, requiring each to generate literature containing purity and pollution rhetoric, derived from remodelling Hebrew Bible predictions of eschatological punishment to fit its own time, in order to ensure internal solidarity.
From Qumran to Jude: A History of Social Crisis at Qumran and in Early Jewish Christianity
£65.00
Many have noted the Qumran-like language of Jude. Chris Armitage provides a detailed comparative consideration of the similarities between Jude and the Dead Sea Scrolls peshers in the Hebrew Bible. The writers, in each of these texts, frequently appeal to examples of eschatological punishment for deviant theology and conduct, from the Hebrew Bible.
This study delves systematically into Jude’s use of pesher technique—appropriating a Hebrew Bible example of deviant teaching and behaviour and its eschatological consequences and applying it to the present—and shows, across the divide of Koine Greek and Classical Hebrew, that this is same technique as found in the Dead Sea Scrolls.
Armitage infers that similar socio-theological crises faced Jude’s and the Qumran community, requiring each to generate literature containing purity and pollution rhetoric, derived from remodelling Hebrew Bible predictions of eschatological punishment to fit its own time, in order to ensure internal solidarity.
Joban Papers
Published: Apr 2023
£75.00
In this volume, David J.A. Clines—known for his magisterial three-volume commentary on Job in the Word Biblical Commentary series (1989–2011)—brings together a sequence of 27 of his papers on his favourite biblical book from a variety of publications.
In two sections, the wide-ranging Syntheses and the more focused Probes on particular chapters, this collection is a necessary adjunct to his commentary.
Among the titles in the Syntheses are:
- On the Poetic Achievement of the Book of Job
- Why Is There a Book of Job, and What Does It Do to You If You Read It?
- Job’s Fifth Friend: An Ethical Critique of the Book of Job
- Deconstructing the Book of Job
Among the Probes the reader will find:
- False Naivety in the Prologue to Job
- In Search of the Indian Job
- Quarter Days Gone: Job 24 and the Absence of God
- Those Golden Days: Job and the Perils of Nostalgia
- Putting Elihu in his Place: A Proposal for the Relocation of Job 32–37
- One or Two Things You May Not Know about the Universe
- The Worth of Animals in the Book of Job
- Job’s Crafty Conclusion, and Seven Interesting Things about the Epilogue to Job
Joban Papers
£75.00
In this volume, David J.A. Clines—known for his magisterial three-volume commentary on Job in the Word Biblical Commentary series (1989–2011)—brings together a sequence of 27 of his papers on his favourite biblical book from a variety of publications.
In two sections, the wide-ranging Syntheses and the more focused Probes on particular chapters, this collection is a necessary adjunct to his commentary.
Among the titles in the Syntheses are:
- On the Poetic Achievement of the Book of Job
- Why Is There a Book of Job, and What Does It Do to You If You Read It?
- Job’s Fifth Friend: An Ethical Critique of the Book of Job
- Deconstructing the Book of Job
Among the Probes the reader will find:
- False Naivety in the Prologue to Job
- In Search of the Indian Job
- Quarter Days Gone: Job 24 and the Absence of God
- Those Golden Days: Job and the Perils of Nostalgia
- Putting Elihu in his Place: A Proposal for the Relocation of Job 32–37
- One or Two Things You May Not Know about the Universe
- The Worth of Animals in the Book of Job
- Job’s Crafty Conclusion, and Seven Interesting Things about the Epilogue to Job
Play the Man! Biblical Imperatives to Masculinity
Published: Apr 2023
£75.00
David J.A. Clines argues in Play the Man! that masculinity is a script, written for men by their societies, a script that men in their various cultures act out their whole lives long: 'no one is born a man'. He has been quick to deploy the insights of sociologists, historians, educationists, health professionals, psychologists and other scholars investigating masculinity in the contemporary and ancient worlds.
The book's title is a recognition of masculinity as performance, and the Bible's depictions of males in action as far more than information or entertainment; they function as demands on the men who read them or have them read to them. Hence the subtitle, Biblical Imperatives to Masculinity, presumes that every biblical reference to the masculine is some kind of authoritative command.
Clines—in this collection of writings prepared across three decades—has seen biblical texts as an excellent test bed for research into masculinity in one ancient culture as well as being an indubitable influence upon views and practices of masculinity in our own time.
The bulk of the book consists of studies of individual characters and texts of the Bible, analysing and profiling the masculinity that is there attested, assumed and encouraged. In conclusion, Clines reflects on the continuing impact of the biblical imperatives to masculinity, their effect on men, women and religion, in our own time.
Play the Man! Biblical Imperatives to Masculinity
£75.00
David J.A. Clines argues in Play the Man! that masculinity is a script, written for men by their societies, a script that men in their various cultures act out their whole lives long: 'no one is born a man'. He has been quick to deploy the insights of sociologists, historians, educationists, health professionals, psychologists and other scholars investigating masculinity in the contemporary and ancient worlds.
The book's title is a recognition of masculinity as performance, and the Bible's depictions of males in action as far more than information or entertainment; they function as demands on the men who read them or have them read to them. Hence the subtitle, Biblical Imperatives to Masculinity, presumes that every biblical reference to the masculine is some kind of authoritative command.
Clines—in this collection of writings prepared across three decades—has seen biblical texts as an excellent test bed for research into masculinity in one ancient culture as well as being an indubitable influence upon views and practices of masculinity in our own time.
The bulk of the book consists of studies of individual characters and texts of the Bible, analysing and profiling the masculinity that is there attested, assumed and encouraged. In conclusion, Clines reflects on the continuing impact of the biblical imperatives to masculinity, their effect on men, women and religion, in our own time.
Lamentations: From Despair to Prayer
Published: May 2022
£65.00
The destruction of Jerusalem and its temple in the sixth century bce brought its inhabitants pain, a feeling of abandonment by God, and the loss of self-identity—and engendered the six poems of the book of Lamentations. Previous studies of the book have sought for its theological centre, or have read the book solely as an expression of grief, but in this innovative interpretation Elie Assis claims that its main aim is to impart hope to its exiled readers. The intention of Lamentations is to transport the mourners from despair to prayer, and to offer its assurance that the destruction must only be temporary because God has not severed his covenant with the people. The people's wish to feel themselves desired by God can be fulfilled, and the divine commitment is forever binding. Through his sensitive literary analysis Assis lays bare a progression of thought within each poem and as well from poem to poem; it is a movement, theological and emotional, from despair in the first poem to prayer and hope in the last.
Lamentations: From Despair to Prayer
£65.00
The destruction of Jerusalem and its temple in the sixth century bce brought its inhabitants pain, a feeling of abandonment by God, and the loss of self-identity—and engendered the six poems of the book of Lamentations. Previous studies of the book have sought for its theological centre, or have read the book solely as an expression of grief, but in this innovative interpretation Elie Assis claims that its main aim is to impart hope to its exiled readers. The intention of Lamentations is to transport the mourners from despair to prayer, and to offer its assurance that the destruction must only be temporary because God has not severed his covenant with the people. The people's wish to feel themselves desired by God can be fulfilled, and the divine commitment is forever binding. Through his sensitive literary analysis Assis lays bare a progression of thought within each poem and as well from poem to poem; it is a movement, theological and emotional, from despair in the first poem to prayer and hope in the last.
From Words to Meaning: Studies on Old Testament Language and Theology for David J. Reimer
Published: Dec 2021
£60.00
David J. Reimer, to whom this volume is dedicated, has taught over twenty years at New College in Edinburgh. During this time, he has published and supervised many projects in the areas of Hebrew language study and Old Testament theology. These two disciplines often stay each in their own territory. As a token of recognition to David's scholarship, From Words to Meaning is designed to bridge this gap and to demonstrate afresh how speaking theologically about the Old Testament is enriched when it focuses on how these ancient texts communicate their message.
With its analysis of selected literary aspects, words, and theological questions, the volume contributes to current methodological discussions in both disciplines. Each of its twelve essays provides a case study that models the crossover between theology and language study. Alongside up-to-date discussions about Bible translation and biblical theology, the volume sheds new light on old questions, such as resurrection and Christology in the Old Testament. Inasmuch as all of these items are established topics in Old Testament theology, From Words to Meaning highlights time and again how close attention to Hebrew language results in a more nuanced understanding. This holds true especially for the many exercises of lexical semantics and pragmatics that are included in the volume. Readers will benefit from the careful study of the words 'to save' and 'glory', but will also gain fresh insights into the rhetoric of David's tears, Hosea's culinary metaphors, and Jeremiah's speech quotation.
The combination of well-established writers and emerging new voices results in a rounded sample of how we may move 'from words to meaning'. With its expertise and methodological orientation, the volume is an excellent resource for all scholars who are interested in the interplay of theology and language in the field of Old Testament studies.
From Words to Meaning: Studies on Old Testament Language and Theology for David J. Reimer
£60.00
David J. Reimer, to whom this volume is dedicated, has taught over twenty years at New College in Edinburgh. During this time, he has published and supervised many projects in the areas of Hebrew language study and Old Testament theology. These two disciplines often stay each in their own territory. As a token of recognition to David's scholarship, From Words to Meaning is designed to bridge this gap and to demonstrate afresh how speaking theologically about the Old Testament is enriched when it focuses on how these ancient texts communicate their message.
With its analysis of selected literary aspects, words, and theological questions, the volume contributes to current methodological discussions in both disciplines. Each of its twelve essays provides a case study that models the crossover between theology and language study. Alongside up-to-date discussions about Bible translation and biblical theology, the volume sheds new light on old questions, such as resurrection and Christology in the Old Testament. Inasmuch as all of these items are established topics in Old Testament theology, From Words to Meaning highlights time and again how close attention to Hebrew language results in a more nuanced understanding. This holds true especially for the many exercises of lexical semantics and pragmatics that are included in the volume. Readers will benefit from the careful study of the words 'to save' and 'glory', but will also gain fresh insights into the rhetoric of David's tears, Hosea's culinary metaphors, and Jeremiah's speech quotation.
The combination of well-established writers and emerging new voices results in a rounded sample of how we may move 'from words to meaning'. With its expertise and methodological orientation, the volume is an excellent resource for all scholars who are interested in the interplay of theology and language in the field of Old Testament studies.
Epigraphy, Iconography, and the Bible
Published: Dec 2021
£85.00
The study of the Bible has long been illuminated by 'light from the East' (in the famous phrase of Adolf Deissmann in 1908). Almost daily, new artifacts and inscriptions are announced that will have an impact on how the Bible is read and understood.
Following Meir Lubetski's SPP collection New Seals and Inscriptions, Hebrew, Idumean and Cuneiform in 2007 and his Festschrift, Visions of Life in Biblical Times in 2015, the present volume garners papers from a wide and distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.
Among the papers, Alan Millard reviews the issue of the use of the early alphabets, André Lemaire revisits the Mesha stele (the Moabite Stone), and Pieter Gert van der Veen takes a fresh look at the seal of Shema with its famous lion (still adorning the cover of the Journal for the Study of the Old Testament). Bezalel Porten contributes a fascinating study, illustrated by twenty colour diagrams, of documents on papyrus or ostraca requesting provisions from storerooms—an insight into the practicalities of daily administrative life in Egypt, Idumea and Israel.
There are papers also on the arks of the Hebrew Bible (Yigal Levin), on alleged identifications of Hebrew kings in inscriptions (Lawrence Mykytiuk), on literary images in the Tell Fekheriye inscription and the book of Lamentations (Gideon Kotzé) and on Judaean pillar figurines of women that are ubiquitous in archaeological excavations from Iron Age Judah.
Epigraphy, Iconography, and the Bible, in sum, is something of a cornucopia of new and revised data about the Hebrew Bible in its ancient context, intelligible to scholars, students and a more general public alike.
Epigraphy, Iconography, and the Bible
£85.00
The study of the Bible has long been illuminated by 'light from the East' (in the famous phrase of Adolf Deissmann in 1908). Almost daily, new artifacts and inscriptions are announced that will have an impact on how the Bible is read and understood.
Following Meir Lubetski's SPP collection New Seals and Inscriptions, Hebrew, Idumean and Cuneiform in 2007 and his Festschrift, Visions of Life in Biblical Times in 2015, the present volume garners papers from a wide and distinguished panel of specialists in the Ancient Near East that revisit former assumptions and present new insights on the relevance of its material culture to the Bible.
Among the papers, Alan Millard reviews the issue of the use of the early alphabets, André Lemaire revisits the Mesha stele (the Moabite Stone), and Pieter Gert van der Veen takes a fresh look at the seal of Shema with its famous lion (still adorning the cover of the Journal for the Study of the Old Testament). Bezalel Porten contributes a fascinating study, illustrated by twenty colour diagrams, of documents on papyrus or ostraca requesting provisions from storerooms—an insight into the practicalities of daily administrative life in Egypt, Idumea and Israel.
There are papers also on the arks of the Hebrew Bible (Yigal Levin), on alleged identifications of Hebrew kings in inscriptions (Lawrence Mykytiuk), on literary images in the Tell Fekheriye inscription and the book of Lamentations (Gideon Kotzé) and on Judaean pillar figurines of women that are ubiquitous in archaeological excavations from Iron Age Judah.
Epigraphy, Iconography, and the Bible, in sum, is something of a cornucopia of new and revised data about the Hebrew Bible in its ancient context, intelligible to scholars, students and a more general public alike.
A Theology of Genocide? : Reading Deuteronomy 20
Published: Oct 2021
£70.00
The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)?
In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically, as a metaphor for the interior struggle against sin.
That may seem to be too easy a solution. Yet, looking at modern historical and literary analyses of the text, Milner shows that the original audiences of this passage would also have taken it symbolically, since they lived many generations after the 'narrated time' of the Conquest when no Canaanites populations remained to be exterminated. Further, the narrative itself demonstrates that the 'military option' was a complete failure, and does not commend it to the audience of the text.
Milner argues that God no more commanded genocide than he wandered about in the evening breeze in Eden (Gen 3:8) or encouraged Satan to persecute and tempt Job (Job 1-2). This is by no means a new insight, he says, tracing it back to early Christian theologians, particularly Origen and Gregory of Nyssa, who argued that passages not 'worthy of God' should not be interpreted literally.
A Theology of Genocide? : Reading Deuteronomy 20
£70.00
The twentieth century has been described, not without justification, as the 'Century of Genocide'. Whole groups of people have been targeted for slaughter because of their ethnicity or religion, from Armenia to Rwanda. Against this background, how are we to understand the command in Deuteronomy to 'not leave alive anything that breathes' of the Canaanite nations present in the Promised Land (Deut 20.17-18)?
In this penetrating study, Milner begins by asking if this passage has been used to justify genocidal violence (it has, but not nearly as much as some have thought). He then considers how such texts have been understood, demonstrating that most readers have taken the passage allegorically, as a metaphor for the interior struggle against sin.
That may seem to be too easy a solution. Yet, looking at modern historical and literary analyses of the text, Milner shows that the original audiences of this passage would also have taken it symbolically, since they lived many generations after the 'narrated time' of the Conquest when no Canaanites populations remained to be exterminated. Further, the narrative itself demonstrates that the 'military option' was a complete failure, and does not commend it to the audience of the text.
Milner argues that God no more commanded genocide than he wandered about in the evening breeze in Eden (Gen 3:8) or encouraged Satan to persecute and tempt Job (Job 1-2). This is by no means a new insight, he says, tracing it back to early Christian theologians, particularly Origen and Gregory of Nyssa, who argued that passages not 'worthy of God' should not be interpreted literally.
Herald of Good Tidings: Essays on the Bible, Prophecy, and the Hope of Israel in Honour of Antti Laato
Published: Sep 2021
£90.00
This volume is dedicated to the prominent biblical scholar, Antti Laato, of Åbo Akademi University, Finland, on the occasion of his sixtieth birthday. In his extensive and many-faceted scholarly work spanning more than 35 years, there have been some focal points. One has been the Book of Isaiah, and, more broadly, the prophetic books and the messianic hopes they contain. From the 2010s onwards, another aspect has gained more visibility in Antti Laato's work: the reception history of the Bible —the Hebrew Bible in particular —in both Judaism and Christianity. Herald of Good Tidings is a collection of papers, by nineteen scholars mainly from the Nordic countries, on the heralds of redemption and hope, the prophets —their voice, words and deeds, and on the status and role of these prophets.
The first part of the volume concerns the world of the Hebrew Bible: biblical prophetism, the prophets themselves and their books.
The second part is devoted to the continuing message of the prophets in its post-biblical Jewish and Christian reception. A key aspect is their message of a bright future, whether about hope in general or about the Messiah. Their words are constantly being interpreted, sometimes personalities of the post-biblical era also being seen as prophetic figures.
The brief third part of the book illustrates the ongoing influence of the prophets in times yet more distant than the post-biblical age from the prophets of the Hebrew Bible.
Herald of Good Tidings: Essays on the Bible, Prophecy, and the Hope of Israel in Honour of Antti Laato
£90.00
This volume is dedicated to the prominent biblical scholar, Antti Laato, of Åbo Akademi University, Finland, on the occasion of his sixtieth birthday. In his extensive and many-faceted scholarly work spanning more than 35 years, there have been some focal points. One has been the Book of Isaiah, and, more broadly, the prophetic books and the messianic hopes they contain. From the 2010s onwards, another aspect has gained more visibility in Antti Laato's work: the reception history of the Bible —the Hebrew Bible in particular —in both Judaism and Christianity. Herald of Good Tidings is a collection of papers, by nineteen scholars mainly from the Nordic countries, on the heralds of redemption and hope, the prophets —their voice, words and deeds, and on the status and role of these prophets.
The first part of the volume concerns the world of the Hebrew Bible: biblical prophetism, the prophets themselves and their books.
The second part is devoted to the continuing message of the prophets in its post-biblical Jewish and Christian reception. A key aspect is their message of a bright future, whether about hope in general or about the Messiah. Their words are constantly being interpreted, sometimes personalities of the post-biblical era also being seen as prophetic figures.
The brief third part of the book illustrates the ongoing influence of the prophets in times yet more distant than the post-biblical age from the prophets of the Hebrew Bible.
Explanations for Exile in Amos
Published: July 2021
£60.00
In four places, Amos announces Israel's coming exile to Assyria: 4.1-3, 5.25-27, 6.1-14 and 7.7-17. It will be Yahweh's punishment for social injustice. But who is to blame?
Most scholars think it is the women (and men) of the mid-eighth-century BCE Israelite upper class. Not so, says Campos. It is the kings who are the culprits. Kings should champion social justice, as we know from ancient Near Eastern texts and biblical books like Jeremiah, and the endurance of the kingship depends on their upholding justice. Kings must also remain loyal Yahwists, and keep clear of alliances with foreign powers. The kingship has failed on these counts.
In this forensic overturning of time-honoured readings of Amos's oracles, and with a fresh eye for his metaphors, Martha Campos outs the successors of Jeroboam (7.9) as the cows of Bashan (4.1), manufacturers of images for non-Yahwistic worship, especially of Ninurta/Sakkuth (5.26), lounging on couches at their banquets (6.4). And Amos himself is a tin wall (7.8), strong enough to fend off the arrows of his opponents.
Explanations for Exile will be a breath of fresh air for scholars and students of the prophet Amos.
Explanations for Exile in Amos
£60.00
In four places, Amos announces Israel's coming exile to Assyria: 4.1-3, 5.25-27, 6.1-14 and 7.7-17. It will be Yahweh's punishment for social injustice. But who is to blame?
Most scholars think it is the women (and men) of the mid-eighth-century BCE Israelite upper class. Not so, says Campos. It is the kings who are the culprits. Kings should champion social justice, as we know from ancient Near Eastern texts and biblical books like Jeremiah, and the endurance of the kingship depends on their upholding justice. Kings must also remain loyal Yahwists, and keep clear of alliances with foreign powers. The kingship has failed on these counts.
In this forensic overturning of time-honoured readings of Amos's oracles, and with a fresh eye for his metaphors, Martha Campos outs the successors of Jeroboam (7.9) as the cows of Bashan (4.1), manufacturers of images for non-Yahwistic worship, especially of Ninurta/Sakkuth (5.26), lounging on couches at their banquets (6.4). And Amos himself is a tin wall (7.8), strong enough to fend off the arrows of his opponents.
Explanations for Exile will be a breath of fresh air for scholars and students of the prophet Amos.
Sequencing the Hebrew Bible: The Order of the Books
Published: July 2021
£55.00
If the order of the Hebrew Bible's books is significant, as many believe, why did differing arrangements of the Hebrew Bible emerge over time? This is a crucial question for Bible readers generally and especially for scholars of compilational criticism —the study of how the books of the Hebrew Bible were arranged in their various orders. Yet few compilational critics offer a solution to this problem and several fail even to recognize the issue. Sequencing the Hebrew Bible makes the novel proposal that multiple orders are part of the compositional intent of the framers of the Hebrew Bible. That is, those responsible for producing the final form of the Hebrew Bible's text created multiple ways in which its books could be meaningfully arranged. No single arrangement, as found in ancient manuscripts and lists of the books, can fully account for the compositional intent of these framers. The task of the compilational critic is to identify these arrangements, classify them, and evaluate the effect of these varying arrangements. This solution has implications both for the production of modern Bibles and for biblical theology. While some interested in compilational criticism argue that modern Bibles should be reorganized to reflect earlier arrangements of the biblical books, this study would suggest that such attempts would be limited in value. For only one of the several attested arrangements could be presented in any printed Bible. As for the idea of attempting to arrange the Bible chronologically, this study argues that to do so would inhibit the reader's understanding of the design of the biblical authors. Since biblical theology bridges the gap between historical-critical and theological studies, internal tensions between historical and theological analyses are often apparent within biblical theology. Compilational criticism helps to relieve these tensions by showing how theology underlies the formation of the Hebrew Bible.
Sequencing the Hebrew Bible: The Order of the Books
£55.00
If the order of the Hebrew Bible's books is significant, as many believe, why did differing arrangements of the Hebrew Bible emerge over time? This is a crucial question for Bible readers generally and especially for scholars of compilational criticism —the study of how the books of the Hebrew Bible were arranged in their various orders. Yet few compilational critics offer a solution to this problem and several fail even to recognize the issue. Sequencing the Hebrew Bible makes the novel proposal that multiple orders are part of the compositional intent of the framers of the Hebrew Bible. That is, those responsible for producing the final form of the Hebrew Bible's text created multiple ways in which its books could be meaningfully arranged. No single arrangement, as found in ancient manuscripts and lists of the books, can fully account for the compositional intent of these framers. The task of the compilational critic is to identify these arrangements, classify them, and evaluate the effect of these varying arrangements. This solution has implications both for the production of modern Bibles and for biblical theology. While some interested in compilational criticism argue that modern Bibles should be reorganized to reflect earlier arrangements of the biblical books, this study would suggest that such attempts would be limited in value. For only one of the several attested arrangements could be presented in any printed Bible. As for the idea of attempting to arrange the Bible chronologically, this study argues that to do so would inhibit the reader's understanding of the design of the biblical authors. Since biblical theology bridges the gap between historical-critical and theological studies, internal tensions between historical and theological analyses are often apparent within biblical theology. Compilational criticism helps to relieve these tensions by showing how theology underlies the formation of the Hebrew Bible.
The Great Drama of Jeremiah: A Performance Reading
Published: May 2021
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
The Great Drama of Jeremiah: A Performance Reading
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
Abishag: Administrator of King David’s Household
Published: May 2021
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
Abishag: Administrator of King David’s Household
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
The Ancient Near East in the Nineteenth Century: III. Fantasy and Alternative Histories
Published: Mar 2021
Price range: £22.00 through £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume III argues that fiction and fantasy play an important role in establishing expectations about the past. Changing sensitivities towards realism in art meant that imaginary visions were charged with an archaeological aesthetic. Orientalist painting offered seemingly realistic glimpses of ancient life. Stage plays and opera used the ancient Near East for performances that explored contemporary issues. Mummy stories evolved from humorous time-travel tales into horror fiction rooted in fears of materialism, and adventure novels ruminated on the obligations and dangers of empire.
Alongside these explicitly fictional modes of thinking about the past, the nineteenth century saw a rise in popularity of esoteric thinking. People offered alternative versions of ancient history, imagining that ancient religious practices continued into the present, through secret societies like the Freemasons and the Rosicrucians or in the new movements of Mormonism and Theosophy. Volume III ends by examining the interpretations of the Near East offered by Sigmund Freud and H.P. Lovecraft, showing how these two figures influenced later popular experiences of the ancient Near East.
The Ancient Near East in the Nineteenth Century: III. Fantasy and Alternative Histories
Price range: £22.00 through £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume III argues that fiction and fantasy play an important role in establishing expectations about the past. Changing sensitivities towards realism in art meant that imaginary visions were charged with an archaeological aesthetic. Orientalist painting offered seemingly realistic glimpses of ancient life. Stage plays and opera used the ancient Near East for performances that explored contemporary issues. Mummy stories evolved from humorous time-travel tales into horror fiction rooted in fears of materialism, and adventure novels ruminated on the obligations and dangers of empire.
Alongside these explicitly fictional modes of thinking about the past, the nineteenth century saw a rise in popularity of esoteric thinking. People offered alternative versions of ancient history, imagining that ancient religious practices continued into the present, through secret societies like the Freemasons and the Rosicrucians or in the new movements of Mormonism and Theosophy. Volume III ends by examining the interpretations of the Near East offered by Sigmund Freud and H.P. Lovecraft, showing how these two figures influenced later popular experiences of the ancient Near East.
The Ancient Near East in the Nineteenth Century: II. Collecting, Constructing, and Curating
Published: Mar 2021
Price range: £23.00 through £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume II examines the different ways that non-specialists encountered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people collected artifacts while traveling in the region or paid to see the collections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' artifacts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical characters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and employed Egyptian styles in their design, first in higher quality designer products and later in novelty items. Egyptian temples provided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagining Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consumers were taught not to be afraid of the transformations brought by the industrial age.
The Ancient Near East in the Nineteenth Century: II. Collecting, Constructing, and Curating
Price range: £23.00 through £70.00
At the beginning of the nineteenth century, little was known of the ancient Near East except for what was preserved in the Bible and classical literature. By the end of the nineteenth century, an amazing transformation had occurred: the basic outline of ancient Near Eastern history was understood and the material culture of the region was recognizable to the general public. This three-volume study explores the various ways that non-specialists would have encountered ancient Egypt, Mesopotamia, and the Holy Land and how they derived and constructed meaning from those discoveries. McGeough challenges the simplistic view that the experience of the ancient Near East was solely a matter of 'othering' and shows how different people claimed the Near East as their own space and how connections were drawn between the ancient and contemporary worlds.
Volume II examines the different ways that non-specialists encountered the materiality of the ancient Near East over the course of the nineteenth century. During this time, people collected artifacts while traveling in the region or paid to see the collections that others brought back. The public experienced the ancient world in museum exhibits that privileged 'real' artifacts in a new context or in hyper-real displays (like the Crystal Palace) where whole buildings from the ancient Near East were reconstructed. Men and women dressed as biblical characters in travelling fairs or spent an evening unwrapping a mummy. Individuals bought Assyriological souvenirs and employed Egyptian styles in their design, first in higher quality designer products and later in novelty items. Egyptian temples provided the architectural inspiration for buildings in London and the ancient use of colour was a strong argument for reimagining Victorian style. The adoption of Egypt, especially, in the world's-fair phenomenon linked the ancient Near East with a global future in which change was naturalized and consumers were taught not to be afraid of the transformations brought by the industrial age.
Job: From Lament to Penitence
Published: Nov 2020
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
Job: From Lament to Penitence
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
The Edict of Cyrus and Notions of Restoration in Ezra-Nehemiah and Chronicles
Published: Oct 2020
£50.00
The Edict of Cyrus, both opening Ezra-Nehemiah (Ezra 1:1-4) and closing Chronicles (2 Chron. 36:22-23), serves a different role in each book. In Ezra —Nehemiah, it is a command resulting in a restoration event that has failed, whereas in Chronicles it is a command anticipating a successful future restoration event. In the context of canon, these different uses of the edict are theologically significant, especially in formulating ideas of hope for the future in Chronicles.
While Chronicles is aware that a historical restoration transpired sometime in the past (1 Chron. 3:19-24; 9:2-44), it shares the sentiment of Ezra —Nehemiah, that the return was something of a failure. Through compositional analysis, Gilhooley argues that the edict closing Chronicles portrays the true, or rather, complete restoration not as a past event to be reflected upon but rather one to be anticipated sometime in the future —at a time when Israel was expected to see the establishment of a new glorified temple, political independence, release from servitude, and the blessings of new creation and of new cultic order.
Reading Chronicles as the last book of the Old Testament in accordance with various Jewish witnesses, we find that the edict is transformed into a programmatic conclusion to the canon. Accordingly, the eschatological return to Zion and reconstruction of the temple appear to be dominating concerns of the canonical editors. These verses that bring to an end both Chronicles and the Old Testament as a whole may also be read in dialogue with canon-conscious structural markers elsewhere and, therefore, could be formative in constructing a canonical theology.
The Edict of Cyrus and Notions of Restoration in Ezra-Nehemiah and Chronicles
£50.00
The Edict of Cyrus, both opening Ezra-Nehemiah (Ezra 1:1-4) and closing Chronicles (2 Chron. 36:22-23), serves a different role in each book. In Ezra —Nehemiah, it is a command resulting in a restoration event that has failed, whereas in Chronicles it is a command anticipating a successful future restoration event. In the context of canon, these different uses of the edict are theologically significant, especially in formulating ideas of hope for the future in Chronicles.
While Chronicles is aware that a historical restoration transpired sometime in the past (1 Chron. 3:19-24; 9:2-44), it shares the sentiment of Ezra —Nehemiah, that the return was something of a failure. Through compositional analysis, Gilhooley argues that the edict closing Chronicles portrays the true, or rather, complete restoration not as a past event to be reflected upon but rather one to be anticipated sometime in the future —at a time when Israel was expected to see the establishment of a new glorified temple, political independence, release from servitude, and the blessings of new creation and of new cultic order.
Reading Chronicles as the last book of the Old Testament in accordance with various Jewish witnesses, we find that the edict is transformed into a programmatic conclusion to the canon. Accordingly, the eschatological return to Zion and reconstruction of the temple appear to be dominating concerns of the canonical editors. These verses that bring to an end both Chronicles and the Old Testament as a whole may also be read in dialogue with canon-conscious structural markers elsewhere and, therefore, could be formative in constructing a canonical theology.
Performing Masculinity in the Hebrew Bible
Published: Oct 2020
£65.00
In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017. Her chapters, each with an attractive and stimulating title, present a distinctive voice in current debates about masculinity in the Hebrew Bible.
Masculinity studies have been developing during the last half a century, but there is still some opposition, not always conscious, to the field. Studies in masculinity in the Bible have an even shorter history and have created as yet little by way of a tradition among biblical scholars: it is a field still under development.
Kirova has researched a rich variety of narrative situations, poetic characteristics, and symbolic functions of biblical men. Her research here is especially focused on the regal roles ascribed to masculinity in the ancient world.
Among the intriguing questions Kirova poses are these: Why should heroes be beautiful? What is the benefit of weeping, and weeping eloquently? Why problematize what is 'natural'? Who is the 'bramble king'? The ten chapters of Performing Masculinity are deliberately interdisciplinary: anthropology, psychoanalysis, literary and gender studies complement biblical criticism. A variety of audiences will find the book a pleasure and an education.
Performing Masculinity in the Hebrew Bible
£65.00
In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017. Her chapters, each with an attractive and stimulating title, present a distinctive voice in current debates about masculinity in the Hebrew Bible.
Masculinity studies have been developing during the last half a century, but there is still some opposition, not always conscious, to the field. Studies in masculinity in the Bible have an even shorter history and have created as yet little by way of a tradition among biblical scholars: it is a field still under development.
Kirova has researched a rich variety of narrative situations, poetic characteristics, and symbolic functions of biblical men. Her research here is especially focused on the regal roles ascribed to masculinity in the ancient world.
Among the intriguing questions Kirova poses are these: Why should heroes be beautiful? What is the benefit of weeping, and weeping eloquently? Why problematize what is 'natural'? Who is the 'bramble king'? The ten chapters of Performing Masculinity are deliberately interdisciplinary: anthropology, psychoanalysis, literary and gender studies complement biblical criticism. A variety of audiences will find the book a pleasure and an education.
Like the Stars Forever: Narrative and Theology in the Book of Daniel
Published: Oct 2020
£65.00
This anthology of Meadowcroft's essays (all but one previously published) coheres around three claims he makes about the book of Daniel. The first is that Daniel should be understood primarily as a wisdom figure, and that the first chapter of the book of Daniel is programmatic in that regard. The second is that the vision of the one like a son of man represents a theological hinge that guides an understanding of both the tales and the visions as expressions of participation in the divine life on the part of the wise Daniel and his people. The third claim is that the final chapter of Daniel, as the capstone of the wisdom story of Daniel, shows the aim of wise participation in the divine life as an enduring legacy of righteousness in those who encounter this wisdom.
These claims are supported by a close reading of aspects of the narrative art on display in the book of Daniel; an exegetical appreciation of the interpretative impact of understanding the faithful wise as expressive of the hopes placed in the temple by the ancient people; and a theological and contextual reading of the experiences of Daniel and his friends —in the daily routines of life in the Babylonian and Persian courts, and in those strange apocalyptic encounters of the later chapters. From such reading there emerges the paradoxical nature of faith as certain hope and ethical clarity alongside mystery and uncertainty and the call to patient endurance. This delicate dance between certainty and patience, clarity and mystery was a feature of the experience of Daniel and his people in their time of exile, of later readers suffering under the heel of Antiochus Epiphanes, of those resisting the claims to lordship on the part of Rome, and still today of readers of the book of Daniel wherever empire is encountered and resisted.
Like the Stars Forever: Narrative and Theology in the Book of Daniel
£65.00
This anthology of Meadowcroft's essays (all but one previously published) coheres around three claims he makes about the book of Daniel. The first is that Daniel should be understood primarily as a wisdom figure, and that the first chapter of the book of Daniel is programmatic in that regard. The second is that the vision of the one like a son of man represents a theological hinge that guides an understanding of both the tales and the visions as expressions of participation in the divine life on the part of the wise Daniel and his people. The third claim is that the final chapter of Daniel, as the capstone of the wisdom story of Daniel, shows the aim of wise participation in the divine life as an enduring legacy of righteousness in those who encounter this wisdom.
These claims are supported by a close reading of aspects of the narrative art on display in the book of Daniel; an exegetical appreciation of the interpretative impact of understanding the faithful wise as expressive of the hopes placed in the temple by the ancient people; and a theological and contextual reading of the experiences of Daniel and his friends —in the daily routines of life in the Babylonian and Persian courts, and in those strange apocalyptic encounters of the later chapters. From such reading there emerges the paradoxical nature of faith as certain hope and ethical clarity alongside mystery and uncertainty and the call to patient endurance. This delicate dance between certainty and patience, clarity and mystery was a feature of the experience of Daniel and his people in their time of exile, of later readers suffering under the heel of Antiochus Epiphanes, of those resisting the claims to lordship on the part of Rome, and still today of readers of the book of Daniel wherever empire is encountered and resisted.
A Star from Jacob, a Sceptre from Israel: Balaam’s Oracle as Rewritten Scripture in the Dead Sea Scrolls
Published: Sep 2020
£70.00
The fourth Balaam oracle (Numbers 24.17-19) appears in four separate Dead Sea Scrolls. But how it is used and understood remains puzzling and challenging.
All four scrolls agree that the biblical text is a living artifact and endorse its authority. But they disagree on what it may mean to the audience of their own day. They adjust, rephrase and rework the biblical text according to their own needs and for the benefit of their audience.
Following the twists and turns in this process of interpretation and rewriting has two benefits: first, we become more sensitized to the complexity of the processes by which the scriptural text came into being and to the fact that this process did not have a clear-cut end in mind. Rather, it is thanks to a constant reworking of the scriptural text that it remains alive for its readers. Second, in following closely the process of reinterpretation of this particular text we gain a better understanding of the world of Qumran, of the communication strategy of the Scrolls, and of some of their key theological concepts. In particular, Qumran beliefs about a messiah become more vividly tangible.
A Star from Jacob, a Sceptre from Israel: Balaam’s Oracle as Rewritten Scripture in the Dead Sea Scrolls
£70.00
The fourth Balaam oracle (Numbers 24.17-19) appears in four separate Dead Sea Scrolls. But how it is used and understood remains puzzling and challenging.
All four scrolls agree that the biblical text is a living artifact and endorse its authority. But they disagree on what it may mean to the audience of their own day. They adjust, rephrase and rework the biblical text according to their own needs and for the benefit of their audience.
Following the twists and turns in this process of interpretation and rewriting has two benefits: first, we become more sensitized to the complexity of the processes by which the scriptural text came into being and to the fact that this process did not have a clear-cut end in mind. Rather, it is thanks to a constant reworking of the scriptural text that it remains alive for its readers. Second, in following closely the process of reinterpretation of this particular text we gain a better understanding of the world of Qumran, of the communication strategy of the Scrolls, and of some of their key theological concepts. In particular, Qumran beliefs about a messiah become more vividly tangible.
Samson and Delilah: Selected Essays
Published: July 2020
£75.00
Samson and Delilah. Well-known biblical figures in a tale of deception, betrayal and a haircut. Or is there more to the tale than this?
There is, in fact, a good deal more, as J. Cheryl Exum demonstrates in this wide-ranging collection of her essays. Far from being a simple story, the tale in Judges 13 —16 about Samson and his adventures, culminating in his fatal liaison with Delilah, is a subtle, nuanced and highly complex narrative with an elaborate literary structure, a sophisticated theological programme, and an ambitious and problematic androcentric agenda. It is, moreover, a story that lives on in literature, art, music and even Hollywood films.
The eleven essays brought together in this volume investigate the Samson story from a diversity of critical perspectives and in a variety of its afterlives. Both Samson and Delilah are characters of many facets, as these essays reveal, and Judges 13 —16 emerges from this investigation as a story that encourages and supports rather than resists multiple, often incompatible, modes of reading it.
Samson and Delilah: Selected Essays
£75.00
Samson and Delilah. Well-known biblical figures in a tale of deception, betrayal and a haircut. Or is there more to the tale than this?
There is, in fact, a good deal more, as J. Cheryl Exum demonstrates in this wide-ranging collection of her essays. Far from being a simple story, the tale in Judges 13 —16 about Samson and his adventures, culminating in his fatal liaison with Delilah, is a subtle, nuanced and highly complex narrative with an elaborate literary structure, a sophisticated theological programme, and an ambitious and problematic androcentric agenda. It is, moreover, a story that lives on in literature, art, music and even Hollywood films.
The eleven essays brought together in this volume investigate the Samson story from a diversity of critical perspectives and in a variety of its afterlives. Both Samson and Delilah are characters of many facets, as these essays reveal, and Judges 13 —16 emerges from this investigation as a story that encourages and supports rather than resists multiple, often incompatible, modes of reading it.
Divine Election in the Hebrew Bible
Published: Nov 2019
£60.00
To citizens of the modern world the idea that someone or something might be especially elected by God seems problematic. If someone is elected, someone else is not elected. Does the God of all people have preferences? The idea that one particular nation should be elected by God is particularly difficult to accept.
Nevertheless, as this study intends to show, divine election is a central theme in the Hebrew Bible, and present in all its main parts. There are central acts of elections and less central acts of election. Abraham is elected as the founder of the people of Israel. Moses is elected as the ancestor of the religious and political people of Israel. David is elected as first of the Davidic kings. The election of these persons represents something more important than the persons themselves.
There are also other significant acts of election in the Hebrew Bible, especially the election of the land of Israel and of the city of Jerusalem. As well, there is the election of individuals such as the prophets. And even the Assyrians, the Babylonians and King Cyrus of Persia are presented as elected by God for special tasks.
A new full-length study of the important concept of divine election in the Hebrew Bible is long overdue, and Hagelia's readable and balanced monograph can be expected to bring the topic back into contemporary conversation.
Divine Election in the Hebrew Bible
£60.00
To citizens of the modern world the idea that someone or something might be especially elected by God seems problematic. If someone is elected, someone else is not elected. Does the God of all people have preferences? The idea that one particular nation should be elected by God is particularly difficult to accept.
Nevertheless, as this study intends to show, divine election is a central theme in the Hebrew Bible, and present in all its main parts. There are central acts of elections and less central acts of election. Abraham is elected as the founder of the people of Israel. Moses is elected as the ancestor of the religious and political people of Israel. David is elected as first of the Davidic kings. The election of these persons represents something more important than the persons themselves.
There are also other significant acts of election in the Hebrew Bible, especially the election of the land of Israel and of the city of Jerusalem. As well, there is the election of individuals such as the prophets. And even the Assyrians, the Babylonians and King Cyrus of Persia are presented as elected by God for special tasks.
A new full-length study of the important concept of divine election in the Hebrew Bible is long overdue, and Hagelia's readable and balanced monograph can be expected to bring the topic back into contemporary conversation.
