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Beyond the End: The Future of Millennial Studies

Published: Oct 2012
£60.00
There are promising signs that millennial studies is now being recognized by the wider academic community as a profitable pursuit that merits serious scholarly attention. More than ever before, the horizons of academic engagement with millennial ideologies and their historical and cultural ramifications are being expanded over a multiplicity of disciplinary perspectives. Historians, theologians, literary critics and social scientists have all been able to establish a compelling unanimity in attesting to the vital historical significance and critical contemporary relevance of millennial thought. Thanks to such interdisciplinary efforts, millennial hope is now identified as a vital aspect of the human condition and as a dynamic force that has motivated diverse world-historical individuals from Zoroaster and Francis of Assisi to Adolf Hitler and Mao Zedong. Contributors to the volume are Jennie Chapman, Andrew Crome, Eugene V. Gallagher, Crawford Gribben, Robert Glenn Howard, Andrew Pierce, Joshua Searle, Timothy Stunt and Kenneth G.C. Newport. There is a substantial Preface by Richard Landes.
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Beyond the End: The Future of Millennial Studies

£60.00
There are promising signs that millennial studies is now being recognized by the wider academic community as a profitable pursuit that merits serious scholarly attention. More than ever before, the horizons of academic engagement with millennial ideologies and their historical and cultural ramifications are being expanded over a multiplicity of disciplinary perspectives. Historians, theologians, literary critics and social scientists have all been able to establish a compelling unanimity in attesting to the vital historical significance and critical contemporary relevance of millennial thought. Thanks to such interdisciplinary efforts, millennial hope is now identified as a vital aspect of the human condition and as a dynamic force that has motivated diverse world-historical individuals from Zoroaster and Francis of Assisi to Adolf Hitler and Mao Zedong. Contributors to the volume are Jennie Chapman, Andrew Crome, Eugene V. Gallagher, Crawford Gribben, Robert Glenn Howard, Andrew Pierce, Joshua Searle, Timothy Stunt and Kenneth G.C. Newport. There is a substantial Preface by Richard Landes.
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The Death and Resurrection of the Author and Other Feminist Essays on the Bible

Published: Oct 2012
£45.00
Jane Dewar Schaberg (1938 —2012) is widely recognized as one of the foremothers of feminist biblical studies in North America, best known for her ground-breaking and controversial works, The Illegitimacy of Jesus (1987) and The Resurrection of Mary Magdalene (2002). The present volume brings together fourteen of her essays on feminist approaches to scholarship and teaching, studies on women in the Christian Scriptures, feminist scholarship and modern media, and responses to backlash against feminism. Many of these essays appear here for the first time. Included also are several of Schaberg's important essays on Mary Magdalene as well as new essays in which she explores further her proposal for 'Magdalene Christianity'. These studies will be of interest not only to scholars, but also those teaching courses on women and the Bible, women's studies, religion and media, and the history of early Christianity. A distinctive feature of this volume is the way in which it honors the feminist commitment to acknowledging the voice and presence of the author in the text. Each of the five sections is introduced by a brief autobiographical sketch that invites the reader to hear the essays in dialogue with the context of Schaberg's life. These sketches offer the reader a glimpse of the values, commitments, and struggles that are the substratum out of which the scholarly essays emerge. Also woven throughout the volume are several of Schaberg's poems, providing commentary on the essays and drawing them into conversation with Schaberg's life experiences. Together, the essays, autobiographical sketches and poems speak to the importance of claiming one's own voice and identifying absent voices in the texts. They also speak to the importance of recognizing the context(s) in which one reads and writes, and the need to uncover the hard realities that silence many voices within those contexts. The volume is, in short, a stunning and remarkable representation of a life dedicated to feminist scholarship. For those who read it, it is also a call to action.
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The Death and Resurrection of the Author and Other Feminist Essays on the Bible

£45.00
Jane Dewar Schaberg (1938 —2012) is widely recognized as one of the foremothers of feminist biblical studies in North America, best known for her ground-breaking and controversial works, The Illegitimacy of Jesus (1987) and The Resurrection of Mary Magdalene (2002). The present volume brings together fourteen of her essays on feminist approaches to scholarship and teaching, studies on women in the Christian Scriptures, feminist scholarship and modern media, and responses to backlash against feminism. Many of these essays appear here for the first time. Included also are several of Schaberg's important essays on Mary Magdalene as well as new essays in which she explores further her proposal for 'Magdalene Christianity'. These studies will be of interest not only to scholars, but also those teaching courses on women and the Bible, women's studies, religion and media, and the history of early Christianity. A distinctive feature of this volume is the way in which it honors the feminist commitment to acknowledging the voice and presence of the author in the text. Each of the five sections is introduced by a brief autobiographical sketch that invites the reader to hear the essays in dialogue with the context of Schaberg's life. These sketches offer the reader a glimpse of the values, commitments, and struggles that are the substratum out of which the scholarly essays emerge. Also woven throughout the volume are several of Schaberg's poems, providing commentary on the essays and drawing them into conversation with Schaberg's life experiences. Together, the essays, autobiographical sketches and poems speak to the importance of claiming one's own voice and identifying absent voices in the texts. They also speak to the importance of recognizing the context(s) in which one reads and writes, and the need to uncover the hard realities that silence many voices within those contexts. The volume is, in short, a stunning and remarkable representation of a life dedicated to feminist scholarship. For those who read it, it is also a call to action.
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Yearning for You: Psalms and the Song of Songs in Conversation with Rock and Worship Songs

Published: Sep 2012
£60.00
From your lips she drew the Hallelujah' (Leonard Cohen). Romance and sexual desire are expressed in some of today's most popular songs using religious language. Conversely, the latest Christian worship songs sometimes invite worshippers to speak to God in the language of desire and romance. Contemporary western culture and spirituality blur the boundaries between desire for God and sexual desire. This innovative book stages a conversation first between biblical songs and then between biblical and contemporary songs. Desire for intimacy is the topic of conversation. Texts from the Song of Songs are first in dialogue with some of the Psalms, exploring their themes of desire, absence, longing, hearing, delight, feasting, physicality, mutuality and security. The circle of conversation is then widened, to consider the voices of contemporary rock and worship songs in the light of what has been uncovered in the biblical songs, and to hear what questions today's songs may ask of the ancient texts. The biblical voices resist any suggestion, Goodman argues, that human sexual experience may be a means of encounter with God, or a sacrament of such an encounter. They also highlight the disparity in power between God and human beings which weighs against any sense of a balanced mutuality in yearning. Yet eros or romance may serve as a metaphor for a divine —human relationship, if used alongside a variety of other metaphors. At points of intersection, where they converge and conflict, these different metaphors can create a deeper understanding of the yearning for intimacy, both human and divine.
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Yearning for You: Psalms and the Song of Songs in Conversation with Rock and Worship Songs

£60.00
From your lips she drew the Hallelujah' (Leonard Cohen). Romance and sexual desire are expressed in some of today's most popular songs using religious language. Conversely, the latest Christian worship songs sometimes invite worshippers to speak to God in the language of desire and romance. Contemporary western culture and spirituality blur the boundaries between desire for God and sexual desire. This innovative book stages a conversation first between biblical songs and then between biblical and contemporary songs. Desire for intimacy is the topic of conversation. Texts from the Song of Songs are first in dialogue with some of the Psalms, exploring their themes of desire, absence, longing, hearing, delight, feasting, physicality, mutuality and security. The circle of conversation is then widened, to consider the voices of contemporary rock and worship songs in the light of what has been uncovered in the biblical songs, and to hear what questions today's songs may ask of the ancient texts. The biblical voices resist any suggestion, Goodman argues, that human sexual experience may be a means of encounter with God, or a sacrament of such an encounter. They also highlight the disparity in power between God and human beings which weighs against any sense of a balanced mutuality in yearning. Yet eros or romance may serve as a metaphor for a divine —human relationship, if used alongside a variety of other metaphors. At points of intersection, where they converge and conflict, these different metaphors can create a deeper understanding of the yearning for intimacy, both human and divine.
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The Book of Job in Post-Holocaust Thought

Published: Aug 2012
£40.00
The story of Job's suffering has often been appealed to by those responding to the Holocaust. This book explores a rich variety of such receptions of the Book of Job, highlighting the need to appreciate the tensions present in both the biblical text of Job and in perceptions of the Holocaust's meaning. Attention is given to the often creative modes of reading used by those appealing to Job, and the presence of complex interactions between theology, textual interpretation, and historical analysis. Receptions of Job examined include those presented by key post-Holocaust thinkers such as Emil Fackenheim, Elie Wiesel and Richard Rubenstein. Bringing together elements of biblical studies and Holocaust studies, David Tollerton shows that Job has been harnessed for an array of purposes, from asserting the continuity of Jewish faith amid the traumas of twentieth-century history, to resisting the idea that there can be any decisive religious 'answer' to the Holocaust. Despite the diversity of ways in which Job has been cited, it is shown that such reception is nonetheless controversial, doubts being repeatedly raised whether Job is appropriate to the Holocaust context. While ultimately proposing that Job does indeed have a valuable role to play, The Book of Job in Post-Holocaust Thought argues that in some cases such doubts are in order, and that some receptions should be queried on textual, historical or ethical grounds. This book will be of interest to readers concerned with the modern reception of wisdom literature, theological responses to the Holocaust, or simply the manner in which the Bible has been used by communities attempting to make sense of modernity's darkest aspects.
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The Book of Job in Post-Holocaust Thought

£40.00
The story of Job's suffering has often been appealed to by those responding to the Holocaust. This book explores a rich variety of such receptions of the Book of Job, highlighting the need to appreciate the tensions present in both the biblical text of Job and in perceptions of the Holocaust's meaning. Attention is given to the often creative modes of reading used by those appealing to Job, and the presence of complex interactions between theology, textual interpretation, and historical analysis. Receptions of Job examined include those presented by key post-Holocaust thinkers such as Emil Fackenheim, Elie Wiesel and Richard Rubenstein. Bringing together elements of biblical studies and Holocaust studies, David Tollerton shows that Job has been harnessed for an array of purposes, from asserting the continuity of Jewish faith amid the traumas of twentieth-century history, to resisting the idea that there can be any decisive religious 'answer' to the Holocaust. Despite the diversity of ways in which Job has been cited, it is shown that such reception is nonetheless controversial, doubts being repeatedly raised whether Job is appropriate to the Holocaust context. While ultimately proposing that Job does indeed have a valuable role to play, The Book of Job in Post-Holocaust Thought argues that in some cases such doubts are in order, and that some receptions should be queried on textual, historical or ethical grounds. This book will be of interest to readers concerned with the modern reception of wisdom literature, theological responses to the Holocaust, or simply the manner in which the Bible has been used by communities attempting to make sense of modernity's darkest aspects.
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Beyond Feminist Biblical Studies

Published: July 2012
£40.00
In today's postfeminist, post-structuralist milieu, feminist biblical studies —despite its now well-established place in the discipline —can seem out on a limb, too narrowly concerned with the interests of women: women in the text, women in history, women readers. Its connections with studies in masculinities, with queer theories, with lesbian and gay studies may appear thin and flimsy. As the current terminology shifts perceptibly to 'gender criticism', this book examines the continued place of feminist biblical studies within the discipline. Is it now the time, Deryn Guest asks, for feminist biblical scholars to resist more strongly than ever the threats of a diluted feminist agenda and feminist politics, the erasure of women's concerns from public consciousness, the loss of autonomy for feminist space? Or is it the time to make a definite shift and abandon the language of 'feminism'? Readers of this scintillating volume will find themselves invited into a sophisticated discussion of the question as they consider how far feminist biblical scholarship should be more inclusive of the newer critical voices emerging from trans- and intersex studies, testing the extent to which it can examine the construction of heterosexuality and make the apparatus of biblically prescribed heteronormativity an object of critical study. The book closes with the intriguing possibilities available for 'queer straight' practitioners of biblical studies with an armoury of genderqueer strategies in their hermeneutical toolbox.
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Beyond Feminist Biblical Studies

£40.00
In today's postfeminist, post-structuralist milieu, feminist biblical studies —despite its now well-established place in the discipline —can seem out on a limb, too narrowly concerned with the interests of women: women in the text, women in history, women readers. Its connections with studies in masculinities, with queer theories, with lesbian and gay studies may appear thin and flimsy. As the current terminology shifts perceptibly to 'gender criticism', this book examines the continued place of feminist biblical studies within the discipline. Is it now the time, Deryn Guest asks, for feminist biblical scholars to resist more strongly than ever the threats of a diluted feminist agenda and feminist politics, the erasure of women's concerns from public consciousness, the loss of autonomy for feminist space? Or is it the time to make a definite shift and abandon the language of 'feminism'? Readers of this scintillating volume will find themselves invited into a sophisticated discussion of the question as they consider how far feminist biblical scholarship should be more inclusive of the newer critical voices emerging from trans- and intersex studies, testing the extent to which it can examine the construction of heterosexuality and make the apparatus of biblically prescribed heteronormativity an object of critical study. The book closes with the intriguing possibilities available for 'queer straight' practitioners of biblical studies with an armoury of genderqueer strategies in their hermeneutical toolbox.
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Abject Bodies in the Gospel of Mark

Published: July 2012
£22.50£50.00
Basing himself on Judith Butler’s notion of gender, abjectness, vulnerability, and the precariousness of the human body, Manuel Villalobos offers a compelling study of a number of characters in Mark’s passion narrative whom he finds to be transgressing boundaries and disrupting their assigned gender roles. He then applies the same methodology to Jesus, queering the Markan passion narrative, and concludes that because it was subject to all kinds of physical abuses Jesus’ body is the way by which God becomes identified and fully implicated in the life of those who live at the margins of society. The whole book, exegetically rich and imaginative, is grounded on a hermeneutic which Villalobos terms Del otro lado / from the other side, because it celebrates the kind of ambiguity produced by gender, racial, cultural, and ethnic otherness, interweaving (often harrowing) tales of village life in Mexico with interpretations of specific Markan episodes. In so doing he hopes to initiate a dialogue between the Northern and the Southern hemispheres, a dialogue that crosses the boundaries that separate and exclude people because of economic and legal statuses and, specially, sexual orientation. The end product is a fresh and totally destabilizing reading that accomplishes the difficult task of bringing to the fore those voices neglected by the history of the interpretation of the text.
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Abject Bodies in the Gospel of Mark

£22.50£50.00
Basing himself on Judith Butler’s notion of gender, abjectness, vulnerability, and the precariousness of the human body, Manuel Villalobos offers a compelling study of a number of characters in Mark’s passion narrative whom he finds to be transgressing boundaries and disrupting their assigned gender roles. He then applies the same methodology to Jesus, queering the Markan passion narrative, and concludes that because it was subject to all kinds of physical abuses Jesus’ body is the way by which God becomes identified and fully implicated in the life of those who live at the margins of society. The whole book, exegetically rich and imaginative, is grounded on a hermeneutic which Villalobos terms Del otro lado / from the other side, because it celebrates the kind of ambiguity produced by gender, racial, cultural, and ethnic otherness, interweaving (often harrowing) tales of village life in Mexico with interpretations of specific Markan episodes. In so doing he hopes to initiate a dialogue between the Northern and the Southern hemispheres, a dialogue that crosses the boundaries that separate and exclude people because of economic and legal statuses and, specially, sexual orientation. The end product is a fresh and totally destabilizing reading that accomplishes the difficult task of bringing to the fore those voices neglected by the history of the interpretation of the text.
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The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels

Published: Jun 2012
£45.00
This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short 'Jeepers Jacobs', in which the title character —a theologian whose main area of research is the Christian doctrine of Hell —tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea , a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood . Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts —including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman —to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen . This is the fifth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (4) Partridge, Anthems of Apocalypse , and (6) Aston and Walliss, Small Screen Revelations .
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The End Will Be Graphic: Apocalyptic in Comic Books and Graphic Novels

£45.00
This collection is based on the premise that apocalyptic imagery and themes pervade not only cultural products that employ specifically biblical imagery but are also found in media that do not purport to impart biblical or even religious messages. Comic books and graphic novels are the focus here because, it is suggested, they are the medium that comes the closest to the imaginative malleability found in the history of biblical interpretation. In Part One, the focus is on Indie/Creator-owned works. Emily Laycock demonstrates the overwhelming influence of Herbert W. Armstrong and his apocalyptic Worldwide Church of God on Basil Wolverton's work, especially his biblical art. Aaron Kashtan then introduces us to Kevin Huizenga's short 'Jeepers Jacobs', in which the title character —a theologian whose main area of research is the Christian doctrine of Hell —tries to convert an acquaintance with odd and fatal results. In her chapter, Diana Green examines Alan Moore's Promethea , a character whose purpose is to initiate an Apocalypse but whose journey is much more complicated. Finally, A. David Lewis engages humorous and profane examples of apocalyptic imagery in the recent Indie comics Battle Pope and The Chronicles of Wormwood . Part Two examines more mainstream works and begins with Terry Ray Clark's adroit examination of how Kingdom Come utilizes both the functions and forms of ancient apocalyptic literature. Greg Stevenson then analyses a variety of texts —including X-Men: The Age of Apocalypse and issues 666 of Superman and Batman —to discern the way(s) in which the mythological language of apocalyptic and the mythology of superheroes interact. And finally, Greg Garrett provides a broad and thoughtful rumination on the two most widely read mainstream comics that deal with the End of Days: Kingdom Come and Watchmen . This is the fifth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (4) Partridge, Anthems of Apocalypse , and (6) Aston and Walliss, Small Screen Revelations .
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Anthems of Apocalypse: Popular Music and Apocalyptic Thought

Published: Mar 2012
£50.00
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and SÌ©rgio Fava's discussion of apocalyptic folk. This is the fourth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (5) Clanton, The End Will Be Graphic , and (6) Aston and Walliss, Small Screen Revelations .
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Anthems of Apocalypse: Popular Music and Apocalyptic Thought

£50.00
Popular music is no stranger to apocalyptic discourse. Whether focusing on biblical or secular apocalypses, musicians often want to tell us things about the end of the world we may not have wanted to know in ways we may not have thought about before. This volume seeks to introduce readers to some of these messengers and their anthems of apocalypse. Roland Boer's discussion of Nick Cave indicates that references to the portents and monsters of the apocalypse have been used to refer, not to an age to come, but to the authorities and demons of the present world. Likewise, Kennet Granholm's chapter on the vegan straight edge band Earth Crisis shows that biblical apocalyptic provides a lens through which to examine environmental politics. This is also true of the work of Rage against the Machine's Tom Morello, who, as Michael Gilmour discusses, provides a powerful socialist critique of capitalism, American imperialism, new left-activism and identity politics. Along with these 'secular' uses of biblical apocalyptic are, of course, the more conspicuously Christian theological treatments: Mark Sweetnam discusses dispensationalism in Johnny Cash's music; Marcus Moberg explores eschatological themes in Christian heavy metal; and Steve Knowles looks at the uses of apocalyptic imagery in the music of Extreme. Alongside these are the perennially popular esoteric interpretations of biblical apocalyptic thought. These are explored in Rupert Till's analysis of heavy metal and SÌ©rgio Fava's discussion of apocalyptic folk. This is the fourth volume in the series Apocalypse and Popular Culture; see also (1) Walliss and Quinby, Reel Revelations , (2) Gribben and Sweetnam, Left Behind and the Evangelical Imagination , (3) Howard, Network Apocalypse , (5) Clanton, The End Will Be Graphic , and (6) Aston and Walliss, Small Screen Revelations .
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Preposterous Revelations: Visions of Apocalypse and Martyrdom in Hollywood Cinema 1980-2000

Published: Jan 2012
£21.00
This is an ambitious attempt to produce an interdisciplinary reading of a set of relatively recent Hollywood films that appear to make references to the biblical genre of apocalyptic and associated ideas of Christian martyrdom and eschatology: End of Days , Armageddon , Alien3 , The Rapture , The Seventh Sign . It is a 'preposterous' reading (Mieke Bal's term), reversing a common-sense impulse to view what comes first chronologically (the biblical text) as an unproblematic template rather than as itself the consequence of subsequent, contextualized readings. The cinematic reworkings Copier describes shift our understanding of both texts (biblical and cinematic) and genre. Within this process, the apocalyptic subject —the martyr —adopts variable poses that reflect the effects of this disorienting reversal: across the five films analysed, the martyr moves from identifiably Christian motivations to the representation of patriotic American masculinity, or even to something that, in a contrary sense, powerfully challenges the conventional masculinity of any martyrdom that counts as significant. To achieve a genuine interdisciplinarity, Copier not only avoids reading each film as if it were simply the visual counterpart to a (biblical) narrative, but also analyses in the case of each film what the 'shot list' of a key sequence reveals about the semiotics at work within its construction. Unlike most encounters between religion and film, her film analysis goes far beyond the identification of themes and motifs. Here the author engages with the larger field of film studies, and especially with film as a visual medium.
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Preposterous Revelations: Visions of Apocalypse and Martyrdom in Hollywood Cinema 1980-2000

£21.00
This is an ambitious attempt to produce an interdisciplinary reading of a set of relatively recent Hollywood films that appear to make references to the biblical genre of apocalyptic and associated ideas of Christian martyrdom and eschatology: End of Days , Armageddon , Alien3 , The Rapture , The Seventh Sign . It is a 'preposterous' reading (Mieke Bal's term), reversing a common-sense impulse to view what comes first chronologically (the biblical text) as an unproblematic template rather than as itself the consequence of subsequent, contextualized readings. The cinematic reworkings Copier describes shift our understanding of both texts (biblical and cinematic) and genre. Within this process, the apocalyptic subject —the martyr —adopts variable poses that reflect the effects of this disorienting reversal: across the five films analysed, the martyr moves from identifiably Christian motivations to the representation of patriotic American masculinity, or even to something that, in a contrary sense, powerfully challenges the conventional masculinity of any martyrdom that counts as significant. To achieve a genuine interdisciplinarity, Copier not only avoids reading each film as if it were simply the visual counterpart to a (biblical) narrative, but also analyses in the case of each film what the 'shot list' of a key sequence reveals about the semiotics at work within its construction. Unlike most encounters between religion and film, her film analysis goes far beyond the identification of themes and motifs. Here the author engages with the larger field of film studies, and especially with film as a visual medium.
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Reconfiguring Mark’s Jesus: Narrative Criticism After Poststructuralism

Published: Oct 2011
£60.00
As readers, we are captivated by the resemblance of literary characters to actual persons. But it is precisely this illusion that allows characterization to play host to dominant ideologies of both 'literature' and 'the self'. This is especially true when we confuse narrative figures and historical persons. Over the last thirty years, New Testament narrative criticism has developed into a major methodological approach in Biblical Studies. But for all its ingenuity and promise, it has been reluctant to let go of conventional historical-critical moorings. As a result, one is hard pressed to find any substantive difference between reconstructions of the historical Jesus and narrative-critical readings of the character Jesus. Reconfiguring Mark's Jesus endeavors to reorient and advance narrative criticism by analysing the Gospel of Mark's characterization of the figure of Jesus in relation to three other fundamental aspects of narrative discourse: focalization, dialogue, and plot. This intertextual reading, in which Mark is set alongside two ancient novels — Leucippe and Clitophon and the Life of Aesop —problematizes implicitly modern notions of literary characters as autonomous 'agents', as well as 'naturalizing' treatments of literary characters as historical referents. Highlighting the inherent ambiguity of narrative discourse, particularly with regard to referentiality, human agency, and the complex relationship between literature and history, Reconfiguring Mark's Jesus illustrates the diverse and complex ways that narratives, of necessity, produce fragmented characters that refract the inherent paradoxes of narrative itself and of human subjectivity.
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Reconfiguring Mark’s Jesus: Narrative Criticism After Poststructuralism

£60.00
As readers, we are captivated by the resemblance of literary characters to actual persons. But it is precisely this illusion that allows characterization to play host to dominant ideologies of both 'literature' and 'the self'. This is especially true when we confuse narrative figures and historical persons. Over the last thirty years, New Testament narrative criticism has developed into a major methodological approach in Biblical Studies. But for all its ingenuity and promise, it has been reluctant to let go of conventional historical-critical moorings. As a result, one is hard pressed to find any substantive difference between reconstructions of the historical Jesus and narrative-critical readings of the character Jesus. Reconfiguring Mark's Jesus endeavors to reorient and advance narrative criticism by analysing the Gospel of Mark's characterization of the figure of Jesus in relation to three other fundamental aspects of narrative discourse: focalization, dialogue, and plot. This intertextual reading, in which Mark is set alongside two ancient novels — Leucippe and Clitophon and the Life of Aesop —problematizes implicitly modern notions of literary characters as autonomous 'agents', as well as 'naturalizing' treatments of literary characters as historical referents. Highlighting the inherent ambiguity of narrative discourse, particularly with regard to referentiality, human agency, and the complex relationship between literature and history, Reconfiguring Mark's Jesus illustrates the diverse and complex ways that narratives, of necessity, produce fragmented characters that refract the inherent paradoxes of narrative itself and of human subjectivity.
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Reading Ideologies: Essays on the Bible and Interpretation in Honor of Mary Ann Tolbert

Published: Sep 2011
£75.00
Mary Ann Tolbert has been a pioneering voice in what we have now come to call 'interdisciplinary reading' of the Bible. In the early stages of her career, Tolbert used New Testament parables to push biblical scholarship beyond the traditional confines of historical-critical methods. Over the past four decades, she has made significant contributions to psychoanalytical, narrative, rhetorical, feminist, and queer readings of the Bible, and has interrogated the social location of biblical interpreters as well as the ideological implications of reading and reading methodologies. Divided into three main sections, this collection of essays from biblical scholars around the world to honor Tolbert engage the very issues that have driven and defined Tolbert's scholarship: reading between the historical and the literary; reading between biblical authority and social location; and reading between gender and sexuality. The title of the collection focuses on an often-used but arguably under-examined term in biblical studies: 'ideology'. Together, essays in this volume not only perform ideological criticism of the Bible but also profess the ideological nature of criticism itself, since —regardless of 'what' and 'how' one is reading —the act of reading is always already infused with ideology. By highlighting the work of ideology in interpretation, this volume ultimately suggests that while ideology impacts interpretation of meaning, the meaning of ideology itself also needs to be interpreted.
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Reading Ideologies: Essays on the Bible and Interpretation in Honor of Mary Ann Tolbert

£75.00
Mary Ann Tolbert has been a pioneering voice in what we have now come to call 'interdisciplinary reading' of the Bible. In the early stages of her career, Tolbert used New Testament parables to push biblical scholarship beyond the traditional confines of historical-critical methods. Over the past four decades, she has made significant contributions to psychoanalytical, narrative, rhetorical, feminist, and queer readings of the Bible, and has interrogated the social location of biblical interpreters as well as the ideological implications of reading and reading methodologies. Divided into three main sections, this collection of essays from biblical scholars around the world to honor Tolbert engage the very issues that have driven and defined Tolbert's scholarship: reading between the historical and the literary; reading between biblical authority and social location; and reading between gender and sexuality. The title of the collection focuses on an often-used but arguably under-examined term in biblical studies: 'ideology'. Together, essays in this volume not only perform ideological criticism of the Bible but also profess the ideological nature of criticism itself, since —regardless of 'what' and 'how' one is reading —the act of reading is always already infused with ideology. By highlighting the work of ideology in interpretation, this volume ultimately suggests that while ideology impacts interpretation of meaning, the meaning of ideology itself also needs to be interpreted.
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Bible, Art, GalleryBible, Art, Gallery
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Bible, Art, Gallery

Published: Sep 2011
£50.00
While Old Masters' paintings of biblical scenes held by major galleries in many countries are visited and seen by thousands, gems of biblical art in smaller, provincial galleries seldom get the recognition and attention they deserve. Over two years, assisted by funding from the British Academy, conferences were held at the Barber Institute of Fine Arts, University of Birmingham, and at the Manchester Art Gallery, highlighting some of the significant biblical paintings held in the collections of both galleries. The papers presented at these conferences, drawn from the worlds of biblical studies, art history, philosophy, sociology and music, and collected in this volume, reflect the interdisciplinary goals of the project. These essays serve not only to showcase biblical paintings by lesser known artists but also to illustrate the wide range of perspectives and insights brought by the different academic disciplines.
Bible, Art, GalleryBible, Art, Gallery
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Bible, Art, Gallery

£50.00
While Old Masters' paintings of biblical scenes held by major galleries in many countries are visited and seen by thousands, gems of biblical art in smaller, provincial galleries seldom get the recognition and attention they deserve. Over two years, assisted by funding from the British Academy, conferences were held at the Barber Institute of Fine Arts, University of Birmingham, and at the Manchester Art Gallery, highlighting some of the significant biblical paintings held in the collections of both galleries. The papers presented at these conferences, drawn from the worlds of biblical studies, art history, philosophy, sociology and music, and collected in this volume, reflect the interdisciplinary goals of the project. These essays serve not only to showcase biblical paintings by lesser known artists but also to illustrate the wide range of perspectives and insights brought by the different academic disciplines.
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Korean Feminists in Conversation with the Bible, Church and Society

Published: Sep 2011
£50.00
This book offers scholars and students outside Korea some insight into what forms feminist biblical interpretation takes in Korea and what approaches Korean feminists adopt for dealing with the Bible in their writing and their professional lives. The contributors to this book represent a wide spectrum of the Korean feminist Christian movement. They include university and seminary teachers, ministers, and field workers. This book is a product of their numerous meetings and discussions on the practical issues that define contemporary Korean women's lives. In it, the contributors reflect on the diverse situations modern Korean women have faced and continue to struggle with, among them, the traditional religious culture based on Confucianism, economic globalization, postcolonialism, the problems of migrant women labourers, and the trauma of being forced into sexual slavery for Japanese soldiers during World War II. They view these situations in the light of the lives and experiences of women in the Old and New Testaments, and they look to the Bible for resources for dealing with them. This is socially engaged biblical interpretation. It goes beyond the academic study of the Bible to a wider engagement with the church and with Korean society. The volume is published in cooperation with Ewha Institute for Women's Theological Studies.
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Korean Feminists in Conversation with the Bible, Church and Society

£50.00
This book offers scholars and students outside Korea some insight into what forms feminist biblical interpretation takes in Korea and what approaches Korean feminists adopt for dealing with the Bible in their writing and their professional lives. The contributors to this book represent a wide spectrum of the Korean feminist Christian movement. They include university and seminary teachers, ministers, and field workers. This book is a product of their numerous meetings and discussions on the practical issues that define contemporary Korean women's lives. In it, the contributors reflect on the diverse situations modern Korean women have faced and continue to struggle with, among them, the traditional religious culture based on Confucianism, economic globalization, postcolonialism, the problems of migrant women labourers, and the trauma of being forced into sexual slavery for Japanese soldiers during World War II. They view these situations in the light of the lives and experiences of women in the Old and New Testaments, and they look to the Bible for resources for dealing with them. This is socially engaged biblical interpretation. It goes beyond the academic study of the Bible to a wider engagement with the church and with Korean society. The volume is published in cooperation with Ewha Institute for Women's Theological Studies.
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Network Apocalypse: Visions of the End in an Age of Internet Media

Published: May 2011
£50.00
In the twenty-first century, religious belief is undergoing change, driven in part by new communication technologies. Such technologies have often given rise to notable changes in religion, some of the most revolutionary of them being apocalyptic in character. What, then, is the nature of the changes in religious belief created or enabled by the Internet? In this collection, the first of its kind, nine scholars consider whether the empowerment offered by Internet communication generally encourages the exchange of ideas or whether, rather, it allows individuals to seal themselves off into ideological ghettos of the like-minded. These nine essays explore those possibilities by documenting and analysing the diversity of apocalyptic belief online. Andrew Fergus Wilson looks at those using the Internet to explore the syncretism that lies at the heart of the 'cultic milieu'. William A. Stahl examines the online discourse about climate change to find the apocalyptic structures undergirding it. Dennis Beesley examines End Times discourse on the video sharing Web site YouTube. J.L. Schatz explores how the apocalyptic imaginings of science fiction set the trajectory of our shared future. Amarnath Amarasingam documents how the Internet is encouraging the belief that President Barack Obama is the Antichrist. Salvador Jimenez Murguia analyses an Internet-based service offered to those wishing to communicate with their loved ones who might be 'left behind' after the anticipated 'Rapture'. David Drissel documents how social networking facilitates connections among Muslims who share a belief in a nearing apocalypse. James Schirmer examines an apocalyptic computer game individuals use to explore personal ethics. Robert Glenn Howard documents the first Internet-based new religious movement —reflected in the beliefs of the suicidal 1997 'Heaven's Gate' group, extant in their archived websites.
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Network Apocalypse: Visions of the End in an Age of Internet Media

£50.00
In the twenty-first century, religious belief is undergoing change, driven in part by new communication technologies. Such technologies have often given rise to notable changes in religion, some of the most revolutionary of them being apocalyptic in character. What, then, is the nature of the changes in religious belief created or enabled by the Internet? In this collection, the first of its kind, nine scholars consider whether the empowerment offered by Internet communication generally encourages the exchange of ideas or whether, rather, it allows individuals to seal themselves off into ideological ghettos of the like-minded. These nine essays explore those possibilities by documenting and analysing the diversity of apocalyptic belief online. Andrew Fergus Wilson looks at those using the Internet to explore the syncretism that lies at the heart of the 'cultic milieu'. William A. Stahl examines the online discourse about climate change to find the apocalyptic structures undergirding it. Dennis Beesley examines End Times discourse on the video sharing Web site YouTube. J.L. Schatz explores how the apocalyptic imaginings of science fiction set the trajectory of our shared future. Amarnath Amarasingam documents how the Internet is encouraging the belief that President Barack Obama is the Antichrist. Salvador Jimenez Murguia analyses an Internet-based service offered to those wishing to communicate with their loved ones who might be 'left behind' after the anticipated 'Rapture'. David Drissel documents how social networking facilitates connections among Muslims who share a belief in a nearing apocalypse. James Schirmer examines an apocalyptic computer game individuals use to explore personal ethics. Robert Glenn Howard documents the first Internet-based new religious movement —reflected in the beliefs of the suicidal 1997 'Heaven's Gate' group, extant in their archived websites.
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Left Behind and the Evangelical Imagination

Published: May 2011
£50.00
Left Behind — twelve novels that dramatize one evangelical perspective on the end of the world — is now established as the best-selling fictional series in American literary history. But it has been met with a range of critical receptions. This volume gathers essays by new and established critics of the series to interrogate the series' significance and its cultural and commercial success, and includes, for the first time, a response to these criticisms written on behalf of one of the series' authors. Mark S. Sweetnam considers the challenge that the organically theological nature of Left Behind has posed for cultural scholars. Amy Frykholm situates the novels' discussion of gender within wider traditions of sentimental and domestic fiction. Jennie Chapman nuances the general assumption that the series' conspiracy plots have been poached from secular accounts of subversion that emerged from the radical Right. Crawford Gribben contextualizes the treatment of Jews and Muslims in the rapture fiction tradition. Jarlath Killeen identifies a profoundly ambiguous attitude to Catholicism in the novels, accounted for by the emergence of lobbying and campaigning alliances between evangelicals and Catholics on a range of social issues. John Walliss outlines the manner in which rapture films speak to an evangelical audience, and addresses the failure of these films to gain significant crossover appeal. Katie Sturm interrogates the series' ecumenical reflections. Marisa Ronan traces the role of Christian fiction in the shaping of evangelical identity. Thomas Ice addresses the theological background of the novels. Writing on behalf of Jerry B. Jenkins, Kevin Zuber responds to the criticisms provided by the volume's contributors.  
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Left Behind and the Evangelical Imagination

£50.00
Left Behind — twelve novels that dramatize one evangelical perspective on the end of the world — is now established as the best-selling fictional series in American literary history. But it has been met with a range of critical receptions. This volume gathers essays by new and established critics of the series to interrogate the series' significance and its cultural and commercial success, and includes, for the first time, a response to these criticisms written on behalf of one of the series' authors. Mark S. Sweetnam considers the challenge that the organically theological nature of Left Behind has posed for cultural scholars. Amy Frykholm situates the novels' discussion of gender within wider traditions of sentimental and domestic fiction. Jennie Chapman nuances the general assumption that the series' conspiracy plots have been poached from secular accounts of subversion that emerged from the radical Right. Crawford Gribben contextualizes the treatment of Jews and Muslims in the rapture fiction tradition. Jarlath Killeen identifies a profoundly ambiguous attitude to Catholicism in the novels, accounted for by the emergence of lobbying and campaigning alliances between evangelicals and Catholics on a range of social issues. John Walliss outlines the manner in which rapture films speak to an evangelical audience, and addresses the failure of these films to gain significant crossover appeal. Katie Sturm interrogates the series' ecumenical reflections. Marisa Ronan traces the role of Christian fiction in the shaping of evangelical identity. Thomas Ice addresses the theological background of the novels. Writing on behalf of Jerry B. Jenkins, Kevin Zuber responds to the criticisms provided by the volume's contributors.  
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The Matter of the Text: Material Engagements Between Luke and the Five Senses

Published: May 2011
£60.00
When the Lukan Jesus stands up to read in the Nazareth synagogue, he unrolls and rolls up a scroll. At this moment —which scholars have read as programmatic for the Gospel of Luke —the material text frames the written and spoken word. Here reading is an engagement with the senses of touch, sight and hearing. The organs of sense —skin, eyes, ears and mouth —function as mediators of the material text. By contrast, our contemporary practices of reading as biblical scholars and critics commonly ignore the underlying materiality that is given to writing. In an ecological context where the mass production of Bibles is part of a consumerist economics that does not walk lightly on the Earth, and in an Australian postcolonial context where Bibles arrived as material artefacts of European colonizers, this book asks what modes of reading might best be suited to the materiality of the text. Engaging with the Gospel of Luke and the five senses, The Matter of the Text enacts a mode of reading that attends to the underlying materiality of the text. Reading with the senses offers a way of imagining the mutual touching of artefact and writing and the absent presence of the material text, where matter is given to the word as a visible voice.
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The Matter of the Text: Material Engagements Between Luke and the Five Senses

£60.00
When the Lukan Jesus stands up to read in the Nazareth synagogue, he unrolls and rolls up a scroll. At this moment —which scholars have read as programmatic for the Gospel of Luke —the material text frames the written and spoken word. Here reading is an engagement with the senses of touch, sight and hearing. The organs of sense —skin, eyes, ears and mouth —function as mediators of the material text. By contrast, our contemporary practices of reading as biblical scholars and critics commonly ignore the underlying materiality that is given to writing. In an ecological context where the mass production of Bibles is part of a consumerist economics that does not walk lightly on the Earth, and in an Australian postcolonial context where Bibles arrived as material artefacts of European colonizers, this book asks what modes of reading might best be suited to the materiality of the text. Engaging with the Gospel of Luke and the five senses, The Matter of the Text enacts a mode of reading that attends to the underlying materiality of the text. Reading with the senses offers a way of imagining the mutual touching of artefact and writing and the absent presence of the material text, where matter is given to the word as a visible voice.
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Jonathan Loved David: Manly Love in the Bible and the Hermeneutics of Sex

Published: Mar 2011
£60.00
The relationship between the Hebrew heroes David and Jonathan has caught the attention of popular and scholarly writers alike. Yet there is little agreement about the nature of this relationship that speaks of a love between two men that 'surpasses the love of a man for a woman' (2 Sam. 1.26). Weighing the arguments of scholars including Nissinen, Stone and Zehnder, Heacock produces a meta-critical analysis of the many interpretations of the relationship between David and Jonathan, identifying three dominant readings: the traditional political-theological interpretation, the homoerotic interpretation, and the homosocial interpretation. After outlining the three interpretive approaches, Heacock considers the evidence cited to support each: namely, themes in the David and Jonathan narrative and related biblical texts, ancient political treaties, laws pertaining to homogenital behaviour in the ancient Mediterranean world, and the heroic tales of the Gilgamesh Epic and Homer's Iliad. By applying recent epistemological shifts in knowledge as developed in the interdisciplinary fields of sexuality studies, queer studies and ancient studies, Heacock emphasizes the inescapability of the modern reader's cultural context when reading the narrative, particularly the influence of modern discourses of sexuality. Rather than suggest an alternative historical reading, Heacock turns the debate on its head by abandoning claims to historical veracity and embracing the input of the contemporary queer reader. Using queer theory and reader-response criticism, he offers a reading of the relationship between David and Jonathan through the lens of contemporary gay male friendships. This queer reading not only celebrates manly love in its numerous forms, but also adds a self-critical voice to the discussion that exposes the heteronormative assumptions underlying the questions often asked of the narrative.
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Jonathan Loved David: Manly Love in the Bible and the Hermeneutics of Sex

£60.00
The relationship between the Hebrew heroes David and Jonathan has caught the attention of popular and scholarly writers alike. Yet there is little agreement about the nature of this relationship that speaks of a love between two men that 'surpasses the love of a man for a woman' (2 Sam. 1.26). Weighing the arguments of scholars including Nissinen, Stone and Zehnder, Heacock produces a meta-critical analysis of the many interpretations of the relationship between David and Jonathan, identifying three dominant readings: the traditional political-theological interpretation, the homoerotic interpretation, and the homosocial interpretation. After outlining the three interpretive approaches, Heacock considers the evidence cited to support each: namely, themes in the David and Jonathan narrative and related biblical texts, ancient political treaties, laws pertaining to homogenital behaviour in the ancient Mediterranean world, and the heroic tales of the Gilgamesh Epic and Homer's Iliad. By applying recent epistemological shifts in knowledge as developed in the interdisciplinary fields of sexuality studies, queer studies and ancient studies, Heacock emphasizes the inescapability of the modern reader's cultural context when reading the narrative, particularly the influence of modern discourses of sexuality. Rather than suggest an alternative historical reading, Heacock turns the debate on its head by abandoning claims to historical veracity and embracing the input of the contemporary queer reader. Using queer theory and reader-response criticism, he offers a reading of the relationship between David and Jonathan through the lens of contemporary gay male friendships. This queer reading not only celebrates manly love in its numerous forms, but also adds a self-critical voice to the discussion that exposes the heteronormative assumptions underlying the questions often asked of the narrative.
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Biblical Curses and the Displacement of Tradition

Published: Mar 2011
£70.00
In Biblical Curses and the Displacement of Tradition Brian Britt offers an intriguing perspective on curses as the focus of debates over the power, pleasure, and danger of words. Biblical authors transformed ancient Near Eastern curses against rival ethnic groups, disobedient ancestors, and the day of one's own birth with great variety and ingenuity. Transformations of biblical curses proliferated in post-biblical history, even during periods of 'secularization'. This study argues that biblical, early modern, and contemporary transformations of curses constitute displacements rather than replacements of earlier traditions. The crucial notion of displacement draws from Freud's psychoanalytic theory, Nietzsche's critical philosophy, and Benjamin's engagement with textual tradition; it highlights not only manifest shifts but also many hidden continuities between cursing in biblical texts and cursing in such 'secular' domains as literature, law, politics, and philosophy. The tradition of biblical cursing —neither purely 'religious' nor purely 'secular' —travels through these texts and contexts as it redefines verbal, human, and supernatural power.
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Biblical Curses and the Displacement of Tradition

£70.00
In Biblical Curses and the Displacement of Tradition Brian Britt offers an intriguing perspective on curses as the focus of debates over the power, pleasure, and danger of words. Biblical authors transformed ancient Near Eastern curses against rival ethnic groups, disobedient ancestors, and the day of one's own birth with great variety and ingenuity. Transformations of biblical curses proliferated in post-biblical history, even during periods of 'secularization'. This study argues that biblical, early modern, and contemporary transformations of curses constitute displacements rather than replacements of earlier traditions. The crucial notion of displacement draws from Freud's psychoanalytic theory, Nietzsche's critical philosophy, and Benjamin's engagement with textual tradition; it highlights not only manifest shifts but also many hidden continuities between cursing in biblical texts and cursing in such 'secular' domains as literature, law, politics, and philosophy. The tradition of biblical cursing —neither purely 'religious' nor purely 'secular' —travels through these texts and contexts as it redefines verbal, human, and supernatural power.
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Constructing the Other in Ancient Israel and the USA

Published: Mar 2011
£70.00
Always spoken for, never speaking. Always the object of discourse, never the subject. Constant focus upon Israel in the biblical texts by the interpretative tradition in the modern context has resulted, whether consciously or not, in the eclipse of voices of Israel's Palestinian neighbors. Interpretations reinforce the liminality of ethnic groups like the Edomites, Moabites, Ammonites, and Samaritans effected initially through re-presentation. Stereotyping becomes an ethno-typing strategy that establishes the presumed superiority of 'Israel', the identity construction of the 'others' as anything but superior, and the placement of each group stereotyped on the 'border'. A postcolonial perspective, however, reveals that the focus of the commentary tradition extends liminality beyond the temporal. This study brings to speech the constructed voices of marginalized ethnic groups by juxtaposing those of fifth-century Yehud with those of nineteenth-century America placed there by stereotypic re-presentations. The examination of these re-presentations, though they intend to establish separation through an identity of difference, reveal instead a reflection of the identity of 'self' within 'other' despite efforts by an ethnic group identifying itself as 'Israel'.
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Constructing the Other in Ancient Israel and the USA

£70.00
Always spoken for, never speaking. Always the object of discourse, never the subject. Constant focus upon Israel in the biblical texts by the interpretative tradition in the modern context has resulted, whether consciously or not, in the eclipse of voices of Israel's Palestinian neighbors. Interpretations reinforce the liminality of ethnic groups like the Edomites, Moabites, Ammonites, and Samaritans effected initially through re-presentation. Stereotyping becomes an ethno-typing strategy that establishes the presumed superiority of 'Israel', the identity construction of the 'others' as anything but superior, and the placement of each group stereotyped on the 'border'. A postcolonial perspective, however, reveals that the focus of the commentary tradition extends liminality beyond the temporal. This study brings to speech the constructed voices of marginalized ethnic groups by juxtaposing those of fifth-century Yehud with those of nineteenth-century America placed there by stereotypic re-presentations. The examination of these re-presentations, though they intend to establish separation through an identity of difference, reveal instead a reflection of the identity of 'self' within 'other' despite efforts by an ethnic group identifying itself as 'Israel'.
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Men and Masculinity in the Hebrew Bible and Beyond

Published: Nov 2010
£60.00
The study of masculinity in the Bible is increasingly becoming established as a field of critical inquiry in biblical gender studies. This book highlights a variety of methodological approaches that reveal the complex and multifaceted construction of masculinity in biblical and post-biblical literature. It focuses uniquely and explicitly on men and the world they inhabit, documenting changes in the type of men and masculinities deemed legitimate, or illegitimate, across various social and historical contexts of the ancient Near East. At the same time, it interrogates readers' assumptions about the writers' positioning of male bodies, sexuality and relationships in a gender order created to reflect men's interests, yet in need of constant reordering. In this volume specific features of biblical masculinity are explored: the masculinity of less favoured sons in Genesis (Susan Haddox); the ideology of Temple masculinity in Chronicles (Roland Boer); the masculinity of Moses (Brian DiPalma); the performative nature of masculinity in the Sinai episode (David Clines); Deuteronomy's regimentation of masculinity (Mark George); Joshua's hegemonic masculinity in the Conquest Narrative (Ovidiu Creangă); Naaman's disability in relation to ideologies of masculinity (Cheryl Strimple and Ovidiu Creangă); Job's position as a man in charge in the Testament of Job (Maria Haralambakis); Priestly notions of sexuality in the covenant of the rainbow and circumcision in Genesis (Sandra Jacobs); Samson's masculinity in terms of male honour (Ela Lazarewicz-Wyrzykowska); the popular depiction of Jeremiah as a 'lamenting prophet' against the book of Jeremiah's male ideology (C.J. Patrick Davis); the gendered interaction of a Bible-study group with Daniel's dreams (Andrew Todd). Finally, David Clines and Stephen Moore offer closing critical reflections that situate the book's topics within a broader spectrum of issues in masculinity.
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Men and Masculinity in the Hebrew Bible and Beyond

£60.00
The study of masculinity in the Bible is increasingly becoming established as a field of critical inquiry in biblical gender studies. This book highlights a variety of methodological approaches that reveal the complex and multifaceted construction of masculinity in biblical and post-biblical literature. It focuses uniquely and explicitly on men and the world they inhabit, documenting changes in the type of men and masculinities deemed legitimate, or illegitimate, across various social and historical contexts of the ancient Near East. At the same time, it interrogates readers' assumptions about the writers' positioning of male bodies, sexuality and relationships in a gender order created to reflect men's interests, yet in need of constant reordering. In this volume specific features of biblical masculinity are explored: the masculinity of less favoured sons in Genesis (Susan Haddox); the ideology of Temple masculinity in Chronicles (Roland Boer); the masculinity of Moses (Brian DiPalma); the performative nature of masculinity in the Sinai episode (David Clines); Deuteronomy's regimentation of masculinity (Mark George); Joshua's hegemonic masculinity in the Conquest Narrative (Ovidiu Creangă); Naaman's disability in relation to ideologies of masculinity (Cheryl Strimple and Ovidiu Creangă); Job's position as a man in charge in the Testament of Job (Maria Haralambakis); Priestly notions of sexuality in the covenant of the rainbow and circumcision in Genesis (Sandra Jacobs); Samson's masculinity in terms of male honour (Ela Lazarewicz-Wyrzykowska); the popular depiction of Jeremiah as a 'lamenting prophet' against the book of Jeremiah's male ideology (C.J. Patrick Davis); the gendered interaction of a Bible-study group with Daniel's dreams (Andrew Todd). Finally, David Clines and Stephen Moore offer closing critical reflections that situate the book's topics within a broader spectrum of issues in masculinity.
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