The Shorter Dictionary of Classical Hebrew Revised
Published: July 2024
£250.00
The Shorter Dictionary of Classical Hebrew Revised (2024) is a single volume desk dictionary abridgement of The Dictionary of Classical Hebrew Revised (DCHR) (2018–2028). The Shorter Dictionary is over 825,000 words in length, placing into a single volume 1/6th of the material of the complete DCHR (over 5 million words), and is designed to be a replacement for BDB (the standard 1906 English lexicon of Hebrew).
The Shorter Dictionary contains more than 6,420 Hebrew words not in BDB, and refers to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions, making it the most thorough Hebrew dictionary ever produced.
Every Hebrew word in The Shorter Dictionary is followed immediately by an English translation (except for the variant forms of a word and the byforms), so that The Shorter Dictionary can be easily understood by a person with little or no Hebrew.
Further features of the dictionary include:
–Scope—The Shorter Dictionary includes not only Biblical Hebrew but also all Classical Hebrew (pre-200 ce), i .e . Ben Sira, Dead Sea Scrolls, inscriptions.
–Syntagmatic analysis—shows examples of subjects and objects of verbs, those of which a noun is subject or object, etc.
–Occurrence statistics—for each word in the four corpora of Classical Hebrew: Hebrew Bible, Ben Sira, Dead Sea Scrolls, Inscriptions—and for each voice (binyan) of a verb.
–Parallels and oppositions. Shows all words used in parallel or opposition in texts.
–A notation of: 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) -with their own articles (not previously shown in Hebrew lexica); 345 denominative verbs (verbs derived from a noun); and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
–An abbreviated version of DCHR’s extensive bibliographies is provided in The Shorter Dictionary.
Not only is The Shorter Dictionary three times longer than The Concise Dictionary of Classical Hebrew (2009)—also The Concise Dictionary is an abbreviation of the original Dictionary of Classical Hebrew (1993–2016), whereas The Shorter Dictionary of Classical Hebrew Revised contains the improved and expanded approach of DCHR (2018–2028).
The Shorter Dictionary (2024) has always planned to be released during the longer period of publication for the 9 volumes of DCHR. From 2019 to 2022 David J.A. Clines, prior to his final illnesses and death:
–completed every necessary editorial task for the future volumes;
–oversaw the preparation of and collation of most materials;
–and provided the means by which the project Research Associate, David Stec, could collate The Shorter Dictionary as well as bring the remaining DCHR volumes to publication.
List price: £250 / $400 / €300
Scholars' price: £125 / $200 / €150 (use code 'scholar' at checkout)
DCHR 1–9 Subscribers' price: £100 / $160 / €120 (email: phoenix.bibs@sheffield.ac.uk for further information)
The Shorter Dictionary of Classical Hebrew Revised
£250.00
The Shorter Dictionary of Classical Hebrew Revised (2024) is a single volume desk dictionary abridgement of The Dictionary of Classical Hebrew Revised (DCHR) (2018–2028). The Shorter Dictionary is over 825,000 words in length, placing into a single volume 1/6th of the material of the complete DCHR (over 5 million words), and is designed to be a replacement for BDB (the standard 1906 English lexicon of Hebrew).
The Shorter Dictionary contains more than 6,420 Hebrew words not in BDB, and refers to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions, making it the most thorough Hebrew dictionary ever produced.
Every Hebrew word in The Shorter Dictionary is followed immediately by an English translation (except for the variant forms of a word and the byforms), so that The Shorter Dictionary can be easily understood by a person with little or no Hebrew.
Further features of the dictionary include:
–Scope—The Shorter Dictionary includes not only Biblical Hebrew but also all Classical Hebrew (pre-200 ce), i .e . Ben Sira, Dead Sea Scrolls, inscriptions.
–Syntagmatic analysis—shows examples of subjects and objects of verbs, those of which a noun is subject or object, etc.
–Occurrence statistics—for each word in the four corpora of Classical Hebrew: Hebrew Bible, Ben Sira, Dead Sea Scrolls, Inscriptions—and for each voice (binyan) of a verb.
–Parallels and oppositions. Shows all words used in parallel or opposition in texts.
–A notation of: 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) -with their own articles (not previously shown in Hebrew lexica); 345 denominative verbs (verbs derived from a noun); and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
–An abbreviated version of DCHR’s extensive bibliographies is provided in The Shorter Dictionary.
Not only is The Shorter Dictionary three times longer than The Concise Dictionary of Classical Hebrew (2009)—also The Concise Dictionary is an abbreviation of the original Dictionary of Classical Hebrew (1993–2016), whereas The Shorter Dictionary of Classical Hebrew Revised contains the improved and expanded approach of DCHR (2018–2028).
The Shorter Dictionary (2024) has always planned to be released during the longer period of publication for the 9 volumes of DCHR. From 2019 to 2022 David J.A. Clines, prior to his final illnesses and death:
–completed every necessary editorial task for the future volumes;
–oversaw the preparation of and collation of most materials;
–and provided the means by which the project Research Associate, David Stec, could collate The Shorter Dictionary as well as bring the remaining DCHR volumes to publication.
List price: £250 / $400 / €300
Scholars' price: £125 / $200 / €150 (use code 'scholar' at checkout)
DCHR 1–9 Subscribers' price: £100 / $160 / €120 (email: phoenix.bibs@sheffield.ac.uk for further information)
The First Japanese Bible, and its Role in the Emergence of Modern Literary Japanese
Published: Jun 2024
£85.00
This ground-breaking book depicts the life, times and works of the Bible translators of nineteenth-century Japan and the prominent role they played in helping to shape modern Japan.
The translation of the Bible into Japanese occurred at a time of great cultural turmoil, when Japan was grappling with industrial and technological modernization in the shift from a feudal agrarian society after 260 years of isolation. In this turmoil, the cultural question of literary style was deemed of great importance. Because of the dichotomy between those who read Chinese (in a Japanese way) and those who did not, the need for reform and simplification was considered an essential aspect of the modernization of Japanese society. The Japanese Bible emerged as a prime example of such a style.
Suzuki’s study traces the development of the primary versions that culminated in the production of the first complete Japanese Bible, the Meiji Version of 1887. The translation of the Psalms, in particular, gained wide acclaim, even being said to be as incomparable as Mt Fuji. The literary quality of the Hebrew Bible was conveyed by the integration of a pure Japanese elegance, Chinese gravitas and freshness of Western and even some Hebrew elements of style.
For the first time, this volume gives due weight to three factors: appreciation of the Chinese Bible by the Japanese Bible translation, its fidelity to the primary Hebrew and Greek source texts, and its adoption of a pure Japanese style as the foundation.
The First Japanese Bible, and its Role in the Emergence of Modern Literary Japanese
£85.00
This ground-breaking book depicts the life, times and works of the Bible translators of nineteenth-century Japan and the prominent role they played in helping to shape modern Japan.
The translation of the Bible into Japanese occurred at a time of great cultural turmoil, when Japan was grappling with industrial and technological modernization in the shift from a feudal agrarian society after 260 years of isolation. In this turmoil, the cultural question of literary style was deemed of great importance. Because of the dichotomy between those who read Chinese (in a Japanese way) and those who did not, the need for reform and simplification was considered an essential aspect of the modernization of Japanese society. The Japanese Bible emerged as a prime example of such a style.
Suzuki’s study traces the development of the primary versions that culminated in the production of the first complete Japanese Bible, the Meiji Version of 1887. The translation of the Psalms, in particular, gained wide acclaim, even being said to be as incomparable as Mt Fuji. The literary quality of the Hebrew Bible was conveyed by the integration of a pure Japanese elegance, Chinese gravitas and freshness of Western and even some Hebrew elements of style.
For the first time, this volume gives due weight to three factors: appreciation of the Chinese Bible by the Japanese Bible translation, its fidelity to the primary Hebrew and Greek source texts, and its adoption of a pure Japanese style as the foundation.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
Published: Jun 2024
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Reading the Landscape of Ezekiel 40-48: A Theology of Resilience
£75.00
When the landscape architect IChun Kuo opens up an ancient plan written in the book of Ezekiel, she encounters a planner who is called “son of man”, who was instructed to a vision. Bewildered by this unworldly yet grounded visioned plan, Kuo seeks help from Assyrian King Sennacherib who constructed gardens, Jerome who was puzzled by the labyrinth, Newton who was obsessed with the measurement. She asks biblical scholars, archaeologists, architects and planners, until she finds the patterns.
Reading the Landscape of Ezekiel is a journey of decoding a mesmerizing ancient landscape, which reflects history of social and ecological catastrophes, survival and renovation, and the mechanisms of God’s design. Kuo argues that Ezekiel 40–48 can be understood as an ancient resilient landscape plan that encompasses rigidity and ductility, resistance and recovery.
Given the ancient hazards described in Ezekiel (sword, famine, evil creatures, and pestilence), the mechanism of landscape resilience in Ezekiel 40–48 is similar to modern time ecosystem resilience, as well as disaster risk reduction, and epidemiology/public health of war and defence policy. An understanding of the ancient planning in Ezekiel 40–48 may shed light on our reading of the biblical text, our way of viewing the depicted visions, as well as the implications of our planning of the environment.
Biblical Daughters and Queens Re-imagined in Music
Published: Jun 2024
£74.00
In Biblical Daughters and Queens, Helen Leneman continues her sustained approach to biblical reception in music traversing several centuries. She offers a immersive reading of two types of biblical women—daughters and queens—in a wide range of musical representations spanning over 300 years (1648-1993). Music, as Leneman highlights, goes beyond words: music expresses how feelings sound. Leneman’s unique analysis shares the ways in which these women’s stories have been altered, their emotions imagined and amplified.
The stories of two daughters are explored: the tragedy of Jephthah’s daughter (Judges 11); and the Apocryphal story of Susannah. The tragedy of Jephthah’s daughter seems to have been of greater interest to early composers, with most works, whether oratorios or operas, dating to pre-20th century. Susanna was a lesser-known story yet was treated both in two early oratorios and, unusually, in an operatic retelling of the story from the mid-20th century.
Queens included are Sheba (1 Kings), Athalia (2 Kings), and Esther (Book of Esther). In general, the Queen of Sheba has not been re-imagined with much nuance in musical works, mostly depicted as a sexy siren (though not always). Esther is the most popular queen for musical retellings, featured in no fewer than nine works in this volume. An interesting discovery was an eighteenth-century oratorio with a Hebrew libretto. Athalia is the least known of the three but Handel thought she was worth an oratorio (he is well represented throughout the book).
In previous volumes Leneman has considered the biblical reception in music of Moses and Miriam in Exodus; David, Saul and Bathsheba in the Book of Kings; Ruth and Naomi in the Book of Ruth; and Judith in the Book of Judith. Leneman also discussed the varied biblical characters in the Book of Genesis.
This volume encourages an experiential approach, to enable the reader, and listener to hear and feel these women’s stories as never before. Links to the musical works are provided throughout. Each setting is filled with both text and music that will inspire the listener to return to the original story with a new and different understanding.
Biblical Daughters and Queens Re-imagined in Music
£74.00
In Biblical Daughters and Queens, Helen Leneman continues her sustained approach to biblical reception in music traversing several centuries. She offers a immersive reading of two types of biblical women—daughters and queens—in a wide range of musical representations spanning over 300 years (1648-1993). Music, as Leneman highlights, goes beyond words: music expresses how feelings sound. Leneman’s unique analysis shares the ways in which these women’s stories have been altered, their emotions imagined and amplified.
The stories of two daughters are explored: the tragedy of Jephthah’s daughter (Judges 11); and the Apocryphal story of Susannah. The tragedy of Jephthah’s daughter seems to have been of greater interest to early composers, with most works, whether oratorios or operas, dating to pre-20th century. Susanna was a lesser-known story yet was treated both in two early oratorios and, unusually, in an operatic retelling of the story from the mid-20th century.
Queens included are Sheba (1 Kings), Athalia (2 Kings), and Esther (Book of Esther). In general, the Queen of Sheba has not been re-imagined with much nuance in musical works, mostly depicted as a sexy siren (though not always). Esther is the most popular queen for musical retellings, featured in no fewer than nine works in this volume. An interesting discovery was an eighteenth-century oratorio with a Hebrew libretto. Athalia is the least known of the three but Handel thought she was worth an oratorio (he is well represented throughout the book).
In previous volumes Leneman has considered the biblical reception in music of Moses and Miriam in Exodus; David, Saul and Bathsheba in the Book of Kings; Ruth and Naomi in the Book of Ruth; and Judith in the Book of Judith. Leneman also discussed the varied biblical characters in the Book of Genesis.
This volume encourages an experiential approach, to enable the reader, and listener to hear and feel these women’s stories as never before. Links to the musical works are provided throughout. Each setting is filled with both text and music that will inspire the listener to return to the original story with a new and different understanding.
Amos and Micah
Amos and Micah