Love, Lust, and Lunacy: The Stories of Saul and David in Music
Published: Oct 2010
£65.00
This is Leneman's second foray into the interdisciplinary study of the Bible and music, following her The Performed Bible: The Story of Ruth in Opera and Oratorio (2007).
In Love, Lust, and Lunacy she shows how these themes have captured the imagination of librettists and composers of many eras to set the narratives of the books of Samuel to music. Leneman convincingly illustrates music's ability to suggest emotions and character traits that can only be read between the lines of a text, through an in-depth discussion of 16 operas and oratorios from the eighteenth to the late twentieth century —including works of Handel, Nielsen, Parry, Honegger, Milhaud and lesser-known composers. The musical analyses can be understood on different levels by both specialists and non-specialists, providing a new perspective for biblical scholars along with a new appreciation of the biblical texts for musicians and music lovers.
Librettists and composers working with the Saul and David stories were alert to the complexity and ambivalence of the biblical portraits, and filled in the blanks left by the biblical writer in stirring and compelling ways. Their gap-filling may sometimes contradict traditional versions or interpretations of the biblical text, but their musical creativity often makes the words and actions of the biblical characters more convincing and compelling. In the musical works reviewed here there are portrayed three-dimensional figures —not only David and Saul, but also Samuel, Michal, Bathsheba, the Woman of Endor and others, personages barely glimpsed between the lines of the biblical text but imagined in different ways by readers in every generation.
Love, Lust, and Lunacy: The Stories of Saul and David in Music
£65.00
This is Leneman's second foray into the interdisciplinary study of the Bible and music, following her The Performed Bible: The Story of Ruth in Opera and Oratorio (2007).
In Love, Lust, and Lunacy she shows how these themes have captured the imagination of librettists and composers of many eras to set the narratives of the books of Samuel to music. Leneman convincingly illustrates music's ability to suggest emotions and character traits that can only be read between the lines of a text, through an in-depth discussion of 16 operas and oratorios from the eighteenth to the late twentieth century —including works of Handel, Nielsen, Parry, Honegger, Milhaud and lesser-known composers. The musical analyses can be understood on different levels by both specialists and non-specialists, providing a new perspective for biblical scholars along with a new appreciation of the biblical texts for musicians and music lovers.
Librettists and composers working with the Saul and David stories were alert to the complexity and ambivalence of the biblical portraits, and filled in the blanks left by the biblical writer in stirring and compelling ways. Their gap-filling may sometimes contradict traditional versions or interpretations of the biblical text, but their musical creativity often makes the words and actions of the biblical characters more convincing and compelling. In the musical works reviewed here there are portrayed three-dimensional figures —not only David and Saul, but also Samuel, Michal, Bathsheba, the Woman of Endor and others, personages barely glimpsed between the lines of the biblical text but imagined in different ways by readers in every generation.
Reel Revelations: Apocalypse and Film
Published: Oct 2010
£50.00
In the last decades, writers and directors have increasingly found the Book of Revelation a fitting cinematic muse for an age beset by possibilities of world destruction. Many apocalyptic films stay remarkably close to the idea of apocalypse as a revelation about the future, often quoting or using imagery from Revelation, as well as its Old Testament antecedents in Daniel, Ezekiel, and Isaiah.
The apocalyptic paradigm often instigates social criticism. Kim Paffenroth examines how zombie films deploy apocalyptic language and motifs to critique oppressive values in American culture. Lee Quinby shows how Richard Kelly's Southland Tales critiques not only social and economic crises in the USA but also Revelation's depictions of Good versus Evil as absolute oppositions. Frances Flannery points out how Josh Whedon's Serenity deconstructs the apocalypse precisely by using elements of it, depicting humans as their own created monsters.
Jon Stone notes how apocalyptic fictions, while presenting nightmare scenarios, are invariably optimistic, with human ingenuity effectively responding to potential disasters. Mary Ann Beavis examines the device of invented scriptures (pseudapocrypha), deployed as a narrative trope for holding back the final cataclysm. John Walliss studies evangelical Christian films that depict how the endtime scenario will unfold, so articulating and even redefining a sense of evangelical identity.
Richard Walsh analyses the surreptitious sanctification of empire that occurs in both Revelation and End of Days under the cover of a blatant struggle with another 'evil' empire. Greg Garrett examines how the eschatological figure of 'The Son of Man' is presented in the Matrix trilogy, the Terminator tetralogy, and Signs. Elizabeth Rosen shows how a postmodern apocalyptic trend has been working its way into children's fiction and film such as The Transformers, challenging the traditionally rigid depictions of good and evil found in many children's stories.
Reel Revelations: Apocalypse and Film
£50.00
In the last decades, writers and directors have increasingly found the Book of Revelation a fitting cinematic muse for an age beset by possibilities of world destruction. Many apocalyptic films stay remarkably close to the idea of apocalypse as a revelation about the future, often quoting or using imagery from Revelation, as well as its Old Testament antecedents in Daniel, Ezekiel, and Isaiah.
The apocalyptic paradigm often instigates social criticism. Kim Paffenroth examines how zombie films deploy apocalyptic language and motifs to critique oppressive values in American culture. Lee Quinby shows how Richard Kelly's Southland Tales critiques not only social and economic crises in the USA but also Revelation's depictions of Good versus Evil as absolute oppositions. Frances Flannery points out how Josh Whedon's Serenity deconstructs the apocalypse precisely by using elements of it, depicting humans as their own created monsters.
Jon Stone notes how apocalyptic fictions, while presenting nightmare scenarios, are invariably optimistic, with human ingenuity effectively responding to potential disasters. Mary Ann Beavis examines the device of invented scriptures (pseudapocrypha), deployed as a narrative trope for holding back the final cataclysm. John Walliss studies evangelical Christian films that depict how the endtime scenario will unfold, so articulating and even redefining a sense of evangelical identity.
Richard Walsh analyses the surreptitious sanctification of empire that occurs in both Revelation and End of Days under the cover of a blatant struggle with another 'evil' empire. Greg Garrett examines how the eschatological figure of 'The Son of Man' is presented in the Matrix trilogy, the Terminator tetralogy, and Signs. Elizabeth Rosen shows how a postmodern apocalyptic trend has been working its way into children's fiction and film such as The Transformers, challenging the traditionally rigid depictions of good and evil found in many children's stories.
Reworking the Bible: The Literary Reception-History of Fourteen Biblical Stories
Published: Jun 2010
£55.00
Reworking the Bible is a substantial account of the reception history of fourteen biblical stories —those of Eden, the Flood, Jacob and Esau, Moses and the Exodus, Joshua and Rahab, Samson, Nebuchadnezzar, Susanna, Esther, Jesus Christ, Salome, Lazarus, the Prodigal Son and the Descent into Hell. Full of fascinating detail of the afterlives of these biblical narratives, the book also offers a sophisticated theoretical analysis of the processes of reworking: major hypertexts from The Dream of the Rood to Margaret Atwood's The Year of the Flood come under the spotlight of the theories of Genette about rewriting and of Bakhtin about chronotopes and polyphony. In the final chapter, the material is viewed from the point of view of its spatial overtones, highlighting works that use the retelling of biblical stories to transport the reader to somewhere beyond controlling monological cultures.
As well as providing close readings of some extraordinary literary reworkings, the book provides a guide to the available critical literature. Both the biblical stories themselves and the works of Chaucer, Shakespeare, Racine, George Eliot, Turgenev, Kafka, Iris Murdoch, Julian Barnes, Ben Okri and many others are cast in a new light, including many plays, novels and poems that have been surprisingly neglected. The works discussed range from the hilarious to the horrific and have the capacity to refresh and even transform our reading of the Bible.
Reworking the Bible: The Literary Reception-History of Fourteen Biblical Stories
£55.00
Reworking the Bible is a substantial account of the reception history of fourteen biblical stories —those of Eden, the Flood, Jacob and Esau, Moses and the Exodus, Joshua and Rahab, Samson, Nebuchadnezzar, Susanna, Esther, Jesus Christ, Salome, Lazarus, the Prodigal Son and the Descent into Hell. Full of fascinating detail of the afterlives of these biblical narratives, the book also offers a sophisticated theoretical analysis of the processes of reworking: major hypertexts from The Dream of the Rood to Margaret Atwood's The Year of the Flood come under the spotlight of the theories of Genette about rewriting and of Bakhtin about chronotopes and polyphony. In the final chapter, the material is viewed from the point of view of its spatial overtones, highlighting works that use the retelling of biblical stories to transport the reader to somewhere beyond controlling monological cultures.
As well as providing close readings of some extraordinary literary reworkings, the book provides a guide to the available critical literature. Both the biblical stories themselves and the works of Chaucer, Shakespeare, Racine, George Eliot, Turgenev, Kafka, Iris Murdoch, Julian Barnes, Ben Okri and many others are cast in a new light, including many plays, novels and poems that have been surprisingly neglected. The works discussed range from the hilarious to the horrific and have the capacity to refresh and even transform our reading of the Bible.
Scottish Fiction as Gospel Exegesis: Four Case Studies
Published: Apr 2010
£45.00
The relationship between the Bible and literature continues to fascinate many scholars working in both fields. In this book, as the Gospels and the work of four Scottish writers are read together, their correspondences become manifest. The four writers, James Hogg, Robert Louis Stevenson, Mrs Oliphant and Lewis Grassic Gibbon, offer distinctive and accessible readings of the Gospels. Bringing the biblical texts and the work of these writers into conversation with one another highlights the changing ways the Bible influenced the fiction of the nineteenth and early twentieth centuries.
Alison Jack shows that these novels function as exegeses of Gospel texts and ideas. What is offered here is not a simple noting of biblical allusions, but a narrative exploration of Gospel themes, ideas and stories, such as the Parable of the Prodigal Son, as they are woven through the content and form of the novels discussed, among them Hogg's Confessions of a Justified Sinner and Stevenson's The Master of Ballantrae. This weaving is never untouched by the influence of Calvinism on the imagination of these Scottish writers; but the influence, informed by the polymorphism of gospel discourse, is often surprising and certainly not static.
This book offers an insight into a shifting literary world that will be of interest to biblical critics working on the reception history of the Gospels and to scholars of nineteenth- and twentieth-century Scottish literature, as well as to general readers who want to explore the hermeneutical issues raised by reading the Bible and literature together.
Scottish Fiction as Gospel Exegesis: Four Case Studies
£45.00
The relationship between the Bible and literature continues to fascinate many scholars working in both fields. In this book, as the Gospels and the work of four Scottish writers are read together, their correspondences become manifest. The four writers, James Hogg, Robert Louis Stevenson, Mrs Oliphant and Lewis Grassic Gibbon, offer distinctive and accessible readings of the Gospels. Bringing the biblical texts and the work of these writers into conversation with one another highlights the changing ways the Bible influenced the fiction of the nineteenth and early twentieth centuries.
Alison Jack shows that these novels function as exegeses of Gospel texts and ideas. What is offered here is not a simple noting of biblical allusions, but a narrative exploration of Gospel themes, ideas and stories, such as the Parable of the Prodigal Son, as they are woven through the content and form of the novels discussed, among them Hogg's Confessions of a Justified Sinner and Stevenson's The Master of Ballantrae. This weaving is never untouched by the influence of Calvinism on the imagination of these Scottish writers; but the influence, informed by the polymorphism of gospel discourse, is often surprising and certainly not static.
This book offers an insight into a shifting literary world that will be of interest to biblical critics working on the reception history of the Gospels and to scholars of nineteenth- and twentieth-century Scottish literature, as well as to general readers who want to explore the hermeneutical issues raised by reading the Bible and literature together.
Mark, Women and Empire: A Korean Postcolonial Perspective
Published: Mar 2010
£45.00
As Mark's Gospel moves toward its climax, four stories of women challenge Jesus in his mission to establish the empire of God against the backdrop of the Roman Empire: those of the poor widow (12.41-44), the anointing woman (14.1-11), the women at the cross and the burial (15.40-41, 47), and the women at the empty tomb (16.1-8). They are stories that would seem to demand both a feminist and a postcolonial perspective on the part of their readers —yet Kim's is the first reading of the Gospel that has taken an explicitly postcolonial feminist stance.
In addition to the feminist and the postcolonial themes, the third strand in Seong Hee Kim's approach arises from her Korean context, which provides her with the concept of Salim interpretation, that is, 'making things alive'. Starting from the reader's context, she develops a Salim hermeneutics for each of the four stories by engaging in a dialogue between the biblical story and the reader's use of her or his own imagination. The goal of her interpretation is such a making things alive, a mending of broken things, and an opening up of meaning —in contrast to the tendency of historical criticism, which has striven to identify a single, correct meaning in the biblical text.
Mark, Women and Empire: A Korean Postcolonial Perspective
£45.00
As Mark's Gospel moves toward its climax, four stories of women challenge Jesus in his mission to establish the empire of God against the backdrop of the Roman Empire: those of the poor widow (12.41-44), the anointing woman (14.1-11), the women at the cross and the burial (15.40-41, 47), and the women at the empty tomb (16.1-8). They are stories that would seem to demand both a feminist and a postcolonial perspective on the part of their readers —yet Kim's is the first reading of the Gospel that has taken an explicitly postcolonial feminist stance.
In addition to the feminist and the postcolonial themes, the third strand in Seong Hee Kim's approach arises from her Korean context, which provides her with the concept of Salim interpretation, that is, 'making things alive'. Starting from the reader's context, she develops a Salim hermeneutics for each of the four stories by engaging in a dialogue between the biblical story and the reader's use of her or his own imagination. The goal of her interpretation is such a making things alive, a mending of broken things, and an opening up of meaning —in contrast to the tendency of historical criticism, which has striven to identify a single, correct meaning in the biblical text.
Painting the Text: The Artist as Biblical Interpreter
Published: Dec 2009
£18.50 – £45.00
In this masterly work, Martin O'Kane shows artists at work as readers of the Bible and not simply as illustrators of biblical scenes. The painter's eye commonly sees nuances and subtleties of plot and characterization in the biblical text that traditional biblical criticism has overlooked.
Focussing in fine detail on some well-known biblical themes--the deception of Isaac, the depiction of Isaiah's suffering servant, the visit of the Magi and the flight into Egypt, among others--O'Kane argues that modern readers need the artist's exegetical insight and engagement to fully appreciate the text.
Ranging widely over mediaeval, Renaissance and modern art, the author situates his work within the hermeneutical aesthetics of Hans-Georg Gadamer, Mieke Bal and Paolo Bernini. Some 30 images are reproduced in the text.
Painting the Text: The Artist as Biblical Interpreter
£18.50 – £45.00
In this masterly work, Martin O'Kane shows artists at work as readers of the Bible and not simply as illustrators of biblical scenes. The painter's eye commonly sees nuances and subtleties of plot and characterization in the biblical text that traditional biblical criticism has overlooked.
Focussing in fine detail on some well-known biblical themes--the deception of Isaac, the depiction of Isaiah's suffering servant, the visit of the Magi and the flight into Egypt, among others--O'Kane argues that modern readers need the artist's exegetical insight and engagement to fully appreciate the text.
Ranging widely over mediaeval, Renaissance and modern art, the author situates his work within the hermeneutical aesthetics of Hans-Georg Gadamer, Mieke Bal and Paolo Bernini. Some 30 images are reproduced in the text.
Between the Text and the Canvas: The Bible and Art in Dialogue
Published: Dec 2009
£17.50 – £45.00
Can a painting or illustration of a biblical scene help readers understand the Bible? Conversely, to what extent can knowledge about a biblical story help viewers appreciate an artist's portrayal of it? Interpreting biblical art is more than a matter of asking whether or not an artist 'got it right' or 'got it wrong'. This lively collection of essays seeks to establish a dialogue between the Bible and art that sees the biblical text and artistic representations of it as equal conversation partners. By looking at texts and canvases from different angles, the ten contributors to the volume reveal how biblical interpretation can shed important light on art, how art can contribute significantly to biblical interpretation and how each has something distinctive to offer to the interpretative task.
Contributions include J. Cheryl Exum on Solomon de Bray's Jael, Deborah and Barak, Hugh S. Pyper on depictions of the relationship between David and Jonathan, Martin O'Kane on the biblical Elijah and his visual afterlives, Sally Norris on Chagall's depiction of Ezekiel's chariot vision, Christina Bucher on the Song of Songs and the enclosed garden motif in fifteenth-century paintings and engravings of Mary and the infant Jesus, Ela Nutu on differences in the way female and male artists have represented Judith, Christine E. Joynes on visualizations of Salome's dance, Heidi J. Hornik on Michele Tosini's Nativity,Way to Calvary and Crucifixion as visual narratives, Kelly J. Baker on Henry Ossawa Tanner's The Annunciation and Nicodemus, and Christopher Rowland on William Blake and the New Testament.
Between the Text and the Canvas: The Bible and Art in Dialogue
£17.50 – £45.00
Can a painting or illustration of a biblical scene help readers understand the Bible? Conversely, to what extent can knowledge about a biblical story help viewers appreciate an artist's portrayal of it? Interpreting biblical art is more than a matter of asking whether or not an artist 'got it right' or 'got it wrong'. This lively collection of essays seeks to establish a dialogue between the Bible and art that sees the biblical text and artistic representations of it as equal conversation partners. By looking at texts and canvases from different angles, the ten contributors to the volume reveal how biblical interpretation can shed important light on art, how art can contribute significantly to biblical interpretation and how each has something distinctive to offer to the interpretative task.
Contributions include J. Cheryl Exum on Solomon de Bray's Jael, Deborah and Barak, Hugh S. Pyper on depictions of the relationship between David and Jonathan, Martin O'Kane on the biblical Elijah and his visual afterlives, Sally Norris on Chagall's depiction of Ezekiel's chariot vision, Christina Bucher on the Song of Songs and the enclosed garden motif in fifteenth-century paintings and engravings of Mary and the infant Jesus, Ela Nutu on differences in the way female and male artists have represented Judith, Christine E. Joynes on visualizations of Salome's dance, Heidi J. Hornik on Michele Tosini's Nativity,Way to Calvary and Crucifixion as visual narratives, Kelly J. Baker on Henry Ossawa Tanner's The Annunciation and Nicodemus, and Christopher Rowland on William Blake and the New Testament.
Paul and Human Rights: A Dialogue with the Father of the Corinthian Community
Published: Oct 2009
£50.00
Unless biblical studies in any generation engages with the concrete issues and concerns of its day, it is likely to paint itself into an irrelevant scholarly corner. In a world shaped by the rhetoric and structures of 'human rights' (though struggling to accept and apply them) it is surprising that biblical scholars have largely failed to engage rights notions. Paul and Human Rights brings a biblical perspective to human rights by constructing a dialogue between them and the Paul of the Corinthian correspondence on key issues of power, equality and social structure.
The concept of human rights would have been alien to Paul, yet his Corinthian letters provide evidence of a sustained interaction with the kinds of issues we talk of in human rights terms. Long here explores Paul's emotive, manipulative language of mimesis, apostleship and fatherhood in conversation with human rights values. Similarly, Paul's social engineering and instructions regarding women and slaves are examined against the backdrop of human rights ideas about social structure and equality.
Unlike some other writers, Long's aim is neither to laud nor denigrate either Paul or human rights. His purpose is to build a dialogue where both can be heard and each can contribute to thinking about the other. In particular, the cruciform, other-orientation of Pauline servanthood provides a framework within which to consider how human rights ideas might continue to shape readings of Paul, and how Pauline perspectives might offer a critical alternative to the limited agenda of much contemporary human-rights thinking.
Paul and Human Rights: A Dialogue with the Father of the Corinthian Community
£50.00
Unless biblical studies in any generation engages with the concrete issues and concerns of its day, it is likely to paint itself into an irrelevant scholarly corner. In a world shaped by the rhetoric and structures of 'human rights' (though struggling to accept and apply them) it is surprising that biblical scholars have largely failed to engage rights notions. Paul and Human Rights brings a biblical perspective to human rights by constructing a dialogue between them and the Paul of the Corinthian correspondence on key issues of power, equality and social structure.
The concept of human rights would have been alien to Paul, yet his Corinthian letters provide evidence of a sustained interaction with the kinds of issues we talk of in human rights terms. Long here explores Paul's emotive, manipulative language of mimesis, apostleship and fatherhood in conversation with human rights values. Similarly, Paul's social engineering and instructions regarding women and slaves are examined against the backdrop of human rights ideas about social structure and equality.
Unlike some other writers, Long's aim is neither to laud nor denigrate either Paul or human rights. His purpose is to build a dialogue where both can be heard and each can contribute to thinking about the other. In particular, the cruciform, other-orientation of Pauline servanthood provides a framework within which to consider how human rights ideas might continue to shape readings of Paul, and how Pauline perspectives might offer a critical alternative to the limited agenda of much contemporary human-rights thinking.
Decolonizing God: The Bible in the Tides of Empire
Published: Oct 2009
£17.50 – £39.50
For centuries, the Bible has been used by colonial powers to undergird their imperial designs--an ironic situation when so much of the Bible was conceived by way of resistance to empires. In this thoughtful book, Mark Brett draws upon his experience of the colonial heritage in Australia to identify a remarkable range of areas where God needs to be decolonized--freed from the bonds of the colonial.
Writing in a context where landmark legal cases have ruled that Indigenous (Aboriginal) rights have been 'washed away by the tide of history', Brett re-examines land rights in the biblical traditions, Deuteronomy's genocidal imagination, and other key topics in both the Hebrew Bible and the New Testament where the effects of colonialism can be traced. Drawing out the implications for theology and ethics, this book provides a comprehensive new proposal for addressing the legacies of colonialism.
Decolonizing God: The Bible in the Tides of Empire
£17.50 – £39.50
For centuries, the Bible has been used by colonial powers to undergird their imperial designs--an ironic situation when so much of the Bible was conceived by way of resistance to empires. In this thoughtful book, Mark Brett draws upon his experience of the colonial heritage in Australia to identify a remarkable range of areas where God needs to be decolonized--freed from the bonds of the colonial.
Writing in a context where landmark legal cases have ruled that Indigenous (Aboriginal) rights have been 'washed away by the tide of history', Brett re-examines land rights in the biblical traditions, Deuteronomy's genocidal imagination, and other key topics in both the Hebrew Bible and the New Testament where the effects of colonialism can be traced. Drawing out the implications for theology and ethics, this book provides a comprehensive new proposal for addressing the legacies of colonialism.
From the Margins 2: Women of the New Testament and Their Afterlives
Published: Oct 2009
£60.00
Despite half a century of biblical interpretation that has sought to put women back on the agenda of ancient texts (written largely if not wholly by men), the dominant threads of narrative and doctrine have —with the notable exception of Mary the mother of Jesus —been focused on the lives and actions of men. Reception history tells a different story. It is not the case that there is a recovery of the lives of women hidden behind the pages of the New Testament, for our information remains as sparse and tantalizing as ever. Rather, the study of biblical women's 'afterlives' allows the imaginative engagement of artists and writers to broaden the horizon of interpretative expectations. Whether it is through historical imagination or the grasp of different portrayals of familiar biblical women (like Mary the mother of Jesus or Mary Magdalene), the creative genius of these interpreters, neglected by mainstream biblical textual scholars, only underlines the importance of the biblical women, viewed in the light of their afterlives.
This volume has its origins in a project entitled 'Biblical Women and their Afterlives' conceived and developed by the Centre for Reception History of the Bible at the University of Oxford and organized together with colleagues from the Luce Program in Scripture and Literary Arts at Boston University, USA. This project resulted not only in the present interdisciplinary collection of 21 essays (with their 66 illustrations) but also its companion volume From the Margins 1: Women of the Hebrew Bible and their Afterlives , edited by Peter S. Hawkins and Lesleigh Cushing Stahlberg.
The present volume includes the specially commissioned poem 'To Cast a Stone' by the acclaimed Irish poet John F. Deane.
From the Margins 2: Women of the New Testament and Their Afterlives
£60.00
Despite half a century of biblical interpretation that has sought to put women back on the agenda of ancient texts (written largely if not wholly by men), the dominant threads of narrative and doctrine have —with the notable exception of Mary the mother of Jesus —been focused on the lives and actions of men. Reception history tells a different story. It is not the case that there is a recovery of the lives of women hidden behind the pages of the New Testament, for our information remains as sparse and tantalizing as ever. Rather, the study of biblical women's 'afterlives' allows the imaginative engagement of artists and writers to broaden the horizon of interpretative expectations. Whether it is through historical imagination or the grasp of different portrayals of familiar biblical women (like Mary the mother of Jesus or Mary Magdalene), the creative genius of these interpreters, neglected by mainstream biblical textual scholars, only underlines the importance of the biblical women, viewed in the light of their afterlives.
This volume has its origins in a project entitled 'Biblical Women and their Afterlives' conceived and developed by the Centre for Reception History of the Bible at the University of Oxford and organized together with colleagues from the Luce Program in Scripture and Literary Arts at Boston University, USA. This project resulted not only in the present interdisciplinary collection of 21 essays (with their 66 illustrations) but also its companion volume From the Margins 1: Women of the Hebrew Bible and their Afterlives , edited by Peter S. Hawkins and Lesleigh Cushing Stahlberg.
The present volume includes the specially commissioned poem 'To Cast a Stone' by the acclaimed Irish poet John F. Deane.
Performing Memory in Biblical Narrative and Beyond
Published: Oct 2009
£60.00
Memory —'authentic', manufactured, imagined, innocent or deliberate —becomes remembrance through its performance, that is, through being narrated orally or in writing. And when it is narrated, memory becomes a shaper of identities and a social agent, a tool for shaping a community's present and future as much as, if not more so, than a near-simplistic recording of past history and a sense of belonging.
In this volume, various aspects of narrated 'memories' in the Bible and beyond it are examined for their literary and sociological charge within biblical literature as well as in its cultural afterlives —Jewish, Christian and 'secular'. From inner-biblical memory shaping claims to contemporaneous retellings, the shifts of tradition to story are explored for ways, means and aims that, authorially intentional or otherwise, become influential in adapting the Bible for the postmodern scene and adapting the postmodern scene to the Bible.
This compilation of articles is the result of a collective research project with participants from the University of Amsterdam and Utrecht University (The Netherlands), Tel Aviv University and Haifa University (Israel), Poznan University (Poland), Bowdoin College and Brite Divinity School (USA).
This is Volume 3 in the subseries Amsterdam Studies in the Bible and Religion.
Performing Memory in Biblical Narrative and Beyond
£60.00
Memory —'authentic', manufactured, imagined, innocent or deliberate —becomes remembrance through its performance, that is, through being narrated orally or in writing. And when it is narrated, memory becomes a shaper of identities and a social agent, a tool for shaping a community's present and future as much as, if not more so, than a near-simplistic recording of past history and a sense of belonging.
In this volume, various aspects of narrated 'memories' in the Bible and beyond it are examined for their literary and sociological charge within biblical literature as well as in its cultural afterlives —Jewish, Christian and 'secular'. From inner-biblical memory shaping claims to contemporaneous retellings, the shifts of tradition to story are explored for ways, means and aims that, authorially intentional or otherwise, become influential in adapting the Bible for the postmodern scene and adapting the postmodern scene to the Bible.
This compilation of articles is the result of a collective research project with participants from the University of Amsterdam and Utrecht University (The Netherlands), Tel Aviv University and Haifa University (Israel), Poznan University (Poland), Bowdoin College and Brite Divinity School (USA).
This is Volume 3 in the subseries Amsterdam Studies in the Bible and Religion.
Postcolonial Interventions: Essays in Honor of R.S. Sugirtharajah
Published: Aug 2009
£60.00
This collection of essays, with contributions by many long-term colleagues and collaborators of R. S. Sugirtharajah, Professor of Biblical Hermeneutics in the University of Birmingham, is meant to review, evaluate, celebrate, and honour his many scholarly contributions. The title of the collection signifies that the volume focusses not only on how we read socio-political interventions, but also on how reading can itself be a form of intervention. This focus on reading and intervention is in many ways most fitting, as Professor Sugirtharajah's biblical and theological hermeneutics have indeed been a significant force of intervention. His work has confronted and challenged many to see beyond a parochial mainstream, to perceive imperial and colonial dynamics in the Bible and in biblical studies, and to remain open to the transformative possibilities of reading from new sites as well as with new sights.
Postcolonial Interventions: Essays in Honor of R.S. Sugirtharajah
£60.00
This collection of essays, with contributions by many long-term colleagues and collaborators of R. S. Sugirtharajah, Professor of Biblical Hermeneutics in the University of Birmingham, is meant to review, evaluate, celebrate, and honour his many scholarly contributions. The title of the collection signifies that the volume focusses not only on how we read socio-political interventions, but also on how reading can itself be a form of intervention. This focus on reading and intervention is in many ways most fitting, as Professor Sugirtharajah's biblical and theological hermeneutics have indeed been a significant force of intervention. His work has confronted and challenged many to see beyond a parochial mainstream, to perceive imperial and colonial dynamics in the Bible and in biblical studies, and to remain open to the transformative possibilities of reading from new sites as well as with new sights.
From the Margins 1: Women of the Hebrew Bible and Their Afterlives
Published: Apr 2009
£40.00
Biblical women who are given only a few lines in the Bible, who are named only as the wife or sister or child of a man, can nonetheless play pivotal roles and cast long shadows. This volume brings together scholars, writers and art historians, who probe texts and trace reception history in exegesis, midrash, literature and the visual arts as they breathe life again into these biblical characters.
A companion volume is entitled From the Margins 2: Women of the New Testament and their Afterlives.
From the Margins 1: Women of the Hebrew Bible and Their Afterlives
£40.00
Biblical women who are given only a few lines in the Bible, who are named only as the wife or sister or child of a man, can nonetheless play pivotal roles and cast long shadows. This volume brings together scholars, writers and art historians, who probe texts and trace reception history in exegesis, midrash, literature and the visual arts as they breathe life again into these biblical characters.
A companion volume is entitled From the Margins 2: Women of the New Testament and their Afterlives.
The Way the World Ends? the Apocalypse of John in Culture and Ideology
Published: Mar 2009
£60.00
The richly varied collection of 15 essays in this volume showcase the afterlife of the Book of Revelation. It is a biblical book that has left its mark in many fields of intellectual endeavour: literature, film, music, philosophy, political theology, and religious ideology. It is perhaps paradoxical that this book, which promises God's punishment upon anyone expanding on its contents, has nevertheless accumulated to itself over two millennia vast amounts of commentary, exposition, and appropriation.
Offered at the close of the 'Blair/Bush years', this volume also exposes and highlights the often deeply ironic resonances generated while studying the reception history of Revelation during a period when the book has both significant public currency and a potentially terrifying global impact.
The Way the World Ends? the Apocalypse of John in Culture and Ideology
£60.00
The richly varied collection of 15 essays in this volume showcase the afterlife of the Book of Revelation. It is a biblical book that has left its mark in many fields of intellectual endeavour: literature, film, music, philosophy, political theology, and religious ideology. It is perhaps paradoxical that this book, which promises God's punishment upon anyone expanding on its contents, has nevertheless accumulated to itself over two millennia vast amounts of commentary, exposition, and appropriation.
Offered at the close of the 'Blair/Bush years', this volume also exposes and highlights the often deeply ironic resonances generated while studying the reception history of Revelation during a period when the book has both significant public currency and a potentially terrifying global impact.
With Eyes of Flesh: The Bible, Gender and Human Rights
Published: Aug 2008
£19.50 – £50.00
Carole Fontaine, well known among biblical scholars for her feminist studies in the biblical wisdom traditions and the ancient Near East, is also a human rights and interfaith activist working on issues of violence against Muslim women in the Middle East and Southern Asia and a board member of many agencies such as the International Network for the Rights of Female Victims of Violence in Pakistan, and the Women's Forum against Fundamentalism in Iran.
In this collection of her essays, mostly previously unpublished, she brings together these two concerns, distilling from the scriptures of Judaism, Christianity and Islam valuable insights into current questions of human rights. Unlike many writers, Fontaine recognizes the critical role of gender in the fundamental concept of the 'Other', so determinative for our view of humanity.
In our days, Fontaine argues, human rights issues have taken on a new dimension in political discourse about war, peace and terror, where often an appeal is made to religious and scriptural justifications for the violation or preservation of rights. Fontaine urges attention to the priority of the sufferer in adjudicating meaning, and turns to the 'little texts' of daily ethics rather than grand theological abstractions in order to place 'scriptures' in meaningful conversation with the concrete realities of our world.
This is the second volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Moden World.
With Eyes of Flesh: The Bible, Gender and Human Rights
£19.50 – £50.00
Carole Fontaine, well known among biblical scholars for her feminist studies in the biblical wisdom traditions and the ancient Near East, is also a human rights and interfaith activist working on issues of violence against Muslim women in the Middle East and Southern Asia and a board member of many agencies such as the International Network for the Rights of Female Victims of Violence in Pakistan, and the Women's Forum against Fundamentalism in Iran.
In this collection of her essays, mostly previously unpublished, she brings together these two concerns, distilling from the scriptures of Judaism, Christianity and Islam valuable insights into current questions of human rights. Unlike many writers, Fontaine recognizes the critical role of gender in the fundamental concept of the 'Other', so determinative for our view of humanity.
In our days, Fontaine argues, human rights issues have taken on a new dimension in political discourse about war, peace and terror, where often an appeal is made to religious and scriptural justifications for the violation or preservation of rights. Fontaine urges attention to the priority of the sufferer in adjudicating meaning, and turns to the 'little texts' of daily ethics rather than grand theological abstractions in order to place 'scriptures' in meaningful conversation with the concrete realities of our world.
This is the second volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Moden World.
Recent Releases: The Bible in Contemporary Cinema
Published: Aug 2008
£35.00
The relationship between theology and film has always been a complicated one. When film was invented at the end of the nineteenth century, it quickly gained its place in popular culture, far from the orthodoxies of the scholarly world and of the Church. For the better part of the twentieth century popular cinema was considered off limits for serious studies of Bible and culture. Recently, however, there has been a growing understanding of how the Bible is being used in popular culture —not as a historical document or as an authoritative canon, but as part of the cultural intertext.
Cinema is a vivid example of the role and impact of the Bible in contemporary society. In this well-theorized collection of essays the issue is treated from several angles. Using the methodology of theology, the question of the alleged escapism of popular cinema is explored. Using the methodology of media studies, the impact of the media on religious communication is analysed. And, using the methodology of religious studies, the influence of the cinema in the creation of new religions, religious behaviour and religious institutions is investigated.
In addition, the book offers fruitful analyses of the cinematic use of biblical themes such as Eden, salvation, Mary Magdalene and Jesus —as well as of the cinematic application of ethical themes such as truth-telling, personal growth, suffering, the accomplishment of good and the creating of meaning for human beings.
Recent Releases: The Bible in Contemporary Cinema
£35.00
The relationship between theology and film has always been a complicated one. When film was invented at the end of the nineteenth century, it quickly gained its place in popular culture, far from the orthodoxies of the scholarly world and of the Church. For the better part of the twentieth century popular cinema was considered off limits for serious studies of Bible and culture. Recently, however, there has been a growing understanding of how the Bible is being used in popular culture —not as a historical document or as an authoritative canon, but as part of the cultural intertext.
Cinema is a vivid example of the role and impact of the Bible in contemporary society. In this well-theorized collection of essays the issue is treated from several angles. Using the methodology of theology, the question of the alleged escapism of popular cinema is explored. Using the methodology of media studies, the impact of the media on religious communication is analysed. And, using the methodology of religious studies, the influence of the cinema in the creation of new religions, religious behaviour and religious institutions is investigated.
In addition, the book offers fruitful analyses of the cinematic use of biblical themes such as Eden, salvation, Mary Magdalene and Jesus —as well as of the cinematic application of ethical themes such as truth-telling, personal growth, suffering, the accomplishment of good and the creating of meaning for human beings.
Marxist Feminist Criticism of the Bible
Published: Jun 2008
£40.00
This volume seeks to spur a lively discussion on Marxist feminist analysis of biblical texts. Marxism and feminism have many mutual concerns, and the combination of the two has become common in literary criticism, cultural studies, sociology and philosophy. So it is high time for biblical studies to become interested.
This collection is the first of its kind in biblical studies, bringing together a mixture of newer and more mature voices. It falls into three sections: general concerns (Milena Kirova, Tamara Prosic and David Jobling); Hebrew Bible (Gale Yee and Avaren Ipsen); New Testament (Alan Cadwallader, Jorunn Økland, Roland Boer and Jennifer Bird).
Thought-provoking and daring, the collection includes: the history of Marxist feminist analysis, the work of Bertolt Brecht, the voices of prostitute collectives, and the possibilities for biblical criticism of the work of Rosemary Hennessy, Simone de Beauvoir, Juliet Mitchell, Wilhelm Reich and Julia Kristeva. All of which are brought to bear on biblical texts such as Proverbs, 1 Kings, Mark, Paul's Letters, and 1 Peter.
Marxist Feminist Criticism of the Bible
£40.00
This volume seeks to spur a lively discussion on Marxist feminist analysis of biblical texts. Marxism and feminism have many mutual concerns, and the combination of the two has become common in literary criticism, cultural studies, sociology and philosophy. So it is high time for biblical studies to become interested.
This collection is the first of its kind in biblical studies, bringing together a mixture of newer and more mature voices. It falls into three sections: general concerns (Milena Kirova, Tamara Prosic and David Jobling); Hebrew Bible (Gale Yee and Avaren Ipsen); New Testament (Alan Cadwallader, Jorunn Økland, Roland Boer and Jennifer Bird).
Thought-provoking and daring, the collection includes: the history of Marxist feminist analysis, the work of Bertolt Brecht, the voices of prostitute collectives, and the possibilities for biblical criticism of the work of Rosemary Hennessy, Simone de Beauvoir, Juliet Mitchell, Wilhelm Reich and Julia Kristeva. All of which are brought to bear on biblical texts such as Proverbs, 1 Kings, Mark, Paul's Letters, and 1 Peter.
Troublesome Texts: The Bible in Colonial and Contemporary Culture
Published: May 2008
£35.00
The nine substantial essays in this volume deal with three wide-ranging though interconnected issues: the perceived status and standing of the Bible today; aspects of the current state of biblical studies, especially the uneasy tension between the increasingly esoteric agenda of mainstream scholarship and the hermeneutical concerns of those occupied with marginal readings; the significance of postcolonial scholarship and pointers for its future at a time when empire has once again become a reality and a global subject of debate.
Among the essays here are an examination of Victorian reconstructions of the life of Jesus and of the Buddha, and how these discourses were moulded and motivated by orientalism, colonialism, race and issues of British national identity; the complexities of the use of the Bible in Sri Lanka, war-torn and beset with communal strife, when the Bible itself is rife with vengeance and punishment; the political and hermeneutical ramifications of the Asian tsunami, and the use of natural disasters for decolonization and recolonization; imperial intentions and a postcolonial sub-text evident in the Johannine letters; the fortunes of the English Bible as its promoters struggle to uphold its credibility in a market-driven culture; suicide-bombing and asylum-seeking. All of these are issues of global significance and concern, but they are hardly ever addressed by biblical scholars.
The essays contain both theoretical discussion and practical questions as to the usefulness of the Bible at a time when its contested role has been complicated by its tainted association with oppressive causes.
Troublesome Texts: The Bible in Colonial and Contemporary Culture
£35.00
The nine substantial essays in this volume deal with three wide-ranging though interconnected issues: the perceived status and standing of the Bible today; aspects of the current state of biblical studies, especially the uneasy tension between the increasingly esoteric agenda of mainstream scholarship and the hermeneutical concerns of those occupied with marginal readings; the significance of postcolonial scholarship and pointers for its future at a time when empire has once again become a reality and a global subject of debate.
Among the essays here are an examination of Victorian reconstructions of the life of Jesus and of the Buddha, and how these discourses were moulded and motivated by orientalism, colonialism, race and issues of British national identity; the complexities of the use of the Bible in Sri Lanka, war-torn and beset with communal strife, when the Bible itself is rife with vengeance and punishment; the political and hermeneutical ramifications of the Asian tsunami, and the use of natural disasters for decolonization and recolonization; imperial intentions and a postcolonial sub-text evident in the Johannine letters; the fortunes of the English Bible as its promoters struggle to uphold its credibility in a market-driven culture; suicide-bombing and asylum-seeking. All of these are issues of global significance and concern, but they are hardly ever addressed by biblical scholars.
The essays contain both theoretical discussion and practical questions as to the usefulness of the Bible at a time when its contested role has been complicated by its tainted association with oppressive causes.
Incarnate Word, Inscribed Flesh: John’s Prologue and the Postmodern
Published: Aug 2007
£50.00
The pre-existent, transcendent Logos, the principal character in the prologue of John's Gospel, is a prime example of a unified and centred concept, such as denounced as illusory by deconstruction. In this ground-breaking study, Nutu offers an unremittingly postmodern scrutiny of the Logos as the incarnate word that becomes visible as it is inscribed in human flesh. Within view also is the reverse process, of becoming 'children of God', which signifies human beings willingly accepting God's word, his tattoo, upon their flesh in order to pertain to the realm of the Logos.
A second strand of this book is Nutu's tracing the fragmented afterlives of John's Prologue and their different effects on the formation of subjects (with a particular focus on homo religiosus and feminine 'I's) through postmodern film. At the dawn of a new millennium, films continue to play an important role in the cultural development of society; even moving away from the self-confessed biblical films, new productions like The Pillow Book, The Fifth Element and The Matrix (all engaged here) mediate elements of biblical narrative, theology, allegory, ethics and identity.
As the Bible continues its influence on society and the formation of subject positions, biblical texts are re-interpreted, recycled within many discourses. This is a study that skilfully interweaves a number of contemporary theoretical currents such as deconstruction, psychoanalytical criticism, gender and cultural studies and initiates a new approach to interpretation, namely postcommunist, influenced by the writer's own experience of growing up in Romania.
Incarnate Word, Inscribed Flesh: John’s Prologue and the Postmodern
£50.00
The pre-existent, transcendent Logos, the principal character in the prologue of John's Gospel, is a prime example of a unified and centred concept, such as denounced as illusory by deconstruction. In this ground-breaking study, Nutu offers an unremittingly postmodern scrutiny of the Logos as the incarnate word that becomes visible as it is inscribed in human flesh. Within view also is the reverse process, of becoming 'children of God', which signifies human beings willingly accepting God's word, his tattoo, upon their flesh in order to pertain to the realm of the Logos.
A second strand of this book is Nutu's tracing the fragmented afterlives of John's Prologue and their different effects on the formation of subjects (with a particular focus on homo religiosus and feminine 'I's) through postmodern film. At the dawn of a new millennium, films continue to play an important role in the cultural development of society; even moving away from the self-confessed biblical films, new productions like The Pillow Book, The Fifth Element and The Matrix (all engaged here) mediate elements of biblical narrative, theology, allegory, ethics and identity.
As the Bible continues its influence on society and the formation of subject positions, biblical texts are re-interpreted, recycled within many discourses. This is a study that skilfully interweaves a number of contemporary theoretical currents such as deconstruction, psychoanalytical criticism, gender and cultural studies and initiates a new approach to interpretation, namely postcommunist, influenced by the writer's own experience of growing up in Romania.
The Performed Bible: The Story of Ruth in Opera and Oratorio
Published: Apr 2007
£40.00
The Bible and Western culture is a burgeoning area of interest in recent scholarship, but comparatively little has been written on the Bible and music. Leneman's is a groundbreaking work, making some pioneering forays across an important interdisciplinary divide.
The Performed Bible is an in-depth study of the librettos and music of 12 operas and oratorios on the story of Ruth from the last two centuries, establishing the potential of music, as a kind of midrash, for transforming a Bible text, its narrative and its characterization. The book includes detailed analyses of musical segments, the author being a cantor and professional musician in whose Jewish tradition biblical texts are chanted, not read.
This fresh and insightful work will no doubt prove attractive to biblical scholars, to musicians and to music lovers generally.
The Performed Bible: The Story of Ruth in Opera and Oratorio
£40.00
The Bible and Western culture is a burgeoning area of interest in recent scholarship, but comparatively little has been written on the Bible and music. Leneman's is a groundbreaking work, making some pioneering forays across an important interdisciplinary divide.
The Performed Bible is an in-depth study of the librettos and music of 12 operas and oratorios on the story of Ruth from the last two centuries, establishing the potential of music, as a kind of midrash, for transforming a Bible text, its narrative and its characterization. The book includes detailed analyses of musical segments, the author being a cantor and professional musician in whose Jewish tradition biblical texts are chanted, not read.
This fresh and insightful work will no doubt prove attractive to biblical scholars, to musicians and to music lovers generally.