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Borges and the Bible

Published: May 2015
Original price was: £50.00.Current price is: £19.50.
Jorge Luis Borges is the darling of authors and critics who were once described as postmodern. Borges's fictions assail the boundaries between text, world and self. In one sense, the fictions are mere rhetorical games, puzzles, or 'tricks', which disrupt communication (and interpretation), but they also suggest —at least to some —metaphysical uncertainties. To read them is as if one read the fictions of Hume or the Buddha. Most of the literary and biblical scholars in this volume pair the Bible and its scholarship with one or more of Borges's short fictions (particularly those first collected in English in Ficciones ), but some venture into Borges's essays, poetry, and his life story (as he and others have told it). As to Bibles, some essayists focus on particular texts from the Hebrew Bible (like Genesis, Samuel, Kings or Job) or the Christian New Testament (like Mark, 2 Corinthians, or Revelation), while others engage traditions of interpretation like Gnosticism, the Kabbalah or academic biblical scholarship. Several focus on canon, translation, the craft of fiction, religion or hermeneutics as a way of thinking about Borges and the Bible. With Borges, interpretation is ubiquitous. Whether consciously fictionalizing or not, all (biblical) interpretation transforms its precursor. All (biblical) interpretation becomes a play with secrecy and revelation. Borgesian Bibles and scholarship are labyrinths, gardens of forking paths, unsettling and distorting mirrors. With Borges, biblical scholars come face to face with their finitude, obsession, fascination, ambivalence, and inevitable heresy vis-à-vis ta biblia.
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Borges and the Bible

Original price was: £50.00.Current price is: £19.50.
Jorge Luis Borges is the darling of authors and critics who were once described as postmodern. Borges's fictions assail the boundaries between text, world and self. In one sense, the fictions are mere rhetorical games, puzzles, or 'tricks', which disrupt communication (and interpretation), but they also suggest —at least to some —metaphysical uncertainties. To read them is as if one read the fictions of Hume or the Buddha. Most of the literary and biblical scholars in this volume pair the Bible and its scholarship with one or more of Borges's short fictions (particularly those first collected in English in Ficciones ), but some venture into Borges's essays, poetry, and his life story (as he and others have told it). As to Bibles, some essayists focus on particular texts from the Hebrew Bible (like Genesis, Samuel, Kings or Job) or the Christian New Testament (like Mark, 2 Corinthians, or Revelation), while others engage traditions of interpretation like Gnosticism, the Kabbalah or academic biblical scholarship. Several focus on canon, translation, the craft of fiction, religion or hermeneutics as a way of thinking about Borges and the Bible. With Borges, interpretation is ubiquitous. Whether consciously fictionalizing or not, all (biblical) interpretation transforms its precursor. All (biblical) interpretation becomes a play with secrecy and revelation. Borgesian Bibles and scholarship are labyrinths, gardens of forking paths, unsettling and distorting mirrors. With Borges, biblical scholars come face to face with their finitude, obsession, fascination, ambivalence, and inevitable heresy vis-à-vis ta biblia.
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Trauma Begets Genealogy: Gender and Memory in Chronicles

Published: Apr 2015
Original price was: £60.00.Current price is: £20.00.
Establishing a connection to the past while at the same time releasing us into the present is crucial to recalling a traumatic past. Tapping into the Book of Chronicles' genealogies as a memory space, Trauma Begets Genealogy facilitates the transformation of the act of looking back into a key for the present. Using a gender studies perspective, it combines a nuanced analysis of the gendered references in 1 Chronicles 1 —9 with an interdisciplinary approach that conceptualizes genealogies as memory performances and investigates them in diverse media. The genealogies of Chronicles are here read by Ingeborg Löwisch alongside the post-Holocaust documentary My Life Part 2, in which Berlin film-maker Angelika Levi performs her 'gynealogy' at the intersection of her family archive and of discourses that belong to public memory. While Löwisch's close reading of the gendered fragments in Chronicles attest to fissures in the patrilinear succession, the parallel perception of the film deepens our understanding of gendered genealogies in response to trauma by contributing a full female lineage. The resulting reassessment of an obscure set of biblical texts leads into the heart of the genealogical tissue and its fascinating ability to respond to a fractured past. This is the eighth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and of Hebrew Bible Monographs.
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Trauma Begets Genealogy: Gender and Memory in Chronicles

Original price was: £60.00.Current price is: £20.00.
Establishing a connection to the past while at the same time releasing us into the present is crucial to recalling a traumatic past. Tapping into the Book of Chronicles' genealogies as a memory space, Trauma Begets Genealogy facilitates the transformation of the act of looking back into a key for the present. Using a gender studies perspective, it combines a nuanced analysis of the gendered references in 1 Chronicles 1 —9 with an interdisciplinary approach that conceptualizes genealogies as memory performances and investigates them in diverse media. The genealogies of Chronicles are here read by Ingeborg Löwisch alongside the post-Holocaust documentary My Life Part 2, in which Berlin film-maker Angelika Levi performs her 'gynealogy' at the intersection of her family archive and of discourses that belong to public memory. While Löwisch's close reading of the gendered fragments in Chronicles attest to fissures in the patrilinear succession, the parallel perception of the film deepens our understanding of gendered genealogies in response to trauma by contributing a full female lineage. The resulting reassessment of an obscure set of biblical texts leads into the heart of the genealogical tissue and its fascinating ability to respond to a fractured past. This is the eighth volume of the Amsterdam Studies in the Bible and Religion (ed. Athalya Brenner), a sub-series of the Bible in the Modern World and of Hebrew Bible Monographs.
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The Bad Jesus: The Ethics of New Testament Ethics

Published: Apr 2015
£17.50£28.00
Did Jesus ever do anything wrong? Judging by the vast majority of books on New Testament ethics, the answer is a resounding No. Writers on New Testament ethics generally view Jesus as the paradigm of human standards and behaviour. But since the historical Jesus was a human being, must he not have had flaws, like everyone else? The notion of a flawless human Jesus is a paradoxical oddity in New Testament ethics. According to Avalos, it shows that New Testament ethics is still primarily an apologetic enterprise despite its claim to rest on critical and historical scholarship. The Bad Jesus is a powerful and challenging study, presenting detailed case studies of fundamental ethical principles enunciated or practised by Jesus but antithetical to what would be widely deemed 'acceptable' or 'good' today. Such topics include Jesus' supposedly innovative teachings on love, along with his views on hate, violence, imperialism, animal rights, environmental ethics, Judaism, women, disabled persons and biblical hermeneutics. After closely examining arguments offered by those unwilling to find any fault with the Jesus depicted in the Gospels, Avalos concludes that current treatments of New Testament ethics are permeated by a religiocentric, ethnocentric and imperialistic orientation. But if it is to be a credible historical and critical discipline in modern academia, New Testament ethics needs to discover both a Good and a Bad Jesus.
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The Bad Jesus: The Ethics of New Testament Ethics

£17.50£28.00
Did Jesus ever do anything wrong? Judging by the vast majority of books on New Testament ethics, the answer is a resounding No. Writers on New Testament ethics generally view Jesus as the paradigm of human standards and behaviour. But since the historical Jesus was a human being, must he not have had flaws, like everyone else? The notion of a flawless human Jesus is a paradoxical oddity in New Testament ethics. According to Avalos, it shows that New Testament ethics is still primarily an apologetic enterprise despite its claim to rest on critical and historical scholarship. The Bad Jesus is a powerful and challenging study, presenting detailed case studies of fundamental ethical principles enunciated or practised by Jesus but antithetical to what would be widely deemed 'acceptable' or 'good' today. Such topics include Jesus' supposedly innovative teachings on love, along with his views on hate, violence, imperialism, animal rights, environmental ethics, Judaism, women, disabled persons and biblical hermeneutics. After closely examining arguments offered by those unwilling to find any fault with the Jesus depicted in the Gospels, Avalos concludes that current treatments of New Testament ethics are permeated by a religiocentric, ethnocentric and imperialistic orientation. But if it is to be a credible historical and critical discipline in modern academia, New Testament ethics needs to discover both a Good and a Bad Jesus.
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Jouissance: A Cixousian Encounter with the Song of Songs

Published: Jan 2015
Original price was: £50.00.Current price is: £18.50.
This is a remarkable book that sets out to deconstruct academic writing on the Song of Songs. It emerges at that place where biblical scholarship on the Song of Songs is subverted by French literary theory, where biblical literature escapes biblical hermeneutics, and where the ancient poetry of the Song of Songs comes face to face with the modern poetry of Hélène Cixous. The question asked is whether a poetic text like the Song of Songs can be systematized, interpreted and worked out. For as much as Jouissance is a work on the Song of Songs, it is also a work about reading poetically, challenging the notion that the Song of Songs can be read at all. In response the reader-author presents an-'other' kind of reading. She inhabits the text of the Song of Songs, bringing herself to it; allowing herself to be taken in its jaws, one time, and once only, and then giving it away and refusing possession. If this could be called reading, it would be live-reading: a reading of the Song of Songs that is birthed and dreamed, that joins breath with breath. This is a reading that is allowed to live. The reader is invited via the midwifery of Hélène Cixous's poetic texts to encounter the enigmatic poetry of the Song of Songs, its creative and transformative polysemy, engendering a 'third body', third text, that is reflective and multivalent, inscripted with elements that are continuous and discontinuous, as well as dynamic, mythic and subversive. Read in the spirit of Cixousian literary theory, Jouissance is a visceral-corporeal experience of the transgressive and creative act of the Song of Songs that merges the limits of language with the bliss and suffering of the beyond.
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Jouissance: A Cixousian Encounter with the Song of Songs

Original price was: £50.00.Current price is: £18.50.
This is a remarkable book that sets out to deconstruct academic writing on the Song of Songs. It emerges at that place where biblical scholarship on the Song of Songs is subverted by French literary theory, where biblical literature escapes biblical hermeneutics, and where the ancient poetry of the Song of Songs comes face to face with the modern poetry of Hélène Cixous. The question asked is whether a poetic text like the Song of Songs can be systematized, interpreted and worked out. For as much as Jouissance is a work on the Song of Songs, it is also a work about reading poetically, challenging the notion that the Song of Songs can be read at all. In response the reader-author presents an-'other' kind of reading. She inhabits the text of the Song of Songs, bringing herself to it; allowing herself to be taken in its jaws, one time, and once only, and then giving it away and refusing possession. If this could be called reading, it would be live-reading: a reading of the Song of Songs that is birthed and dreamed, that joins breath with breath. This is a reading that is allowed to live. The reader is invited via the midwifery of Hélène Cixous's poetic texts to encounter the enigmatic poetry of the Song of Songs, its creative and transformative polysemy, engendering a 'third body', third text, that is reflective and multivalent, inscripted with elements that are continuous and discontinuous, as well as dynamic, mythic and subversive. Read in the spirit of Cixousian literary theory, Jouissance is a visceral-corporeal experience of the transgressive and creative act of the Song of Songs that merges the limits of language with the bliss and suffering of the beyond.
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Envisioning the Book of Judith: How Art Illuminates Minor Characters

Published: Nov 2014
Original price was: £50.00.Current price is: £18.50.
The Book of Judith, the Apocryphal narrative of the Jewish widow who becomes a guerilla solider and headhunting hero, has fascinated and inspired readers over centuries. Weaving together literary and visual approaches, Sheaffer argues that this is a story of unconventionality and unexpected heroism demonstrated not only by Judith, but also by the minor characters in the text: an Israelite enemy displays the most faith in Israel's God when Israel's own leaders show the least; a nameless, voiceless slave woman prepares the way for her mistress's success in rescuing Israel from Assyrian domination. Sheaffer's interdisciplinary study is the first to combine literary and visual criticism to illuminate the role and function of minor characters in the Book of Judith. Utilizing Renaissance and Baroque images as a starting point, she is able to show how minor characters function in a variety of roles in the text. They are forerunners, sustainers, inciters, and avatars of the major characters. The conclusion drawn from this study is that minor characters are indispensable in aiding Judith's mission. In the biblical text, God uses Judith —considered the weakest in society because of her status as a widow —as an instrument of God's power over the enemy. Sheaffer shows that minor characters belong in the spotlight alongside the protagonist in the category of unlikely hero/helpers, emphasizing a fundamental theme in the narrative in which the underdog is championed. This approach paints fresh and enriched textual interpretation onto the canvases of Judith and the field of biblical studies alike. Envisioning the Book of Judith contains 29 illustrations in colour.
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Envisioning the Book of Judith: How Art Illuminates Minor Characters

Original price was: £50.00.Current price is: £18.50.
The Book of Judith, the Apocryphal narrative of the Jewish widow who becomes a guerilla solider and headhunting hero, has fascinated and inspired readers over centuries. Weaving together literary and visual approaches, Sheaffer argues that this is a story of unconventionality and unexpected heroism demonstrated not only by Judith, but also by the minor characters in the text: an Israelite enemy displays the most faith in Israel's God when Israel's own leaders show the least; a nameless, voiceless slave woman prepares the way for her mistress's success in rescuing Israel from Assyrian domination. Sheaffer's interdisciplinary study is the first to combine literary and visual criticism to illuminate the role and function of minor characters in the Book of Judith. Utilizing Renaissance and Baroque images as a starting point, she is able to show how minor characters function in a variety of roles in the text. They are forerunners, sustainers, inciters, and avatars of the major characters. The conclusion drawn from this study is that minor characters are indispensable in aiding Judith's mission. In the biblical text, God uses Judith —considered the weakest in society because of her status as a widow —as an instrument of God's power over the enemy. Sheaffer shows that minor characters belong in the spotlight alongside the protagonist in the category of unlikely hero/helpers, emphasizing a fundamental theme in the narrative in which the underdog is championed. This approach paints fresh and enriched textual interpretation onto the canvases of Judith and the field of biblical studies alike. Envisioning the Book of Judith contains 29 illustrations in colour.
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When Men Were Not Men: Masculinity and Otherness in the Pastoral Epistles

Published: Nov 2014
Original price was: £50.00.Current price is: £19.50.
We are almost never encouraged in contemporary exegesis of the Pastoral Epistles to take the side of those 'dubious' and 'deviant' characters against whom our biblical author sets himself. When Men Were Not Men: Masculinity and Otherness in the Pastoral Epistles dares to give voice to those 'others' as a way to challenge the Pastor's (and his allies) 'performance' of masculinity. By deliberately highlighting texts where issues of masculinity, gender, power, race, money, (ab)use of religion and otherness are present in the Pastoral Epistles, Villalobos meticulously gazes upon bodies that have been marked as other by the sexist, racist, and homophobic abuse of these texts. Why does the author of the PE constantly situate the 'others' in the place where Satan reigns? Why does he constantly repeat that those 'others' have deviated so greatly from the Pastor's right teaching? Why is he so obsessed with presenting himself as the legitimate promoter of right teaching? Why is the Pastor so eager to maintain the hierarchical household that privileges male over female, free bodies over slaves, manly men over effeminate bodies? These are some of the questions Villalobos addresses in When Men Were Not Men. He shows that all these questions have to do with issues of masculinity and the proper performance of being a 'real man'. He concludes that in fact no one even among the inner circle of the author's friends was a model of pure masculinity, and that they themselves not infrequently demonstrate the kinds of behaviour he himself inveighs against.
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When Men Were Not Men: Masculinity and Otherness in the Pastoral Epistles

Original price was: £50.00.Current price is: £19.50.
We are almost never encouraged in contemporary exegesis of the Pastoral Epistles to take the side of those 'dubious' and 'deviant' characters against whom our biblical author sets himself. When Men Were Not Men: Masculinity and Otherness in the Pastoral Epistles dares to give voice to those 'others' as a way to challenge the Pastor's (and his allies) 'performance' of masculinity. By deliberately highlighting texts where issues of masculinity, gender, power, race, money, (ab)use of religion and otherness are present in the Pastoral Epistles, Villalobos meticulously gazes upon bodies that have been marked as other by the sexist, racist, and homophobic abuse of these texts. Why does the author of the PE constantly situate the 'others' in the place where Satan reigns? Why does he constantly repeat that those 'others' have deviated so greatly from the Pastor's right teaching? Why is he so obsessed with presenting himself as the legitimate promoter of right teaching? Why is the Pastor so eager to maintain the hierarchical household that privileges male over female, free bodies over slaves, manly men over effeminate bodies? These are some of the questions Villalobos addresses in When Men Were Not Men. He shows that all these questions have to do with issues of masculinity and the proper performance of being a 'real man'. He concludes that in fact no one even among the inner circle of the author's friends was a model of pure masculinity, and that they themselves not infrequently demonstrate the kinds of behaviour he himself inveighs against.
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Tales of Posthumanity: The Bible and Contemporary Popular Culture

Published: Oct 2014
Original price was: £50.00.Current price is: £19.50.
Images and concepts of the ‘posthuman’ go back at least as far as the famous ‘madman parable’ in F. Nietzsche’s The Gay Science, and their ‘roots’ go back much further still. In turn, the image or theme of the posthuman has played an increasingly important role in recent literature, film, and television, where the notion of humanity as a ‘larval being’ (G. Deleuze) that transforms itself or is being transformed into something else, for better or worse, has become increasingly common. This book explores these concepts in relation to biblical texts, particularly texts from the gospel of Mark but also from the books of Daniel, Jonah and Qoheleth (Ecclesiastes), and the Acts of the Apostles. At the same time, texts from recent popular culture are examined, including novels by J. Morrow, C. Miéville and G. Ryman, the movies Local Hero and Lars and the Real Girl, and the Heroes TV series among others. Through a kind of inverted causality, recent texts in various media such as these transform earlier and otherwise unrelated ones, including biblical texts, into precursors, giving them new, postmodern meanings, just as the older texts once signified in still other ways before the advent of the familiar modern world. As a result, biblical texts signify in remarkably different ways in relation to the posthuman. Posthuman beings appear in both biblical and non-biblical texts, and the biblical phrase ‘sons of men’ (in both plural and singular versions) plays a crucial role, where it too takes on meanings that range far beyond the conventional or traditional ones.
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Tales of Posthumanity: The Bible and Contemporary Popular Culture

Original price was: £50.00.Current price is: £19.50.
Images and concepts of the ‘posthuman’ go back at least as far as the famous ‘madman parable’ in F. Nietzsche’s The Gay Science, and their ‘roots’ go back much further still. In turn, the image or theme of the posthuman has played an increasingly important role in recent literature, film, and television, where the notion of humanity as a ‘larval being’ (G. Deleuze) that transforms itself or is being transformed into something else, for better or worse, has become increasingly common. This book explores these concepts in relation to biblical texts, particularly texts from the gospel of Mark but also from the books of Daniel, Jonah and Qoheleth (Ecclesiastes), and the Acts of the Apostles. At the same time, texts from recent popular culture are examined, including novels by J. Morrow, C. Miéville and G. Ryman, the movies Local Hero and Lars and the Real Girl, and the Heroes TV series among others. Through a kind of inverted causality, recent texts in various media such as these transform earlier and otherwise unrelated ones, including biblical texts, into precursors, giving them new, postmodern meanings, just as the older texts once signified in still other ways before the advent of the familiar modern world. As a result, biblical texts signify in remarkably different ways in relation to the posthuman. Posthuman beings appear in both biblical and non-biblical texts, and the biblical phrase ‘sons of men’ (in both plural and singular versions) plays a crucial role, where it too takes on meanings that range far beyond the conventional or traditional ones.
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Moses: The Man and the Myth in Music

Published: July 2014
Original price was: £50.00.Current price is: £18.50.
With this book, Leneman completes a trilogy on musical interpretations of biblical narratives. Her previous books were Love, Lust, and Lunacy: The Stories of Saul and David in Music (2010) and The Performed Bible: The Story of Ruth in Opera and Oratorio (2007). Moses has often been thought of more as a myth than as a man. Later retellings of his story —particularly in operas and oratorios —demythologize him, portraying him and all the characters surrounding him on a more human scale. Moses the statue comes down from his pedestal and becomes a living man. For example, in the Bible the primary relationship of Moses is with God; secondarily it is with the people of Israel, rather than with individuals. In opera and the many oratorio settings the figure of Moses is enhanced by his representation as a man with many emotional ties —to Zipporah, Miriam or Aaron, or to all three. Re-reading and re-telling biblical narratives through musical settings gives voice to often silent biblical characters, offering the reader and listener unexpected ways to hear and understand their story. In Moses: The Man and the Myth in Music, highlighting how Moses was richly imagined in oratorios and operas, Leneman discusses 16 operas and oratorios from the eighteenth to the twentieth century —including works by Handel, Rossini, Saint-Saëns, Massenet, Schoenberg and more obscure composers whose music has seldom or never been explored. Through music, the listener can hear and also feel the suffering of the Israelites; the passion of Moses as leader, liberator, and even lover; the intensity of Miriam's vision and commitment; and the whole range of emotion experienced by every character that inhabits this story. The music and librettos not only fill in the spaces between the lines, but go beyond the margins of the biblical text to conjure up a multi-dimensional world.
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Moses: The Man and the Myth in Music

Original price was: £50.00.Current price is: £18.50.
With this book, Leneman completes a trilogy on musical interpretations of biblical narratives. Her previous books were Love, Lust, and Lunacy: The Stories of Saul and David in Music (2010) and The Performed Bible: The Story of Ruth in Opera and Oratorio (2007). Moses has often been thought of more as a myth than as a man. Later retellings of his story —particularly in operas and oratorios —demythologize him, portraying him and all the characters surrounding him on a more human scale. Moses the statue comes down from his pedestal and becomes a living man. For example, in the Bible the primary relationship of Moses is with God; secondarily it is with the people of Israel, rather than with individuals. In opera and the many oratorio settings the figure of Moses is enhanced by his representation as a man with many emotional ties —to Zipporah, Miriam or Aaron, or to all three. Re-reading and re-telling biblical narratives through musical settings gives voice to often silent biblical characters, offering the reader and listener unexpected ways to hear and understand their story. In Moses: The Man and the Myth in Music, highlighting how Moses was richly imagined in oratorios and operas, Leneman discusses 16 operas and oratorios from the eighteenth to the twentieth century —including works by Handel, Rossini, Saint-Saëns, Massenet, Schoenberg and more obscure composers whose music has seldom or never been explored. Through music, the listener can hear and also feel the suffering of the Israelites; the passion of Moses as leader, liberator, and even lover; the intensity of Miriam's vision and commitment; and the whole range of emotion experienced by every character that inhabits this story. The music and librettos not only fill in the spaces between the lines, but go beyond the margins of the biblical text to conjure up a multi-dimensional world.
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Methods, Theories, Imagination: Social Scientific Approaches in Biblical Studies

Published: July 2014
Original price was: £60.00.Current price is: £22.50.
Social-scientific ways of knowing, thinking and being are inescapable; in the contemporary world a social-scientific perspective seems less an option than an unavoidable constituent of the public and private imagination. The social sciences play a central role in the self-understandings of contemporary societies and in the lives of their citizens. Biblical studies has been dramatically impacted by these intellectual developments. This book brings together new essays that reflect on the current state of social-scientific and cultural studies approaches in biblical studies, critically review the theoretical and methodological issues and explore the value of these approaches through a number of fresh substantive applications. Methods, Theories, Imagination is divided into five sections: 1. Methods, Perspectives and Theory (James G. Crossley, István Czachesz, Linda A. Dietch, Amy Erickson), 2. Studies in the Sociology of Deviance (Outi Lehtipuu, Mark Finney), 3. Social Psychology and Trauma Theory (Rebecca S. Watson, Jeremiah W. Cataldo), 4. Cultural Studies, the Social Sciences and the Hebrew Bible (Frauke Uhlenbruch, Johanna Stiebert)., 5. Anthropology and Archaeology (Ryan N. Roberts, Emanuel Pfoh). This is the first volume in the series The Bible and Social Science.
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Methods, Theories, Imagination: Social Scientific Approaches in Biblical Studies

Original price was: £60.00.Current price is: £22.50.
Social-scientific ways of knowing, thinking and being are inescapable; in the contemporary world a social-scientific perspective seems less an option than an unavoidable constituent of the public and private imagination. The social sciences play a central role in the self-understandings of contemporary societies and in the lives of their citizens. Biblical studies has been dramatically impacted by these intellectual developments. This book brings together new essays that reflect on the current state of social-scientific and cultural studies approaches in biblical studies, critically review the theoretical and methodological issues and explore the value of these approaches through a number of fresh substantive applications. Methods, Theories, Imagination is divided into five sections: 1. Methods, Perspectives and Theory (James G. Crossley, István Czachesz, Linda A. Dietch, Amy Erickson), 2. Studies in the Sociology of Deviance (Outi Lehtipuu, Mark Finney), 3. Social Psychology and Trauma Theory (Rebecca S. Watson, Jeremiah W. Cataldo), 4. Cultural Studies, the Social Sciences and the Hebrew Bible (Frauke Uhlenbruch, Johanna Stiebert)., 5. Anthropology and Archaeology (Ryan N. Roberts, Emanuel Pfoh). This is the first volume in the series The Bible and Social Science.
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The Bible, Justice and Public Theology

Published: May 2014
Original price was: £60.00.Current price is: £20.00.
Public theology is a developing field of discourse concerned to address matters of pressing public concern in theological perspective for the common good. Themes of ecology, poverty, human rights and especially justice feature prominently in its discourse. Although justice is also a prominent theme in the Bible, there is no single perspective on what constitutes justice in the Bible and no single view on how biblical perspectives on justice should contribute to contemporary discussion regarding the meaning and implementation of justice. Informed and inspired by Christopher Marshall's landmark work on Compassionate Justice (Cascade Books, 2012) in dialogue with Jesus' parables of the Good Samaritan and the Prodigal Son, this collection of studies addresses various interrelations between the Bible, justice and public theology. Marshall himself proposes that certain parables of Jesus are paradigmatic for public theology, and some contributors respond to different dimensions of his treatment of the parables of the Good Samaritan and the Prodigal Son in terms of restorative justice. Other contributors, by contrast, examine broader related concerns such as justice in biblical, theological and philosophical perspective, the hermeneutics of engagement for justice, the relation between feminist theology and restorative justice, biblical resources for public theology, and popular culture as both a conversation partner with and a medium for public theology.
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The Bible, Justice and Public Theology

Original price was: £60.00.Current price is: £20.00.
Public theology is a developing field of discourse concerned to address matters of pressing public concern in theological perspective for the common good. Themes of ecology, poverty, human rights and especially justice feature prominently in its discourse. Although justice is also a prominent theme in the Bible, there is no single perspective on what constitutes justice in the Bible and no single view on how biblical perspectives on justice should contribute to contemporary discussion regarding the meaning and implementation of justice. Informed and inspired by Christopher Marshall's landmark work on Compassionate Justice (Cascade Books, 2012) in dialogue with Jesus' parables of the Good Samaritan and the Prodigal Son, this collection of studies addresses various interrelations between the Bible, justice and public theology. Marshall himself proposes that certain parables of Jesus are paradigmatic for public theology, and some contributors respond to different dimensions of his treatment of the parables of the Good Samaritan and the Prodigal Son in terms of restorative justice. Other contributors, by contrast, examine broader related concerns such as justice in biblical, theological and philosophical perspective, the hermeneutics of engagement for justice, the relation between feminist theology and restorative justice, biblical resources for public theology, and popular culture as both a conversation partner with and a medium for public theology.
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Troubling Women and Land: Reading Biblical Texts in Aotearoa New Zealand

Published: Apr 2014
Original price was: £60.00.Current price is: £20.00.
What do women have to do with land? Biblical women such as Rahab, Achsah, and the daughters of Zelophehad have a great deal to do with Israel's land concerns, and their roles are indeed found troubling. And there are also questions to be asked of Miriam's role in the move from Egypt towards the 'promised' land; of Deborah, involved in a battle with a Canaanite commander; and of Huldah, whose troubling role in Josiah's reform is exposed in a queer-critical reading. Reading such land-focused narratives from the context of Aotearoa New Zealand brings to the surface disturbing connections with that country's own quite particular experience of colonialism. Such findings call for feminist postcolonial scrutiny. Here, in response, the critical scope is widened by reading these texts contrapuntally with others concerning New Zealand's colonial and postcolonial experiences, both past and present. Troubling Women and Land has a personal edge, with the author's voice frequently intruding, without apology, sometimes even holding imaginary conversations with characters and scholars, complementing the use of more traditional critical approaches. What underlies the book is a conviction that reading biblical texts matters in the politics of today's world.
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Troubling Women and Land: Reading Biblical Texts in Aotearoa New Zealand

Original price was: £60.00.Current price is: £20.00.
What do women have to do with land? Biblical women such as Rahab, Achsah, and the daughters of Zelophehad have a great deal to do with Israel's land concerns, and their roles are indeed found troubling. And there are also questions to be asked of Miriam's role in the move from Egypt towards the 'promised' land; of Deborah, involved in a battle with a Canaanite commander; and of Huldah, whose troubling role in Josiah's reform is exposed in a queer-critical reading. Reading such land-focused narratives from the context of Aotearoa New Zealand brings to the surface disturbing connections with that country's own quite particular experience of colonialism. Such findings call for feminist postcolonial scrutiny. Here, in response, the critical scope is widened by reading these texts contrapuntally with others concerning New Zealand's colonial and postcolonial experiences, both past and present. Troubling Women and Land has a personal edge, with the author's voice frequently intruding, without apology, sometimes even holding imaginary conversations with characters and scholars, complementing the use of more traditional critical approaches. What underlies the book is a conviction that reading biblical texts matters in the politics of today's world.
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Reforging the Bible: More Biblical Stories and Their Literary Reception

Published: Jan 2014
Original price was: £55.00.Current price is: £21.50.
Reforging the Bible continues the programme Anthony Swindell began in his earlier book, Reworking the Bible: The Literary Reception-History of Fourteen Biblical Stories (Sheffield Phoenix Press, 2010). It is a study of the reception in literature of over a dozen biblical stories, giving particular attention to rewritings that make radical changes to the original text. The reworkings are analysed using a morphology based on that of Gérard Genette in his study, Palimpsests. A new emphasis in this volume is on spatiality as a topic in rewritten biblical narratives. The stories explored in this volume include those of Adam and Eve, Melchizedek, Lot and his Family, Joseph, Ruth, King Saul, David and Bathsheba, Tobit, the Virgin Mary, the Wedding at Cana, the Good Samaritan, Doubting Thomas, and the Second Coming. The literary reworkings discussed include the Old English Genesis A and Genesis B, the medieval Cyprian Feasts, the sixteenth-century broadside ballad David and Berseba, and works by Geoffrey Chaucer, William Shakespeare, Charles Dickens, Izak Dinesen, Carol Ann Duffy, André Gide, Rudyard Kipling, D.H. Lawrence, Penelope Lively, Thomas Mann, Dorothy Sayers, Mark Twain, Fernando Vallejo, Sally Vickers and Voltaire. Also included is a chapter on folkloric versions of biblical stories as intermediaries in its literary reception. As well as providing the general reader with fascinating insights into the literary reception of the Bible, this work offers scholars an overview of a range of extraordinary reworkings which offer promising avenues for future research.
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Reforging the Bible: More Biblical Stories and Their Literary Reception

Original price was: £55.00.Current price is: £21.50.
Reforging the Bible continues the programme Anthony Swindell began in his earlier book, Reworking the Bible: The Literary Reception-History of Fourteen Biblical Stories (Sheffield Phoenix Press, 2010). It is a study of the reception in literature of over a dozen biblical stories, giving particular attention to rewritings that make radical changes to the original text. The reworkings are analysed using a morphology based on that of Gérard Genette in his study, Palimpsests. A new emphasis in this volume is on spatiality as a topic in rewritten biblical narratives. The stories explored in this volume include those of Adam and Eve, Melchizedek, Lot and his Family, Joseph, Ruth, King Saul, David and Bathsheba, Tobit, the Virgin Mary, the Wedding at Cana, the Good Samaritan, Doubting Thomas, and the Second Coming. The literary reworkings discussed include the Old English Genesis A and Genesis B, the medieval Cyprian Feasts, the sixteenth-century broadside ballad David and Berseba, and works by Geoffrey Chaucer, William Shakespeare, Charles Dickens, Izak Dinesen, Carol Ann Duffy, André Gide, Rudyard Kipling, D.H. Lawrence, Penelope Lively, Thomas Mann, Dorothy Sayers, Mark Twain, Fernando Vallejo, Sally Vickers and Voltaire. Also included is a chapter on folkloric versions of biblical stories as intermediaries in its literary reception. As well as providing the general reader with fascinating insights into the literary reception of the Bible, this work offers scholars an overview of a range of extraordinary reworkings which offer promising avenues for future research.
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Encountering Violence in the Bible

Published: Oct 2013
Original price was: £60.00.Current price is: £18.50.
Our world is full of violence, with repeated acts of terrorism and generally rising rates of violent criminal acts as the most obvious forms of the phenomenon in the Western world. It even reached the peaceful shores of Norway in the summer of 2011. This was one of the reasons why the first international meeting of the Norwegian Summer Academy for Biblical Studies was devoted to the topic 'Violence as an Ethical Challenge in the Bible'. Eighteen biblical scholars from nine different countries (Joshua Berman, Lennart Bostršm, Friedmann Eissler, Torleif Elgvin, LarsOlov Eriksson, Karin Finsterbusch, Georg Fischer, Terence E. Fretheim, Hallvard Hagelia, Dana M. Harris, Robert L. Hubbard, Jr, ÌÉrstein Justnes, Gordon McConville, Kirsten Nielsen, Tommy Wasserman, Karl William Weyde, Peter Wick and Markus Zehnder) met on the beautiful premises of Ansgar Theological Seminary to discuss some of the most fundamental aspects of the topic. The papers presented at the conference are collected in the present volume, dealing mostly with the Hebrew Bible, but covering also the New Testament, Jewish literature from the Second Temple period and the Qur'an. The contributions reflect a refreshing variety of scholarly and theological approaches. One of the fundamental questions addressed in several studies is how biblical texts justifying violence can be properly understood and used today. Other questions raised are how violent some of the often-criticized biblical passages really are and how violence can be overcome.
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Encountering Violence in the Bible

Original price was: £60.00.Current price is: £18.50.
Our world is full of violence, with repeated acts of terrorism and generally rising rates of violent criminal acts as the most obvious forms of the phenomenon in the Western world. It even reached the peaceful shores of Norway in the summer of 2011. This was one of the reasons why the first international meeting of the Norwegian Summer Academy for Biblical Studies was devoted to the topic 'Violence as an Ethical Challenge in the Bible'. Eighteen biblical scholars from nine different countries (Joshua Berman, Lennart Bostršm, Friedmann Eissler, Torleif Elgvin, LarsOlov Eriksson, Karin Finsterbusch, Georg Fischer, Terence E. Fretheim, Hallvard Hagelia, Dana M. Harris, Robert L. Hubbard, Jr, ÌÉrstein Justnes, Gordon McConville, Kirsten Nielsen, Tommy Wasserman, Karl William Weyde, Peter Wick and Markus Zehnder) met on the beautiful premises of Ansgar Theological Seminary to discuss some of the most fundamental aspects of the topic. The papers presented at the conference are collected in the present volume, dealing mostly with the Hebrew Bible, but covering also the New Testament, Jewish literature from the Second Temple period and the Qur'an. The contributions reflect a refreshing variety of scholarly and theological approaches. One of the fundamental questions addressed in several studies is how biblical texts justifying violence can be properly understood and used today. Other questions raised are how violent some of the often-criticized biblical passages really are and how violence can be overcome.
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‘Say You Are My Sister’: Danger, Seduction and the Foreign in Biblical Literature and Beyond

Published: Oct 2013
Original price was: £50.00.Current price is: £19.50.
Throughout biblical and Jewish literature we encounter a repeated story of a Hebrew or Jewish character who becomes involved in a dangerous erotic relationship. The sexual tension in these tales articulates the ambivalence between the national identities of the character and of the foreign other. The first exemplification of the topos occurs in Genesis, where the matriarchs Sarah and Rebekah are handed over (or almost so) by their husbands to a foreign king. The other biblical cases are those of Joseph, who experiences the danger of seduction by Potiphar's wife, and Esther, who is taken by force into the harem of the Persian emperor. In modern Hebrew literature, the theme reappears in the short story by the Nobel Prize winner S.Y. Agnon, 'The Lady and the Pedlar' from 1943, in which the Jewish pedlar is at risk of becoming the prey of a foreign cannibalistic woman, and in the novel Inta Omri (1994) by the poet-author Smadar Herzfeld, which describes a desperate love affair between an Israeli woman and a Palestinian man against the backdrop of the Intifada in the late 1980s. Between the chapters devoted to these works lies a discussion of the film by the Swedish director Ingmar Bergman, The Touch (1971), the story of a Jewish archaeologist who falls in love with a Swedish woman, which Keshet reads as another instance of the same theme, but this time as a metaphor of Jewish —Christian relations from the perspective not of the Jewish character but of the foreign other.
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‘Say You Are My Sister’: Danger, Seduction and the Foreign in Biblical Literature and Beyond

Original price was: £50.00.Current price is: £19.50.
Throughout biblical and Jewish literature we encounter a repeated story of a Hebrew or Jewish character who becomes involved in a dangerous erotic relationship. The sexual tension in these tales articulates the ambivalence between the national identities of the character and of the foreign other. The first exemplification of the topos occurs in Genesis, where the matriarchs Sarah and Rebekah are handed over (or almost so) by their husbands to a foreign king. The other biblical cases are those of Joseph, who experiences the danger of seduction by Potiphar's wife, and Esther, who is taken by force into the harem of the Persian emperor. In modern Hebrew literature, the theme reappears in the short story by the Nobel Prize winner S.Y. Agnon, 'The Lady and the Pedlar' from 1943, in which the Jewish pedlar is at risk of becoming the prey of a foreign cannibalistic woman, and in the novel Inta Omri (1994) by the poet-author Smadar Herzfeld, which describes a desperate love affair between an Israeli woman and a Palestinian man against the backdrop of the Intifada in the late 1980s. Between the chapters devoted to these works lies a discussion of the film by the Swedish director Ingmar Bergman, The Touch (1971), the story of a Jewish archaeologist who falls in love with a Swedish woman, which Keshet reads as another instance of the same theme, but this time as a metaphor of Jewish —Christian relations from the perspective not of the Jewish character but of the foreign other.
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The Bible as Visual Culture: When Text Becomes Image

Published: Aug 2013
Original price was: £50.00.Current price is: £20.00.
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approaches —native to fine art, art history, and visual cultural studies but new to biblical studies —to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
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The Bible as Visual Culture: When Text Becomes Image

Original price was: £50.00.Current price is: £20.00.
This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approaches —native to fine art, art history, and visual cultural studies but new to biblical studies —to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.
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The Sacrifice of Isaac: The Reception of a Biblical Story in Music

Published: Aug 2013
Original price was: £60.00.Current price is: £20.00.
The biblical story of the sacrifice of Isaac (Genesis 22), or the Akedah in Hebrew tradition, has inspired composers, artists, writers, and dramatists down through the centuries to produce some of the greatest musical, artistic, literary, and dramatic masterpieces the world knows today. This book explores the reception of Genesis 22 in five compositions that not only have been influential in the history of classical art music but also present some of the most insightful and distinctive interpretations of the biblical story. Spanning more than four hundred years, and stemming from a variety of musical genres, the works selected include an oratorio latino by Giacomo Carissimi, the 'Father of Oratorio'; an oratorio volgare by the Bohemian Josef Mysliveček; a canticle, and a movement from the War Requiem of the eminent British composer Benjamin Britten; and a cantata by the Jewish American composer Judith Lang Zaimont. Dowling Long argues that, despite intensive exegetical work on Genesis 22 and the attention given to the concept of seeing in the narrative, biblical commentators have generally neglected the concept of hearing, which features prominently in the story's reception in music. This book will be of interest to biblical scholars, musicologists, teachers of religious education and music education, as well as to readers interested in reception history. It is beautifully illustrated with 80 images of the sacrifice of Isaac in art, stone, needlework of tapestry and embroidery, and furniture together with photographs of composers and 86 musical excerpts.
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The Sacrifice of Isaac: The Reception of a Biblical Story in Music

Original price was: £60.00.Current price is: £20.00.
The biblical story of the sacrifice of Isaac (Genesis 22), or the Akedah in Hebrew tradition, has inspired composers, artists, writers, and dramatists down through the centuries to produce some of the greatest musical, artistic, literary, and dramatic masterpieces the world knows today. This book explores the reception of Genesis 22 in five compositions that not only have been influential in the history of classical art music but also present some of the most insightful and distinctive interpretations of the biblical story. Spanning more than four hundred years, and stemming from a variety of musical genres, the works selected include an oratorio latino by Giacomo Carissimi, the 'Father of Oratorio'; an oratorio volgare by the Bohemian Josef Mysliveček; a canticle, and a movement from the War Requiem of the eminent British composer Benjamin Britten; and a cantata by the Jewish American composer Judith Lang Zaimont. Dowling Long argues that, despite intensive exegetical work on Genesis 22 and the attention given to the concept of seeing in the narrative, biblical commentators have generally neglected the concept of hearing, which features prominently in the story's reception in music. This book will be of interest to biblical scholars, musicologists, teachers of religious education and music education, as well as to readers interested in reception history. It is beautifully illustrated with 80 images of the sacrifice of Isaac in art, stone, needlework of tapestry and embroidery, and furniture together with photographs of composers and 86 musical excerpts.
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Slavery, Abolitionism, and the Ethics of Biblical Scholarship

Published: May 2013
£17.50£30.00
In this immensely wide-ranging and fascinating study, Avalos critiques the common claim that the abolition of slavery was due in large part to the influence of biblical ethics. Such a claim, he argues, is characteristic of a broader phenomenon in biblical scholarship, which focuses on defending, rather than describing, the ethical norms encountered in biblical texts. The first part of Avalos's critique explores how modern scholars have praised the supposed superiority of biblical ethics at the cost of diminishing or ignoring many similar features in ancient Near Eastern cultures. These features include manumission, fixed terms of service, familial rights, and egalitarian critiques of slavery. At the same time, modern scholarship has used the standard tools of biblical exegesis in order to minimize the ethically negative implications of many biblical references to slavery. The second part of the book concentrates on how the Bible has been used throughout Christian history both to maintain and to extend slavery. In particular, Avalos offers detailed studies of papal documents used to defend the Church's stance on slavery. Discussions of Gregory of Nyssa, Aquinas and Luther, among others, show that they are not such champions of freedom as they are often portrayed. Avalos's close readings of the writings of major abolitionists such as Granville Sharp, William Wilberforce and Frederick Douglass show an increasing shift away from using the Bible as a support for abolitionism. Biblical scholars have rarely recognized that pro-slavery advocates could use the Bible just as effectively. According to Avalos, one of the complex mix of factors leading to abolition was the abandonment of the Bible as an ethical authority. The case of the biblical attitude to slavery is just one confirmation of how unsuitable the Bible is as a manual of ethics in the modern world.
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Slavery, Abolitionism, and the Ethics of Biblical Scholarship

£17.50£30.00
In this immensely wide-ranging and fascinating study, Avalos critiques the common claim that the abolition of slavery was due in large part to the influence of biblical ethics. Such a claim, he argues, is characteristic of a broader phenomenon in biblical scholarship, which focuses on defending, rather than describing, the ethical norms encountered in biblical texts. The first part of Avalos's critique explores how modern scholars have praised the supposed superiority of biblical ethics at the cost of diminishing or ignoring many similar features in ancient Near Eastern cultures. These features include manumission, fixed terms of service, familial rights, and egalitarian critiques of slavery. At the same time, modern scholarship has used the standard tools of biblical exegesis in order to minimize the ethically negative implications of many biblical references to slavery. The second part of the book concentrates on how the Bible has been used throughout Christian history both to maintain and to extend slavery. In particular, Avalos offers detailed studies of papal documents used to defend the Church's stance on slavery. Discussions of Gregory of Nyssa, Aquinas and Luther, among others, show that they are not such champions of freedom as they are often portrayed. Avalos's close readings of the writings of major abolitionists such as Granville Sharp, William Wilberforce and Frederick Douglass show an increasing shift away from using the Bible as a support for abolitionism. Biblical scholars have rarely recognized that pro-slavery advocates could use the Bible just as effectively. According to Avalos, one of the complex mix of factors leading to abolition was the abandonment of the Bible as an ethical authority. The case of the biblical attitude to slavery is just one confirmation of how unsuitable the Bible is as a manual of ethics in the modern world.
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Son of Man: An African Jesus Film

Published: Apr 2013
Original price was: £50.00.Current price is: £19.50.
The remarkable, award-winning film, Son of Man (2005), directed by the South African Mark Dornford-May, sets the Jesus story in a contemporary, fictional southern African Judea. While news broadcasts display the political struggles and troubles of this postcolonial country, moments of magical realism point to supernatural battles between Satan and Jesus as well. Jesus' Judean struggle with Satan begins with a haunting reprise of Matthew's 'slaughter of the innocents' and moves forward in a Steve Biko-like non-violent, community-building ministry, captured in graffiti and in the video footage that Judas takes to incriminate Jesus. Satan and the powers seemingly triumph when Jesus 'disappears', but then Mary creates a community that challenges such injustice by displaying her son's dead body upon a hillside cross. The film ends with shots of Jesus among the angels and everyday life in Khayelitsha (the primary shooting location), auguring hope of a new humanity (Genesis 1.26). This book's essays situate Son of Man in its African context, exploring the film's incorporation of local customs, music, rituals, and events as it constructs an imperial and postcolonial 'world'. The film is to be seen as an expression of postcolonial agency, as a call to constructive political action, as an interpretation of the Gospels, and as a reconfiguration of the Jesus film tradition. Finally, the essays call attention to their interested, ideological interpretations by using Son of Man to raise contemporary ethical, hermeneutical, and theological questions. As the film itself concisely asks on behalf of the children featured in it and their politically active mothers, 'Whose world is this'?
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Son of Man: An African Jesus Film

Original price was: £50.00.Current price is: £19.50.
The remarkable, award-winning film, Son of Man (2005), directed by the South African Mark Dornford-May, sets the Jesus story in a contemporary, fictional southern African Judea. While news broadcasts display the political struggles and troubles of this postcolonial country, moments of magical realism point to supernatural battles between Satan and Jesus as well. Jesus' Judean struggle with Satan begins with a haunting reprise of Matthew's 'slaughter of the innocents' and moves forward in a Steve Biko-like non-violent, community-building ministry, captured in graffiti and in the video footage that Judas takes to incriminate Jesus. Satan and the powers seemingly triumph when Jesus 'disappears', but then Mary creates a community that challenges such injustice by displaying her son's dead body upon a hillside cross. The film ends with shots of Jesus among the angels and everyday life in Khayelitsha (the primary shooting location), auguring hope of a new humanity (Genesis 1.26). This book's essays situate Son of Man in its African context, exploring the film's incorporation of local customs, music, rituals, and events as it constructs an imperial and postcolonial 'world'. The film is to be seen as an expression of postcolonial agency, as a call to constructive political action, as an interpretation of the Gospels, and as a reconfiguration of the Jesus film tradition. Finally, the essays call attention to their interested, ideological interpretations by using Son of Man to raise contemporary ethical, hermeneutical, and theological questions. As the film itself concisely asks on behalf of the children featured in it and their politically active mothers, 'Whose world is this'?
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Small Screen Revelations: Apocalypse in Contemporary Television

Published: Mar 2013
Original price was: £50.00.Current price is: £15.00.
Representations of apocalyptic themes and motifs in popular culture has a long history, and a number of books and edited collections have examined their influence on popular film and music. Small Screen Revelations shifts the attention to popular television, examining the ways in which contemporary television drama and news draw on both the language and imagery of apocalyptic texts. Essays in the collection examine topics such as the representation of apocalyptic prophecies and prophets in television news and documentaries; how news of natural disasters draws on apocalyptic language to frame the events, and how drama series use, develop and sometimes seek to subvert apocalyptic motifs. Thus, Small Screen Revelations offers a repositioning of the importance of television in representing the apocalypse, while providing a pertinent addition to the examination of how and for what purpose the apocalypse is used in popular culture.  
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Small Screen Revelations: Apocalypse in Contemporary Television

Original price was: £50.00.Current price is: £15.00.
Representations of apocalyptic themes and motifs in popular culture has a long history, and a number of books and edited collections have examined their influence on popular film and music. Small Screen Revelations shifts the attention to popular television, examining the ways in which contemporary television drama and news draw on both the language and imagery of apocalyptic texts. Essays in the collection examine topics such as the representation of apocalyptic prophecies and prophets in television news and documentaries; how news of natural disasters draws on apocalyptic language to frame the events, and how drama series use, develop and sometimes seek to subvert apocalyptic motifs. Thus, Small Screen Revelations offers a repositioning of the importance of television in representing the apocalypse, while providing a pertinent addition to the examination of how and for what purpose the apocalypse is used in popular culture.  
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Admen and Eve: The Bible in Contemporary Advertising

Published: Nov 2012
Original price was: £50.00.Current price is: £15.00.
This remarkable new book, the first of its kind, is an analysis of a phenomenon that biblical scholars have scarcely taken notice of, much less studied critically —the use of the Bible in advertising. Focussing on the figure of Eve, Admen and Eve shows how she has become the ultimate postfeminist icon of female sexual and consumer power, promoting self-regarding individual choice over collective political action for today's 'I'm not a feminist but ...' generation. Contemporary advertising, Edwards shows, deploys a collage of images simultaneously reflecting and dictating the ideals and ideologies that inform much of Western culture. Exploiting the cultural mythology that surrounds Eve, advertisers constantly recycle images of this biblical figure because she is easily recognizable by the target consumer. In so doing, they are shaping how women and men see each other and themselves and how they treat each other and themselves, persuading them to become their culturally dictated dream through the products they consume. Eve in advertising is then a revealing example of how the Bible functions today. But Admen and Eve is not a value-free and apolitical analysis; it is an incitement to the exposure and subversion of today's dominant cultural attitudes to gender roles.
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Admen and Eve: The Bible in Contemporary Advertising

Original price was: £50.00.Current price is: £15.00.
This remarkable new book, the first of its kind, is an analysis of a phenomenon that biblical scholars have scarcely taken notice of, much less studied critically —the use of the Bible in advertising. Focussing on the figure of Eve, Admen and Eve shows how she has become the ultimate postfeminist icon of female sexual and consumer power, promoting self-regarding individual choice over collective political action for today's 'I'm not a feminist but ...' generation. Contemporary advertising, Edwards shows, deploys a collage of images simultaneously reflecting and dictating the ideals and ideologies that inform much of Western culture. Exploiting the cultural mythology that surrounds Eve, advertisers constantly recycle images of this biblical figure because she is easily recognizable by the target consumer. In so doing, they are shaping how women and men see each other and themselves and how they treat each other and themselves, persuading them to become their culturally dictated dream through the products they consume. Eve in advertising is then a revealing example of how the Bible functions today. But Admen and Eve is not a value-free and apolitical analysis; it is an incitement to the exposure and subversion of today's dominant cultural attitudes to gender roles.
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