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xii + 199 pp.

£25 / $42.50 / €37.50
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£50 / $85 / €75
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Incarnate Word, Inscribed Flesh
John’s Prologue and the Postmodern
Ela Nutu

The pre-existent, transcendent Logos, the principal character in the prologue of John's Gospel, is a prime example of a unified and centred concept, such as denounced as illusory by deconstruction. In this ground-breaking study, Nutu offers an unremittingly postmodern scrutiny of the Logos as the incarnate word that becomes visible as it is inscribed in human flesh. Within view also is the reverse process, of becoming 'children of God', which signifies human beings willingly accepting God's word, his tattoo, upon their flesh in order to pertain to the realm of the Logos.

A second strand of this book is Nutu's tracing the fragmented afterlives of John's Prologue and their different effects on the formation of subjects (with a particular focus on homo religiosus and feminine 'I's) through postmodern film. At the dawn of a new millennium, films continue to play an important role in the cultural development of society; even moving away from the self-confessed biblical films, new productions like The Pillow Book, The Fifth Element and The Matrix (all engaged here) mediate elements of biblical narrative, theology, allegory, ethics and identity.

As the Bible continues its influence on society and the formation of subject positions, biblical texts are re-interpreted, recycled within many discourses. This is a study that skilfully interweaves a number of contemporary theoretical currents such as deconstruction, psychoanalytical criticism, gender and cultural studies and initiates a new approach to interpretation, namely postcommunist, influenced by the writer's own experience of growing up in Romania.

Ela Nutu is Research Associate in the Department of Biblical Studies, University of Sheffield.

Series: Bible in the Modern World, 6
1-905048-25-4, 978-1-905048-25-0 hardback
Publication August 2007

Incarnate Word, Inscribed Flesh is everything you might expect in a postmodern reading of John’s Prologue. It is outrageous and captivating, obscure and illuminating, a kaleidoscopic juxtaposition of shifting images presenting bricolage at its best. Alan LeGrys, Journal for the Study of the New Testament Booklist.

Ela Nutu’s Incarnate Word, Inscribed Flesh: John’s Prologue and the Postmodern brings fresh lens to the reading of biblical text and popular so-called Christian media. This work… stands ‘outside of the box’ of traditional biblical scholarship. The methodological and theoretical works that she employs in her reading are commendable and necessary for observing the often neglected but critical aspects of the biblical text—the presence or absence of women in the narrative. This reviewer applauds her work and sees it as a major contribution to biblical New Testament scholarship, deconstruction, and poststructural readings of John’s Prologue. Larry D. George, Review of Biblical Literature

A refreshing and provocative exploration of postmodern readings inspired/incited by John’s Prologue.
Peter Phillips, Religious Studies Review