The Great Drama of Jeremiah: A Performance Reading
Published: May 2021
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
The Great Drama of Jeremiah: A Performance Reading
£65.00
In this original work, joining the growing corpus of performance criticism of Hebrew Bible texts, Billingham offers a performance reading of some eleven scenes in the book of Jeremiah, analysing their scripts, actors/speakers, audiences, settings and improvisation of scripts. While kings, priests, prophets and people act in various ways in these performances, Jeremiah himself plays an important role both in reporting their actions and in delivering speeches proclaiming Yhwh's oracles. Earth and members of the Earth community also raise their voices in distress at the absence of the exiled people. The people of the exile themselves can be assumed as the audience if no other is designated in a scene; it will be their role to process the experiences of the drama. Various socio-political and geographical contexts provide safe settings in which they may view the traumatic events that unfold. In a synchronic reading, Billingham argues that Jeremiah improvises several old Israelite traditions, applying them to the new context of exile, challenging the prevailing royal-priestly ideology, and prompting the audience to rethink its beliefs, attitudes and actions.
Among the performances analysed in this book are the divine ultrasound of the pre-natal prophet, Jeremiah's vision of the reversal of creation, the people's search for a single righteous person in Jerusalem, the siege of the city and (horror!) the destruction of the temple. In a ludicrous contest with the idols, the best god wins. And Jeremiah smashes a pot as a sign-act for Judah's destruction. This heuristic reading of Jeremiah invites readers to interact with Jeremiah's messages as dramatic performances that may be brought to life in their own experiences of crisis, challenge and triumph.
Abishag: Administrator of King David’s Household
Published: May 2021
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
Abishag: Administrator of King David’s Household
£80.00
Following Daniel Bodi's previous monographs on the three wives of King David —Michal, Bathsheba and Abigail —here is a fourth one on Abishag, the last woman in his life. It has not been recognized before how decisive a role she played as a palace administrator in David's final political crisis, Adonijah's coup d’état , and Solomon's proclamation as king.
Hitherto, Abishag has been given androcentric readings. Her position as administrator has been demoted to that of a mere housekeeper, bedfellow or even hot-water bottle. Some rabbinic authors transformed her into an androgynous being, claiming an intersex person warms better than a young female virgin. In fact, the term for Abishag's office as sōkenet is nothing but the feminine form of sken 'palace steward', a well-known functionary across the Semitic world. Much more than a simple housekeeper, Abishag wields administrative power with a legal role as a witness in Solomon's appointment.
Exploring further the role of women at royal courts, Bodi also offers a comparative analysis of the famous queens who played a role in the royal succession as kings' mothers in Egypt, Mari, Hatti, Ugarit and Assyria. Solomon's appointment as David's successor results from a palace putsch, executed with cunning and craftiness, which are to be understood as archaic forms of wisdom in the Hebrew Bible, classical Greece and the ancient Near East.
The stories of David's wives —and of Abishag —together form a Hebrew document in the style of an Advice to a Prince. An interesting comparison is drawn between David's four wives and the four females Odysseus encounters in Homer's Odyssey: Circe, Calypso, Nausicaa and Penelope. Strikingly, the Hebrew version of the Advice to a Prince and the Homeric Epic were being written at roughly the same time, the end of the eighth century bce.
Job: From Lament to Penitence
Published: Nov 2020
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
Job: From Lament to Penitence
£60.00
Recent form-critical studies from Mark Boda and Rodney Werline among others have brought about an increased interest in the penitential form and a recognition of the form as distinct and derivative from the lament form. This development in scholarship has enabled the present study to develop a new analysis of the penitential form in Job and its interaction with the lament form.
Using the methodological frameworks of form criticism and eco-anthropology —which studies how human identity is formed in relation with the natural world —, Breitkopf argues that the voice of the character Job undergoes a marked shift from lament to penitence as the book proceeds. It corresponds to a shift in the character's worldview, evinced in the book's language about the natural order.
Negative language and imagery about nature is abundant in Job, e.g. when Job in chapter 3 curses existence (especially birth and life) and invokes Leviathan. In so doing, Job discloses his understanding of humanity as dominant over the natural world. But as the book of Job nears its end, the divine speeches, where wild animals and Leviathan are described as thriving and free from human control, subvert Job's negative language.
Fundamentally, Breitkopf argues, Job's language, such as in chapter 3, is challenged by the divine speeches. Job's final words in response, especially in 42.6, expressed in penitential language, signal a reconsideration of his human identity as mere “dust and ash” within the framework of the natural world and represent a striking change from his original outlook.
Like the Stars Forever: Narrative and Theology in the Book of Daniel
Published: Oct 2020
£65.00
This anthology of Meadowcroft's essays (all but one previously published) coheres around three claims he makes about the book of Daniel. The first is that Daniel should be understood primarily as a wisdom figure, and that the first chapter of the book of Daniel is programmatic in that regard. The second is that the vision of the one like a son of man represents a theological hinge that guides an understanding of both the tales and the visions as expressions of participation in the divine life on the part of the wise Daniel and his people. The third claim is that the final chapter of Daniel, as the capstone of the wisdom story of Daniel, shows the aim of wise participation in the divine life as an enduring legacy of righteousness in those who encounter this wisdom.
These claims are supported by a close reading of aspects of the narrative art on display in the book of Daniel; an exegetical appreciation of the interpretative impact of understanding the faithful wise as expressive of the hopes placed in the temple by the ancient people; and a theological and contextual reading of the experiences of Daniel and his friends —in the daily routines of life in the Babylonian and Persian courts, and in those strange apocalyptic encounters of the later chapters. From such reading there emerges the paradoxical nature of faith as certain hope and ethical clarity alongside mystery and uncertainty and the call to patient endurance. This delicate dance between certainty and patience, clarity and mystery was a feature of the experience of Daniel and his people in their time of exile, of later readers suffering under the heel of Antiochus Epiphanes, of those resisting the claims to lordship on the part of Rome, and still today of readers of the book of Daniel wherever empire is encountered and resisted.
Like the Stars Forever: Narrative and Theology in the Book of Daniel
£65.00
This anthology of Meadowcroft's essays (all but one previously published) coheres around three claims he makes about the book of Daniel. The first is that Daniel should be understood primarily as a wisdom figure, and that the first chapter of the book of Daniel is programmatic in that regard. The second is that the vision of the one like a son of man represents a theological hinge that guides an understanding of both the tales and the visions as expressions of participation in the divine life on the part of the wise Daniel and his people. The third claim is that the final chapter of Daniel, as the capstone of the wisdom story of Daniel, shows the aim of wise participation in the divine life as an enduring legacy of righteousness in those who encounter this wisdom.
These claims are supported by a close reading of aspects of the narrative art on display in the book of Daniel; an exegetical appreciation of the interpretative impact of understanding the faithful wise as expressive of the hopes placed in the temple by the ancient people; and a theological and contextual reading of the experiences of Daniel and his friends —in the daily routines of life in the Babylonian and Persian courts, and in those strange apocalyptic encounters of the later chapters. From such reading there emerges the paradoxical nature of faith as certain hope and ethical clarity alongside mystery and uncertainty and the call to patient endurance. This delicate dance between certainty and patience, clarity and mystery was a feature of the experience of Daniel and his people in their time of exile, of later readers suffering under the heel of Antiochus Epiphanes, of those resisting the claims to lordship on the part of Rome, and still today of readers of the book of Daniel wherever empire is encountered and resisted.
The Edict of Cyrus and Notions of Restoration in Ezra-Nehemiah and Chronicles
Published: Oct 2020
£50.00
The Edict of Cyrus, both opening Ezra-Nehemiah (Ezra 1:1-4) and closing Chronicles (2 Chron. 36:22-23), serves a different role in each book. In Ezra —Nehemiah, it is a command resulting in a restoration event that has failed, whereas in Chronicles it is a command anticipating a successful future restoration event. In the context of canon, these different uses of the edict are theologically significant, especially in formulating ideas of hope for the future in Chronicles.
While Chronicles is aware that a historical restoration transpired sometime in the past (1 Chron. 3:19-24; 9:2-44), it shares the sentiment of Ezra —Nehemiah, that the return was something of a failure. Through compositional analysis, Gilhooley argues that the edict closing Chronicles portrays the true, or rather, complete restoration not as a past event to be reflected upon but rather one to be anticipated sometime in the future —at a time when Israel was expected to see the establishment of a new glorified temple, political independence, release from servitude, and the blessings of new creation and of new cultic order.
Reading Chronicles as the last book of the Old Testament in accordance with various Jewish witnesses, we find that the edict is transformed into a programmatic conclusion to the canon. Accordingly, the eschatological return to Zion and reconstruction of the temple appear to be dominating concerns of the canonical editors. These verses that bring to an end both Chronicles and the Old Testament as a whole may also be read in dialogue with canon-conscious structural markers elsewhere and, therefore, could be formative in constructing a canonical theology.
The Edict of Cyrus and Notions of Restoration in Ezra-Nehemiah and Chronicles
£50.00
The Edict of Cyrus, both opening Ezra-Nehemiah (Ezra 1:1-4) and closing Chronicles (2 Chron. 36:22-23), serves a different role in each book. In Ezra —Nehemiah, it is a command resulting in a restoration event that has failed, whereas in Chronicles it is a command anticipating a successful future restoration event. In the context of canon, these different uses of the edict are theologically significant, especially in formulating ideas of hope for the future in Chronicles.
While Chronicles is aware that a historical restoration transpired sometime in the past (1 Chron. 3:19-24; 9:2-44), it shares the sentiment of Ezra —Nehemiah, that the return was something of a failure. Through compositional analysis, Gilhooley argues that the edict closing Chronicles portrays the true, or rather, complete restoration not as a past event to be reflected upon but rather one to be anticipated sometime in the future —at a time when Israel was expected to see the establishment of a new glorified temple, political independence, release from servitude, and the blessings of new creation and of new cultic order.
Reading Chronicles as the last book of the Old Testament in accordance with various Jewish witnesses, we find that the edict is transformed into a programmatic conclusion to the canon. Accordingly, the eschatological return to Zion and reconstruction of the temple appear to be dominating concerns of the canonical editors. These verses that bring to an end both Chronicles and the Old Testament as a whole may also be read in dialogue with canon-conscious structural markers elsewhere and, therefore, could be formative in constructing a canonical theology.
Performing Masculinity in the Hebrew Bible
Published: Oct 2020
£65.00
In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017. Her chapters, each with an attractive and stimulating title, present a distinctive voice in current debates about masculinity in the Hebrew Bible.
Masculinity studies have been developing during the last half a century, but there is still some opposition, not always conscious, to the field. Studies in masculinity in the Bible have an even shorter history and have created as yet little by way of a tradition among biblical scholars: it is a field still under development.
Kirova has researched a rich variety of narrative situations, poetic characteristics, and symbolic functions of biblical men. Her research here is especially focused on the regal roles ascribed to masculinity in the ancient world.
Among the intriguing questions Kirova poses are these: Why should heroes be beautiful? What is the benefit of weeping, and weeping eloquently? Why problematize what is 'natural'? Who is the 'bramble king'? The ten chapters of Performing Masculinity are deliberately interdisciplinary: anthropology, psychoanalysis, literary and gender studies complement biblical criticism. A variety of audiences will find the book a pleasure and an education.
Performing Masculinity in the Hebrew Bible
£65.00
In Performing Masculinity, the eminent Bulgarian literary critic Milena Kirova turns her attention to the Hebrew Bible, offering a reworking and condensation of two volumes of essays she published in Bulgarian in 2011 and 2017. Her chapters, each with an attractive and stimulating title, present a distinctive voice in current debates about masculinity in the Hebrew Bible.
Masculinity studies have been developing during the last half a century, but there is still some opposition, not always conscious, to the field. Studies in masculinity in the Bible have an even shorter history and have created as yet little by way of a tradition among biblical scholars: it is a field still under development.
Kirova has researched a rich variety of narrative situations, poetic characteristics, and symbolic functions of biblical men. Her research here is especially focused on the regal roles ascribed to masculinity in the ancient world.
Among the intriguing questions Kirova poses are these: Why should heroes be beautiful? What is the benefit of weeping, and weeping eloquently? Why problematize what is 'natural'? Who is the 'bramble king'? The ten chapters of Performing Masculinity are deliberately interdisciplinary: anthropology, psychoanalysis, literary and gender studies complement biblical criticism. A variety of audiences will find the book a pleasure and an education.
Samson and Delilah: Selected Essays
Published: July 2020
£75.00
Samson and Delilah. Well-known biblical figures in a tale of deception, betrayal and a haircut. Or is there more to the tale than this?
There is, in fact, a good deal more, as J. Cheryl Exum demonstrates in this wide-ranging collection of her essays. Far from being a simple story, the tale in Judges 13 —16 about Samson and his adventures, culminating in his fatal liaison with Delilah, is a subtle, nuanced and highly complex narrative with an elaborate literary structure, a sophisticated theological programme, and an ambitious and problematic androcentric agenda. It is, moreover, a story that lives on in literature, art, music and even Hollywood films.
The eleven essays brought together in this volume investigate the Samson story from a diversity of critical perspectives and in a variety of its afterlives. Both Samson and Delilah are characters of many facets, as these essays reveal, and Judges 13 —16 emerges from this investigation as a story that encourages and supports rather than resists multiple, often incompatible, modes of reading it.
Samson and Delilah: Selected Essays
£75.00
Samson and Delilah. Well-known biblical figures in a tale of deception, betrayal and a haircut. Or is there more to the tale than this?
There is, in fact, a good deal more, as J. Cheryl Exum demonstrates in this wide-ranging collection of her essays. Far from being a simple story, the tale in Judges 13 —16 about Samson and his adventures, culminating in his fatal liaison with Delilah, is a subtle, nuanced and highly complex narrative with an elaborate literary structure, a sophisticated theological programme, and an ambitious and problematic androcentric agenda. It is, moreover, a story that lives on in literature, art, music and even Hollywood films.
The eleven essays brought together in this volume investigate the Samson story from a diversity of critical perspectives and in a variety of its afterlives. Both Samson and Delilah are characters of many facets, as these essays reveal, and Judges 13 —16 emerges from this investigation as a story that encourages and supports rather than resists multiple, often incompatible, modes of reading it.
The Bible on Violence: A Thick Description.
Published: July 2020
£70.00
In June 2019 the Centre for the Study of Bible and Violence (CSBV) held its inaugural academic conference, and we are delighted to present this collection of papers drawn from those presented at the event. The centre is a postgraduate research and study centre dedicated to working in the area of the interpretation of biblical texts of violence. This wide-ranging collection reflects the centre's core values of generous collaboration, irenic listening, and multidisciplinary scholarship.
Biblical violence presents a complex challenge to the biblical interpreter, the cultural commentator and to belief communities. In the pluriformity of interpretative approaches, the violent texts of the Bible have been taken up in ways that sometimes advance and sometimes challenge violence. Thus, biblical violence cannot be 'solved' by the application of a single hermeneutical lens: this is a multidisciplinary and intercommunal problem requiring a range of approaches.
With contributions from both emerging and established academics, and scholars from several different belief traditions, and none, this volume both offers and models a 'thick description' of biblical violence. Two papers, including our keynote address from James Crossley, critically consider the use of biblical texts for the promotion of violence. A cluster of papers offer novel interpretive approaches to a wide range of texts of biblical violence, from both testaments and a range of genres. A further section brings the Bible into conversation with diverse elements of modern violence, from Grenfell Tower to suicide bombing. In the final part, the focus is on sexual violence, including a critical discourse analysis of divorce sermons and an exploration of the value to modern abuse survivors of naming Jesus as the victim of sexual abuse.
The Bible on Violence: A Thick Description.
£70.00
In June 2019 the Centre for the Study of Bible and Violence (CSBV) held its inaugural academic conference, and we are delighted to present this collection of papers drawn from those presented at the event. The centre is a postgraduate research and study centre dedicated to working in the area of the interpretation of biblical texts of violence. This wide-ranging collection reflects the centre's core values of generous collaboration, irenic listening, and multidisciplinary scholarship.
Biblical violence presents a complex challenge to the biblical interpreter, the cultural commentator and to belief communities. In the pluriformity of interpretative approaches, the violent texts of the Bible have been taken up in ways that sometimes advance and sometimes challenge violence. Thus, biblical violence cannot be 'solved' by the application of a single hermeneutical lens: this is a multidisciplinary and intercommunal problem requiring a range of approaches.
With contributions from both emerging and established academics, and scholars from several different belief traditions, and none, this volume both offers and models a 'thick description' of biblical violence. Two papers, including our keynote address from James Crossley, critically consider the use of biblical texts for the promotion of violence. A cluster of papers offer novel interpretive approaches to a wide range of texts of biblical violence, from both testaments and a range of genres. A further section brings the Bible into conversation with diverse elements of modern violence, from Grenfell Tower to suicide bombing. In the final part, the focus is on sexual violence, including a critical discourse analysis of divorce sermons and an exploration of the value to modern abuse survivors of naming Jesus as the victim of sexual abuse.
The Dictionary of Classical Hebrew Revised. II. Beth-Waw
Published: Nov 2019
£150.00
The Dictionary of Classical Hebrew Revised (DCHR) is a complete revision (2018–2028) in nine volumes, with over 100,000 improvements, of the original DCH, i.e. Dictionary of Classical Hebrew (1993–2016). This second Volume contains some 2,071 words (lemmas), of which 838 are 'new words' (i.e. not in the standard lexicon of BDB); DCHR II thus adds c. 60% to the number of words for Beth —Waw that are to be found in other Hebrew dictionaries. This revised volume is 40% longer than DCH II (1995), which it replaces. The Dictionary of Classical Hebrew Revised , when completed, will contain more than 6,420 Hebrew words not in BDB, and will refer to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions. New features in DCHR include: a notation of 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) with their own articles (not previously shown in Hebrew lexica), 345 denominative verbs (verbs derived from a noun), and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries). Data on synonyms have been greatly expanded, and loanwords from other languages included. Articles on personal names show (for the first time) all short forms, long forms, and alternative forms of each name, the Bibliography has been updated and expanded, and 35,000 emendations of biblical texts noted. Every occurrence of each word in Classical Hebrew is noted. All the subjects and objects of verbs are listed, and the verbs used with each noun, as well as all nouns used in a construct (genitive) relation with another noun. As with DCH , every Hebrew word in the Dictionary (except for the variant forms of a word, the byforms and the sections on synonyms) is followed immediately by an English translation, so that the Dictionary can be easily understood by a person with little or no Hebrew. When completed, DCHR will be 5 million words in length (equivalent to 50 standard-size books), 25% longer than DCH , and 4 times the length of BDB and HALOT . The nine volumes of DCHR are expected to be published at intervals of approximately one year after the first volume in August 2018. There is a special discount price for customers subscribing to the DCHR set, and an easy payment plan (details from phoenix.bibs@sheffield.ac.uk).
The Dictionary of Classical Hebrew Revised. II. Beth-Waw
£150.00
The Dictionary of Classical Hebrew Revised (DCHR) is a complete revision (2018–2028) in nine volumes, with over 100,000 improvements, of the original DCH, i.e. Dictionary of Classical Hebrew (1993–2016). This second Volume contains some 2,071 words (lemmas), of which 838 are 'new words' (i.e. not in the standard lexicon of BDB); DCHR II thus adds c. 60% to the number of words for Beth —Waw that are to be found in other Hebrew dictionaries. This revised volume is 40% longer than DCH II (1995), which it replaces. The Dictionary of Classical Hebrew Revised , when completed, will contain more than 6,420 Hebrew words not in BDB, and will refer to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions. New features in DCHR include: a notation of 4,285 byforms (words with the same meaning and similar form) identified for the first time; 717 verbal nouns (nouns derived from a verb) with their own articles (not previously shown in Hebrew lexica), 345 denominative verbs (verbs derived from a noun), and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries). Data on synonyms have been greatly expanded, and loanwords from other languages included. Articles on personal names show (for the first time) all short forms, long forms, and alternative forms of each name, the Bibliography has been updated and expanded, and 35,000 emendations of biblical texts noted. Every occurrence of each word in Classical Hebrew is noted. All the subjects and objects of verbs are listed, and the verbs used with each noun, as well as all nouns used in a construct (genitive) relation with another noun. As with DCH , every Hebrew word in the Dictionary (except for the variant forms of a word, the byforms and the sections on synonyms) is followed immediately by an English translation, so that the Dictionary can be easily understood by a person with little or no Hebrew. When completed, DCHR will be 5 million words in length (equivalent to 50 standard-size books), 25% longer than DCH , and 4 times the length of BDB and HALOT . The nine volumes of DCHR are expected to be published at intervals of approximately one year after the first volume in August 2018. There is a special discount price for customers subscribing to the DCHR set, and an easy payment plan (details from phoenix.bibs@sheffield.ac.uk).
Divine Election in the Hebrew Bible
Published: Nov 2019
£60.00
To citizens of the modern world the idea that someone or something might be especially elected by God seems problematic. If someone is elected, someone else is not elected. Does the God of all people have preferences? The idea that one particular nation should be elected by God is particularly difficult to accept.
Nevertheless, as this study intends to show, divine election is a central theme in the Hebrew Bible, and present in all its main parts. There are central acts of elections and less central acts of election. Abraham is elected as the founder of the people of Israel. Moses is elected as the ancestor of the religious and political people of Israel. David is elected as first of the Davidic kings. The election of these persons represents something more important than the persons themselves.
There are also other significant acts of election in the Hebrew Bible, especially the election of the land of Israel and of the city of Jerusalem. As well, there is the election of individuals such as the prophets. And even the Assyrians, the Babylonians and King Cyrus of Persia are presented as elected by God for special tasks.
A new full-length study of the important concept of divine election in the Hebrew Bible is long overdue, and Hagelia's readable and balanced monograph can be expected to bring the topic back into contemporary conversation.
Divine Election in the Hebrew Bible
£60.00
To citizens of the modern world the idea that someone or something might be especially elected by God seems problematic. If someone is elected, someone else is not elected. Does the God of all people have preferences? The idea that one particular nation should be elected by God is particularly difficult to accept.
Nevertheless, as this study intends to show, divine election is a central theme in the Hebrew Bible, and present in all its main parts. There are central acts of elections and less central acts of election. Abraham is elected as the founder of the people of Israel. Moses is elected as the ancestor of the religious and political people of Israel. David is elected as first of the Davidic kings. The election of these persons represents something more important than the persons themselves.
There are also other significant acts of election in the Hebrew Bible, especially the election of the land of Israel and of the city of Jerusalem. As well, there is the election of individuals such as the prophets. And even the Assyrians, the Babylonians and King Cyrus of Persia are presented as elected by God for special tasks.
A new full-length study of the important concept of divine election in the Hebrew Bible is long overdue, and Hagelia's readable and balanced monograph can be expected to bring the topic back into contemporary conversation.
The Subversive Chronicler: Narrative Film Theory and Canon Criticism Refocus his Intention
Published: Nov 2019
£55.00
In 1 and 2 Chronicles, commentators have long noted a pattern of retributive justice whereby kings who comply with Yahweh's will are rewarded with long life and honourable burial, whereas those who do not are disgraced. However, another pattern significantly emerges from a group of kings whose careers display an unexpected reversal. No convincing consensus has yet emerged to explain this reversal pattern.
By exploring and adopting the insights of narrative film theory, particularly of cognitive film semiotics, into the effects of macro-repetition, Son uncovers the implications of these unexpected reversals. As the reversal pattern is interwoven with the retributive pattern, the narrative emerges as a falsifying narration, provoking a deep scepticism about the conventional view of retribution theology.
Deleuzian film theory offers a crucial insight into how this falsifying narration works. The reversal pattern has a destabilizing effect, which suggests that the Chronicler's theological outlook is more nuanced than that of Samuel —Kings, or perhaps even frankly subversive of it. From a canonical perspective, furthermore, the presence of the Chronicler's work in the Ketuvim points to its potential function as a subtle theological readjustment in the postexilic Jewish community.
The Subversive Chronicler is then a challenge to the Chronicler's theology as it is commonly understood and also as a refocusing of its difference from the historiography of Samuel —Kings.
The Subversive Chronicler: Narrative Film Theory and Canon Criticism Refocus his Intention
£55.00
In 1 and 2 Chronicles, commentators have long noted a pattern of retributive justice whereby kings who comply with Yahweh's will are rewarded with long life and honourable burial, whereas those who do not are disgraced. However, another pattern significantly emerges from a group of kings whose careers display an unexpected reversal. No convincing consensus has yet emerged to explain this reversal pattern.
By exploring and adopting the insights of narrative film theory, particularly of cognitive film semiotics, into the effects of macro-repetition, Son uncovers the implications of these unexpected reversals. As the reversal pattern is interwoven with the retributive pattern, the narrative emerges as a falsifying narration, provoking a deep scepticism about the conventional view of retribution theology.
Deleuzian film theory offers a crucial insight into how this falsifying narration works. The reversal pattern has a destabilizing effect, which suggests that the Chronicler's theological outlook is more nuanced than that of Samuel —Kings, or perhaps even frankly subversive of it. From a canonical perspective, furthermore, the presence of the Chronicler's work in the Ketuvim points to its potential function as a subtle theological readjustment in the postexilic Jewish community.
The Subversive Chronicler is then a challenge to the Chronicler's theology as it is commonly understood and also as a refocusing of its difference from the historiography of Samuel —Kings.
The Song of Songs Afresh: Perspectives on a Biblical Love Poem
Published: Oct 2019
£60.00
This volume is one of the fruits of a six-year series of international conferences on the Song of Songs. The 13 diverse articles here being presented in four categories.
1. Classical exegetical studies. What does the blackness of the woman signify? Ausloos sees a tension between an exegetically appropriate and a politically correct interpretation, Biernot an example of Jewish discourse on blackness and whiteness ranging from antiquity to modern times. The function of the so-called dream in the Song is examined in the context of dreams in the ancient Near East with their two kinds of wake-up expressions (Fernandes). Fischer sees the daughters of Jerusalem as a means of identification for the reader and as placeholders for the young women of society. Next are intertextual readings of the Shulammite with a South African poem (Lombaard) and of the Song's vision of love with mythological traces in the Hebrew Bible (Mathys).
2. Post-modern exegetical studies. Included is a dialogue on horses in love and war (Landy and Metzler), a psychoanalytical reading on the theme of death (van der Zwan), and a blend of Ricoeur and cognitive metaphor theory that profiles the man in the Song (Verde).
3. Jewish studies. Baraniak studies the targumic exegesis, and DamohorskÌÁ the Song in Passover Piyyutim.
4. Hermeneutics. Responsible exegesis of the Song is Oosthuizen's theme, and Scheffler's is varieties of allegorizing.
The Song of Songs Afresh: Perspectives on a Biblical Love Poem
£60.00
This volume is one of the fruits of a six-year series of international conferences on the Song of Songs. The 13 diverse articles here being presented in four categories.
1. Classical exegetical studies. What does the blackness of the woman signify? Ausloos sees a tension between an exegetically appropriate and a politically correct interpretation, Biernot an example of Jewish discourse on blackness and whiteness ranging from antiquity to modern times. The function of the so-called dream in the Song is examined in the context of dreams in the ancient Near East with their two kinds of wake-up expressions (Fernandes). Fischer sees the daughters of Jerusalem as a means of identification for the reader and as placeholders for the young women of society. Next are intertextual readings of the Shulammite with a South African poem (Lombaard) and of the Song's vision of love with mythological traces in the Hebrew Bible (Mathys).
2. Post-modern exegetical studies. Included is a dialogue on horses in love and war (Landy and Metzler), a psychoanalytical reading on the theme of death (van der Zwan), and a blend of Ricoeur and cognitive metaphor theory that profiles the man in the Song (Verde).
3. Jewish studies. Baraniak studies the targumic exegesis, and DamohorskÌÁ the Song in Passover Piyyutim.
4. Hermeneutics. Responsible exegesis of the Song is Oosthuizen's theme, and Scheffler's is varieties of allegorizing.
The Reality of Religious Violence: From Biblical to Modern Times
Published: Sep 2019
£75.00
Violence and religion have been interacting from the beginning of recorded history according to The Reality of Religious Violence: From Biblical to Modern Times. This book addresses two major questions: 1. Does religious violence exist? 2. If so, how is it different from other types of violence?
The first question is a reaction to a whole stream of scholarship led by William T. Cavanaugh, author of The Myth of Religious Violence (2009), which denies that religious violence is a specific category of violence over against many other types of violence that we can name. The second question is whether 'religious violence' is a useful category at all.
This book argues that religious violence is not only a useful category, but also a necessary one if we are to understand our history and seek solutions. It is true, nevertheless, that wars and other types of violence can be caused by problems that have nothing to do with religion.
What is central to this book is the ethical quality of religious violence. Non-religious violence arises from causes one can detect (e.g. oil, water, money). Religious violence does not have any detectable cause, since there is no supernatural force or being that we can identify as the cause. That is what makes religious violence more tragic. Detailed examples are drawn from the Hebrew Bible, Christian texts, and Muslim texts.
The Reality of Religious Violence: From Biblical to Modern Times
£75.00
Violence and religion have been interacting from the beginning of recorded history according to The Reality of Religious Violence: From Biblical to Modern Times. This book addresses two major questions: 1. Does religious violence exist? 2. If so, how is it different from other types of violence?
The first question is a reaction to a whole stream of scholarship led by William T. Cavanaugh, author of The Myth of Religious Violence (2009), which denies that religious violence is a specific category of violence over against many other types of violence that we can name. The second question is whether 'religious violence' is a useful category at all.
This book argues that religious violence is not only a useful category, but also a necessary one if we are to understand our history and seek solutions. It is true, nevertheless, that wars and other types of violence can be caused by problems that have nothing to do with religion.
What is central to this book is the ethical quality of religious violence. Non-religious violence arises from causes one can detect (e.g. oil, water, money). Religious violence does not have any detectable cause, since there is no supernatural force or being that we can identify as the cause. That is what makes religious violence more tragic. Detailed examples are drawn from the Hebrew Bible, Christian texts, and Muslim texts.
God and Humans in the Hebrew Bible and Beyond: A Festschrift for Lennart Boström on his 67th Birthday
Published: Sep 2019
£70.00
In 1990, in his important study The God of the Sages: The Portrayal of God in the Book of Proverbs, Lennart Boström tackled the issue of how the sages viewed their God and God's relationship with the world. In honour of Boström, and in line with that study, this Festschrift takes up this issue anew. A number of international specialists, including James Crenshaw, Göran Eidevall, Mark A. Throntveit, and Antti Laato, discuss various aspects of how God and humans are portrayed in the Bible.
The first section of the book focuses on notions of God. There is a fresh look at monolatry in the Hebrew Bible, and at God's faithfulness in Paul's soteriology. The second section deals with humans, featuring, for example, two articles on Psalm 8.5, one with a focus on the Hebrew Bible, and the other reading the psalm through the eyes of women in Myanmar. There is also an article on angst in wisdom literature.
The third section brings God and humans into dialogue, looking at how various interpretations of suffering in the psalms shape the view of the divine —human relationship, or how God and humans relate to each other in books like Jonah and Ruth. The fourth and last section of the book focuses on God and God's people, where new proposals are presented on the roles played by Zion and by the ten commandments.
This volume presents stimulating and up-to-date engagements with its theme, an excellent resource for scholars of both the Hebrew Bible and the New Testament.
God and Humans in the Hebrew Bible and Beyond: A Festschrift for Lennart Boström on his 67th Birthday
£70.00
In 1990, in his important study The God of the Sages: The Portrayal of God in the Book of Proverbs, Lennart Boström tackled the issue of how the sages viewed their God and God's relationship with the world. In honour of Boström, and in line with that study, this Festschrift takes up this issue anew. A number of international specialists, including James Crenshaw, Göran Eidevall, Mark A. Throntveit, and Antti Laato, discuss various aspects of how God and humans are portrayed in the Bible.
The first section of the book focuses on notions of God. There is a fresh look at monolatry in the Hebrew Bible, and at God's faithfulness in Paul's soteriology. The second section deals with humans, featuring, for example, two articles on Psalm 8.5, one with a focus on the Hebrew Bible, and the other reading the psalm through the eyes of women in Myanmar. There is also an article on angst in wisdom literature.
The third section brings God and humans into dialogue, looking at how various interpretations of suffering in the psalms shape the view of the divine —human relationship, or how God and humans relate to each other in books like Jonah and Ruth. The fourth and last section of the book focuses on God and God's people, where new proposals are presented on the roles played by Zion and by the ten commandments.
This volume presents stimulating and up-to-date engagements with its theme, an excellent resource for scholars of both the Hebrew Bible and the New Testament.
Hebrew Masculinities Anew
Published: Jun 2019
£65.00
The study of biblical masculinities is now a clearly recognizable discipline in critical biblical gender studies. This book, the third in a series of SPP volumes that include Men and Masculinity in the Hebrew Bible and Beyond (ed. Ovidiu Creangă, 2010) and Biblical Masculinities Foregrounded (ed. Ovidiu Creangă and Peter-Ben Smit, 2014), takes stock of recent methodological and thematic developments, while introducing fresh new questions, expanding traditional approaches, and adding new texts to the corpus of masculinities in the Hebrew Bible.
The volume's introduction (Ovidiu Creangă) celebrates the rich palette of approaches and disciplinary intersections that now characterize the study of Hebrew Bible masculinities, while calling attention to understudied topics. The next thirteen chapters dig deep into the methodological building-blocks underpinning biblical masculinity (Stephen Wilson); the theoretically essential distinction between queer and non-queer masculinities (Gil Rosenberg); the often-neglected yet essential representation of God's masculinity (David J.A. Clines); the competing masculinities of God, Pharaoh, and Moses in historical and lesbian perspective (Caralie Focht and Richard Purcell); Queen Jezebel's performance of masculinity (Hilary Lipka); Priestly and Deuteronomic fantasies of male perfection (Sandra Jacobs); the problem-ridden masculinity of Moses (Amy Kalmanofsky); the rhetoric of 'queen-making' in the prophetic literature (Susan E. Haddox); Jonah's homosocial masculinity (Rhiannon Graybill); the scribal masculinity of Daniel (Brian C. DiPalma); the ephemeral masculinity of mortal men (Milena Kirova); the masculine agencies in the Song of Songs (Martti Nissinen); and the intertwining of money and masculinity in the Book of Proverbs (Kelly Murphy). In the final chapter, Stuart Macwilliam reflects on methodological opportunities, thematic expansions, and a future direction for biblical masculinities.
Hebrew Masculinities Anew
£65.00
The study of biblical masculinities is now a clearly recognizable discipline in critical biblical gender studies. This book, the third in a series of SPP volumes that include Men and Masculinity in the Hebrew Bible and Beyond (ed. Ovidiu Creangă, 2010) and Biblical Masculinities Foregrounded (ed. Ovidiu Creangă and Peter-Ben Smit, 2014), takes stock of recent methodological and thematic developments, while introducing fresh new questions, expanding traditional approaches, and adding new texts to the corpus of masculinities in the Hebrew Bible.
The volume's introduction (Ovidiu Creangă) celebrates the rich palette of approaches and disciplinary intersections that now characterize the study of Hebrew Bible masculinities, while calling attention to understudied topics. The next thirteen chapters dig deep into the methodological building-blocks underpinning biblical masculinity (Stephen Wilson); the theoretically essential distinction between queer and non-queer masculinities (Gil Rosenberg); the often-neglected yet essential representation of God's masculinity (David J.A. Clines); the competing masculinities of God, Pharaoh, and Moses in historical and lesbian perspective (Caralie Focht and Richard Purcell); Queen Jezebel's performance of masculinity (Hilary Lipka); Priestly and Deuteronomic fantasies of male perfection (Sandra Jacobs); the problem-ridden masculinity of Moses (Amy Kalmanofsky); the rhetoric of 'queen-making' in the prophetic literature (Susan E. Haddox); Jonah's homosocial masculinity (Rhiannon Graybill); the scribal masculinity of Daniel (Brian C. DiPalma); the ephemeral masculinity of mortal men (Milena Kirova); the masculine agencies in the Song of Songs (Martti Nissinen); and the intertwining of money and masculinity in the Book of Proverbs (Kelly Murphy). In the final chapter, Stuart Macwilliam reflects on methodological opportunities, thematic expansions, and a future direction for biblical masculinities.
Ancestral Queerness: The Normal and the Deviant in the Abraham and Sarah Narratives
Published: May 2019
£50.00
What would it look like to be queer in the time of Abraham and Sarah? What is normative and what is deviant in their stories? What does this have to do with queer lives today?
In Ancestral Queerness, Gil Rosenberg uses a careful comparative method to develop a cross-cultural queer category ('Queer'). He applies this category to Abraham and Sarah and argues that, Abraham and Sarah may usefully be regarded as 'Queer'.
Rosenberg's comparisons draw on a variety of contemporary queer stories, scholarship, and theories. These include a lesbian mother trying to support her partner and newborn daughter, Australian polyamorous families, Lee Edelman's figure of the Child, and gay men building families through surrogacy.
These comparisons lead Rosenberg to surprising new interpretations of several key passages in Genesis 11 —21. For example, he argues that Abraham wants to hide his marriage to Sarah because their relationship is a queer one, and that Sarah may not actually be wanting a biological child. Rosenberg also highlights the combination of normative and deviant elements in Abraham's strategies for obtaining an heir, and the role of ethnic and class difference in Abraham's and Sarah's efforts to become more normative.
Bold in its conclusions but careful and precise in its method, Ancestral Queerness breaks new ground by developing a queer theory applicable to diverse cultures, revealing the bias in previous scholarship on Abraham and Sarah, and opening up new paths of interpretation in their narratives.
Ancestral Queerness: The Normal and the Deviant in the Abraham and Sarah Narratives
£50.00
What would it look like to be queer in the time of Abraham and Sarah? What is normative and what is deviant in their stories? What does this have to do with queer lives today?
In Ancestral Queerness, Gil Rosenberg uses a careful comparative method to develop a cross-cultural queer category ('Queer'). He applies this category to Abraham and Sarah and argues that, Abraham and Sarah may usefully be regarded as 'Queer'.
Rosenberg's comparisons draw on a variety of contemporary queer stories, scholarship, and theories. These include a lesbian mother trying to support her partner and newborn daughter, Australian polyamorous families, Lee Edelman's figure of the Child, and gay men building families through surrogacy.
These comparisons lead Rosenberg to surprising new interpretations of several key passages in Genesis 11 —21. For example, he argues that Abraham wants to hide his marriage to Sarah because their relationship is a queer one, and that Sarah may not actually be wanting a biological child. Rosenberg also highlights the combination of normative and deviant elements in Abraham's strategies for obtaining an heir, and the role of ethnic and class difference in Abraham's and Sarah's efforts to become more normative.
Bold in its conclusions but careful and precise in its method, Ancestral Queerness breaks new ground by developing a queer theory applicable to diverse cultures, revealing the bias in previous scholarship on Abraham and Sarah, and opening up new paths of interpretation in their narratives.
The Dictionary of Classical Hebrew. I. Aleph. Revised Edition
Published: July 2018
£150.00
The Dictionary of Classical Hebrew Revised (DCHR ) is a complete revision, with over 100,000 improvements, of the original Dictionary of Classical Hebrew (1993 —2016).
It contains 6,300 Hebrew words not in the standard lexicon of BDB, and refers to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions. New features include: a notation of 3,700 byforms (words with the same meaning and similar form) identified for the first time; 700 verbal nouns (nouns derived from a verb) with their own articles (not previously shown in Hebrew lexica), 330 denominative verbs (verbs derived from a noun), and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
Data on synonyms have been greatly expanded, and loanwords from other languages included. Articles on personal names show (for the first time) all short forms, long forms, and alternative forms of the name, bibliographies have been updated and expanded, and 35,000 emendations of biblical texts noted. Every occurrence of each word in Classical Hebrew is noted.
All the subjects and objects of verbs are listed, and the verbs used with each noun, as well as all nouns used in a construct (genitive) relation with another noun. As with DCH, every Hebrew word in the Dictionary (except for the sections on synonyms) is followed immediately by an English translation, so that the Dictionary can be easily understood by a person with little or no Hebrew. When completed, DCHR will be 5 million words in length (equivalent to 50 standard-size books), 25% longer than DCH, and 4 times the length of BDB and HALOT.
There is a special discount price for customers subscribing to the DCHR set, and an easy payment plan (details from phoenix.bibs@sheffield.ac.uk).
The Dictionary of Classical Hebrew. I. Aleph. Revised Edition
£150.00
The Dictionary of Classical Hebrew Revised (DCHR ) is a complete revision, with over 100,000 improvements, of the original Dictionary of Classical Hebrew (1993 —2016).
It contains 6,300 Hebrew words not in the standard lexicon of BDB, and refers to many newly published texts, including 540 Dead Sea Scrolls and 4,000 ancient Hebrew inscriptions. New features include: a notation of 3,700 byforms (words with the same meaning and similar form) identified for the first time; 700 verbal nouns (nouns derived from a verb) with their own articles (not previously shown in Hebrew lexica), 330 denominative verbs (verbs derived from a noun), and the semantic field to which every word belongs (a totally new feature for Hebrew dictionaries).
Data on synonyms have been greatly expanded, and loanwords from other languages included. Articles on personal names show (for the first time) all short forms, long forms, and alternative forms of the name, bibliographies have been updated and expanded, and 35,000 emendations of biblical texts noted. Every occurrence of each word in Classical Hebrew is noted.
All the subjects and objects of verbs are listed, and the verbs used with each noun, as well as all nouns used in a construct (genitive) relation with another noun. As with DCH, every Hebrew word in the Dictionary (except for the sections on synonyms) is followed immediately by an English translation, so that the Dictionary can be easily understood by a person with little or no Hebrew. When completed, DCHR will be 5 million words in length (equivalent to 50 standard-size books), 25% longer than DCH, and 4 times the length of BDB and HALOT.
There is a special discount price for customers subscribing to the DCHR set, and an easy payment plan (details from phoenix.bibs@sheffield.ac.uk).
Feminist Interpretation of the Hebrew Bible in Retrospect: II. Social Locations
Published: Nov 2017
Price range: £25.00 through £60.00
This is the second of a set of three volumes reviewing the progress of feminist Hebrew Bible scholarship over the last 40 years. In it, fourteen essayists focus on the feminist work from various geographical areas and different hermeneutical locations.
Each essay explores the range and depth of feminist exegesis, presents substantial yet easily digestible trends, preferences and perspectives in feminist scholarship, and demonstrates that feminist biblical approaches are not monolithic but diverse in feminist conviction, hermeneutics and method.
The result of this collaborative task is a comprehensive though selective survey, which includes suggestions for future feminist engagement. What feminist biblical scholarship has accomplished during the past forty years is no small feat. But it becomes clear from this volume that much remains to be done in the pursuit of dismantling structures of gender domination in Hebrew Bible exegesis and beyond.
Feminist Interpretation of the Hebrew Bible in Retrospect: II. Social Locations
Price range: £25.00 through £60.00
This is the second of a set of three volumes reviewing the progress of feminist Hebrew Bible scholarship over the last 40 years. In it, fourteen essayists focus on the feminist work from various geographical areas and different hermeneutical locations.
Each essay explores the range and depth of feminist exegesis, presents substantial yet easily digestible trends, preferences and perspectives in feminist scholarship, and demonstrates that feminist biblical approaches are not monolithic but diverse in feminist conviction, hermeneutics and method.
The result of this collaborative task is a comprehensive though selective survey, which includes suggestions for future feminist engagement. What feminist biblical scholarship has accomplished during the past forty years is no small feat. But it becomes clear from this volume that much remains to be done in the pursuit of dismantling structures of gender domination in Hebrew Bible exegesis and beyond.
Feminist Interpretation of the Hebrew Bible in Retrospect: I. Biblical Books
Published: Oct 2017
Price range: £25.00 through £60.00
This is the first of a set of three volumes reviewing the progress of feminist Hebrew Bible scholarship over the last 40 years. In it, fourteen essayists focus on the feminist work on each of the biblical books.
Each essay explores the range and depth of feminist exegesis, presents substantial yet easily digestible trends, preferences and perspectives in feminist scholarship, and demonstrates that feminist biblical approaches are not monolithic but diverse in feminist conviction, hermeneutics and method.
The result of this collaborative task is a comprehensive though selective survey, which includes suggestions for future feminist engagement. What feminist biblical scholarship has accomplished during the past forty years is no small feat. But it becomes clear from this volume that much remains to be done in the pursuit of dismantling structures of gender domination in Hebrew Bible exegesis and beyond.
Feminist Interpretation of the Hebrew Bible in Retrospect: I. Biblical Books
Price range: £25.00 through £60.00
This is the first of a set of three volumes reviewing the progress of feminist Hebrew Bible scholarship over the last 40 years. In it, fourteen essayists focus on the feminist work on each of the biblical books.
Each essay explores the range and depth of feminist exegesis, presents substantial yet easily digestible trends, preferences and perspectives in feminist scholarship, and demonstrates that feminist biblical approaches are not monolithic but diverse in feminist conviction, hermeneutics and method.
The result of this collaborative task is a comprehensive though selective survey, which includes suggestions for future feminist engagement. What feminist biblical scholarship has accomplished during the past forty years is no small feat. But it becomes clear from this volume that much remains to be done in the pursuit of dismantling structures of gender domination in Hebrew Bible exegesis and beyond.
The Decalogue and its Cultural Influence
Published: Oct 2017
Price range: £33.00 through £70.00
Reception history is one of the most inviting, yet also one of the most difficult, fields in the study of the Bible today. It is difficult because it involves so many layers of expertise. The reception-historian does not only need a comprehensive knowledge and understanding of the biblical text itself, but also familiarity with the cultures and intellectual background of the many diverse ages in which it has been read and appropriated; and in addition needs to be versed in media other than writing, including the visual and performing arts.
But it is inviting because it carries its practitioners so far beyond the confines of ordinary textual study, with its concern for language and text, and out into an ocean of interdisciplinary engagement with writings that have, after all, stimulated the imaginations as well as the intellects of generations of religious (and non-religious) readers. The Decalogue is an obvious candidate for a reception-historical treatment. It has acquired over the centuries an enormous weight of commentary, and has been assimilated into the most varied cultures. Though a text, it has often also been an icon, appearing on walls in churches and now even in American courthouses. The subject was ripe for study, and the conference at which the papers in this book were delivered marked a significant milestone in biblical reception history' (from John Barton's Preface to the volume).
The 21 papers in this volume offer the richest and most wide-ranging interdisciplinary collection of studies on the reception of the Decalogue in culture, and will prove to be a fundamental resource for students of the biblical text and of the reception of the Bible in general.
The Decalogue and its Cultural Influence
Price range: £33.00 through £70.00
Reception history is one of the most inviting, yet also one of the most difficult, fields in the study of the Bible today. It is difficult because it involves so many layers of expertise. The reception-historian does not only need a comprehensive knowledge and understanding of the biblical text itself, but also familiarity with the cultures and intellectual background of the many diverse ages in which it has been read and appropriated; and in addition needs to be versed in media other than writing, including the visual and performing arts.
But it is inviting because it carries its practitioners so far beyond the confines of ordinary textual study, with its concern for language and text, and out into an ocean of interdisciplinary engagement with writings that have, after all, stimulated the imaginations as well as the intellects of generations of religious (and non-religious) readers. The Decalogue is an obvious candidate for a reception-historical treatment. It has acquired over the centuries an enormous weight of commentary, and has been assimilated into the most varied cultures. Though a text, it has often also been an icon, appearing on walls in churches and now even in American courthouses. The subject was ripe for study, and the conference at which the papers in this book were delivered marked a significant milestone in biblical reception history' (from John Barton's Preface to the volume).
The 21 papers in this volume offer the richest and most wide-ranging interdisciplinary collection of studies on the reception of the Decalogue in culture, and will prove to be a fundamental resource for students of the biblical text and of the reception of the Bible in general.
Feminist Interpretation of the Hebrew Bible in Retrospect. III: Methods
Published: Oct 2017
Price range: £25.00 through £60.00
This is the third of a set of three volumes reviewing the progress of feminist Hebrew Bible scholarship over the last forty years. In this third volume, eighteen contributors focus on the wide range of exegetical methods as they have been productively employed in feminist biblical interpretations.
More specifically, each essay investigates how feminist Hebrew Bible exegetes have worked with exegetical methods. Each essay surveys the method under consideration as it has emerged in academic discourse generally and in biblical studies in particular. Each essay also explains how feminist uses of the various exegetical methods have been deeply embedded within the theological, cultural, and even political expectations and assumptions of readers of the Bible.
This volume asks readers to come to terms with the following question: What are the best methods for feminist exegesis in the light of past and present socio-political, theological, or hermeneutical developments in reading the Bible? After all, feminist theorists have come to recognize that methods are always already situated within powerful epistemological and methodological structures that have their roots in vast arrays of historical, political, economic, social, and religious factors. This volume encourages feminist debate on these complex issues that stand at the heart of biblical exegesis.
Feminist Interpretation of the Hebrew Bible in Retrospect. III: Methods
Price range: £25.00 through £60.00
This is the third of a set of three volumes reviewing the progress of feminist Hebrew Bible scholarship over the last forty years. In this third volume, eighteen contributors focus on the wide range of exegetical methods as they have been productively employed in feminist biblical interpretations.
More specifically, each essay investigates how feminist Hebrew Bible exegetes have worked with exegetical methods. Each essay surveys the method under consideration as it has emerged in academic discourse generally and in biblical studies in particular. Each essay also explains how feminist uses of the various exegetical methods have been deeply embedded within the theological, cultural, and even political expectations and assumptions of readers of the Bible.
This volume asks readers to come to terms with the following question: What are the best methods for feminist exegesis in the light of past and present socio-political, theological, or hermeneutical developments in reading the Bible? After all, feminist theorists have come to recognize that methods are always already situated within powerful epistemological and methodological structures that have their roots in vast arrays of historical, political, economic, social, and religious factors. This volume encourages feminist debate on these complex issues that stand at the heart of biblical exegesis.
Biblical Masculinities Foregrounded
Published: Oct 2017
Price range: £25.00 through £65.00
Biblical Masculinities Foregrounded brings together ten innovative studies on varieties of masculinity evidenced in the Hebrew Bible, the New Testament and other early Christian writings. A sequel to the 2010 collection, Men and Masculinity in the Hebrew Bible and Beyond, this new volume raises important questions about why the study of biblical masculinities matters, what it contributes to our knowledge of the ancient writers' world as well as to our contemporary world, and which methods adequately attend to that study. The volume is designed as a resource for scholars of both Testaments working from a variety of biblical traditions and ideological perspectives on masculinity.
The following studies are offered as companions in the conversation: Yahweh's masculinity in appearances in glory in Exodus and Ezekiel (Alan Hooker); Proverbs' (de)construction of masculinity (Hilary Lipka); Saul's troubled masculinity in 1 —2 Samuel (Marcel M€Äcelaru); weeping men in the Torah and the Deuteronomistic history (Milena Kirova); Athaliah's manly rule (Stuart Macwilliam); Joseph of Nazareth as an everyday man (Justin Glessner); being a male disciple in Matthew's 'antitheses' (Hans-Ulrich Weidemann); eunuch masculinity in Matthew's Gospel (Susanna Asikainen); masculinity and circumcision in the first century (Karin Neutel and Matthew Anderson); and Thecla's masculinity in the Acts of Thecla (Peter-Ben Smit). Ovidiu Creangă opens the volume with a critical appraisal of the current state of play in the field, while Martti Nissinen and Bjorn Krondorfer offer closing critical reflections that situate the book's topics within broader debates regarding masculinities in religious studies.
Biblical Masculinities Foregrounded
Price range: £25.00 through £65.00
Biblical Masculinities Foregrounded brings together ten innovative studies on varieties of masculinity evidenced in the Hebrew Bible, the New Testament and other early Christian writings. A sequel to the 2010 collection, Men and Masculinity in the Hebrew Bible and Beyond, this new volume raises important questions about why the study of biblical masculinities matters, what it contributes to our knowledge of the ancient writers' world as well as to our contemporary world, and which methods adequately attend to that study. The volume is designed as a resource for scholars of both Testaments working from a variety of biblical traditions and ideological perspectives on masculinity.
The following studies are offered as companions in the conversation: Yahweh's masculinity in appearances in glory in Exodus and Ezekiel (Alan Hooker); Proverbs' (de)construction of masculinity (Hilary Lipka); Saul's troubled masculinity in 1 —2 Samuel (Marcel M€Äcelaru); weeping men in the Torah and the Deuteronomistic history (Milena Kirova); Athaliah's manly rule (Stuart Macwilliam); Joseph of Nazareth as an everyday man (Justin Glessner); being a male disciple in Matthew's 'antitheses' (Hans-Ulrich Weidemann); eunuch masculinity in Matthew's Gospel (Susanna Asikainen); masculinity and circumcision in the first century (Karin Neutel and Matthew Anderson); and Thecla's masculinity in the Acts of Thecla (Peter-Ben Smit). Ovidiu Creangă opens the volume with a critical appraisal of the current state of play in the field, while Martti Nissinen and Bjorn Krondorfer offer closing critical reflections that situate the book's topics within broader debates regarding masculinities in religious studies.
The Female Ruse: Women’s Deception and Divine Sanction in the Hebrew Bible
Published: Sep 2017
Price range: £25.00 through £60.00
From Eve to Esther, the Hebrew Bible is replete with gendered tales of trickery. A lie is uttered, a mask donned, a seduction staged, while redemption is propelled forward, guided by the divine hand. From the first 'female ruse' — Eve presenting the fruit of the tree of knowledge to Adam — humanity becomes embodied, engaged in history, moving from the Garden to exile, from wandering to homeland and redemption (and back again). Consider Rebekah dressing her beloved son in goatskins to steal the blessing from his blind father; Lot's daughters lying with their drunken father, and then conceiving the founding fathers of Ammon and Moab; Leah and Rachel, the mothers of the twelve tribes of Israel, duping Jacob on their wedding night; Tamar's seduction of Judah, her father-in-law, who then bears the progenitor of the Davidic line; Naomi sending Ruth to the threshing floor to seduce Boaz by night; Bathsheba invoking an oath that King David had supposedly made in order to forward Solomon, her son, as successor to the monarchy; and Queen Esther concealing her Jewish identity in the Persian imperial court. Over the course of nine chapters, the author traces these narratives of deception; in each case, God is in cahoots with these feminine agents in advancing the providential plan. A tension holds between the 'best laid plans' of men and the divine will as forwarded by women. Drawing on classic rabbinic sources and modern literary exegesis, the author exposes the conflict between the simple progression of genealogies and the process of selection through alliances of family and kin. Women are at the crux of that conflict, seemingly compelled to choose the indirect route while the deity appears to endorse their lie.
The Female Ruse: Women’s Deception and Divine Sanction in the Hebrew Bible
Price range: £25.00 through £60.00
From Eve to Esther, the Hebrew Bible is replete with gendered tales of trickery. A lie is uttered, a mask donned, a seduction staged, while redemption is propelled forward, guided by the divine hand. From the first 'female ruse' — Eve presenting the fruit of the tree of knowledge to Adam — humanity becomes embodied, engaged in history, moving from the Garden to exile, from wandering to homeland and redemption (and back again). Consider Rebekah dressing her beloved son in goatskins to steal the blessing from his blind father; Lot's daughters lying with their drunken father, and then conceiving the founding fathers of Ammon and Moab; Leah and Rachel, the mothers of the twelve tribes of Israel, duping Jacob on their wedding night; Tamar's seduction of Judah, her father-in-law, who then bears the progenitor of the Davidic line; Naomi sending Ruth to the threshing floor to seduce Boaz by night; Bathsheba invoking an oath that King David had supposedly made in order to forward Solomon, her son, as successor to the monarchy; and Queen Esther concealing her Jewish identity in the Persian imperial court. Over the course of nine chapters, the author traces these narratives of deception; in each case, God is in cahoots with these feminine agents in advancing the providential plan. A tension holds between the 'best laid plans' of men and the divine will as forwarded by women. Drawing on classic rabbinic sources and modern literary exegesis, the author exposes the conflict between the simple progression of genealogies and the process of selection through alliances of family and kin. Women are at the crux of that conflict, seemingly compelled to choose the indirect route while the deity appears to endorse their lie.
Journeys in the Songscape: Space and the Song of Songs
Published: Sep 2017
Price range: £20.00 through £60.00
The poetic world of the Song of Songs is a famously heady and distortive landscape, filled with bright sunlit rills, nocturnal cityscapes, and fecund bodies laid out like kingdoms. But what does the Song's use and abuse of spatial relationships tell us about its subject matter, and what do its strange panoramas tell us about literary space more broadly? Directly challenging recent methodological trends in biblical spatial studies, Journeys in the Songscape uses a range of innovative critical tools to explore, map and critique poetic space in the Song of Songs.
Taking the reader on a series of journeys across the Song's gendered, rural, urban and bodily spaces, Meredith argues that the worlds that spring up between the Song's lovers are all subtle reimaginings of the space between the biblical page and its own readers, and that at the heart of the Song is a (con)fusion of the dynamics of loving with the experience of reading. Love is at work in the Song, says Meredith, but it is not its subject so much as a sign under which collusions of power, textuality, space and subjectivity labour. The Song's world speaks not only to sexual relationships, then, but to the structure of language itself; textual spaces do not organize textual meaning but rather image its fundamental instability.
Journeys in the Songscape is a bold new literary treatment of the Song of Songs, but it is also a rethinking of what we mean by the term 'literary space', and represents a playful incitement to reconsider how critical tools are put to use in apprehending space as a literary construct.
Journeys in the Songscape: Space and the Song of Songs
Price range: £20.00 through £60.00
The poetic world of the Song of Songs is a famously heady and distortive landscape, filled with bright sunlit rills, nocturnal cityscapes, and fecund bodies laid out like kingdoms. But what does the Song's use and abuse of spatial relationships tell us about its subject matter, and what do its strange panoramas tell us about literary space more broadly? Directly challenging recent methodological trends in biblical spatial studies, Journeys in the Songscape uses a range of innovative critical tools to explore, map and critique poetic space in the Song of Songs.
Taking the reader on a series of journeys across the Song's gendered, rural, urban and bodily spaces, Meredith argues that the worlds that spring up between the Song's lovers are all subtle reimaginings of the space between the biblical page and its own readers, and that at the heart of the Song is a (con)fusion of the dynamics of loving with the experience of reading. Love is at work in the Song, says Meredith, but it is not its subject so much as a sign under which collusions of power, textuality, space and subjectivity labour. The Song's world speaks not only to sexual relationships, then, but to the structure of language itself; textual spaces do not organize textual meaning but rather image its fundamental instability.
Journeys in the Songscape is a bold new literary treatment of the Song of Songs, but it is also a rethinking of what we mean by the term 'literary space', and represents a playful incitement to reconsider how critical tools are put to use in apprehending space as a literary construct.
Persuading God: Rhetorical Studies of First-Person Psalms
Published: Sep 2017
Price range: £19.00 through £45.00
Written by a scholar of rhetoric, Persuading God demonstrates that the first-person psalms that make up over a third of the Book of Psalms were designed not simply to express the feelings of individual Israelites but to persuade God to act.
The book casts a new light on the roles of all the players in the situations in which the psalms were composed and performed: the person represented by the speaker on whose particular troubles the psalm is based, the spectators and opponents who are sometimes addressed directly by the speaker, the poet-musicians who craft the speaker's case and occasionally undermine it, and most of all, God as the direct addressee whose presumed openness to persuasion and willingness to intervene underlie the entire event.
The readings provide new explanations for many long-standing puzzles: how to deal with the long string of imprecations in Psalm 109, whether Psalm 4 is best read as protesting a false accusation or as countering apostasy, why so many verses in Psalm 62 begin with the exclamation ach , and, more generally, why so many first-person psalms seem to swing abruptly between despair and praise.
The book demonstrates the relevance of contemporary rhetorical theory to Hebrew Bible studies, including the work of ChaÌøm Perelman and Lucie Olbrechts-Tyteca, Kenneth Burke, and Mikhail Bakhtin. It also illuminates the state of rhetorical practice in the ancient Near East at the same time that rhetorical theories were first being codified and taught in archaic and classical Athens.
Persuading God: Rhetorical Studies of First-Person Psalms
Price range: £19.00 through £45.00
Written by a scholar of rhetoric, Persuading God demonstrates that the first-person psalms that make up over a third of the Book of Psalms were designed not simply to express the feelings of individual Israelites but to persuade God to act.
The book casts a new light on the roles of all the players in the situations in which the psalms were composed and performed: the person represented by the speaker on whose particular troubles the psalm is based, the spectators and opponents who are sometimes addressed directly by the speaker, the poet-musicians who craft the speaker's case and occasionally undermine it, and most of all, God as the direct addressee whose presumed openness to persuasion and willingness to intervene underlie the entire event.
The readings provide new explanations for many long-standing puzzles: how to deal with the long string of imprecations in Psalm 109, whether Psalm 4 is best read as protesting a false accusation or as countering apostasy, why so many verses in Psalm 62 begin with the exclamation ach , and, more generally, why so many first-person psalms seem to swing abruptly between despair and praise.
The book demonstrates the relevance of contemporary rhetorical theory to Hebrew Bible studies, including the work of ChaÌøm Perelman and Lucie Olbrechts-Tyteca, Kenneth Burke, and Mikhail Bakhtin. It also illuminates the state of rhetorical practice in the ancient Near East at the same time that rhetorical theories were first being codified and taught in archaic and classical Athens.
Journal of Greco-Roman Christianity and Judaism 11 (2015)
Published: Aug 2016
£80.00
This is the eleventh volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009, Volume 7 was for 2010, Volume 8 was for 2011 —2012, Volume 9 was for 2013, Volume 10 was for 2014 and Volume 11 is for 2015. As they appear, the hard-copy editions will replace the online materials.
The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Journal of Greco-Roman Christianity and Judaism 11 (2015)
£80.00
This is the eleventh volume of the hard-copy edition of a journal that has been published online (www.jgrchj.net) since 2000. Volume 1 was for 2000, Volume 2 was for 2001 —2005, Volume 3 was for 2006, Volume 4 was for 2007, Volume 5 was for 2008, Volume 6 was for 2009, Volume 7 was for 2010, Volume 8 was for 2011 —2012, Volume 9 was for 2013, Volume 10 was for 2014 and Volume 11 is for 2015. As they appear, the hard-copy editions will replace the online materials.
The scope of JGRChJ is the texts, language and cultures of the Greco-Roman world of early Christianity and Judaism. The papers published in JGRChJ are designed to pay special attention to the 'larger picture' of politics, culture, religion and language, engaging as well with modern theoretical approaches.
Obadiah
Published: July 2016
Price range: £15.00 through £35.00
Although Obadiah is the smallest book in the Hebrew Bible, its readers are confronted with a variety of challenges —linguistic, historical and hermeneutical. In the present volume the Book of Obadiah is approached from a variety of angles and reading strategies. These approaches sometimes concur, but often contradict one another.
Bob Becking discusses various grammatical and linguistic problems of the Hebrew text in translating the book for a post-secular audience. Historical questions are the province of Nadav Na'aman. What were the 'events' with which the text seems to cope? Literary-historical issues concern Marvin Sweeney, who sees the book as the end-result of a complex redaction history in which the text was read in connection with and confrontation to the other Minor Prophets.
Reading from particular positions is the theme of Gerrie Snyman, approaching the book in a South-African context, and asking, Who is vulnerable and who is not? Julia O'Brien takes a gender-specific approach asking, What does it mean that Edom is a brother who breaks the family code? Eric Ottenheijm traces the ways in which the Rabbis understood Obadiah.
With insights from newly developing fields, Nicholas Werse discusses the violent character of judgment in the book in the light of semiotics, and Bradford Anderson brings to the fore the spatial rhetoric in the book.
The authors of this volume offer their readings of the text in a non-exclusive way. No one claims to have found the one and only way to appreciate the message of the prophetic book. It is up to the readers of this volume —and of the Book of Obadiah —to decide how they will read the book in the changing circumstances of life.
Obadiah
Price range: £15.00 through £35.00
Although Obadiah is the smallest book in the Hebrew Bible, its readers are confronted with a variety of challenges —linguistic, historical and hermeneutical. In the present volume the Book of Obadiah is approached from a variety of angles and reading strategies. These approaches sometimes concur, but often contradict one another.
Bob Becking discusses various grammatical and linguistic problems of the Hebrew text in translating the book for a post-secular audience. Historical questions are the province of Nadav Na'aman. What were the 'events' with which the text seems to cope? Literary-historical issues concern Marvin Sweeney, who sees the book as the end-result of a complex redaction history in which the text was read in connection with and confrontation to the other Minor Prophets.
Reading from particular positions is the theme of Gerrie Snyman, approaching the book in a South-African context, and asking, Who is vulnerable and who is not? Julia O'Brien takes a gender-specific approach asking, What does it mean that Edom is a brother who breaks the family code? Eric Ottenheijm traces the ways in which the Rabbis understood Obadiah.
With insights from newly developing fields, Nicholas Werse discusses the violent character of judgment in the book in the light of semiotics, and Bradford Anderson brings to the fore the spatial rhetoric in the book.
The authors of this volume offer their readings of the text in a non-exclusive way. No one claims to have found the one and only way to appreciate the message of the prophetic book. It is up to the readers of this volume —and of the Book of Obadiah —to decide how they will read the book in the changing circumstances of life.
Learning Biblical Hebrew Interactively, I (Student Edition, Revised)
Published: July 2016
Price range: £26.00 through £40.00
The fruit of several years' research and development, field-tested by teachers without experience of conversation in Hebrew as a spoken language, Paul Overland's new Hebrew textbook is startlingly original and immediately accessible and attractive. Its foundation is the theory and practice of Second Language Acquisition (SLA), which orients grammar so as to empower the student's capacity for reading, hearing and expressing in Biblical Hebrew.
Learning Biblical Hebrew Interactively offers a set of activities structured on a serialized narrative inspired by the book of Jonah. Working through it, the student acquires facility in communicating in Hebrew by expressing opinions, accomplishing tasks, or asking others to do something. It is a hands-on, interactive learning experience, hugely various, enhanced by its 230 illustrations and photos, and numerous inserts headed 'Did you know that...?' featuring interesting aspects of Hebrew culture.
There are two volumes, which can be bought separately, and a version of the student edition that is designed for the instructor, with hints on how to use the textbook in a class setting.
Each lesson in the textbook is enhanced by digital resources, freely downloadable from LearningBiblicalHebrewInteractively.com.
Learning Biblical Hebrew Interactively, I (Student Edition, Revised)
Price range: £26.00 through £40.00
The fruit of several years' research and development, field-tested by teachers without experience of conversation in Hebrew as a spoken language, Paul Overland's new Hebrew textbook is startlingly original and immediately accessible and attractive. Its foundation is the theory and practice of Second Language Acquisition (SLA), which orients grammar so as to empower the student's capacity for reading, hearing and expressing in Biblical Hebrew.
Learning Biblical Hebrew Interactively offers a set of activities structured on a serialized narrative inspired by the book of Jonah. Working through it, the student acquires facility in communicating in Hebrew by expressing opinions, accomplishing tasks, or asking others to do something. It is a hands-on, interactive learning experience, hugely various, enhanced by its 230 illustrations and photos, and numerous inserts headed 'Did you know that...?' featuring interesting aspects of Hebrew culture.
There are two volumes, which can be bought separately, and a version of the student edition that is designed for the instructor, with hints on how to use the textbook in a class setting.
Each lesson in the textbook is enhanced by digital resources, freely downloadable from LearningBiblicalHebrewInteractively.com.
The Dictionary of Classical Hebrew, Volumes 1-9 Hardback
Published: Jun 2016
Price range: £50.00 through £150.00
The Dictionary of Classical Hebrew is a completely new and innovative dictionary.
Unlike previous dictionaries, which have been dictionaries of biblical Hebrew, this is the first dictionary of the classical Hebrew language to include the Bible, Dead Sea Scrolls, and all the other known Hebrew inscriptions and manuscripts.
This Dictionary covers the period from the earliest times to 200 CE. It lists and analyses every occurrences of each Hebrew word that occurs in texts of that period, with an English translation of every Hebrew word and phrase cited.
Among its special features are: a list of the non-biblical texts cited (especially the Dead Sea Scrolls), a word frequency index for each letter of the alphabet, a substantial bibliography (from Volume 2 onward) and an English-Hebrew index in each volume.
The Dictionary of Classical Hebrew, Volumes 1-9 Hardback
Price range: £50.00 through £150.00
The Dictionary of Classical Hebrew is a completely new and innovative dictionary.
Unlike previous dictionaries, which have been dictionaries of biblical Hebrew, this is the first dictionary of the classical Hebrew language to include the Bible, Dead Sea Scrolls, and all the other known Hebrew inscriptions and manuscripts.
This Dictionary covers the period from the earliest times to 200 CE. It lists and analyses every occurrences of each Hebrew word that occurs in texts of that period, with an English translation of every Hebrew word and phrase cited.
Among its special features are: a list of the non-biblical texts cited (especially the Dead Sea Scrolls), a word frequency index for each letter of the alphabet, a substantial bibliography (from Volume 2 onward) and an English-Hebrew index in each volume.
The Dictionary of Classical Hebrew, Volume 9: Index
Published: May 2016
Price range: £50.00 through £150.00
Volume IX offers a valuable enhancement of the 8-volume Dictionary of Classical Hebrew (1993 —2011). In DCH I —VIII, each volume had its own English —Hebrew Index, but this volume presents a much improved gathering together of all those indexes. The Index here contains every word used as a translation (gloss) in the Dictionary, that is, all the words printed in bold. In addition —a feature not seen before in Hebrew dictionaries —beneath each listed word are noted all the Hebrew words it translates, together with the volume and page reference of the relevant article.
The Index thus shows at a glance all the Hebrew words that are translated with the same English word, e.g. Arrogance 10 Hebrew words, Arrow 7, Assembly 10, Band 9, Basket 9, Bend 10, Branch 23, Break 21. So it becomes an index of synonyms, hard to parallel elsewhere in the scholarly literature.
Indexes have not been a common feature of twentieth-century Hebrew dictionaries, though they were quite frequent in older lexica, and it is time they were restored as a customary element in a lexicon. Browsing the Index will prove not only interesting but also useful.
The second element in this volume is the Word Frequency Table. This is a combination of the Word Frequency Tables in the various volumes of DCH . There, the lists of word frequencies were arranged under each letter of the alphabet. In the present publication, all the words in the Dictionary are combined in a single list arranged in order of frequency of occurrence.
Unlike all previous lists of occurrences of Hebrew words, the present list includes the occurrences not only in the Hebrew Bible but also in the whole scope of The Dictionary of Classical Hebrew, which is to say, Sirach (Ecclesiasticus), the Dead Sea Scrolls and the Hebrew Inscriptions as well as the Hebrew Bible itself. For each word there is listed the number of occurrences in each of those four corpora, and the ranking position of a given word is determined by the total number of occurrences in all the classical Hebrew texts combined. For some sample pages of this Volume, click The Dictionary of Classical Hebrew, IX . See also The Concise Dictionary of Classical Hebrew, a one-volume version of The Dictionary of Classical Hebrew.
The Dictionary of Classical Hebrew, Volume 9: Index
Price range: £50.00 through £150.00
Volume IX offers a valuable enhancement of the 8-volume Dictionary of Classical Hebrew (1993 —2011). In DCH I —VIII, each volume had its own English —Hebrew Index, but this volume presents a much improved gathering together of all those indexes. The Index here contains every word used as a translation (gloss) in the Dictionary, that is, all the words printed in bold. In addition —a feature not seen before in Hebrew dictionaries —beneath each listed word are noted all the Hebrew words it translates, together with the volume and page reference of the relevant article.
The Index thus shows at a glance all the Hebrew words that are translated with the same English word, e.g. Arrogance 10 Hebrew words, Arrow 7, Assembly 10, Band 9, Basket 9, Bend 10, Branch 23, Break 21. So it becomes an index of synonyms, hard to parallel elsewhere in the scholarly literature.
Indexes have not been a common feature of twentieth-century Hebrew dictionaries, though they were quite frequent in older lexica, and it is time they were restored as a customary element in a lexicon. Browsing the Index will prove not only interesting but also useful.
The second element in this volume is the Word Frequency Table. This is a combination of the Word Frequency Tables in the various volumes of DCH . There, the lists of word frequencies were arranged under each letter of the alphabet. In the present publication, all the words in the Dictionary are combined in a single list arranged in order of frequency of occurrence.
Unlike all previous lists of occurrences of Hebrew words, the present list includes the occurrences not only in the Hebrew Bible but also in the whole scope of The Dictionary of Classical Hebrew, which is to say, Sirach (Ecclesiasticus), the Dead Sea Scrolls and the Hebrew Inscriptions as well as the Hebrew Bible itself. For each word there is listed the number of occurrences in each of those four corpora, and the ranking position of a given word is determined by the total number of occurrences in all the classical Hebrew texts combined. For some sample pages of this Volume, click The Dictionary of Classical Hebrew, IX . See also The Concise Dictionary of Classical Hebrew, a one-volume version of The Dictionary of Classical Hebrew.
Megilloth Studies: The Shape of Contemporary Scholarship
Published: Feb 2016
£60.00
This volume brings together two years of papers read to the Megilloth Consultation Group at the Annual Meetings of the Society of Biblical Literature; it represents some of the most recent work being done by a group of international scholars on the collection of Hebrew Bible books known as the Megilloth.
Although the individual books of the Megilloth have received ample academic attention in contemporary scholarship, relatively little has been done to situate them under this broader rubric. To this end, the present volume addresses a range of issues associated with studying the five scrolls, such as the internal relationship between the books themselves, intertextual connections between the five scrolls and other portions of the Hebrew Bible, gender and ethnic concerns in the five scrolls, and the theological commitments and contours of the collection. Several of the papers and the volume itself also intentionally wrestle with the viability of the category 'Megilloth' as a meaningful term in academic studies of these writings.
In addition to papers on the Megilloth in general (Galvin, Stone, Fullerton Strollo), there are studies on Esther (Davis, Greenspoon, Avnery, Peters, three of them in relation to Ruth), Lamentations (Gruber and Yona, Flanders) and Qoheleth (Weeks).
Megilloth Studies: The Shape of Contemporary Scholarship
£60.00
This volume brings together two years of papers read to the Megilloth Consultation Group at the Annual Meetings of the Society of Biblical Literature; it represents some of the most recent work being done by a group of international scholars on the collection of Hebrew Bible books known as the Megilloth.
Although the individual books of the Megilloth have received ample academic attention in contemporary scholarship, relatively little has been done to situate them under this broader rubric. To this end, the present volume addresses a range of issues associated with studying the five scrolls, such as the internal relationship between the books themselves, intertextual connections between the five scrolls and other portions of the Hebrew Bible, gender and ethnic concerns in the five scrolls, and the theological commitments and contours of the collection. Several of the papers and the volume itself also intentionally wrestle with the viability of the category 'Megilloth' as a meaningful term in academic studies of these writings.
In addition to papers on the Megilloth in general (Galvin, Stone, Fullerton Strollo), there are studies on Esther (Davis, Greenspoon, Avnery, Peters, three of them in relation to Ruth), Lamentations (Gruber and Yona, Flanders) and Qoheleth (Weeks).
Teaching the Bible in the Liberal Arts Classroom, Volume 2
Published: Oct 2015
Price range: £22.50 through £50.00
Eugene V. Gallagher, Rosemary Park Professor of Religious Studies at Connecticut College, writes: 'In a context where the general value of the Humanities has increasingly come under question by those who see a college education as necessarily being directly tied to the first job that students will have after they graduate, an ability to make a vigorous case about the contribution of studying the Bible to any college student's education is crucial for any teacher'.
This second collection of essays edited by Jane Webster and Glenn Holland seeks not only to promote the role of biblical studies in an undergraduate liberal arts education, but also to suggest strategies and approaches for teaching the Bible in a range of academic situations. Combining the theoretical and the practical, this volume will be another useful source of guidance and support for teachers of biblical studies at any point in their professional careers.
Teaching the Bible in the Liberal Arts Classroom, Volume 2
Price range: £22.50 through £50.00
Eugene V. Gallagher, Rosemary Park Professor of Religious Studies at Connecticut College, writes: 'In a context where the general value of the Humanities has increasingly come under question by those who see a college education as necessarily being directly tied to the first job that students will have after they graduate, an ability to make a vigorous case about the contribution of studying the Bible to any college student's education is crucial for any teacher'.
This second collection of essays edited by Jane Webster and Glenn Holland seeks not only to promote the role of biblical studies in an undergraduate liberal arts education, but also to suggest strategies and approaches for teaching the Bible in a range of academic situations. Combining the theoretical and the practical, this volume will be another useful source of guidance and support for teachers of biblical studies at any point in their professional careers.
Simulating Aichele: Essays in Bible, Film, Culture and Theory
Published: Oct 2015
£55.00
Simulating Aichele pays tribute to the title of George Aichele's 2011 book, Simulating Jesus. In contemporary biblical scholarship, Aichele is a notable leader whose writings explore the problems of meaning and referentiality in the Bible and in biblical texts found in non-biblical contexts. His close readings of canonical texts alongside 'the fantastic' in film, television and literature reveal the relationships between texts and intertexts. Such juxtapositions expose gaps and liberate strange voices in the Bible and break the stranglehold of canonical ideologies. Aichele shows how the afterlives of biblical texts simultaneously produce present and past realities by simulating both. These afterlives not only pull ancient texts into the present but in the process also change the precursor text(s).
This Festschrift presents some of the afterlives of Aichele's research in Bible, film, culture and theory. Exercises in intertextuality and textual liberation include Yvonne Sherwood's reading of Jacob and Esau alongside a Sierra Leone twin story 'Kanu and the Book'; Richard Walsh's pairing of Jesus' final lament in Mark with Kafka's 'In the Penal Colony'; Tina Pippin's exploration of the afterlives of Jesus' baptism in Mark; Gary A. Phillips's ethical imagining of Martha as the Levinasian Other; and Scott S. Elliott's interpretation of 1 Corinthians 9 in light of Roland Barthes' 'Neutral'. Other contributors explore Bible and film. Robert Paul Seesengood and Jennifer L. Koosed review recent apocalyptic films; Fred W. Burnett analyses the greatest contemporary slacker, the Dude, from The Big Lebowski; and Erin Runions compares the panoptic desire for complete knowledge found in 1 Corinthians and A Scanner Darkly. Finally, Roland Boer looks at the unexpected afterlives of Hebrew and Christian scriptures in Lenin's speeches, and Stephen D. Moore offers a retrospective essay on postmodernism and biblical studies.
Simulating Aichele: Essays in Bible, Film, Culture and Theory
£55.00
Simulating Aichele pays tribute to the title of George Aichele's 2011 book, Simulating Jesus. In contemporary biblical scholarship, Aichele is a notable leader whose writings explore the problems of meaning and referentiality in the Bible and in biblical texts found in non-biblical contexts. His close readings of canonical texts alongside 'the fantastic' in film, television and literature reveal the relationships between texts and intertexts. Such juxtapositions expose gaps and liberate strange voices in the Bible and break the stranglehold of canonical ideologies. Aichele shows how the afterlives of biblical texts simultaneously produce present and past realities by simulating both. These afterlives not only pull ancient texts into the present but in the process also change the precursor text(s).
This Festschrift presents some of the afterlives of Aichele's research in Bible, film, culture and theory. Exercises in intertextuality and textual liberation include Yvonne Sherwood's reading of Jacob and Esau alongside a Sierra Leone twin story 'Kanu and the Book'; Richard Walsh's pairing of Jesus' final lament in Mark with Kafka's 'In the Penal Colony'; Tina Pippin's exploration of the afterlives of Jesus' baptism in Mark; Gary A. Phillips's ethical imagining of Martha as the Levinasian Other; and Scott S. Elliott's interpretation of 1 Corinthians 9 in light of Roland Barthes' 'Neutral'. Other contributors explore Bible and film. Robert Paul Seesengood and Jennifer L. Koosed review recent apocalyptic films; Fred W. Burnett analyses the greatest contemporary slacker, the Dude, from The Big Lebowski; and Erin Runions compares the panoptic desire for complete knowledge found in 1 Corinthians and A Scanner Darkly. Finally, Roland Boer looks at the unexpected afterlives of Hebrew and Christian scriptures in Lenin's speeches, and Stephen D. Moore offers a retrospective essay on postmodernism and biblical studies.
The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers
Published: Oct 2015
£60.00
Helen Leneman and Barry Dov Walfish, both specialists in biblical reception history, have compiled an unusually rich collection of new essays by experts in their fields. This book is a pioneering attempt to portray and analyse the visions of twentieth- and twenty-first century Jewish artists working in different media —visual art, literature (novels, poetry and short stories), music (opera, oratorio and song), and film —who have retold biblical narratives through their art. Reading these essays together will bring a new appreciation and understanding of what makes the perspective of these visual artists, writers, composers and filmmakers on the Hebrew Bible uniquely Jewish.
All of these Jewish visions can be considered a form of modern midrash, as the artists imaginatively fill in gaps in the biblical narrative, bringing a modern sensibility to the meanings of the stories.
Under the heading 'Biblical Women', the stories of the matriarchs, Hagar, and other biblical women are re-imagined in the visual arts, poetry and music. Several further chapters focus on the story of the Aqedah (Binding of Isaac), as represented in the visual arts, literature and music. Other retellings of biblical narratives through short stories are then examined, while yet other chapters explore the books of Esther and Psalms as envisioned and retold in the visual arts, opera, literature and film.
These retellings, analysed and discussed by the authors of this ground-breaking volume, will stimulate the reader to view the texts in new ways or to confront their challenge to personal or traditional interpretations of those texts.
The Bible Retold by Jewish Artists, Writers, Composers and Filmmakers
£60.00
Helen Leneman and Barry Dov Walfish, both specialists in biblical reception history, have compiled an unusually rich collection of new essays by experts in their fields. This book is a pioneering attempt to portray and analyse the visions of twentieth- and twenty-first century Jewish artists working in different media —visual art, literature (novels, poetry and short stories), music (opera, oratorio and song), and film —who have retold biblical narratives through their art. Reading these essays together will bring a new appreciation and understanding of what makes the perspective of these visual artists, writers, composers and filmmakers on the Hebrew Bible uniquely Jewish.
All of these Jewish visions can be considered a form of modern midrash, as the artists imaginatively fill in gaps in the biblical narrative, bringing a modern sensibility to the meanings of the stories.
Under the heading 'Biblical Women', the stories of the matriarchs, Hagar, and other biblical women are re-imagined in the visual arts, poetry and music. Several further chapters focus on the story of the Aqedah (Binding of Isaac), as represented in the visual arts, literature and music. Other retellings of biblical narratives through short stories are then examined, while yet other chapters explore the books of Esther and Psalms as envisioned and retold in the visual arts, opera, literature and film.
These retellings, analysed and discussed by the authors of this ground-breaking volume, will stimulate the reader to view the texts in new ways or to confront their challenge to personal or traditional interpretations of those texts.
Biblical Rhetoric and Rhetorical Criticism
Published: Oct 2015
Price range: £20.00 through £80.00
This volume will prove a classic textbook on rhetorical criticism in the Bible, especially the Hebrew Bible. Following the lead of the famous Presidential Address to the Society of Biblical Literature in 1968 by James Muilenburg, 'Form Criticism and Beyond', Jack Lundbom has for over 40 years been developing and shaping the field with a stream of papers. 26 of them (three not previously published) are gathered into this volume.
Hebrew rhetoric has a long history, reaching back even into the early Israelite period. Recognition of rhetorical elements in the Bible can be seen in Hillel, Augustine, ibn Ezra, and Calvin, as well as among certain biblical scholars of the 18th and 19th centuries. But the revival of rhetoric and the modern method of rhetorical criticism is more recent, having begun in America among classical scholars in the early 1900s, and having been widely adopted by biblical scholars in the last third of the twentieth century. Biblical scholars today invariably have rhetorical criticism in their exegetical toolbox, but the field lacks such a comprehensive corpus of studies as the present volume supplies.
Reading the Bible with an eye to the rhetorical nature of its discourse —not just the style, but its structures and modes of argumentation —gives one a sharpened view of biblical figures, their legacy, and much else in the biblical text. One also gets new insight into the audiences for whom biblical messages were originally intended. Rhetorical criticism offers a ready yield for all those seeking a closer understanding of the biblical texts.
Biblical Rhetoric and Rhetorical Criticism
Price range: £20.00 through £80.00
This volume will prove a classic textbook on rhetorical criticism in the Bible, especially the Hebrew Bible. Following the lead of the famous Presidential Address to the Society of Biblical Literature in 1968 by James Muilenburg, 'Form Criticism and Beyond', Jack Lundbom has for over 40 years been developing and shaping the field with a stream of papers. 26 of them (three not previously published) are gathered into this volume.
Hebrew rhetoric has a long history, reaching back even into the early Israelite period. Recognition of rhetorical elements in the Bible can be seen in Hillel, Augustine, ibn Ezra, and Calvin, as well as among certain biblical scholars of the 18th and 19th centuries. But the revival of rhetoric and the modern method of rhetorical criticism is more recent, having begun in America among classical scholars in the early 1900s, and having been widely adopted by biblical scholars in the last third of the twentieth century. Biblical scholars today invariably have rhetorical criticism in their exegetical toolbox, but the field lacks such a comprehensive corpus of studies as the present volume supplies.
Reading the Bible with an eye to the rhetorical nature of its discourse —not just the style, but its structures and modes of argumentation —gives one a sharpened view of biblical figures, their legacy, and much else in the biblical text. One also gets new insight into the audiences for whom biblical messages were originally intended. Rhetorical criticism offers a ready yield for all those seeking a closer understanding of the biblical texts.
The World of the Child in the Hebrew Bible
Published: Oct 2015
Price range: £18.50 through £50.00
The question 'What is a child?' is not easily answered. To make us aware of the multiple factors that contribute to the social construction of childhood in the Hebrew Bible, Naomi Steinberg draws on ethno-historical evidence and incorporates the insights of contemporary social studies of childhood. Through close readings of Genesis 21, 1 Samuel 1 and Exodus 21.22-25, she argues that chronological age and biological immaturity do not determine the boundaries of childhood in biblical Israel.
The social constructions of childhood in the Hebrew Bible were based on what the child could do for the parent, not vice versa. Children were their parents' property and were used to fulfil their parents' desires and needs. Not all children had the same experiences of childhood, of course. For example, whether a child was born into a monogamous or polygamous family shaped the course of its future. Other relevant factors in the construction of the multiplicities of childhoods included gender, birth order, and the socio-political historical contexts of ancient Israel. Steinberg convincingly corrects the notion that childhood is a static category in the human life cycle, showing that meanings of childhood are not generic and cannot be carried over from one society to another.
This fascinating study, in which the author draws fruitfully on her personal cross-cultural experience of children's lives in Guatemala, exposes the reality that childhood in the Hebrew Bible was radically different from present-day childhood.
The World of the Child in the Hebrew Bible
Price range: £18.50 through £50.00
The question 'What is a child?' is not easily answered. To make us aware of the multiple factors that contribute to the social construction of childhood in the Hebrew Bible, Naomi Steinberg draws on ethno-historical evidence and incorporates the insights of contemporary social studies of childhood. Through close readings of Genesis 21, 1 Samuel 1 and Exodus 21.22-25, she argues that chronological age and biological immaturity do not determine the boundaries of childhood in biblical Israel.
The social constructions of childhood in the Hebrew Bible were based on what the child could do for the parent, not vice versa. Children were their parents' property and were used to fulfil their parents' desires and needs. Not all children had the same experiences of childhood, of course. For example, whether a child was born into a monogamous or polygamous family shaped the course of its future. Other relevant factors in the construction of the multiplicities of childhoods included gender, birth order, and the socio-political historical contexts of ancient Israel. Steinberg convincingly corrects the notion that childhood is a static category in the human life cycle, showing that meanings of childhood are not generic and cannot be carried over from one society to another.
This fascinating study, in which the author draws fruitfully on her personal cross-cultural experience of children's lives in Guatemala, exposes the reality that childhood in the Hebrew Bible was radically different from present-day childhood.
The Pausal System: Divisions in the Hebrew Biblical Text as Marked by Voweling and Stress Position. Edited by Raymond de Hoop and Paul Sanders
Published: Oct 2015
£45.00
In the Hebrew Bible, the 'pausal system' is a set of variations in voweling and stress position that marks the ends of units of various sizes. Pausal forms are already well known and have long been included in grammatical works.
However, it is rarely noticed that many pausal forms occur at unexpected positions. They may be marked with any disjunctive accent, or even with one of the conjunctive accents. The pausal forms represent an earlier division of the text and deserve special attention.
In addition to the pausal forms, the retraction of word stress (nesigah) and the use of the vowel qames on conjunctive waw also appear to mark the ends of units. All these indicators are included in this comprehensive study of the pausal system and in the accompanying list of terminal markers. The volume contains the first classified list of all the relevant forms in the Hebrew Bible.
The Pausal System: Divisions in the Hebrew Biblical Text as Marked by Voweling and Stress Position. Edited by Raymond de Hoop and Paul Sanders
£45.00
In the Hebrew Bible, the 'pausal system' is a set of variations in voweling and stress position that marks the ends of units of various sizes. Pausal forms are already well known and have long been included in grammatical works.
However, it is rarely noticed that many pausal forms occur at unexpected positions. They may be marked with any disjunctive accent, or even with one of the conjunctive accents. The pausal forms represent an earlier division of the text and deserve special attention.
In addition to the pausal forms, the retraction of word stress (nesigah) and the use of the vowel qames on conjunctive waw also appear to mark the ends of units. All these indicators are included in this comprehensive study of the pausal system and in the accompanying list of terminal markers. The volume contains the first classified list of all the relevant forms in the Hebrew Bible.
Authority and Violence in the Gideon and Abimelech Narratives: A Sociological and Literary Exploration of Judges 6-9
Published: Sep 2015
£55.00
Authority and violence exhibit a close and complex relationship in the social worlds depicted in biblical narratives as well as in ancient and modern societies. The perceived legitimacy or illegitimacy of authority and violence can hinge upon a number of factors. In the stories of Gideon and Abimelech in Judges 6 —9, lethal actions are depicted as justified, regrettable, or reproachful based, in part, on assumptions regarding kinship, honor, and justice. These narratives form an intriguing interlude within Judges as they directly broach, for the first time in the flow of biblical history, the 'reality' of dynastic kingship within Israel while telling a tale of deadly and divinely motivated reversals of power.
An interdisciplinary approach that blends social-scientific analysis driven by Pierre Bourdieu's concepts of social field, habitus, capital, and doxa with a close narrative analysis recommends new ways of understanding the biblical characters' motivations, skills, and social capital; the linguistic capital of the text's creators; and the social worlds from which the narratives emerged. By examining the narrated relations of power through a sociological lens, the study discerns and describes how political and religious power is attained, preserved, transmitted, resisted, endorsed, disguised, or divinized. Building upon this basis, concentration on narrated violence suggests how the stories might be purposed to endorse, legitimate, or resist authority in the ancient context. The study concludes with a synthesis of its results and a survey of scribalism in order to recommend historical settings for the origination of the narratives. The study demonstrates how the biblical text, as a cultural product, can both knowingly and unknowingly communicate information about a society's social relations, values, and concerns.
This is the second volume in the sub-series The Bible and Social Science.
Authority and Violence in the Gideon and Abimelech Narratives: A Sociological and Literary Exploration of Judges 6-9
£55.00
Authority and violence exhibit a close and complex relationship in the social worlds depicted in biblical narratives as well as in ancient and modern societies. The perceived legitimacy or illegitimacy of authority and violence can hinge upon a number of factors. In the stories of Gideon and Abimelech in Judges 6 —9, lethal actions are depicted as justified, regrettable, or reproachful based, in part, on assumptions regarding kinship, honor, and justice. These narratives form an intriguing interlude within Judges as they directly broach, for the first time in the flow of biblical history, the 'reality' of dynastic kingship within Israel while telling a tale of deadly and divinely motivated reversals of power.
An interdisciplinary approach that blends social-scientific analysis driven by Pierre Bourdieu's concepts of social field, habitus, capital, and doxa with a close narrative analysis recommends new ways of understanding the biblical characters' motivations, skills, and social capital; the linguistic capital of the text's creators; and the social worlds from which the narratives emerged. By examining the narrated relations of power through a sociological lens, the study discerns and describes how political and religious power is attained, preserved, transmitted, resisted, endorsed, disguised, or divinized. Building upon this basis, concentration on narrated violence suggests how the stories might be purposed to endorse, legitimate, or resist authority in the ancient context. The study concludes with a synthesis of its results and a survey of scribalism in order to recommend historical settings for the origination of the narratives. The study demonstrates how the biblical text, as a cultural product, can both knowingly and unknowingly communicate information about a society's social relations, values, and concerns.
This is the second volume in the sub-series The Bible and Social Science.
Guide to Biblical Chronology
Published: Sep 2015
£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being.
The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives.
After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible.
Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures.
The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
Guide to Biblical Chronology
£18.50
This Guide to Biblical Chronology aims to explain why different chronological proposals exist for the reigns of kings of Israel and Judah and how the conflicting chronological data preserved in the Books of Kings have come into being.
The first step is to reconstruct older chronological data so that synchronisms are in harmony with each other. Only then can the chronological data be related to extrabiblical documents; such a comparison reveals a good degree of correspondence. This means that the chronological records of the kings of Judah and Israel during the period between 930 and 586 BCE must have based on reliable annalistic records from royal archives.
After the destruction of Samaria, synchronic chronological presentations of the history of Judah and Israel were composed and the Deuteronomistic editors used them. They drew their own conclusions from the source material and created a chronology of their own, which sometimes led to the contradictions we can detect in the present form of the Hebrew Bible.
Another important result is that the 480-year period mentioned in 1 Kings 6 and the 300-year period in Judges 11 are also based on the pre-Deuteronomistic chronological tradition even though they are not based on archival material and are therefore unreliable figures.
The Guide to Biblical Chronology also deals with postbiblical Jewish chronology, showing that there were in existence two different and competing chronological systems. One was based on Daniel 9.24-27 and followed by Josephus, and the other was first advanced by Demetrius the Chronographer in the late third century BCE and was then followed in the Damascus Document from Qumran and in Second Baruch .
Ezra: A Commentary
Ezra: A Commentary